Katie teaches middle school English/Language Arts and has a master's degree in Secondary English Education
Twelfth Night Act 1 Scene 4: Summary & Analysis
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ShowAt the beginning of Act 1, scene 4 of Twelfth Night, Duke Orsino's messenger servant Valentine enters with Viola, who is dressed as a young man. He clearly thinks she actually is a young man, calling her Cesario. Valentine tells her that if the duke continues to find so much favor in him, he will rise up the ranks in no time. Apparently, Viola has only been working for the duke for three days, and he's already treating her like a close friend.
Viola is curious about Valentine's statement, asking if he means that he thinks the duke might not continue to like her, either because his taste might change or she might do something to mess their relationship up. Valentine assures her that the duke is a stable person and will probably continue to like her.
The duke enters the scene with some servants, looking for ''Cesario.'' He asks Valentine and the servants to leave so that they can speak privately. Duke Orsino tells Viola (as Cesario) that she is his closest friend and knows what's inside his soul better than anyone. He begs her to go to Olivia's home and insist on being allowed to speak with her to tell her the duke's true feelings. Viola protests, feeling sure that no one at Olivia's house will let her get through to Olivia if she is as depressed as everyone says she is.
The duke insists that she must not take no for an answer and that she needs to do whatever it takes to speak with Olivia. Viola asks him what she should do in the very unlikely event that anyone allows her to speak with Olivia. He tells her that she needs to give Olivia a lot of very detailed examples of how much he loves her. He thinks that Olivia will feel comfortable opening up to him because he really doesn't seem very much like a man; he has feminine features and a sympathetic demeanor or attitude that will help her open up and confide in him as if she were talking to another woman and not feel threatened.
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The duke says that his servants can all join Viola so that he can be left alone and that if she accomplishes the mission of speaking to Olivia, he will repay her with a fortune. Viola tells him that she will do her best and he exits. To herself, she muses on how hard it will be to try to play matchmaker for a man that she loves herself.
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In Act 1, scene 4, Viola perceives her connection with the duke differently than he. At the end of the scene, she reveals to the audience by talking to herself that she is actually in love with Orsino. Her situation is complicated because she has been fooling him into thinking she is a young man. Now, she is charged with the task of helping him connect with Olivia.
This situation is an example of dramatic irony, in which a character reveals information to the audience that other characters do not know. The audience knows that ''Cesario'' is actually Viola and so far, only the audience knows that Viola is in love with Orsino.
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In Act 1, scene 4 of Twelfth Night, we see the first interaction between Orsino and Viola as Cesario. Orsino quickly regards Cesario as his best friend and begs her to go to Olivia and try to tell her how much Orsino loves her. Viola as Cesario agrees but after the duke has left, she talks to herself, admits that she is in love with Orsino herself, and is unhappy about the mission he sent her on. This scene contains a lot of dramatic irony, or information that the audience has that certain characters are oblivious to.
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