Red River (1948 film)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Red River
Red River (1948) poster.jpg
Theatrical release poster
Directed byHoward Hawks
Screenplay by
Based onThe Chisholm Trail
1946 The Saturday Evening Post
by Borden Chase
Produced byHoward Hawks
CinematographyRussell Harlan
Edited byChristian Nyby
Music byDimitri Tiomkin
Monterey Productions
Distributed byUnited Artists
Release date
August 26, 1948[1]
Running time
133 minutes (Pre-release) 127 minutes (Theatrical)
CountryUnited States
  • English
Budget$2.7 million[2]
Box office$4,506,825 (US rentals)[3]

Red River is a 1948 American Western film, directed and produced by Howard Hawks and starring John Wayne and Montgomery Clift. It gives a fictional account of the first cattle drive from Texas to Kansas along the Chisholm Trail. The dramatic tension stems from a growing feud over the management of the drive, between the Texas rancher who initiated it (Wayne) and his adopted adult son (Clift).

The film's supporting cast features Walter Brennan, Joanne Dru, Coleen Gray, Harry Carey, John Ireland, Hank Worden, Noah Beery Jr., Harry Carey Jr. and Paul Fix. Borden Chase and Charles Schnee wrote the screenplay, based on Chase's original story (which was first serialized in The Saturday Evening Post in 1946 as "Blazing Guns on the Chisholm Trail").

Upon its release, Red River was both a commercial and a critical success and was nominated for two Academy Awards.[4] In 1990, Red River was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."[5][6] Red River was selected by the American Film Institute as the 5th greatest Western of all time in the AFI's 10 Top 10 list in 2008.


Thomas Dunson (John Wayne) wants to start a cattle ranch in Texas. Shortly after he begins his journey to Texas with his trail hand Nadine Groot (Walter Brennan), Dunson learns that his love interest Fen (Coleen Gray) was killed in an Indian attack. He had told Fen to stay behind with the California-bound wagon train, with the understanding that he would send for her later.

That night, Dunson and Groot fend off an attack by Indians. On the wrist of one, Dunson finds a bracelet he had been left by his late mother, which he had given to Fen as he left the train. The next day, an orphaned boy named Matthew Garth (played as a boy by Mickey Kuhn and as an adult by Montgomery Clift) wanders into Dunson and Groot's camp. He is the sole survivor of the wagon train, and Dunson adopts him.

Dunson, Groot, and Matt enter Texas by crossing the Red River. They settle in deep South Texas near the Rio Grande. Dunson names his new spread the Red River D, after his chosen cattle brand for his herd. He promises to add M (for Matt) to the brand, once Matt has earned it.

Fourteen years pass, and Dunson has a fully operational cattle ranch, but he is broke as a result of widespread poverty in the southern United States following the Civil War. He decides to drive his massive herd hundreds of miles north to the railhead at Sedalia, Missouri, where he believes they will fetch a good price. After Dunson hires men to help, including professional gunman Cherry Valance (John Ireland), the northward drive starts.

Along the way, they encounter many troubles including a stampede caused by one of the men, Bunk Kenneally (Ivan Parry). This leads to the death of Dan Latimer (Harry Carey Jr.).

Continuing with the drive, Valance relates that the railroad has reached Abilene, Kansas, which is much closer than Sedalia. When Dunson confirms that Valance had not actually seen the railroad, he ignores the rumor in favor of continuing to Missouri. Dunson's tyrannical leadership style begins to affect the men, with his shooting three drovers who try to quit the drive. After Dunson announces he intends to lynch two men who stole supplies, tried to desert, and were captured by Cherry Valance, Matt rebels. With the support of the cowhands, he takes control of the herd in order to drive it along the Chisholm Trail to the hoped-for railhead in Abilene, Kansas. Valance and Buster (Noah Beery Jr.) become his right-hand men. Dunson curses Matt and promises to kill him when next they meet. The drive turns toward Abilene, leaving Dunson behind.

On the way to Abilene, Matt and his men repel an Indian attack on a wagon train made up of gamblers and dance hall girls. One of the people they save is Tess Millay (Joanne Dru), who falls in love with Matt. They spend a night together, and he gives her Dunson's mother's bracelet. Eager to beat Dunson to Abilene, he leaves early in the morning, the same way Dunson had left his lady love with the wagon train 14 years before.

Later, Tess encounters Dunson, who has followed Matt's trail and now sees her wearing his mother's bracelet. Weary and emotional, he tells Tess what he wants most of all is a son. She offers to bear him one if he will abandon his pursuit of Matt. Dunson sees in her the anguish that Fen had expressed when he left her, but he resumes the chase with Tess accompanying him.

When Matt reaches Abilene, he finds the town has been awaiting the arrival of such a herd to buy. He accepts an offer for the cattle and meets Tess again. Shortly thereafter, Dunson arrives in Abilene with his posse. Dunson and Matt begin a fistfight, which Tess interrupts, demanding that they realize the love that they share. Dunson and Matt make peace. The film ends with Dunson advising Matt to marry Tess and telling Matt that when they get back to the ranch, he will incorporate an M into the Red River D brand, because he has earned it.




Montgomery Clift between filming.

Red River was filmed in 1946, copyrighted in 1947, but not released until September 30, 1948. Footage from Red River was later incorporated into the opening montage of Wayne's last film, The Shootist, to illustrate the backstory of Wayne's character. The film was nominated for Academy Awards for Best Film Editing (Christian Nyby) and Best Writing, Motion Picture Story (Borden Chase). John Ford, who worked with Wayne on many films such as Stagecoach, The Searchers and The Man Who Shot Liberty Valance, was so impressed with Wayne's performance that he is reported to have said, "I didn’t know the big son of a bitch could act!"[8]

The film was shot in black and white rather than color, because director Howard Hawks found Technicolor technology to be too "garish" for the realistic style desired.[9] Second unit director Arthur Rosson was given credit in the opening title crawl as co-director. He shot parts of the cattle drive and some action sequences.[10] The film's ending differed from that of the original story. In Chase's original Saturday Evening Post story, Valance shoots Dunson dead in Abilene and Matt takes his body back to Texas to be buried on the ranch.

During the production and while the film was still being shot, Howard Hawks was not satisfied with the editing and asked Christian Nyby to take over cutting duties. Nyby worked about 1 year on the project. After production, the pre-release version was 133 minutes and included book-style transitions. Howard Hawks felt this version was too long, and that the inserts in the book were both difficult to read and awkward, slowing down the pace of the film. He had a narration written and called Walter Brennan in to record it. They removed the book-style transitions and, together with Brennan's narration, tightened the running time and added a beneficial character intimacy to the film. This version was briefly available for television in the 1970s, but was believed to be lost. It was rediscovered after a long search as a Cinémathèque Française 35 mm print and Brennan's voiceover track was restored to the movie.[11]

Before this version could be released, Howard Hughes sued Howard Hawks, claiming that the climactic scene between Dunson and Matt was taken from the film The Outlaw (1943), which Hawks had worked on with Hughes. To resolve the issue, editor Nyby and Hughes went back and forth trimming, re-cutting, and re-inserting until a compromise was reached. This final product was the original theatrical version which was released at 127 minutes. For unknown reasons, the 127-minute theatrical version, which was preferred by Howard Hawks, was lost, and it was the 133-minute pre-release version which was seen on television broadcasts and home video releases for decades. The original theatrical cut was reassembled by Janus Films (in co-operation with UA parent company MGM) for their Criterion Collection Blu-ray/DVD release on May 27, 2014.

In his 1982 book Howard Hawks, Storyteller, Gerald Mast says that the 133-minute version is Hawks' preferred cut and goes into some detail explaining this.[full citation needed] In his essay on the film for the Library of Congress' National Film Registry, filmmaker/historian Michael Schlesinger believes that the shortened version was prepared for overseas distribution, as it is easier to replace narration than printed text. He says that the sole source of Hawks' preference for the shorter version was an interview he gave to Peter Bogdanovich near the end of his life, when the director, already prone to spinning tales and changing his opinions, may have simply been confused.[full citation needed]


The song "Settle Down", by Dimitri Tiomkin (music) and Frederick Herbert (lyric), heard over the credits and at various places throughout the film score, was later adapted by Tiomkin, with a new lyric by Paul Francis Webster, as "My Rifle, My Pony, and Me" for the 1959 film Rio Bravo.[12]


Bosley Crowther of The New York Times gave the film a mostly positive review, praising the main cast for "several fine performances" and Hawks' direction for "credible substance and detail." He only found a "big let-down" in the Indian wagon train attack scene, lamenting that the film had "run smack into 'Hollywood' in the form of a glamorized female, played by Joanne Dru."[13] Variety called it "a spectacle of sweeping grandeur" with "a first rate script," adding, "John Wayne has his best assignment to date and he makes the most of it."[14] John McCarten of The New Yorker found the film "full of fine Western shots," with the main cast's performances "all first-rate."[15] Harrison's Reports called the film "an epic of such sweep and magnitude that it deserves to take its place as one of the finest pictures of its type ever to come out of Hollywood."[16]

On review aggregator Rotten Tomatoes the film holds an approval rating of 100% rating, based on 29 reviews, with an average rating of 8.80/10.[17]

Roger Ebert considered it one of the greatest Western films of all time.[18]

This movie was the last movie shown in the 1971 motion picture The Last Picture Show.

Red River was selected by the American Film Institute as the 5th greatest Western of all time in the AFI's 10 Top 10 list in 2008.

The "Red River D" Belt Buckles[edit]

To commemorate their work on the film, director Howard Hawks had special Western belt buckles made up for certain members of the cast and crew of Red River. The solid silver belt buckles had a twisted silver wire rope edge, the Dunson brand in gold in the center, the words “Red River” in gold wire in the upper left and lower right corners, the initials of the recipients in the lower left corner, and the date "1946" in cut gold numerals in the upper right corner. Hawks gave full-sized (men's) buckles to John Wayne, his son David Hawks, Montgomery Clift, Walter Brennan, assistant director Arthur Rosson, cinematographer Russell Harlan, and John Ireland. Joanna Dru and Hawks' daughter Barbara were given smaller (ladies') versions of the buckle. According to David Hawks, other men's and women's buckles were distributed, but he can only confirm the family members and members of the cast and production team listed above received Red River D buckles.

Wayne and Hawks exchanged buckles as a token of their mutual respect. Wayne wore the Red River D belt buckle with the initials "HWH" in nine other movies including North To Alaska, Circus World, Hatari! Rio Bravo, El Dorado, McLintock!, and Rio Lobo.

In 1981, John Wayne's son Michael sent the buckle to a silversmith in order to have duplicates made for all of Wayne's children. While in the silversmith's care, it was stolen and has not been seen since. Red River D buckles, made by a number of sources, are among the most popular and sought after icons of John Wayne fans.[19]


  1. ^ "Red River". AFI Catalog of Feature Films. Retrieved May 17, 2018.
  2. ^ Thomas F. Brady. "Hollywood Deals: Prospects Brighten for United Artists – Budget Runs Wild and Other Matters", New York Times 1 Feb 1948, p. X5.
  3. ^ Andreychuk, Ed (1997). The Golden Corral: A Roundup of Magnificent Western Films. McFarland & Company Inc. pp. 24–25. ISBN 0-7864-0393-4.
  4. ^ Red River (1948) – Awards
  5. ^ "Complete National Film Registry Listing | Film Registry | National Film Preservation Board | Programs at the Library of Congress | Library of Congress". Library of Congress, Washington, DC. Retrieved May 8, 2020.
  6. ^ Gamarekian, Barbara (October 19, 1990). "Library of Congress Adds 25 Titles to National Film Registry". The New York Times. ISSN 0362-4331. Retrieved August 6, 2020.
  7. ^ Grant, Barry Keith (2007). Film Genre: From Iconography to Ideology. London: Wallflower. p. 67. ISBN 978-1904764793.
  8. ^ Nixon, Rob. "TCM Film Article; Red River". Turner Classic Movies. Retrieved July 22, 2017.
  9. ^ French, Philip (October 27, 2013). "Red River". The Guardian. eISSN 1756-3224. ISSN 0261-3077. Retrieved January 29, 2021.
  10. ^ Nixon, Rob. "Trivia & Fun Facts About Red River". Turner Classic Movies. Retrieved July 22, 2017.
  11. ^ Red River commemorative booklet, 2014, p. 27. Included as part of the Criterion Edition release.
  12. ^ Morris, Joan (October 29, 2010). "Joan's World: Missing lyrics from 'Red River' classic". The Mercury News. Retrieved July 22, 2017.
  13. ^ Crowther, Bosley (October 1, 1948). "The Screen in Review". The New York Times: 31.
  14. ^ "Red River". Variety: 12. July 14, 1948.
  15. ^ McCarten, John (October 9, 1948). "The Current Cinema". The New Yorker. p. 111.
  16. ^ "'Red River' with John Wayne, Montgomery Clift, Walter Brennan and Joanne Dru". Harrison's Reports: 114. July 17, 1948.
  17. ^ "Red River". Rotten Tomatoes. Retrieved June 30, 2020.
  18. ^ Ebert, Roger (March 1, 1998). "Great Movie; Red River". Retrieved July 22, 2017.
  19. ^

Further reading[edit]

  • Pippin, Robert B. (2010). Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosophy. New Haven: Yale University Press. ISBN 978-0-300-14577-9.

External links[edit]