ingénu/e 33, autumn 2021 by ingenue.magazine

ingénu/e creative talent revealed

The Art of Giving

creative gift ideas for the festive season plus autumn festivals; live music & theatre interviews; exhibitions; creative courses book reviews; poetry & flash fiction

south downs and high weald : issue 33: autumn 2021

wtam.uk 01903 206 206 https://wtam.uk/whatson/?genre=museum

LIVE THEATRE A requiem for a rogue The Daily Mail

A fine one-man show The Daily Telegraph

Adrian Lukis S TA R R I N G

A S G E O R G E W I C K H AM

Thu 21st - Fri 22nd October Connaught Theatre www.artistsathome.co.uk/artist/86/hamish-pringle

Catch of the Day

Sat 30th October | Pavilion Atrium

Power

Wed 10th November | Connaught Studio

The Strange Case of Dr Jekyll & Mr Hyde

Wed 29th November | Assembly Hall

Juliet & Romeo

Fri 12th November | Connaught Theatre

ingénu/e creative talent revealed

contents spotlight on... the art of giving visual arts & contemporary crafts performing arts autumn festivals poetry, prose & illustration creative courses & workshops coda

4 23 38 60 66 74 80

who’s who & what’s what editor Gill Kaye editor@ingenuemagazine.co.uk

for press releases

pressdesk@ingenuemagazine.co.uk

sales & marketing

Roger Kaye sales@ingenuemagazine.co.uk 07583 944546

online

www.ingenuemagazine.co.uk https://www. facebook. com/ingenuemag

and big thanks to 2 Way Communcations for their invaluable help on the website www.2waycomm.uk

cover image

The Mediæval Bæbes, who will be bringing their 25th Anniversary Tour to St Mary’s Church, The Causeway, Horsham on Monday 20th December, see page 55. https://www.mediaevalbaebes.com/live

"if it's not in ingénu/e ...it's not happening!"

prelude Hello dear readers, and welcome to the autumn issue of your local arts and culture magazine! Well that's another summer done and dusted. What did you think? Disappointed with the weather? Yes, me too! What I did like, however, was the longawaited re-emergence of the cultural activities and opportunities that were so sorely missed in 2020. Tentatively at first they planned – the festival and event organisers – but gradually swelling in confidence as 'road maps' were issued and light started to glimmer at the end of the tunnel, plans took shape, people came out, and fractured social and cultural bonds started to knit together. The Arts are so vital to society. I think this came home to a lot of people over the last 18 months as we underwent lockdowns and restrictions. Not only for the consumers – festival-attendees, art trail-browsers, theatre-goers and such – but also for the artists. For those of us who have no desire to get up in front of an audience it is hard to imagine the deprivation of those actors, dancers and musicians who were suddenly unable to perform, to express themselves truly through their art. I recently came across this quote from American opera singer Joyce DiDonato: “The truth is, you have signed up for a life of service by going into the Arts. And the life-altering results of that service in other people’s lives will never disappear as fame unquestionably will. You are here to serve the words, the director, the melody, the author, the chord progression, the choreographer – but above all and most importantly, with every breath, step, and stroke of the keyboard, you are here to serve humanity.” It might sound a bit high-falutin, but it's true nevertheless. How many youngsters have had their creative muse awoken by going to their first live performance, and then gone on to have a career in music or theatre? How many little girls – or boys – have watched Cinderella at Christmas and decided they wanted to be a ballet dancer? The point is, that Art, or aesthetics if you will, is the senior element in society. Have you heard the phrase 'life follows art'? Exactly! So now we look ahead through the mists and mellow fruitfulness of autumn to the prospect of sparkly festivities at the close of the year. Our lead feature, as ever at this time of year, is 'The Art of Giving'. Really, the content of the whole magazine could be considered 'fine gift ideas'. Obvious choices would be the plethora of artworks, ceramics, jewellery, glass, designer bags, handmade scarves and other fabulous festive creations on offer at galleries and shows. But what about books by local authors, tickets to the theatre or to a live music event, gift vouchers for creative courses and workshops...? In short, anything created with skill and passion, chosen with care and given with love makes a perfect gift. So read on and enjoy the mouth-watering offerings of our local creatives! –Gill Kaye, editor

ingénu/e magazine – south downs and high weald : issue 33

spotlight on...

the art of giving! I always reflect on how fortunate we are in the northern hemisphere to have Christmas to punctuate the long dark dreary days of winter. Although we may not feel festive at the moment, now is the time to start looking for gift ideas for your loved ones. And there is nothing better than a gift that has been crafted with care by one of the talented souls in our local area – painters, potters, jewellery makers, sculptors, even writers – in short, artists of all kinds. Feast your eyes, then, on what they have to offer.

Shoreham Art Gallery

here is always something interesting, new and surprising to be found at Shoreham Art Gallery and this Autumn the gallery continues with a programme of guest artists and solo exhibitions, as well as work on show by the twenty regular artists and makers in the gallery and sculpture garden. The work reflects some of the best of local Sussex art: painting, prints, textiles, ceramics, glass, wood, jewellery, photography and more. We’ve recently welcomed a new member, Chris Hesketh, who specialises in ceramic sculptures. Her favourite subjects are birds and animals, which are hand built using a white, molochite based clay, which will withstand the rigours of Raku firing and will also fire to stoneware. With the stoneware pieces, she uses washes of underglazes and the occasional spot or two of clear glaze to accentuate eyes and other features. In the upstairs gallery from October we have “Light and Bright”, an electrifying exhibition of turned lamps and collages by Anna Cates and Amanda Duke, who have teamed up for a two-month show. They have created a ‘home from home’ with Anna’s wood-turned lights, ornaments and table and Amanda’s paper and textile collages and giclee prints. Amanda says ‘We’ve worked up a plan of how we want our work to be ‘experienced’. Conjuring the atmosphere of a cosy cottage room has been fun, we hope you like what you see. Our October guest artist is popular Brighton ceramicist Angela Evans, with her handmade tiles and decorative ceramics that can hang on the wall... what she calls ‘shelfies’. Expect to be wowed and also amused by Angela’s quirky and tactile tiles. Whether you’re looking for something

ingénu/e magazine – south downs and high weald : issue 33

from top: Chris Hesketh, Puffins; Amanda Duke, Dabu 2; Anna Cates, turned lamps; Angela Evans, Shelfie with white birds

spotlight on... the art of giving small as a gift, or something for a big occasion Shoreham Gallery has a wide range of interesting and affordable pieces. Many of the artists also take commissions for that extra special bespoke gift. The Gallery has also created an Art calendar for 2022 with colourful images and quotes to inspire you each month. The calendar will make a lovely gift and is ready to post in its own envelope. It’s available from the gallery and online shop priced £10. Visit www.shorehamgallery.co.uk.

Lorraine Gibby jewellery designer

here have been times over the last twenty months when even selecting and giving a nice birthday card has been a challenge! After the disappointment of last Christmas it has become apparent to many of us just how important our rituals and celebrations are, especially in terms of coming together with family and friends. The exchange of thoughtful gifts to show our love and appreciation is a large part of that. Whilst thankful for internet shopping for seeing us through, there is nothing to compare with browsing a selection of beautiful potential gifts and choosing from what we can see, touch, try and experience first hand. Time to choose ‘out of the ordinary’! Jewellery is particularly personal. If you’d like to gift something extraordinary, I can help. My jewellery collection is thoughtfully designed and eclectic in style. Every piece is unique. Colour is key, and my range includes hand printed aluminium, a range of precious metals, and gemstones chosen for their character and hue. If you like my style, we could talk about a commission or remodelling old jewellery. I have twenty-five years of expertise to share! As a member of the prestigious Sussex Guild, you can find my work at their gallery in Lewes, or at one of many weekend exhibitions. Follow on Instagram to see new work as it emerges @LorraineGibbyinspiredjewellery.

Artists Open Houses

rtists Open Houses are an indispensable part of Brighton’s winter cultural calendar. With the festive season just around the corner, artists across Brighton, Hove and beyond are opening their front doors on the weekends of 27th/28th November, 4th/5th and 11th/12th December. The Artists Open House Winter festival creates a special atmosphere, where you can chat to artists and makers in their homes and studios, whilst viewing a spectacular selection of individual, hand-made arts and crafts. Venues include ‘Troublemakers’, a visual and cultural dialogue amongst a group of local and international emerging artists, Faye Bridgwater’s bright, bold new paintings and Albert Mews’ amazing range of Christmas gifts. The festival is also a community event, welcoming artists who may otherwise face barriers to the art world, due to health, disability or social circumstance, alongside established professional artists and makers. Don’t miss out on this fantastic opportunity to shop away from the High Street and buy unique Christmas gifts in an inspiring environment, whilst supporting local artists. Many Open Houses also offer mince pies and mulled wine to ease you into your Christmas shopping! Kick off the festive season by picking up special and original presents for friends, family – or for yourself! Don’t forget to visit www.aoh.org.uk where you can find out more about the Artists Open Houses. You will also find links to many of the artists’ and makers’ own websites.

above left: Lorraie Gibby, sapphire ring above: Faye Bridgwater, Artist Open Houses

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

Grandpa's Felicity Fair Thompson 'Grandpa's Dear Old Girl'

If I hadn’t Dear Oldaccompanied Girl a group of people who

were walking along the River Ouse, from Lewes to

We'd love you to come on Saturday 4th September to theChurch, launch of this Inew Old Hamsey would never have begun. I rechildren's adventure story book published by Beachy Books - meet the author Felicity call sitting on a warm gravestone, looking about me, Fair Thompson, and the illustrator, artist Carolyn Pavey

seeing buzzards high in a clear blue sky, smelling the ay back, when I was 'A story full of warmth and drama for all ages. earthy grass before drifting Unputdownable!' says Michelle Magorian, author of off into a daydream in making the film about Goodnight Mister Tom. which Esther, my heroine, came forth, fully formed, the Isle of Wight called A 'A little gem - reading it to your children or her temperament and personality immediately grandchildren will be a delight,' says Gill Kaye, Closer Look, my cameraman Ingenue Magazine recognized by me. I warmed to her. The only other and I were lucky enough to go character pushing into my mind at that point was 'Enhanced with beautiful drawings, an exciting, fascinating and moving story of lighthouses and 'on board' the Needles Lightthekeepers,' river. inWriting its reach, their saysTidal Gary Sutton, Consultant, dangerous in its currents, house on the last day before whose great grandfather worked for the Irish mysterious in its reeds, tributaries and swamps. A lighthouse service. it was automated. I was even wild, untamed river, very different from how we see 'I was absolutely charmed by it and quite given the very last lightbulb the Ouse today. emotional at the end,' says Lesley Myland, before things changed and I Secretary RNLI Board on the IOW The second book, Retribution, came about because still have it today. my readers, who seemed to like Esther as much as I The curved staircase, the round rooms, the magidid, wanted to know what happened next, and I did 'A tender exploration of family, our ever-changing world and the enduring power of cal light, the fog horn, the amazing view – all this It fire was satisfying to continue Esther’s tale, it the sea. A perfect book to read snuggled too. up by the withvery your child or grandchild!' stayed in my memory, so when I was writing newwriter, creator says Daisy Coulham,my EastEnders of Deadwater Fell, and Grantchester was so full of drama and heartbreak. children's story Grandpa's Dear Old Girl, it was all the third and final part of the trilogy Esther Buy the book atIn the event. there ready! £7.99 - a great Christmas present! had grown into a role in which she was happy and I think it's wonderful how braveCome children can be, along between 11.30 and 2.30 to NEWCLOSE CRICKET GROUND content, but she could not escape the attentions of and interesting too, how things they see hear nearand Newport - Blackwater Road PO30she 3BE had * Free parking * Her hopes and dreams, and those crossed. Cafe Bar open for drinks, teas and coffee, and lunches. along the way, they can suddenly use. Young Millie her very survival, had no certain conclusion. https://www.newclose.org/bar-and-restaurant listens and learns from her grandpa, and when the See ingénu/e's review of the third book, Secrets & www.beachybooks.com wild storm he says is coming arrives, she can helpGrandpa’s Dear Old Girl – Beachy Books Saviours, on page 67 and for more information go to Grandpa save the fishermen, but will she be able to ISBN 978-1-9997283-8-0 www.beverleyelphick.com. help save him? See ingénu/e's review on page 68 and for more information go to www.wightdiamondpress.com.

Beverley Elphick The Esther Coad trilogy

'Beautiful Lies'

an anthology of 35 new writers published by Bourne to Write

T T

he crafting of a book, any book, is a labour of love and when I started my first (and I thought only) book, I knew I would become attached to the personalities I was creating – good and bad. I had to decide if I wanted to commit time and effort to people I had never met and present them fully developed to a reading public who might not rate them as highly as I did. I had reached the ripe old age of sixty-two and prior to that I had felt no inclination to write a novel, I didn’t even know if I had the energy to complete it.

he online creative writing workshop ‘Bourne to Write’, led by writer and critic Roddy Phillips, has published an anthology of 35 new writers. Most of the workshop writers are published for the first time in print. “The work that is regularly produced for the workshop is of an extremely high standard and it's a pleasure to publish so many exceptional writers in one stunning volume, it's very exciting,” said writing tutor Roddy Phillips. “In this anthology of 35 highly talented new writers you’ll find refreshing, creative voices that will constantly surprise and delight.” Although originally based in East Sussex, the ‘Bourne to Write’ writers now come together every week from across the country thanks to Zoom. The writers range in age from 18 to 93. “Zoom has transformed the workshops,” said Roddy, “it's given them greater depth because I can now share our writers’ work onscreen, whether it's

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving delivery. Visit www.thelittleartgallery.online. Although we will be displaying a variety of festive gift ideas we still have a display of artwork available for people who want some fabulous art for their home.

written or recorded. And of course we now have writers from across the UK who would never have had the chance to join one of our weekly workshops. During lockdown the Zoom workshops were a lifeline, but now they’ve become a way of life and a new way of learning to write.” The cover of Beautiful Lies features the painting ‘Belle’ by the leading figurative artist Catriona Millar, who also has work in the book. Beautiful Lies – an Anthology of New Writers is available on Amazon £8.99. See ingénu/e's review on page 66. For more information on Bourne To Write contact Roddy on 07758 367479 or email him at bournetowrite1@gmail.com. bournetowrite.co.uk

Screens4printing

the little art gallery

e are only a little gallery in West Wittering but we squeeze in as much as we can. We have something for all tastes and price ranges. From small glass hearts at £3, pewter key rings for £8, glass fish for £15 and £35 through to large paintings for £3,000; seascapes, landscapes, abstract art and printmaking. We are always delighted to hear the surprise expressed by new visitors at the quality and quantity of artwork we have on display. With the festive season, which is a time for giving, what better gift can you choose than a piece of original art by one of our artists who care deeply about their work. Everything displayed in our gallery is made by hand and nothing is bought in. If you have something specific in mind, please contact us and we can arrange to have a selection ready for your visit. Many of our artists will be giving us festive gifts to display, cards, calendars, glass, pewter and ceramic tree ornaments, hand painted silk scarves, silver jewellery and enamels. We also give gift vouchers. Last year we had a further lock down in November, hopefully this will not be repeated but if you find you cannot visit we can always arrange to send you photographs of what we have in stock and arrange

creens4printing make easy-to-use screens with images already burned on to them to make printing easy. The extensive library of images includes, amongst other things: textures, flora and fauna, vintage imagery and seasonal motifs. So with Christmas coming up there are lots of designs to choose from in a couple of different sizes. The mini screens are perfect for making cards and gift tags, whilst the small screens will quickly cover paper to create your own custom wrapping paper. If you have your own drawings, or mark making experiments, or computer generated designs, we will produce your custom designs onto a screen so that you can print them over and over again, on fabric, paper, wood, metal, ceramic or glass. Just let us know if you are printing with a particular medium and what the problems might be pushing it through a screen, and we can tailor our screens for your media. As well as the screens, we provide squeegees and paints/inks for use on fabric or paper, to enable you to get straight on and print with your new screen. Along with the basic instructions that are included with your screen, the website 'How To…' page has videos to help you get started with printing and with colour mixing. For more info visit www.screens4printing.com, call 07498 680112 or email info@screens4printing.com. above: Christmas tree design by Screens4 Printing; left: exterior of the little art gallery, emanating a warm enticing glow on a chilly day!

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

Debbie Smith, jewellery designer

orking from her workshop in Lindfield, Debbie Smith designs and creates handmade silver jewellery with spirit! All of her designs are unique, individual and personal and inspired by a 'sense of touch'. Debbie believes that jewellery should be easy to wear and tactile, as this connects the piece to the person. She is happy to design and make individual pieces to order. Her latest collections, 'Just Saying' and 'Lifting Spirits' are inspired by personal stories, and each piece has a tale to tell… For more info or to commission a piece of jewellery you can reach her via www.thejewellery-workshop.co.uk or tel: 07775 884990 or on Instagram: @thejewellery.workshop

The West End Gallery, Worthing

howcasing locally-created art in a friendly and informal setting. Thanks to everyone who supported us and other small businesses in Worthing throughout the pandemic. This gallery and studio space, run by resident artists Sarah Sepe and Barry Williams, will be celebrating its fifth birthday in October. Situated in Worthing’s ‘West End’, with its eclectic mix of small cafés, galleries and shops, our striking lime-green gallery set in a traditional Victorian corner shop is hard to miss. Awarded 'Good to Go' accreditation from Visit England we meet Government and industry guidelines for the health & safety of visitors to the gallery. Our Christmas Gallery will run from November until Christmas Eve when our displays will feature Sarah’s latest printed seascapes, collages and small 3D paper artworks, Barry’s photography, prints and quirky recycled mixed-media ‘Conversation Pieces’ and their unique cards, complemented by the work of three guest artists: Jo Collard (textiles), Naomi Frances

(glass) and Mia Revill (mixed media). Celebrating the art of the handmade, it will be a great opportunity to find a unique Christmas gift for someone special or a quirky stocking-filler. Currently our core opening times are Wednesday to Saturday 10am-2pm. We plan to have extended opening times for our Christmas event. Following the lifting of lockdown restrictions, Sarah and Barry have resumed their informal monthly Artists’ Networking Breakfasts in Worthing for local artists and anyone interested in the arts. They are held on the 7th day of each month at Brewhouse & Kitchen, Wykeham Road, Worthing BN11 4JD. Drop by at any time between 9am-11am. West End Gallery, 87 Rowlands Road, Worthing, BN11 3JX. Visit www.worthingartstudios.com, find us on Facebook: westendgalleryworthing, on Instagram: instagram.com/westendgalleryworthing, or email us at info@worthingartstudios.com. top: Barry Williams, Morris Dancing Eggs; below: Sarah Sepe, Collage Beach, lino print-collage

ingénu/e magazine – south downs and high weald : issue 33

Neeta Pedersen

spotlight on... the art of giving

eeta Pedersen is an artist who expresses herself in many media including paintings, sculptures, illustration and animation. Her work ranges from the highly decorative and romantic to the stark and the explicit and her unique style has gained her an international reputation. She is also an accomplished graphic designer and website builder and has an online shop selling bags, purses and scarves decorated with her stylish artwork.

South East Open Studios

Neeta Pedersen, bag

In February 2020 she became the owner and director of the Star Brewery Gallery in Lewes and has succeeded in staging a wide variety of successful exhibitions by local artists in spite of the covid pandemic. Neeta’s remarkable real-life experiences have had a big effect on her artistic career. She was born in Mumbai, adopted by a Danish couple at the age of six months and grew up in Aarhus in Denmark. Leaving home at 17, she travelled to Israel followed by India and Nepal for six months. She subsequently visited many European countries and lived, worked and studied in Boston and New York, where, in the late 1990s, she enrolled in the Total Immersion Intensive Workshop at the New York Film Academy. In 2005, she gained a BA (Hons) in Animation from the University of Westminster in London. Her graduation film ‘Disharmonious Coincidence’ was subsequently screened at film festivals in London, Italy, Japan, France and Romania and was selected by British Council to be included in their British Films Directory. She is currently working on an illustrated children’s book set in a fantastical world of her imagination. For more info visit www.neetapedersen.co.uk and www.neetapedersenshop.com.

he great Pablo Picasso said: “Art washes away from the soul the dust of everyday life”...so what could be better than giving your loved ones the gift of art? You'll find 200 SEOS artists and makers situated across the whole of the South East. Some of our artists practise painting, printmaking, pottery and sculpture; some produce artworks with textiles, glass, wood and digital imagery; some are cabinet makers, jewellery makers and silversmiths… and so much more! Choosing art as a gift can be challenging, but many of our artists will work with their buyers to make sure it is right, or will produce vouchers that can be redeemed for commissions or special pieces. There’s something for all budgets – prices range from £5 to £5,000. You can browse our members’ work on our website to get a taste of the vast array of talent available in your local area: www.seos-art.org/all-artists If you are an artist or maker living in Kent, East Sussex or the Surrey borders and want to take part in South East Open Studios next June (3rd to 19th), sign up to our newsletter at seos-art.org and watch out for announcements on our social media channels – @seopenstudios. Make sure you don’t miss SEOS 2022, it's our 25th anniversary and promises to be the biggest and best yet.

top: Vinca Brown, Loomiere Weaves Scarves; above: Harriet Ferris Black bowl

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

Susie Olford, painter

ummer is over, did it ever happen? Autumn brings days of warmth – warmth of colours. I had a successful summer exhibiting in trails and exhibitions, so pleasing after the non-year of 2020. Hoping for a week in Charente to paint amongst the lavender. My thoughts are on 21st December, the ‘turning’ day. Watching days get lighter and daylight painting hours getting longer. I only use bright and warm colours in my paintings thus not an artist who paints snow – even with the deep shadows from low sunlight. Not for me; warmth every time. Autumn is for reflection: perfect July weather for Chichester Art Trail with a wonderful barn for art displays, and reflecting on my first exhibition in Arundel Cathedral during Arundel Gallery Trail – such a privilege and experience. The year’s end brings celebrations; the nation is hoping for a bright spring start to 2022. As an artist, spring is the beginning of a creative year. See you in the Spring... For more info contact smoart@btinternet.com.

Louisa Crispin, Bumble Bee

by the loyalty of their existing artists, and have now also added new artists to their existing stable. The first exhibition of Stuart McCrorie’s paintings was very successful and the current exhibition features artist Louisa Crispin, whose intricate observations from nature are outstanding, and runs until the 31st October. Her show is entitled ‘Botanicals and Bees’. The following event runs from 2nd November to 24th December, and will have work which artists have produced that can be purchased for under £100, making excellent Christmas presents. Visit www.newart-gallery.co.uk for all information.

The Midhurst Gallery

where there is something for everyone

Susie Olford, Stand & Gaze, oil on board

New Art Gallery

ucked away on the outskirts of Midhurst Old Town is a little gem of a gallery known simply as The Midhurst Gallery, boasting a wide selection of paintings, both old and new, many by local artists past and present. The gallery has been established in the historic and bustling market town of Midhurst since 1981 as an independent retail shop selling fine art and prints, as well as being main suppliers of essential artists' materials and artists' greetings cards, perfect for Christmas gift ideas. The Gallery is fortunate enough to be situated in the heart of the beautiful South Downs National Park

New location in Eastbourne

he New Art Gallery has moved from Alfriston Village, after many happy years, into the centre of Eastbourne and is now housed in a lovely Victorian house in Hyde Gardens. They have a new Director, Ian Shearer, who has invested in the gallery with his passion for art and his experience in business. Whilst looking for a shop in Eastbourne last year, the virus started up and they had to retreat into lockdown. This unfortunately halted the move, effectively the gallery was closed for nearly a year, but then Hyde Gardens became available where they have settled in nicely. After such a difficult time the gallery was touched

ingénu/e magazine – south downs and high weald : issue 33

just one part of Midhurst Gallery, showing some of their artist materials

spotlight on... the art of giving

Frances May, Heavenly Cuckmere Haven, limited edition print

Frances May BA Hons. PGATC, Kent painter

uring the first lockdown 2020 I was visiting Sydney, Australia for two and a half weeks and managed to stay for three and a half glorious months, exploring the Eastern suburbs from the four coastal apartments I rented. I had no distractions and very little to do. My mornings were spent walking, using my iPhone to chronicle the amazing views I saw and my afternoons experimenting with watercolours and ink pens, inspired by bunches of flowers. By downloading a simple app on my iPad I began overlaying some of the coastal views and places of interest I visited and photographed, like the world heritage site Waverley cemetery. This editing experimentation eventually led to the inclusion of photographs of my watercolour paintings to add more abstraction. The juxtaposition of abstraction and reality is often, if not always, reflected in my work. I had some of the images printed with the intention of working

over the top, but I really liked them as they were and so produced a selection of limited edition prints. I have continued the process back in the UK, photographing landscapes and seascapes around Kent and East Sussex and combining them with my paintings. www.paintdesignstyle.co.uk Instagram: @francesmayartist

Vee Pease, jewellery designer

ee has been making jewellery in her West Sussex studio for fifteen years, having completed a jewellery degree in the 80's at Farnham School of Art. She is hugely influenced by the abundant and beautiful flora on her doorstep, where she walks daily on the South Downs. Photographing and sketching wild flowers, leaves and seed-heads inspires much of Vee’s work. The names of some of these species also fascinate her – Enchanter’s Nightshade, Lady’s Bedstraw and Round-headed Rampion, to name a few. Trying to re-create the elegance and delicacy of these plants in silver is a constant challenge, as is making them wearable and comfortable. Vee often uses paper and card to help in the design of her pieces. She also

Vee Pease, Pendant with silver ash seeds, garnet, carnelian and turquoise beads

with its spectacular and picturesque surroundings which have over the centuries and to this day been a magnet for artists. This wealth of talent has enabled Midhurst Gallery to present many artworks with a local interest, such as Paul Masset, a bi-lingual Frenchman with a foot on both sides of the channel whose Midhurst Gallery exhibition was previously featured in ingénu/e magazine. The gallery is well worth a visit, whether to buy art and/or obtain those vital art materials. Combined with a stroll in the beautiful countryside and lunch at one of the local eateries it is an ideal Christmas shopping day. The gallery is committed to providing the highest standards of service, and hopes that by visiting the gallery or browsing the website, one can find something to please. Visit www.midhurstgallery.co.uk.

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving hammers the surface of the silver, not only to add texture, but also to add shape to each piece. Hammering makes the silver move in an organic way and can often have unexpected and serendipitous results. Vee will be taking part in Brighton Artists’ Open Houses this November/December. She will be at Milton House, 72 Clyde Road, Brighton BN1 4NP. Milton House is always brimming with stunning artworks and crafts and won best open house in Christmas 2020. It has a wonderful selection of ceramics, prints, cards, jewellery, candles and much more. Visit www.vpjewellery.co.uk to see Vee's work.

November from 2pm to 4pm with mulled wine and mince pies. Save the date! For more info and opening times go to www.blueviewartstudio.co.uk

Way Out There & Back Littlehampton

above: pebble art; top: silver jewellery

Blueview Arts Studio,

ucked away in a charming historic courtyard (it was where the town's working horses used to be stabled) in Littlehampton, on the beautiful Sussex coast, you will find one of the south coast's top independent retailers Way Out There & Back, specialists in Art & Plants, trading form this location for 29 yrs. A high end new age outlet and art gallery covering a wide range of needful things such as: healing and beautiful to look at crystals; festival rainbow clothing and divine silver jewellery; together with essential oils, aromatic incenses from around the world, we are also licenced stockists of Stormtrooper collectibles. We specialise in urban art, urban art supplies such as Kobra & Montana spray-paints, caps and all variations of Posca Paint Pens, plus local handmade artisan crafts, with an ultraviolet viewing gallery, and are proud supporters of the Wish and JUST A CARD campaign too. Serving both the retail and mail order community; believing in the power of truth and compassion for Mother Nature and human uniqueness!! Find us on social media @wotabshop

Ferring

hen ingénu/e visited Blueview Arts Studio and Sculpture Garden in the summer, it was somewhat like taking the red pill in the Matrix or venturing through Alice’s looking-glass. Tardis-like, it seemed much bigger on the inside than the outside, honestly! The sculpture garden, which extends to the beach with a glorious view of the sea, is only open in summer, but hopefully you will be able to see for yourself all the fabulous creativity, it's a beautiful experience. The studio is certainly Ferring’s best kept secret and a treasure trove of local photography, handmade jewellery and gifts, including 2022 calendars made with decoupaged images onto wood or canvas. Two exciting new artists have joined this year creating driftwood sculpture and pebble art. The driftwood sculptures are table-top pieces using driftwood, beach finds and vintage items. Opening hours are extended until the end of October, plus there is a Christmas Opening on 21st

12 12

ingénu/e magazine – south downs and high weald : issue 33

a colourful corner of Way Out There & Back

spotlight on... the art of giving

43rd Lingfield Art Exhibition 25th to 31st October

Esther Newnham Brown, Violet floral, acrylic on wood; below: Nina Smith, dichroic glass pendant

Gallery BN5

nlike the Windmill Theatre which boasted that it never closed, the Lingfield Art Exhibition, after forty-two years without a break, did not happen in 2020. But we are back! We hope that this year the exhibition will be better than ever. We will continue to showcase the considerable talents of local artists and sculptors which will be on sale at affordable prices. In addition to the work displayed on the walls, there will be a selection of unframed drawings and paintings to browse; and if you cannot afford the original work you may be lucky to find a greetings card with a print of the same painting. Over the last few years we have held a competition for art students at some of the local schools. This has proved a great success and has tapped into the amazing talent of the next generation of artists. We will display their work throughout the exhibition. The exhibition, as always, will be held in the light surroundings of the Lingfield and Dormansland Community Centre, and if all this is not enough, tea, coffee and homemade cakes will be available daily. We look forward to seeing you at the exhibition, you may be able to purchase an early Christmas present! For more details visit www.lingfieldart.org.

Henfield

e believe that it really doesn’t matter how much or how little you spend on a present, it is the giving of a gift that will light up the person’s face when they open what you have chosen with care. It is not to receive one back, or to receive something that didn’t cost the same as your purchase, it simply does not matter. The feeling of receiving that gift that someone has chosen for you and taken time out of their busy day to think about what you would like, what would please, what would cheer you, is always to be cherished. At Gallery BN5 there is such a variety of gifts to choose from at very reasonable prices. Many of our customers come in because they have not been able to find anything in the main towns, and our village Gallery seems to have just what they are after. They then return because they have seen something unique that will be ideal for someone else. Visit www.gallerybn5.co.uk for fabulous gift ideas.

Leah Durrant, competition winner 2019 with her winning painting

Cathy Bird, artist

t all started with a painting of two young children, running away down the field. Their mother could see them so perfectly in those back views. Since then, I’ve found that people enjoy portraits that are different. That celebrate a particular place or activity. Have a look at my advert of page 19 – the children on the swing were moving house so that was quite poignant.

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving sionally printed on premium quality 250gsm gloss paper. It features twelve different landscapes and seascapes across the year, and is priced at £12.50 with free UK shipping. There are limited copies available; order yours online at https://bit.ly/FrancesKnight2022Calendar.

The tiny toddler with Daddy was the first of four little paintings that have charted walks in France, among bluebells as she has grown. I am sure more will follow. A portrait is such a unique and personal gift, always treasured, perfect for Christmas, of course. Don’t hesitate to email Cathy for a chat, if you’d like to discuss an idea. I’m on weekendarting@gmail.com and now is the perfect time to plan!

Frances Knight

Contemporary Landscape Painter

rances Knight is a contemporary landscape artist. She likes to paint outside directly from nature, exploring the effects of light, colour and structure within the landscape. These expressive studies inform later studio paintings, which often push gently towards abstraction. After graduating from Camberwell School of Art, Frances won a scholarship to complete her MFA in India. She worked as a painter at the Transcendental Meditation organisation, a global non-profit charity, for more than thirty years. Frances has exhibited her work internationally as well as widely across the UK, and her paintings are in private collections in the UK, Europe, the USA, Canada and India. To view paintings, visit Frances Knight at Top Floor Studio, The Victoria Institute, Tarrant Street, Arundel BN18 9DG. Studio visits are by appointment only; please email frances@francesknight.com to arrange. Her paintings can also be seen at Nadia Waterfield in Andover, The Little Art Gallery in West Wittering, and online on www.francesknight.com. Follow on Instagram @francesknightfineart for latest updates. 2022 Landscapes & Seascapes Calendar Frances produces a beautiful calendar of her original paintings each year, and her 2022 Landscapes & Seascapes Calendar is now available to order. This A4 spiral bound calendar opens to A3 size and is profes-

ArtSpring Gallery Gets Festive in Tonbridge

t’s that time of year again and we are all crossing our fingers that it will be a better time than Christmas 2020. ArtSpring Gallery has a great range of fine contemporary art including wall art as well as a vibrant selection of jewellery, glassware, pottery and ceramics. The artist members at ArtSpring Gallery in Tonbridge are determined to be festive and there will be a wonderful new collection of gifts and decorations on display in the shop and online, during November and December. Something for everyone! There will be a special Sunday opening to coincide with the Tonbridge Christmas Festival on 28th November from 2 to 6.30pm. And during December the gallery will be open six days a week, Mondays to Saturdays from 11 am to 4pm. In the run up to Christmas new members and guest artists will have their work on show. Ben Cotterill from West Malling joins the artist cooperative as a member. Ben loves the old, the ageing and the rusting of buildings and objects and translates these images into wonderful paintings in acrylic, watercolour and pen & ink. New member Sara Powell creates stunning silver jewellery with a natural theme of flora and fauna. Three guest artists will be with ArtSpring during October and November. Thomas Best-Shaw works in oils and acrylics and has won a number of awards for both his portraits and landscapes. His work demonstrates his love of the local Kentish landscape with its distinctive oast houses and North Downs vineyards as well as North Cornwall where he draws much inspiration from its rugged coastline and moody skies.

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving Rowena McWilliams also produces landscapeinspired paintings but combines what she sees with what she feels. Collage is an integral part of her process, and everyday experiences and an interest in current affairs provide her inspiration. Tim Wheeler makes a welcome return with his mostly abstract stone carved sculptures which combine forms with descriptive lines. Inspiration is from a variety of sources – from bits of string to animals as well as deriving from the human figure in, some-

times, a more representational though stylised way. ArtSpring continues to host 'Meet the Artist' afternoons on the first Saturday in every month from 2 to 4pm. Although there is always one of the artist members in the Gallery, these afternoons offer visitors an opportunity to come and view and talk about the pieces on show with many of the gallery artists while enjoying a glass of fizz. For all details go to www.artspringgallery.co.uk.

Hildegard Pax, Dichroic Glass Necklace; left: Jane Bridger, Ceramic Christmas Trees

Looking for inspiration for your home or the perfect Christmas present? First Saturdays Meet The Artists 2-4pm Browse our online store www.artspringgallery.co.uk artspringgallery.co.uk/shop From 1 - 23 December Open Monday-Saturday 11-4pm Open Wednesday - Saturday 11-4pm 167 High Street, Tonbridge, TN9 1BX T: 01732 365924 E: gallery@artspringgallery.co.uk

SCAN ME

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

SNUGGLE UP BY THE FIRE WITH YOUR CHILD OR GRANDCHILD! Now his lighthouse is being automated, what will Millie’s Grandpa do?

‘Tender, evocative, humorous’ Irish traditional ways and other themes gently explored here in this first collection of poems

But an automated lighthouse can’t remember how wild big storms can be…

‘Full of warmth and drama for all ages. Unputdownable!’

Michelle Magorian, Goodnight Mister Tom

£7.99 - A GREAT CHRISTMAS PRESENT!

AT YOUR FAVOURITE BOOKSHOP https://beachybooks.com/bookshop/grandpas-dear-old-girl Published by Beachy Books ISBN 978-1-9997283-8-0

MURDER ´ BETRAYAL ´ ADVENTURE Beverley Elphick's exciting trilogy is complete!

Virtual launch on Facebook and Impspired: 10/10/21 Physical launch: Thursday 28/10/21, Dorset Arms upstairs, East Grinstead, 7:30 pm. Available on Amazon. More info at www.facebook.com/gerardinewhite

FREE CREATIVE WRITING

WORKSHOP

THREE ROUND TOWERS

RETRIBUTION

At the heart of this “An engaging tale of story is family; not one young woman’s always the one you are born with, but the struggles against one you carve out for the prejudices, yourself. A tale full of assumptions and startling twists and deprivations of a turns and a score that grim and ruthless must be settled period our history” - Rosemary Aitken

SECRETS & SAVIOURS “To him I was just a hostage to fortune, a bartering tool. If not that, why would he keep me alive?” A powerful conclusion to the Esther Coad saga to keep readers gripped to the last

Available from all online suppliers or order from all good bookshops or via www.beverleyelphick.com 16

For a FREE ‘taster’ Zoom workshop

call or text Roddy 07758 367479

three weekly sessions to choose from. http://www.roddyphillips.com/?page_id=617 http://www.roddyphillips.com/?page_id=617#

bournetowrite.co.uk

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

https://www.shorehamgallery.co.uk/shop/

https://www.instagram.com/thejewellery.workshop/ www.thejewellery-workshop.co.uk

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

. the little art gallery .....

https://www.instagram.com/wotabshop/ https://www.facebook.com/WOTABShop https://twitter.com/WOTAB

A contemporary gallery space between city and sea showcasing local artists. Gift vouchers available. Covid measures in place. Opening times may vary – check wesite for details West Wittering, West Sussex 01243 512218 https://www.thelittleartgallery.online/ www.thelittleartgallery.online

www.midhurstgallery.co.uk

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

Lingfield Art Exhibition 2021 Painting

Sculpture

Ceramics

25th-31st October 2021 Lingfield and Dormansland Community Centre High Street, Lingfield, RH7 6AB

Free entry to exhibition

Monday, Tuesday,Wednesday & Friday 10 - 4 Thursday 10 - 6, Saturday 10 - 5 Sunday 10 - 3

Further details are on the website www.lingfieldart.org

http://www.worthingartstudios.com/ www.facebook.com/westendgalleryworthing www.instagram.com/westendgalleryworthing/

A portrait can be much more

Than just a face . . . A memory, a mood, a time,

A place . . .

Portraits with a difference . . . Cathy Bird MA More info? 01829 870067 or weekendarting@gmail.com

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

Gallery BN5

GalleryBN5 is an artist run gallery in Henfield. For unique gifts there is wide selection of art to choose from including paintings, jewellery, ceramics, fused glass, wood & cards. Exhibits change each month, so there is always something new to see. High Street, Henfield. Open Mon-Sat 10am-2pm

www.blueviewartstudio.co.uk www.instagram.com/blueviewartstudio/ www.facebook.com/blueviewartstudio

www.gallerybn5.co.uk

Photos l-r Alison Crowe, Nina Smith, Esther Newnham-Brown, Jean Holder

has a new event starting from the 2nd November (closed Mondays) through to December the 24th Rachel Holmes

Rhubarb Chairs Suzanne Hennegrave Offering Christmas gifts for under £100.00 painted or made by our artists as a very special offer

Liza Mackintosh

Susan King

contact the gallery at info@newart-gallery.co.uk and forKeith opening website Vaughan times check Anthony Ellis The Coach House, High Street, Alfriston, East Sussex, BN26 5TD 7 Hyde Gardens, Eastbourne, Tel: 01323 871402 Mob: 07970 549873 BN21 4PN info@newart-gallery.co.uk www.newart-gallery.co.uk Opening Times: Thursday, Friday, Saturday & Sunday 11 am – 5 pm www.newart-gallery.co.uk

ingénu/e magazine – south downs and high weald : issue 33

Louisa Crispin

Leila Godden

David Apps

spotlight on... the art of giving

Frances Knight

Contemporary Landscape Paintings

Uncommonly Distinctive Studio Jewellery

To view paintings, visit Frances Knight at Top Floor Studio, The Victoria Institute, Tarrant Street, Arundel, BN18 9DG

Every piece of Lorraine’s hand made jewellery is individual; this means no two pieces are the same, ever.

Studio visits are by appointment only, please email frances@francesknight.com to arrange

COMMISSION ENQUIRIES INVITED www.instagram.com/lorrainegibbyinspiredjewellery/

Paintings can also be viewed on www.francesknight.com and latest updates on www.instagram.com/francesknightfineart/ Instagram @francesknightfineart

SCREENS

PRINTING

R E A D Y - M A D E A N D C U S T O M S C R E E N S, S Q U E E G E E S A N D I N K S

Personalise Christmas We can make a screen using your own seasonal design or you can choose from a large selection in our online library. There are plenty of non Christmas designs as well. Check out the website today!

www.screens4printing.com e: info@ screens4printing.com

screens4printing

ingénu/e magazine – south downs and high weald : issue 33

spotlight on... the art of giving

Frances May Kent artist

www.paintdesignstyle.co.uk www.instagram.com/francesmayartist/ instagram: francesmayartist

V Pease Jewellery

see Vee’s jewellery in Brighton Artists’ Open Houses, Nov/Dec 2021

Oil paintings, limited edition prints, ceramics and more, prices starting from £75

Artists Open Houses Winter 2021

In and around Brighton & Hove and online: 27/28 November, 4/5 & 11/12 December https://aoh.org.uk/ 22

beautiful handcrafted silver jewellery from the heart of Sussex 07885 472366 | peasevm@gmail.com

www.vpjewellery.co.uk

ingénu/e magazine – south downs and high weald : issue 33

Applauding Creatives

visual arts & contemporary crafts

by Gill Bustamante – Artist Like many people during covid chaos I have had time to assess what makes life worth living and what I rely on for comfort or inspiration. Once I had ruled out the destructive things (drugs, alcohol, too much cake etc.) I was left with the actual spice of life – enjoying other people’s art and creations. It was a revelation as I had not really understood how much I relied on other artists. I listen to a lot of music, I read books, I watch the creations of writers and filmmakers and I even realised how the person who designed my house, my sofa, my car etc. was giving me a gift that made my life more liveable. Just imagine life without any art forms! No music, no stories, no pretty things – pretty grim. “A culture is as rich and as capable of surviving as it has imaginative artists, skilled men of science, a high ethic level, workable government, land and natural resources, in about that order of importance.” This quote by L. Ron Hubbard puts the value of the artists very much in perspective. And it led me to realise that many artists and creatives are not

adequately valued for what they do. Musicians are having a difficult time with music streaming, writers make just pennies from each book downloaded, visual artists will often sell things that took them weeks to create for less than you would earn as a beggar. So, what am I trying to say? Cherish the artists and creators around you. Reward them and endorse them and thank them when you can. We owe the NHS and other key workers a great debt for helping us physically over the last few years but we owe the artists a bigger debt for making life worth living mentally! –Gill Bustamante, Artist and Art Tutor 07815 036576 www.gillbustamante.com www.facebook.com/GillBustamanteArtist www.etsy.com/uk/shop/SussexPaintings www.pinterest.co.uk/gillbustamante/abstractlandscapes-by-gill-bustamante/ www.instagram.com/gill.bustamante.artist/ www.youtube.com/c/GillBustamante Gill Bustamante, 'The Enchanted'

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts

Artgenu/e

Artists talking about their own unique story Lesley Samms MSc ANLP, Founder of Pure Arts Group www.pureartsgroup.co.uk Pure are delighted to announce the launch of Art360 Edition 3. Taking place throughout October, November and December, 20 artists will be going live on digital to share their unique story, and 13 will be exhibiting their artwork as part of the REIMAGINED exhibition at Bannatyne Spa Hotel, Hastings between 7th October 2021 and 9th January 2022. Pure ART360 Edition 3 will consider the artist’s muse: the source of their inspiration. A muse, in the most basic sense, is something that serves as an inspiration to an artist. The word itself however dates to Greek mythology, with Zeus’ daughters forming the nine Muses who presided over the arts and sciences. This historical context has imbued the word muse with a distinctly ethereal, feminine quality. In this exhibition we will seek to reimagine the topography of the muse in the 21st century. Moving away from the historically acceptable notion of the muse as feminine, to a more complex, diverse narrative where the ‘source’ of an artist’s inspiration can come in manifold, divergent elements, and forms. Exhibiting artists include Felicity Flutter, Louisa Crispin, Carole Bury, Hildegard Pax, Shulan Wang, Edith Pargh Barton, Ollie Holman, Markus Thonett, Jonathan Hateley, Brenda Hartill, Nina Stopar, Juliette Scott, Roel Funcken, Sandra Menant. Here international artist Sandra Menant tells us in her own words what has inspired and motivated her artistic journey and shares some insight and advice for others. Sandra works from her studio in Wimbledon Park, London. Born in Paris, she has an extraordinary family history of painters, one of whom used his art skills to help the French Resistance. Sandra creates original, vibrant paintings to enhance living spaces. She is renowned for the vibrant use of colour in her glorious abstracts.

What is your earliest memory associated with art? I am 3 years old, exploring my grandfather's studio at the end of a long creaky floorboarded corridor in his Paris flat: Open boxes full of broken pastels everywhere, scattered coloured papers covering every surface and tens of drawings on walls and easels marinating in the smell of turpentine.

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts Please could you tell us who or what has had the most significant influence on you as an artist? An exceptional six-month sabbatical: I went to buy paints and canvases and without conscious awareness, poured my emotions out to regain balance. Friends walked in over a few months, bought paintings, and suggested exhibiting some. Please describe your practice for us in three adjectives. Mindful Motivational Emotional What is your artist muse? My imagination. What motivates you? Feelings expressed on an atmospheric canvas. What’s the best thing about being an artist? Creating and selling work. And the worst...!? The frustration when I cannot get what I see clearly in my mind onto the canvas. What work of art would you most like to own and why?  Paul Gauguin – Tahiti Landscape 1893, Vincent Van Gogh – Olive trees with yellow sun and sky, November 1889.

Please could you tell us about the piece of artwork of which you are most proud? All the work I display is original: from my own imagination, without a conscious influence of other artists. If you weren’t an artist, what would you be? A pianist. What advice would you give to those aspiring to make a living out of art? Have another job to pay the bills and fund the artistic projects. What is the most important thing to know about you? Human relationships are the motor of life. Please tell us one unexpected thing about yourself. I am obsessed with colours and even had a pet Madagascan chameleon as a pet – named Clyde. www.sandramenant.com clockwise from opposite top: Sandra Menant; Parasol; Borders; Pink Moon

ingénu/e magazine – south downs and high weald : issue 33

Pure Art

visual arts & contemporary crafts

Pure Presents : ‘Reimagined’ Exhibition : 8 Oct - 9 Jan Bannatyne Spa Hotel, Battle Road, Hastings TN38 8EA

View and buy art online direct from the Pure website

Pure ART360 Artists Interviews : November & December Interviews with Pure Founder Lesley Samms Live from artists studios around the world

Join the live audience via the website Pure Arts Clubs - Professional Development Mentoring & Networking - Exhibitions & Events For more information & to join visit pureartsgroup.co.uk 26

pureartsgroup.co.uk www.pureartsgroup.co.uk

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts www.townereastbourne.org.uk

Gill Bustamante

Melissa Gordon

Artist and Art Tutor www.gillbustamante.com

www.facebook.com/GillBustamanteArtist www.etsy.com/uk/shop/SussexPaintings

Liquid Gestures

16 October 2021 to 30 January 2022 Do you love art created with natural materials? This is created with natural clay pieces I find on the beach. Prices from £690 for 45cm disc to £2,900 for https://www.artistsathome.co.uk/artist/86/hamish-pringle 90cm as shown. Click here to view in situ photos. “The commission went really smoothly and the end result is stunning - we’re delighted.” L&C

hamish@pringle.co.uk ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts

The Discus Potter's Wheel UK Made Pottery Wheels

The UK made award-winning Discus™ Craftsman and Compact Potter’s Wheels are probably the most powerful, compact and portable potter’s wheels in the world. The perfect choice for the beginner or experienced potter.

As the company says – they supply the wheel – you supply the fun! Visit www.potterswheels.co.uk.

Discus began life in 1994 – a retired Rolls Royce engineer made an application for a patent to protect the unique drive method optimising the electric motor power and performance. Around this unique solution he then conceptualised, designed and manufactured the early versions of Discus. We occasionally have these early wheels returned for servicing so they can be used for many more years. On his retirement in 2000 Discus went to a new home in the small market town of Somerton, Somerset, where it was made with care and attention before moving to its current home in Petersfield, Hampshire when David Longland and Nick Elwin became the new owners in 2018. Besides providing the Discus Wheel, the company has an ebook on their website, https://potterswheels. co.uk, which covers in detail all you need to know to get started with the Discus pottery wheel – so you can be 'throwing' clay before you know it! You can explore four key techniques which will allow you to progress quickly and enjoy the Discus Potter’s wheel. Subjects covered include preparing clay; pinching, the simplest form of working with clay; coil pots; slabbing – the creation of flat sheets of clay; and throwing, a more difficult skill to learn but perhaps the most rewarding method of working with clay, which requires practice to develop the correct technique. 28

ingénu/e magazine – south downs and high weald : issue 33

www.potterswheels.co.uk

visual arts & contemporary crafts

Autumn at

TOWNER Eastbourne

A modern British and a contemporary artist will be exhibited in concurrent shows delving into the concept of the gesture and inviting us to reconsider the influence of female artists whose work has been eclipsed in art historical prose to date, both running from 16th October to 30th January 2022. Towner is pleased to present the first institutional exhibition in over a decade by British artist Margaret Mellis (1914-2009), one of the first and last survivors of the group of modernist artists that came together in St Ives, Cornwall, in the 1940s. The exhibition tells the story of Mellis’ progression from art student at Edinburgh College of Art, honing her practice under the tutelage of Scottish Colourist Samuel Peploe, combined with a period of early experiment with collage. It also looks at her contemplative, yet playful driftwood constructions that dominated the final twenty years of her life and work, now often seen as the ‘culmination’ of her practice. The gallery concurrently presents a series of new works by Melissa Gordon. The presentation, Liquid Gestures, will be the largest institutional exhibition of work by the artist to date. Formed of a series of new paintings and installation works, it invites us to reconsider the influence of women artists whose work has been eclipsed in art historical prose. Gordon is a British and American artist based in Brussels whose practice, as a painter, writer, and organiser is concerned with the body, gesture, and painting through the lens of feminism. Liquid Gestures will feature new large-scale paintings that further her examination of modern art histories, ideas of authorship, and the appropriation of certain ‘gestures’. Visit townereastbourne.org.uk and @TownerGallery for more information. above: Melissa Gordon, Female Readymade; left: Margaret Mellis, Melon, 1947. © Margaret Mellis Estate. Courtesy of The Redfern Gallery

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts

Hamish Pringle, artist

Working from his studio on the south coast, artist Hamish Pringle gives us a fascinating insight into his life and work. Tell us a little of your history as an artist. Were you interested in art from an early age? My earliest art memory is from age 8. Our family had moved to Nassau Bahamas in 1958 and my brother and I were enrolled at Xavier’s College. In one of the art lessons, I painted a palm tree. It was included in an exhibition and won a prize. I continued to be an active participant in art classes throughout my boarding schools back in England. This culminated in meeting gallery owner Richard Demarco. He admired a painting of mine, invited me to visit his gallery in Melville Crescent, and later to work as an assistant on his ‘Strategy Get Arts’ exhibition at the Edinburgh Festival in 1970. How did you evolve into becoming a professional artist? Was this an easy transition? As with many things in life chance played a part. In 2016, one of my leaving presents from 23red, the last agency I worked for, was a £300 voucher for classes at CityLit in Holborn, London. Encouraged by this renewed academic experience I decided to embark formally on a second career as an artist. It wasn’t easy without the customary A level, Foundation, and BA Degrees in art! My Masters in Fine Arts degree started in 2018 and I graduated with a Distinction in July 2020. That summer my work ‘Lockdown’ was selected for the ‘London Grads Now’ exhibition at the Saatchi Gallery. Your degree work seems influenced by many artists, not least by Escher. Who would you say were your main influences? Joseph Beuys has had a profound impact on me. In particular his use of materials such as felt, fat, copper, and honey for their symbolic meaning. My choice of sandpaper as one of my signature materials has its roots in Beuys. Through Richard Demarco I was also introduced to the work of David Nash which uses wood and charcoal in evocative ways. Ian Hamilton Finlay, the ‘concrete poet’ was a collaborator with Richard and my visit to Stonypath Farm (now known as ‘Little Sparta’) was the inspiration for the ‘word art’ I create. Andy Goldsworthy’s ephemeral art using materials found in nature have also been very influential as have Yoko Ono’s participatory works. Could you give us some insight into your purpose as an artist? What would you consider your main goal is? My overall purpose is to leave the visual world in a better state than I found it. In attempting to achieve this I try to create art works which are appealing both aesthetically and intellectually. 30

Hamish Pringle, Mudstone Shoal

A long-term fascination has been the process of attrition. I’ve been exploring it in nature, society, relationships, and language. In this context I’ve adopted sandpaper as a signature material. I also use other abrasives and found objects which have been the subject of attrition – for example driftwood. What was the genesis of your Mudstone Shoals concept? One day while beachcombing I noticed some pebbles I’d not seen before. They were pleasing oval shapes in different shades of greys and browns. I picked one up and it broke into pieces. I realised that it was clay and had been washed up on the beach. Once I’d seen one, I saw more, and I began to research how they came about. I’m now reasonably certain that these pieces of clay originate as large lumps which have been dug up during the dredging of the channels in the Solent. Waves bring them ashore and then the tides drag them up and down the beach until they disintegrate. The ones I’d spotted had been sanded down naturally into attractive shapes, many of them fish-like. Pursuing the analogy, I imagined clusters of these pieces swimming to shore and forming a selfprotective ‘ball’ as shoals of fish do when threatened by predators. Capturing these clay pieces suspends the process of attrition before it destroys them and crystallises the moment, immortalising these ‘fish’. I invented the term ‘mudstone’ to give a unique name to these hybrid objects rather than using the generic term ‘clay’. Without giving away any creative secrets, can you enlighten us on the techniques used to create a Mudstone Shoal? The first task is to find the right pieces of clay on the beach. As a natural occurrence it’s hard to predict their presence – it’s a bit like certain species of

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts mollusc such as razor clams which make seasonal appearances in large numbers on the beach and then hardly any are seen for the rest of the year. Collecting the mudstones is tricky as they’re very fragile. Too often a beautiful one breaks in two as I pick it up. Once home safely I wash them with fresh water to remove any salt and sand – more breakages – then the mudstones are preserved. The technique is secret, but the principle is to ‘fire’ the clay in a way that prevents it drying out too quickly and cracking as a result. Overall, I estimate that I lose about a third of all the pieces I collect. After a while the mudstones stabilise and harden to the point where I can use them in an artwork. I have settled on the circular format because it serves the underlying concept of the shoal. Each design is unique because they emerge intuitively from the particular shapes of mudstone I have collected. However, they all have a flowing appearance as if a school of fish. Can you outline what sequences occur when a potential client expresses an interest in one of these works? Step one is to discuss the needs of the potential client. It’s helpful if they can provide photos and wall measurements. Two previous commissions have been for chimney breasts, and for one of these a special recess was built to frame the work. If I get the go-ahead and receive the first of three payments, the next steps are as follows: order the marine plywood cut into a disc, create secure hanging recess on the back, and prepare with coats of matt white sealer and paint. Collect and preserve any mudstones required in addition to the ones I have already.

Then I produce a trial lay-down of the loose pieces and photograph it for client approval. At this stage minor modifications to the design can be made. I then proceed to glue down the mudstones using two-part epoxy for permanence. The final design crystallises during this exacting process as in the making of the work some mudstones may fit better than others once the precise spacings and alignments become fixed. My terms of business reflect these stages. Part 1: 33% payment due on commissioning the work. Part 2: 33% due on approval of proposed laydown before clay is fixed. Part 3: 34% to be invoiced on delivery/installation. If the client changes their mind or doesn't like the way the work is shaping up at Part 2, they can withdraw and will be refunded half their Part 1 payment. And finally, how do you envision yourself as an artist as the future unfolds? I’m fortunate in not having to make my living from my art. This means I have the luxury of creating work without worrying if it’s saleable. I can be adventurous and innovative, following wherever inspiration leads me. My reward comes from the people who get something positive from my work. It’s great to receive insightful comments on social media, in-person reactions at the annual Artists At Home ‘Open Studios’, and of course testimonials from happy buyers, especially if they’ve commissioned me. Hamish can be emailed at hamish@pringle.co.uk Mobile: +44 7977 269778 Instagram: @hamishpringleartist Artists At Home: www.artistsathome.co.uk/ artist/86/hamish-pringle

Mudstone Shoal in situ

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts

www.escapeartcentre.co.uk

ingénu/e magazine – south downs and high weald : issue 33 https://www.instagram.com/escapeartcentre/

visual arts & contemporary crafts https://www.starbrewerygallery.com/

www.facebook.com/StarBreweryGallery

https://twitter.com/SBGalleryLewes

www.instagram.com/starbrewerygallerylewes/

www.seos-art.org ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts

Johannes von Stumm

Immateriality Escape Arts Centre, Old Fire Station, Castle Street, Tonbridge, TN9 1BH

Open from the 11th October to 28th November.

The Escape Arts Centre is pleased to be exhibiting the work of sculptor Johannes von Stumm PPRSS as its major Autumn Exhibition. More than twenty works will be on show by the internationally renowned sculptor. In the exhibition at The Escape Art Centre in Tonbridge he exhibits his 'Immaterial Figures' developed in the last seventeen years. Johannes von Stumm¹s unique combination of different materials has attracted public and critical acclaim in two decades of successful exhibitions in Britain, on the European continent, in Asia and America. His startlingly

top: 'Kouros' 25 x 10 x 8 cm, bronze above: 'Infinity' 25 x 16 x 16 cm, aluminium left: Johannes in 'Welcome Figure' 280 x 240 x 120 cm, stainless and mild steel

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts original sculpture, which engages continually with risk and a defiance of accepted laws, joins steel, granite and glass to create abstract or reduced figurative works in which apparently conflicting materials exist in complex harmony. In thirty years of combining metal with glass and stone, von Stumm has expanded the boundaries of expression by fusing the strong and the fragile, the solid and the liquid, the dark and the transparent. Not being technically able to shape a human figure out of one piece of glass he replaced the glass with space. Space incorporates light and darkness in the same way. His 'Immaterial Figures' represent an embodiment of purity. Light and darkness stream through space. It is the purity of both, not in the subjective and limiting sense of morality, but as a freedom of spirit which transcends vanity and cynicism and other such obstacles to human aspiration. Here, light could be read literally as enlightenment and darkness as the embrace of the universe. Visit www.instagram.com/escapeartcentre and https://escapeartcentre.co.uk for further information about the exhibition. left: 'Welcome Figure' 280 x 240 x 120 cm, stainless and mild steel; below: 'My Absent Friend' 22x 20 x 10 cm, stainless steel

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts

Graham Cameron, Aftermath Seafront

The Art of G – Lockdown artwork by Brighton Dome employee goes on display in venue Over the course of the coronavirus pandemic, Brighton Dome employee Graham Cameron produced a series of striking illustrations detailing his experience of lockdown, the impact of Covid-19 on the arts and his time furloughed from work. Cameron’s artwork, which includes illustrations of much-loved Brighton landmarks such as the Palace Pier, Royal Pavilion and a stunning drawing of Brighton Dome, will go on display in the venue’s Founders Room from 26th to 31st October, 11am to 3pm. Alongside familiar scenes of the city and popular arts and entertainment venues, Cameron uses colourful motifs such as skulls, doll-like characters and animals

to describe his feelings about lockdown, isolation and the escape provided by the natural world. Cameron says: “I’ve worked at Brighton Dome & Brighton Festival for 21 years, and during furlough I re-connected to the other version of me – the artist. I found myself drawing every day as a way to express how the pandemic was personally affecting me but also how I saw the outside world unfolding from the safety of my lockdown caravan.” Brighton Dome Founders Room, Church Street, Brighton BN1 1UE. Cameron's work will be for sale via an online auction, details will be released on Brighton Dome website: https://brightondome.org Graham Cameron, Royal Pavilion at Night

ingénu/e magazine – south downs and high weald : issue 33

visual arts & contemporary crafts

WORTHING PORTRAIT ARTIST OFFinalists THE YEAR 2021 2021 The Worthing Portrait Artist of the Year Competition is back for 2021 and live at The Venue, Worthing, on Friday 22nd October. Now in its third year this prestigious event has once again been organised by The Venue curator and owner of Blueview Art Studio Cathy Verney.

This year’s special guest celebrity sitter is one of the world’s most successful authors, delivering best sellers time and time again, the amazing Peter James. His books have opened up a whole new audience with the television adaption of his Roy Grace novels; ‘Grace’ starring John Simm. The new series is currently filming in Brighton and Burgess Hill. Peter will be joined by fellow sitters, local best selling author Shani Struthers and artist Billy ‘The Brush’ Mumford, the most prolific art forger. The standard of this year’s qualifying entries were again extremely high and some tough decisions were made in selecting this year’s finalists. The nine chosen artists taking part are Jake Fern, Russ Iden, Tony King, Carole Morris, David Pople, Sara 22nd October 2021 Reeve, Vanessa Reynolds, Dominic Simpson and Richard Smith. All will be painting live to produce a finished portrait of their celebrity in just four hours and win the prestigious award of Worthing Portrait Artist of the Year 2021. To do this they need to impress the three judges who this year are David Henty, head judge and the world’s no.1 art forger; Alison Lapper MBE, one of the country’s leading artists; and Mike La-traille, local photographer and art gallery owner. A limited number of tickets are now on sale for a unique opportunity to be part of the night and experience first hand these amazing artists at work. Doors open at 4:30pm and the painting will begin at 5:00pm. The Venue bar and hot food will be available. The evening will wind down with a grand raffle and a chance to win exclusive prizes including signed books from Peter and Shani, paintings from David and Billy, and lots more, and conclude with the awards ceremony and presentation at 10:45pm. Tickets are available from www.seetickets.com priced £10.00 plus booking fee. Tickets include a glass of prosecco on arrival and a ticket for the exclusive raffle. The Venue will host a pre-event exhibition showing the nine finalists’ entries in their large meeting room, entry via Richmond Road, from October 4th to 20th, 10.00am to 2.00pm. Raffle tickets will be available to purchase at the exhibition. For further information email: info@the-venue.uk.

from top: the nine finalists' entries for the 2021 competition; Peter James; Shani Struthers; Billy ‘The Brush’ Mumford,

ingénu/e magazine – south downs and high weald : issue 33

performing arts

coming to a theatre near you... Chichester Festival Theatre winter 2021/22 season arrives

It’s marvellous to see theatres re-opened and Chichester Festival Theatre’s winter season, running until March 2022 does not disappoint. There is drama, comedy, music, dance, literary evenings and family shows. Here is a short glimpse at what’s in store. From 8th October to 6th November at the Minerva Theatre is David Storey’s award-winning 1970 play ‘Home’, a heartrendingly funny, haunting and deeply humane study of hearts, minds and England: islands adrift. In a neglected garden, small talk oscillates between the weather, the neighbours, reminiscences of friends and family, and anecdotes of past exploits in love and war. But this quintet of characters, with their foibles and failings, are not what they seem to be, and nor is their home. And overhead, the clouds are gathering. From 30th November to 4th December at the Festival Theatre comes The Good Life, based on the much loved 1975 television series. Tom and Barbara are suburban eco-warriors while their next-door neighbours Margo and Jerry are desperately trying to maintain the Surbiton status quo. Stars include award-winning actor, presenter and comedian Rufus Hound and West End, television and film star Preeya Kalidas. And there has to be a panto at Christmas! From 18th December to 1st January at the Festival Theatre Chichester Festival Youth Theatre bring Pinocchio to life. Geppetto the boatmaker tosses aside a piece of wood; it’s only good for the fire. To his amazement, a voice answers him back. Geppetto picks up the wood and begins to carve – and a small wooden boy is 38

revealed. A puppet, which he names Pinocchio. And that’s when the mayhem begins. Pinocchio encounters a host of fascinating characters as he journeys to Wonderland and the world beneath the sea. But he discovers that it isn’t easy hiding the truth – especially when your nose gets longer with every lie you tell! Visit www.cft.org.uk for all the details about CFT’s impressive season. above: Archie Elliott company in CFYTs Pinocchio, photo, Manuel Harlan; below: Home

ingénu/e magazine – south downs and high weald : issue 33

rming arts

Three contrasting performances

A snapshot of what’s coming to

Worthing Theatres Highlighting the variety of events at Worthing Theatres and Museum this autumn, here are three contrasting performances. The 2nd November at the Pavilion Theatre Atrium sees innovative music from fantastic new folk duo Hannah James and Toby Kuhn. Hannah is an awardwinning musician, dancer, songwriter and singer, a creative force renowned for her work with many other musicians, and Toby is a globetrotting French cellist whose post-classical, inventive, improvisational playing combines beautifully with Hannah to create a charismatic, playful chemistry. If you’re looking for warmth, honesty and musical excellence, look no further. This folk is full of soul. And on 4th November at the Connaught Theatre Blackeyed Theatre present a thrilling adaption of Robert Louis Stevenson’s classic gothic chiller The Strange Case of Dr Jekyll & Mr Hyde. Immerse yourself in the myth and mystery of 19th century London’s fog-bound streets where love, betrayal and murder lurk at every chilling twist and turn. Gripping, stylish and thought-provoking, this is unmissable theatre. Go on… treat your dark side!

And for one night only at the Connaught Cinema, also on 4th November, is a remarkable film – The Doors: Live at the Bowl '68, Special Edition. On July 5th, 1968 The Doors lit up the stage of the Hollywood Bowl with a legendary performance that is widely considered to be the band’s finest captured on film. Take a trip back in time and relive an archetypal moment of the Sixties zeitgeist. Visit wtam.uk for full details. top: The Strange Case of Dr Jekyll & Mr Hyde Hannah James & Toby Kuhn

ingénu/e magazine – south downs and high weald : issue 33

performing arts left: Devonshire Park Theatre, photo by Matt Kutcha; inset: The Hound of the Baskervilles, Pamela Raith Photography; below: Adrian Lukis in Being Mr. Wickham

Live Shows Return To Eastbourne’s

Devonshire Park Theatre The wait is finally over! Audiences are being welcomed back to Eastbourne’s beloved grand dame of all Eastbourne Theatres, the beautiful Grade II listed Devonshire Park Theatre from this October. The range of work presented at the theatre, affectionately dubbed ‘the playhouse in the park’, includes major touring productions, smaller works from local producers and in-house pantomime, plays and musicals and opens this autumn with a season that promises a selection of perfect diversions from drama to chilling ghost stories. The curtain will rise with Original Theatre Company’s production of The Hound of the Baskervilles, 26th to 30th October! A hit in the West End this ingenious adaptation from Lotte Wakeman combines an exhilarating collision of farce, theatrical invention, and wonderfully comic performances to offer a brand-new twist on the greatest Sir Arthur Conan Doyle detective story of all time. A great season of drama follows with Adrian Lukis in Being Mr. Wickham, 4th to 6th November; Julia Donaldson and Axel Scheffier’s The Smeds and The Smoos, 15th to 17th November, an interplanetary adventure for everyone aged 3 and up and eerie horror Sleepy Hollow, 23rd to 27th November, with Wendi Peters and Bill Ward, where residents spin tall tales of legends and unsightly entities, but who can tell truth from nightmare? The highly anticipated Eastbourne Theatre’s Devonshire Park legendary pantomime completes the season and will be bigger, better and more bonkers than ever! This year Sleeping Beauty will truly be a dream of a pantomime for all the family at Christmas, from 10th December to 9th January 2022, a spectacular show full of music, laughter, amazing special effects. Visit https://eastbournetheatres.co.uk for more info. 40

Two retro bands and a magical pantomime at Shoreham's

Ropetackle Arts Centre I’m always a little reserved writing about bands that have survived, or reformed, after their 1960s/early 70s heyday. One reason is based on how relevant they might be to today’s music scene and the other reason is that it punctures my vanity, giving a clue to how old I am. I’m just joking, all music is relevant, no matter its genre or age. And so it was with a feeling of nostalgia, surprise and delight that I noticed in the very impressive what’s on section of Ropetackle Art Centre in Shoreham-by-Sea’s website that the bands Gryphon and Wishbone Ash were performing there in October and November respectively. Gryphon were a phenomenon of the early seventies. They mixed musical genres with a gay abandon, with rock, folk, medieval and Renaissance music all

ingénu/e magazine – south downs and high weald : issue 33

performing arts in the mix. They were apparently described once as being akin to Henry VIII being in a rock band. Three of the originals survive and their tour is entitled ‘Reinvented? Again?’ which also gives a clue to their humorous side. I saw Wishbone Ash as a young teenager in small club in Yorkshire when they were just starting out, before they even had a record deal. What impressed me, and subsequently went on to Wishbone Ash impress many people, was their relatively unique style of having two lead guitars playing in harmony. After 50 years, with one original member still present (Andy Powell, guitar and vocals) the unique guitar sound still pervades their music. And on a completely different note, Aladdin seems to be a popular pantomime choice this coming Christmas, with LP Creatives and Ropetackle presenting Aladdin throughout December. Following eight sell-out years of panto fun at Ropetackle, LP Creatives return this Christmas with a firm family favourite that promises to be an amazing pantomime full of high quality fun! Producer Lorna Price said: “Last year we were delighted to welcome theatre goers to our mini panto, just before everything in the world of theatre went dark. This year we have pulled out all the stops and we promise to bring a show to Shoreham that will totally amaze everybody!” Visit www.ropetacklecentre.co.uk for all information about what’s on.

The Capitol, Horsham Two feel-good performances approaching Christmas

A Night at the Musicals on 5th December sees West End stars Oliver Tompsett and Louise Dearman perform an exclusive concert with a festive twist.

Oliver is best known for playing the role of Galileo in the West End smash hit We Will Rock You and his portrayal of Fiyero in the West End production of Wicked, and he makes a welcome return after his smash-hit sold out show at The Capitol, Christmas 2020. Louise Dearman is well known for playing Elphaba and Glinda in Wicked, Grizabella in Cats, Mimi in Guys and Dolls, and playing the Narrator in the hugely successful UK tour of Joseph and the Amazing Technicolour Dreamcoat. Louise has also recorded with Shane Ward, Kimberley Walsh and Marti Pellow. And what’s Christmas without a pantomime! This year’s family pantomime at the Capitol is Aladdin, which opens on Friday 3rd December and runs until New Year’s Eve. Presented by a brand new production team including Zoë Waterman as director and Morgan Brind providing the script, it’s going to be a spectacular, action packed adventure for the festive season. Tickets for all shows can be booked on The Capitol website www.thecapitolhorsham.com or calling The Capitol Box Office on 01403 750220. Oliver Tompsett and Louise Dearman ingénu/e magazine – south downs and high weald : issue 33

performing arts gooseflesh for dark Christmas nights. Visit www.parkwoodtheatres.co.uk/The-Hawth for all the information about what’s on.

Musical Theatre is Good for the Body and Soul

Tunbridge Wells Operatic & Dramatic Society TWODS is bringing musical theatre back to the stage this autumn with a whistle-stop musical tour around the world. English Youth Ballet

Some autumn highlights at

the Hawth, Crawley Mon 15th November sees folk legend Martin Carthy performing in the Studio at the Hawth. His skill, stage presence and natural charm have won him many admirers, not only from within the folk scene but also far beyond it. His settings of traditional songs with guitar have influenced a generation of artists, including Bob Dylan and Paul Simon. He was awarded an MBE in 1998 and was named Folk Singer of the Year at the BBC Radio 2 Folk Awards in 2002, and again in 2005 when he also won the award for Best Traditional Track for Famous Flower of Serving-Men. In 2014 he was awarded the Lifetime achievement award at the BBC Radio 2 Folk Awards. 19th and 20th November sees the English Youth Ballet perform The Nutcracker in the Theatre. This is a dazzling, colourful and appealing interpretation of the famous Nutcracker ballet, featuring an impressive cast of sixty-five young dancers. Through Clara’s love the Wooden Nutcracker Christmas present is transformed into the Nutcracker Prince. After the battle of Mice and Soldiers he takes her on a magical journey through the Land of Snow into the Kingdom of Sweets to meet the Sugar Plum Fairy. On 1st December Dyad Productions present Christmas Gothic in the Studio. This dark celebration of Christmas is adapted and performed by Rebecca Vaughan. Come in from the cold and enter into the Christmas spirit as a dark and spectral woman tells haunting tales of the festive season, lighting a candle to the frailties of human nature and illuminating the cold and chilling depths of the bleak, wintry dark… Dyad Productions resurrects a Victorian tradition by presenting three seasonal tales of terror to scintillate the 42

It’s brand-new show, Destination Anywhere: A Musical Journey, is set to lift the spirits of its audiences who haven’t been able to see them perform since 2019. Destination Anywhere will be performed at The Assembly Hall Theatre from 24th to 27th November. Please visit www.assemblyhalltheatre.co.uk to book tickets or call the box office on 01892 530613. TWODS is also delighted to announce that its next show in 2022 will be Shrek the Musical (14th to 20th June 2022). Research shows that watching musical theatre is great for our wellbeing, which explains why we have missed it so much! Most of us can identify with the feeling of our pulse quickening in anticipation as the curtain rises, and now scientists have found that watching a live performance can have the same impact on your heart as almost half and hour’s cardio exercise! Musicals can also make us laugh which, research shows, can lower blood pressure and reduce levels of the stress hormone cortisol. When the orchestra strikes up the audience comes together for the shared experience, creating a unique connection and sense of community that we have all craved during lockdowns. If you are interested in boosting your wellbeing on the other side of the curtain, TWODS is looking for new members, particularly men. TWODS chair June Fuller says: “You don’t have to be a performer to make an amazing contribution! Perhaps you’d like to help front of house selling programmes, working backstage making props or costumes, or learning new skills as a stagehand?” Find out more at www.twods.org.

ingénu/e magazine – south downs and high weald : issue 33

TWODS previous production

performing arts

At Uckfield Picture House

you will be indulged, really indulged!

We are so very excited to welcome back live opera and ballet to the big screen after nearly twenty months. New exciting seasons are on sale for The Metropolitan Opera, Royal Opera House and The Bolshoi Ballet. These live screenings just immerse you in the production and the camera work really lets you get up close to the action; plus extra content just for cinemas with pre show introductions and interviews. Our new screen The Lounge has been extremely popular since re-opening. With its comfortable reclining seats, special menu and waiter service it’s the perfect way to see a film. Films coming up this autumn/winter include Dear Evan Hanson, Last Night in Soho and West Side Story. The Picture House has teamed up with one of our regular customers, local film director Corin Hardy (The Nun, Gangs of London) and asked him to curate an amazing Halloween Weekend with introductions by Corin and special guests including John Landis introducing American Werewolf in London via Zoom. Safe to say, Cinema is back – and back with a bang in Uckfield! www.picturehouseuckfield.com

top: West Side Story; above: Rene Pape as Boris Godunov, Metropolitan Opera

LOVE FILM. LOVE FOOD. LOVE CULTURE. LOVE FILM. LOVE FOOD. LOVE CULTURE. Live opera and ballet are back on the big screen, celebrate with a meal at the restaurant before the performance

EAT SAFELY EAT SAFELY

MET Opera

DRINK SAFELY Royal Opera House DRINK SAFELY

performing arts Not enough swing in your life? Tired of things being dull?

Then pep up your day with the only regional arts & culture magazine in the South East. For just £9.95 a year you can have ingénu/e magazine delivered to your door each quarter. www.twods.org

Visit www.ingenuemagazine.co.uk or email subscribe@ingenuemagazine.co.uk

TWODS - Destination Anywhere Ingenue Advert 73x108mm + 3mm bleed 300dpi.indd 14/09/2021 1 19:38

https://ropetacklecentre.co.uk/ 44

ingénu/e magazine – south downs and high weald : issue 33

performing arts

BOX OFFICE 01293 553636 ONLINE www.hawth.co.uk Thu 7 October

Wed 17 November

Ian Ashpitel & Jonty Stephens as

OMID DJalili

Eric & Ern

A captivating comedy masterclass

Morecambe and Wise’s most loved routines, songs and sketches

Fri 19 & Sat 20 November

Wed 13 October

English Youth Ballet present this Tchaikovsky favourite

SPIRIT OF ALOHA FROM HAWAII

THE NUTCRACKER

The closest you’ll see and hear to The King himself, Elvis Presley

Tue 23 November

Thu 14 October

The First 50 Years Tour

UPBEAT BEATLES

Wed 24 November

THUNDER’S DANNY & LUKE

Did you miss The Beatles first time around? Don’t miss them now!

fairytale of new york

Wed 27 - Fri 29 October

Thu 25 November

HORRIBLE HISTORIES BARMY BRITAIN

The story of a magical Irish Christmas

SENSATIONAL 60S EXPERIENCE

History with the nasty bits left in!

Mike Pender, The Trems, Dozy Beaky Mick & Tich, The Fortunes and The Dakotas.

Sat 30 October

Fri 26 November

How DO YOU LIKE YOUR STAKE? Halloween Murder Mystery Dinner Sun 31 October

AMERICAN COUNTRY SHOW Toe-tapping Country classics Wed 3 November

DR JEKYLL & MR HYDE

A thrilling adaptation of Stevenson’s dark psychological fantasy Thu 11 - Sun 14 November | Studio

The POPPY RED

A new play marking the centenary of the very first Poppy Day Mon 15 November

IAN WAITE & VINCENT SIMONE ACT TWO Dance, comedy and song with two Strictly Come Dancing favourites! Tue 16 November

WET WET WET

The Journey Tour

the HISTORY OF ROCK

Experience the golden ages of rock! Fri 10 December - Sun 2 January

cinderella

Our much-delayed, fun-packed panto with an all-star cast! Mon 17 - Sat 22 January

SCHOOL OF ROCK

West End and Broadway hit musical Mon 24 January

bURN THE FLOOR

Strictly’s Kevin Clifton in a stunning dance spectacular Tue 1 - Sat 5 February

CHICAGO THE MUSICAL

The ‘sexiest musical ever’ (Metro) Tue 8 & Wed 9 February

MADAMA BUTTERFLY (TUE) CARMEN (WED)

Senbla presents Opera International’s award-winning Ellen Kent Productions ingénu/e magazine – south downs and high weald : issue 33

performing arts

Autumn Highlights

Showstopper! The Improvised Musical

Ian Waite & Vincent Simone

16 October

29 October

Act Two

Speakers from the Edge presents

The Amazing Bubble Man

Andy Kirkpatrick – Mind Your Head

31 October

14 November

www.facebook.com/thecapitolhorshamBox Office: 01403 750220 https://twitter.com/CapitolHorsham www.thecapitolhorsham.com thecapitolhorsham.com www.instagram.com/thecapitolhorsham/ 46

North Street, Horsham RH12 1RG

ingénu/e magazine – south downs and high weald : issue 33

performing arts

Mon 28 March – Sat 2 April 2022 Box Office: 01403 750220 | www.thecapitolhorsham.com thecapitolhorsham.com ingénu/e magazine – south downs and high weald : issue 33

performing arts

LOVE THEATRE? SUPPORT THEATRE!

THE EASTBOURNE THEATRES MEMBERSHIP SCHEME NOW LAUNCHED Here’s your chance to support Eastbourne Theatres and enjoy a raft of benefits in return from a brand-new scheme! To find out how you can enjoy priority booking, exclusive ticket offers, discounts at the neighbouring café and bar, backstage tours and more see https://eastbournetheatres.co.uk eastbournetheatres.co.uk

ingénu/e magazine – south downs and high weald : issue 33

performing arts

CROWBOROUGH ARTS presents ZRI Band: Adventures with Charlie Chaplin 9th October, Crowborough Community Centre Crowborough Arts are excited to announce they have now re-booked the wonderful ZRI band in their special show, 'Adventures with Charlie Chaplin'. Part concert, part film screening, the audience is transported to the melting pot of early 20th Century New York where jazz, klezmer and classical music intertwine in film soundtracks. ZRI match the wit, virtuosity and the sheer brilliance of Chaplin in his creative prime as they perform live alongside his early classic ‘The Adventurer’. The show brought the house down at The Albert Hall, so we

know it’ll be a night to remember here in Crowborough. Pre-booked tickets only. £22 members/£25 nonmembers. Tickets are available direct from Crowborough Arts, email angelavb@waitrose.com, or you can purchase them online from Ticket Tailor via www. crowborough-arts.org.uk where you will also find further information. Crowborough Community Centre, Pine Grove, Crowborough, TN6 1FE.

ZRI Band

MELTING VINYL LIVE AUTUMN—SPRING

PINS Rival Consoles The Staves Erland Cooper + KENT SHOW Alex Rex Gaffa Tape Sandy This is the Kit KENT SHOW Gruff Rhys KENT SHOW HANYA BC Camplight Leifur James Brigid Mae Power Vetiver / Josh Rouse Chrystabell The Weather Station Pictish Trail Joan as Policewoman LOW The Handsome Family Graham Gouldman ST. GEORGE’S Ward Thomas ST. GEORGE’S meltingvinyl.co.uk www.meltingvinyl.co.uk

www.crowborough-arts.org.uk

From Royal Albert Hall From thethe Royal Albert Hall to to From the Royal Albert Hall to Crowborough Community Crowborough Community Crowborough Community From the Royal Albert Hall to Centre, wonderful Centre, thethe wonderful Centre, the wonderful Crowborough Community musicians provide musicians of of ZRI provide thethe musicians ofZRI ZRI provide the Centre, the wonderful music classic silent music to to Chaplin’s classic silent music toChaplin’s Chaplin’s classic silent musicians of ZRI provide the film, The Adventurer and film, The Adventurer and film, The Adventurer and music to Chaplin’s classic silent much more besides! Part much more besides! Part much more besides! Part film, The Adventurer - and concert, part film screening, concert, part film screening, concert, part film screening, much more besides! Part the audience isistransported the audience transported to to the audience transported to concert, partisfilm screening, the melting of 20th the melting potpot oftransported early 20th the melting pot ofearly early 20th the audience is to Century New where jazz, Century New York jazz, Century New York where jazz, the melting potYork ofwhere early 20th klezmer and classical music klezmer and classical music klezmer and classical music Century New York where jazz, intertwine in film soundtracks. intertwine in film soundtracks. intertwine in film soundtracks. klezmer and classical music intertwine in film soundtracks.

without laughter wasted” “A “A day without laughter is aisday wasted” “Aday day without laughter isaaday day wasted” (Charlie Chaplin) (Charlie Chaplin) (Charlie Chaplin) “A day without laughter is a day wasted” (Charlie Chaplin)

Saturday, 9th October 7.30 pm Saturday,9th 9thOctober Octoberatat at7.30 7.30pm pm Saturday, Saturday, 9th October at 7.30 pm Crowborough Community Centre CrowboroughCommunity CommunityCentre Centre Crowborough Crowborough Community Centre Pre-booked tickets only: £22 members ||£25 non members Pre-booked tickets only: £22 £22 members £25 non members Pre-booked tickets only: members | £25 non members Pre-booked tickets only: £22 members | £25 non members Licenced wine bar Bookings: angelavb@waitrose.com Licenced wine bar Bookings: angelavb@waitrose.com Licenced wine bar Bookings: angelavb@waitrose.com Licenced wine bar Bookings: angelavb@waitrose.com

ingénu/e magazine – south downs and high weald : issue 33

performing arts

DE L A WA RR PAV IL IO N BEXH IL L -B Y -S EA FR I 26 T H N OV 20 21

Stacey Kent "Stacey Kent has been quietly sitting on top of the world of jazz vocals for many years” - Jamie Cullum

TH E O L D M A R K ET B R I G H T ON T50U E S 1ingénu/e 6T Hmagazine N OV– south 20 21 downs and high weald : issue 33

performing arts

Coastal Music

brings two special events to the south Renowned jazz vocalist Stacey Kent at The Old Market, Hove Tuesday 16th November

Stacey Kent was born in America but grew up in France. She has had many honours and awards bestowed upon her alongside Gold, Double Gold and Platinum selling albums. But amongst these I was fascinated to discover she was awarded the Chevalier de l'Ordre des Arts et des Lettres (Order of Arts and Letters) by the French Minister of Culture in 2009, which shows how much she is valued internationally. The award’s purpose is the recognition of significant contributions to the arts, literature, or the propagation of these fields and the awardee must have contributed significantly to the enrichment of the French cultural inheritance. One thing I like about Stacey’s style is she sings the songs ‘straight’ with no hint of clever vocal gymnastics, and yet communicates the song and lyrics perfectly. As part of her worldwide tour, Stacey returns to the UK with her 5-piece band for a very select number of 2021 dates. Stacey’s visit to The Old

Market in Brighton will see her performing music from her most ambitious album to date, her first ever full orchestral album of brand new material ‘I Know I Dream’, alongside a collection of numbers from her previous albums, including the Grammy nominated ‘Breakfast on the Morning Tram’. Visit www.theoldmarket.com for further info.

Ministry Of Sound Classical with Special Guest DJ & Host Danny Rampling at De La Warr Pavilion, Bexhill Friday 26th November

Ministry of Sound’s first ever fully produced classical music show, and alongside the orchestra will be special guest live vocalists and a performance from DJ Danny Rampling – one of the original founders of the UK’s rave/club scene. The show spans chart-topping albums with huge tracks getting a never-heard-before classical remake, and so expect to hear many iconic club favourites. Visit www.dlwp.com for further info, and visit www.coastalevents.co.uk to see what other excellent events they have coming up. pictured above: Stacey Kent, photo by Nicole Nodland

ingénu/e magazine – south downs and high weald : issue 33

performing arts

COMING SOON TO

Paines Plough & Soho Theatre

SESSIONS

Wed 13 October, 19:30 Interrogating the challenge of opening up and accepting our own vulnerabilities, this brand new theatre show provides a raw, funny, honest and beautiful account of what happens when life as you know it stops... and then starts again.

WORLD PREMIERE

Wes Banderson

Sat 4 - Mon 6 December, 20:00 daily The music of iconic Wes Anderson films performed live by a six-piece multi-instrumental band, including music from The Grand Budapest Hotel, Fantastic Mr Fox, The Life Aquatic with Steve Zissou and more - the perfect alternative Christmas pressie!

www.theoldmarket.com Box office: 01273 201 801 | theoldmarket.com 52

ingénu/e magazine – south downs and high weald : issue 33

performing arts

THE OLD MARKET, HOVE Back with a bang this autumn!

Wow, The Old Market is really coming back to life with an incredible array of diverse talent for the autumn. Here are two contrasting examples of what’s on offer. Saint Etienne plus Guests on 27th November. Formed in Croydon in 1990 by music journalist Bob Stanley with childhood friend Pete Wiggs, and soon joined by singer Sarah Cracknell, Saint Etienne arose within the context of the indie-dance movement of that era but created a unique sound which – albeit accidentally – paved the way for what would later become known as Britpop. Now, the outfit head to The Old Market in support of their tenth studio album ‘I've Been Trying to Tell You’. The album is made largely from samples and sounds drawn from the turn of the new century, a period that was topped and tailed by Labour's election victory and the terrorist attack on the Twin Towers. Wes Banderson 4th to 6th December This event is a World Premiere! And seems to me to be a pretty unique concept! Multi-instrumentalists Wes Banderson create a musical tribute to one of the most unique and idiosyncratic directors of our generation. Wes Anderson is the auteur behind the iconic films The Grand Budapest Hotel, Fantastic Mr Fox, The Life Aquatic with Steve Zissou, The Royal Tenenbaums, Moonrise Kingdom, Isle of Dogs and more.

Now you can sit back and experience the music of these iconic films live, all performed by a six piece band for your listening pleasure. Wes Banderson is the brainchild of Adam Znaidi, bassist of The Physics House Band and The GO! Team. He has assembled some of the best musicians around, along with beautiful on-screen animations, to take you on a journey through the rich tapestry of tracks from the Anderson film archives. Plus, come dressed as your favourite Wes Anderson character, and you might even win a prize… Proudly presented by The Old Market and supported using public funding from Arts Council England, this show is not affiliated with or endorsed by Wes Anderson, but we reckon he’d love it. Visit www.theoldmarket.com for full information about what’s on at The Old Market. above: Saint Etienne; below: Wes Banderson

ingénu/e magazine – south downs and high weald : issue 33

performing arts

Two examples of what

MELTING VINYL

has to offer this autumn Melting Vinyl founder Anna Moulson should be awarded the keys to Brighton for her sterling work bringing upcoming and contemporary bands and niche/cult artists to our region. Here are two examples. On 16th October at St George’s Church, Brighton, Erland Cooper will be performing music exclusively from across his Orkney repertoire on a meditative, 'magical and moving' journey though the Scottish Highlands, its folklore, myth and mythology. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music, words and cinematography he explores identity, memory, and place. His support is synthesist Hinako Omori. And the 3rd of November sees This Is The Kit, aka contemporary folk musician Kate Stables and her band, perform at Folkestone Quarterhouse, with support from The Magic Lantern, the musical moniker of singer-songwriter Jamie Doe. Long-time favourites of BBC Radio’s Lauren Laverne, Cerys Matthews and Radcliffe & Maconi, This Is The Kit have also recently appeared in the BBC One television series Wanderlust. This Is The Kit includes members Rozi Plain (bass/vocals), Jamie Whitby-Coles (drums) and Neil Smith (guitar) and speaking about her band Kate says “they’re three of my favourite musicians, and what they do with their separate projects and what they bring to This Is The Kit is brilliant”. Visit www.meltingvinyl.co.uk for full details about these and many other gigs.

ingénu/e magazine – south downs and high weald : issue 33

above: This Is The Kit (Kate Stables), photo Ph. Lebruman; below: Erland Cooper

performing arts

Mediæval Bæbes’ 25th Anniversary Tour

Monday 20th December St Mary’s Church, The Causeway, Horsham Celebrating their 25th Anniversary year in true Mediæval Bæbes style; the classical chart-topping choir will be weaving its story-telling magic once again this Christmas. Accompanied by a dazzling array of exotic and period instruments, carols, traditional folksongs and innovative settings of ancient and romantic poetry will be revealed in a spirited performance of beguiling choral music. The band will premiere compositions from their latest album of ethereal plainsong, ‘Prayers of the Rosary’, alongside exciting new arrangements of Christmas favourites. When a group of friends broke into a graveyard 25 years ago to sing mediæval songs and make merry, no one could have predicted the epic journey they were embarking on. Over a quarter of a century later, the Mediæval Bæbes have released ten studio albums and won an Ivor Novella Award and two Emmy nominations, and a Royal Television Society award alongside

composer Martin Phipps. Come join the Mediæval Bæbes, as they enchant and uplift their audiences once again with lush, ethereal harmonies transporting the listener through a myriad of ancient and forgotten languages. A glorious Christmas time celebration. Tickets are now available from www.mediaevalbaebes. com at a cost of £25 each. Doors open at 7.00pm for 7.30pm.

ingénu/e magazine – south downs and high weald : issue 33

performing arts Sat 18th December 7.30pm Christ Church St Leonards-on-Sea

HASTINGS PHILHARMONIC ORCHESTRA HASTINGS PHILHARMONIC CHOIR

HPO SONGBIRDS

TCHAIKOVSKY VIVALDI PROKOFIEV HUMPERDINCK ANDERSON TRADITIONAL CAROLS

www.hastingsphilorchestra.co.uk.

A SYMPHONY 7.30pm 20th November 2021

Conducted by:

Naomi Butcher

Chapel of St Augustine Tonbridge School

Tickets available to purchase online via www.tonphil.org.uk

ingénu/e magazine – south downs and high weald : issue 33

performing arts

TONBRIDGE PHILHARMONIC SOCIETY

resumes performances

and welcomes new Musical Director Naomi Butcher On 1st September 2021, Tonbridge Philharmonic Society resumed a pre-pandemic rehearsal schedule in preparation for its ‘seventy-five plus one’ season, on pause since September 2020. Led by newly appointed Music Director Naomi Butcher, the new season plans will bring fresh hope to members and audiences, as we look forward to sharing the joy of making music together with people in Tonbridge and the local area. Naomi said “I am thrilled to be joining Tonbridge Philharmonic Society as their new Music Director, and can’t wait to get started! The prospect of working intensively with a society that produces such high quality performances while displaying genuine enthusiasm for the music is incredibly exciting. It is a privilege to have been appointed, especially as the society’s first female conductor, and the 2021/22 season promises some fantastic concerts.” Naomi Butcher is a London-based conductor, who currently holds the Junior Fellowship in conducting at the Guildhall School of Music and Drama. She completed her conservatoire studies in Classical Saxophone performance in 2020 and studied conducting under David Corkhill and Tim Redmond throughout her time as a student. Naomi is passionate about education and outreach, and is the founder and artistic director of Snaps Ensemble, an orchestra which performs classical music in unconventional settings.

Snaps Ensemble is currently performing Snaps in Schools, a series of concerts in which the ensemble visits primary school halls to play bespoke, interactive orchestral concerts to young audiences who might not otherwise experience live music. She has also enjoyed serving as Musical Director for King’s College London’s GKT Music Society, and for several community groups, notably the Ealing Songbyrds choir. Robert Skone James, Chair of Tonbridge Philharmonic Society added “We know that Naomi will help us face our challenges as we restablish our music making, and we are sure she will make that challenge fun. We very much look forward to working with her and welcoming her to the society in September.” Visit https:// tonphil.org. uk for further information. above: Naomi Butcher; left: TPS in 2019, photo by Hannah Elizabeth

ingénu/e magazine – south downs and high weald : issue 33

performing arts "Haunting and moving" –David Dimbleby

more intense. The music seems louder, closer, more physical. Movement One is entitled ‘Awakening, Discovery, Awareness’. Now the link to movies, popular culture and everything we have heard before is broken. This is new, and we know it. The music rises in speed, complexity and intensity. We feel new life, new comprehension, an enhanced sense of being. Visual artist Cliff Crawford works in VR, creating 3D images from continuous strings. The images change and flow, one into another. As we follow these lines and threads, characters emerge. Even though figures are drawn with one line and in a single colour, they become recognisable as they turn, resolving themselves into a whole. The images are clever and compelling. Next, we have the ‘Lament for the Victims of Violence, Inequality, Poverty and Illness’. Fittingly, as the darkness draws in, the clouds cover the night sky. The lights surrounding the players and the illumination from the building seem brighter, drawing us in. The Lament is slower, it induces feelings of sadness. The mood shift follows the echoes of the score. It is not a depressing experience, but one that makes you aware that not everything is joy and light. But Clive is a hopeful person, so the last movement is a ‘Celebration of Exuberence, Energy and Diversity’. And it is. This is loud, raucous, bold and brash. It’s full of life. For me, the overriding energy is that of excited, eager children. Discordantly brilliant, it creates a cacophony. It reminds me of scores of eager children gathered round, all clamouring for attention. It builds and builds, the tempo rising and the excited jangling reminding you that you are alive. This is music that makes you happy. Clive’s work offers something different. This is different to the brass that has gone before, it reflects who he is as a person and a composer. Like all good art, it makes you feel; and think about how you feel, this is no small thing. It is bold and brassy, and as one author would say, ‘it is some damn fine tooting!’ Music for Rooftops was made possible by lottery funding from Arts Council England and support from Eastbourne Borough Council. Review by Joe Angella; Photo by Alex Brattell www.clivewhitburn.com

Music for Rooftops by Clive Whitburn World Premiere by Onyx Brass

Imagine persuading the country’s premier brass ensemble to come to Eastbourne, stand on a roof and play a mixture of classical and newly composed work. Then, just to make it more difficult, add in specially created 3D Art to provide a visual representation of the key themes. While you’re at it, why not incorporate a live TV feed into the art? Then, when you’ve done that, seat an audience of 450 at ground level, pray that the weather behaves, that the seagulls take the day off and that the audience can hear every note. Well, you’ve got to do something during lockdown. So, Clive Whitburn did just that. Bringing live music to the terrace, high balcony and roof of the Congress Theatre and Welcome Building. Onyx Brass are Britain’s top-rated brass ensemble. They have a staggering list of credits, plaudits and are in constant demand and this performance seemed faultless. The sound was deep, rich and played with confidence, and their timing was perfect. This was no mean feat. With the wind blowing, simply keeping the music in place was a struggle. Hastily collected clothes pegs were involved! The inquisitive seagulls, the remoteness of the audience and the fading light increased the degree of difficulty. The first half consisted of classical pieces from Bach, Shostakovitch and Matthew Arnold and some beautiful more modern modern compositions from Charlotte Harding and Jason Rebello. After the break, it is time for the showpiece. The first performance of Clive Whitburn’s ‘Music for Rooftops’. This is written specifically to be played on a roof! There are three movements with a connected theme: Awakening, Lament, and Celebration. Each movement is augmented by Cliff Crawford’s artwork, shown on a screen suspended below the musicians. Once the performance begins, it immediately feels 58

ingénu/e magazine – south downs and high weald : issue 33

performing arts

Hastings Philharmonic Orchestra

embark on their innovative sixth season Hastings Philharmonic Orchestra has embarked on its vibrant sixth season and is delighted to offer a diverse programme of high-quality music at different venues in the area. There has been much excitement in recent weeks as HPO announced its 2021-22 season, its first as the orchestra in residence at the White Rock Theatre. This sixth season, supported by the Fairlight Arts Trust and transformational funding from new sponsors Penn Elcom, has a fresh dimension to it. It sets out to celebrate an important heritage link with the Hastings Municipal Orchestra – the professional orchestra formed in Hastings back at the onset of the 20th century. Key concerts will recall the dynamic conductors of this early orchestra who wanted to make Hastings an important centre for classical music and will make connections with the current orchestra created by Marcio da Silva in 2016 with the aim 'to put Hastings back on the map as a centre of excellence for classical music'. Audiences have many delights in store in the coming months. In October, lovers of Mozart opera will be delighted to learn that a cast of young international soloists at the start of their operatic careers will be performing the much-loved comic opera The Marriage of Figaro in the 270-seat theatre in the beautiful surroundings of Vinehall School, Robertsbridge. Marcio da Silva will be both Stage and Music Director for this energetic and entertaining fully staged production with orchestral accompaniment. November brings an opportunity to enjoy a concert

featuring HPO Strings at St Martyr Church, Winchelsea. A programme that includes not only Dvorak’s Serenade for Strings but also Bach’s Keyboard Concerto in D Minor with Stephanie Gurga, travelling from Switzerland as the soloist, promises to be a real treat. Then December will bring a double offering of enjoyment. The semi-professional HPO Singers start the month with a gloriously moving concert in St Leonards-on-Sea that includes Vaughan Williams’ Mass in G Minor and Britten’s Ceremony of Carols, with fantastic soloists. And, as Christmas draws closer, what better than a Gala Concert of orchestral gems from HPO (Sleighrides, Waltzes and Nutcracker Suites) and choral delights from Hastings Philharmonic Choir and our children’s choir HPO Songbirds, including favourite traditional carols. All the details about dates, venues, times, and information on how to book tickets can be found at www.hastingsphilorchestra.co.uk. Why not open your diary and plan to brighten up the weeks ahead with some musical cheer? We welcome new audience members as well as those who have joined us before. If you have any questions, please email: info@hastingsphilorchestra.co.uk

Hastings Philharmonic Orchestra; inset: Marcio da Silva. Photos by Peter Mould

ingénu/e magazine – south downs and high weald : issue 33

autumn festivals There are plenty of autumn festivals to visit as the nights draw in. Visit them, support them and... carpe diem!

Brighton Early Music Festival returns in style this autumn A mixture of live and online events

righton Early Music Festival is delighted to be returning to its usual autumn schedule for 2021, with a long weekend of live events, plus a further season of their popular BREMF@home online concerts. Early music lovers in the city and beyond can enjoy five live events between Wednesday 20th and Sunday 24th October, taking place in St George’s Church, Kemptown and St Martin’s Church, Lewes Road. For those who are not ready to return to live events yet (or who simply prefer to watch from the comfort of their own home!), the Festival is also offering an online BREMF@home edition running Friday 19th to Sunday 28th November. Live events include the concert-drama I, Spie, featuring Elizabethan tavern, street and courtly music from The Telling; contemplative and uplifting polyphony from the Festival’s own BREMF Consort of Voices; elegant French baroque repertoire for instruments and voice from Canzona; the Festival’s popular showcase of emerging talent – BREMF Live!; and rousing medieval cantigas from Festival favourites Joglaresa. Consideration has been given to COVID safety precautions

BREMF Consort of Voices

Joglaresa

as the Festival prepares to welcome back audiences with reduced capacity seating, pre-ordered drinks and refreshments, and other safety measures. Online BREMF@home will offer edited and enhanced highlights from BREMF’s summer and autumn seasons to enjoy in the comfort of your living room, and will feature interviews with artists and other bonus content alongside the musical performances. Festival Producer Cathy Boyes said “We can’t wait to see our audiences this autumn, live or online – we’ve missed them! The past 18 months have been challenging for the arts and culture sector, but at BREMF we are determined to welcome audiences back safely, as well as to continue with the online content that you told us you enjoyed in 2020. Early music covers 1000 years of diverse repertoire so there is definitely something for everyone on offer at BREMF.” Visit www.bremf.org.uk/ whats-on/ for all details.

ingénu/e magazine – south downs and high weald : issue 33

autumn festivals

Shoreham Wordfest – Fast Forward

A Celebration of Words & Ideas 24th September to 17th October 2021

horeham Wordfest 2021 starts on Friday 24th September with a national radio broadcast of BBC Radio 4’s Any Questions? Tickets are already booked out, but it is worth tuning in for a lively discussion on air with the local audience. Alexander McCall Smith, popular author of The No.1 Ladies Detective Agency is launching the main Wordfest programme at Sussex Yacht Club on 30th September, appearing live by video link from his home in Edinburgh. Environmental concerns are a major theme of the festival; there is a whole day conference on Ending The War on Nature, featuring Isabella Tree of Knepp Estate and Tony Whitbread, President of Sussex Wildlife Trust. David Olusoga, the high profile social commentator, is talking about “The Job of a Historian.” Tickets are already sold out but people can buy virtual tickets to watch live from home. Former Catatonia singer Cerys Matthews will be in conversation about her career and love of poetry and the comic poet Murray Lachlan Young will be offering his humorous take on life as well as a family event of “Cautionary Tales for Modern Children.” Political journalists Katy Balls (The Spectator) and Stephen Bush (New Statesman) will debate contrasting visions of “Britain at The Crossroads” and former Foreign Correspondent Robin Lustig offers an international perspective in discussion with Kelly Shepherd, an expert on global aid and mediation programmes. Authors include crime writers Elly Griffiths and William Shaw, Sally Bayley (Girl with Dove, Radio 4

Murray Lachlan Young

Book of the Week), Tom Cutler with his book Conspiracy! Also featured is Yvonne Bailey-Smith, mother of Zadie Smith, with her first novel, who will be interviewed by Brighton author Colin Grant. Jane Austen at Home is a one-woman drama taking place in the ancient St. Nicolas Church, visited by Jane Austen herself while staying in Worthing. There is mesmerising story telling by Mara Menzies and four family shows, including a children’s detective game with author Gavin Milnthorpe. There is music from Laura Ward and Risen Road, creative writing and a whole day celebration of National Poetry Day on 7th October. Shoreham Wordfest’s Programme Director, Rosalind Turner said, “This year’s Fast Forward festival will take place in various venues around our lovely town. With 32 events there is something for everyone as we return to live events. We will also be recording and livestreaming some of the events which means that people can participate from wherever they live.” Full programme details and tickets are available from www.shorehamwordfest.com. Tickets are also available from Shoreham Art Gallery, 27 Brunswick Road, Shoreham-by-Sea, BN43 5WA. left: Laura Ward and the Risen Road by

the wonderfully talented Daniel Worth www.danielworthart.com

ingénu/e magazine – south downs and high weald : issue 33

autumn festivals daytime at Ryde Methodist Church, national harp makers will be displaying their instruments and there will also be an opportunity to purchase sheet music and other harp accessories. If you require any further information please email harponwight@gmail.com or telephone 01983 730930 and full details of the festival can be found at www.harponwight.co.uk left: Anne-Marie O'Farrell

Fourth Tunbridge Wells Puppetry Festival 9th to 17th October

The seventh annual Harp on Wight International Festival Ryde, Isle of Wight 22nd to 26th October

his festival is perfect for a day out visit to the Island or, indeed, a few days stay or more; beautiful music in aesthetic settings and very interesting side events for musicians and public alike. The opening concert at Ryde Methodist Church on Friday, October 22nd will see the Festival's Patron Anne Denholm joining forces with the Voices of the Isle of Wight Choir. The festival is extremely strong this year on Celtic music, with three world class harpists performing and teaching - Anne-Marie O'Farrell from Ireland (replacing Triona Marshall who was originally booked), Catriona McKay from Scotland and Lily Neill from the USA, who is returning after her wonderful concert at the Festival in 2018. Lauren Scott not only has her own solo concert on Saturday 23rd but is also leading a teaching workshop which will lead to an impromptu ensemble concert on the afternoon of Monday 25th. Always a popular feature of the festival, during the

ne of the highlights of Kent’s cultural diary, the Tunbridge Wells Puppetry Festival, returns for its fourth year. This celebration of allthings puppetry will take place across the town’s iconic venues and open-air civic spaces including Calverley Grounds, Royal Victoria Place, Trinity Theatre, Assembly Hall, Camden Centre and The Forum. There is a mix of ticketed paid and free performances, workshops and events. The centrepiece of the 2021 Festival will be Museum of the Moon, an awe-inspiring touring artwork by UK artist Luke Jerram. Measuring seven metres in diameter, it features 120dpi detailed NASA imagery of the lunar surface. Joint Festival Directors Alison Bundy and Ailsa Molyneaux say “We’re especially proud that Museum of The Moon will bring an extra outdoor element of awe and wonder to this year’s Festival. It, and the 40 diverse and innovative contemporary puppetry events, will allow audiences and the community to reconnect following the adversity of the last couple of years. It’s a complete joy to be able to present live work once again.” Visit https://twpuppetryfestival.org for full information. below: Luke Jerram’s Moon installation

ingénu/e magazine – south downs and high weald : issue 33

autumn festivals Literary Week promises a fascinating addition to anyone’s diary at that otherwise dreariest time of year. Visit www.petworthfestival.org.uk for full details. left: Tristan Gooley, author of Natural Navigation, photo by Sophie Gooley

Shipley Arts Festival 2021

Petworth Literary Festival 30th October to 7th November

here is something incredibly special about hearing a well-known author – or even a not-so-wellknown author – talking about their latest oeuvre, says Stewart Collins, Petworth Festival Literary Week’s Artistic Director. “There have been so many wins from our previous literary weeks, but I don’t think I ever quite appreciated what a privileged opportunity we get when someone of Sebastian Faulks’ or Joan Bakewell’s stature comes to the festival and talks in detail and intimately about their lives, passions and – of course – their latest books.” And that, of course is exactly what will be happening in Petworth come the end of October. Between Friday 29th October and Sunday 7th November, audiences will have nearly forty opportunities to meet in person (and online) a huge range of authors that also includes Gyles Brandreth, Jeffrey Archer, historian Dan Jones and many more, with children’s events including a Harry Potter Wand Making workshop on Hallowe’en. Whether its autobiography, brand new fiction, discussing the science of weather or illuminating the life and discoveries surrounding Tutankhamun, the Petworth Festival

e are very grateful to Arts Council England for extending their support to our 21st Shipley Arts Festival and look forward to welcoming you our diverse, artistic programme of concerts that bring together and connect all our communities. Our audiences can enjoy a unique connection with international level musicians, and talented young performers delight in our blend of side by side String Academy Concerts, where pupils perform alongside some of the most experienced and distinguished UK musicians. The Shipley Arts Festival is also supporting the Alzheimer’s Society live online, and we look forward to further assisting this community through our music. A rich programme has included the world premiere of Paul Lewis’s violin concerto performed by Andrew Bernardi on his fabulous Stradivarius violin, together with concerts including Mendelssohn’s String Octet. Highlights include the opening of a new Concert Hall in Drew’s Barn on the Warnham Estate and fireworks in Washington; our 21st Anniversary celebrations are not to be missed. Live performances have been re-introduced for carefully managed audiences within Covid secure environments; and we have the additional option of our innovative streamed broadcasts too. In order to keep everyone safe we are restricting audience sizes for these very popular concerts, so please book early at www.bernardimusicgroup.com.

Bernardi Music Group with composer Paul Lewis

ingénu/e magazine – south downs and high weald : issue 33

autumn festivals

Not enough culture in your life? Tired of things being drab in géentnureveal/ede creative tal and dreary? Then brighten up your day with the only regional arts & culture magazine in the South East. For just £9.95 a year you can have ingénu/e magazine delivered to your door each quarter. www.petworthfestival.org.uk

SHIPLEY ARTS FESTIVAL

A Feast of Festivals

a multitude ls of summer even events ts summer open studios

plus plus

galle galleries ries & & exhib exhibition itionss musi music, c, thea theatre tre & & danc dancee book book revie reviews ws crea creative tive cour courses ses & & work workshop shopss

south downs and high wea ld : issue 25: summer 2019

Visit www.ingenuemagazine.co.uk or email subscribe@ingenuemagazine.co.uk

JUN - NOV 2021 rs

21 yea Celebrating

Featuring performances and music by:

Andrew Bernardi · Joe Townsend · Jonathan Few Bruce Martin · Helen Ottaway · John Suchet · Paul Lewis String Academy · Trinity Sannyi Summer School Concert The Stradivarius Piano Trio · John Ireland · Vivaldi Purcell · Elgar · Johan Halvorsen · Holst · Debussy · Faure J.S. Bach · Max Bruch · Mendelssohn · Beethoven & more. www.bernardimusicgroup.com for more information Visit WWW.BERNARDIMUSICGROUP.COM Missed anything? Please visit our website to watch previous festival performances.

ingénu/e magazine – south downs and high weald : issue 33

autumn festivals

20 – 24 OCTOBER: LIVE EVENTS 19 – 28 NOVEMBER: BREMF@HOME

MYTHS & LEGENDS Brighton Early Music Festival returns this autumn with both live and online events featuring music from rousing medieval cantigas to Mendelssohn’s Midsummer Night’s Dream.

For more information and tickets see www.bremf.org.uk bremf.org.uk or call 01273 833746 to request a brochure. BREMF

www.harponwight.co.uk

www.facebook.com/brightonearlymusi c brightonearlymusic

brightonemf brightonemf www.instagram.com/brightonemf/

www.shorehamwordfest.com ingénu/e magazine – south downs and high weald : issue 33

poetry prose & illustration

book reviews Beautiful Lies

an anthology of new writers The best short stories should haunt you for days and weeks. They should startle you and make you want to read more by the same author. In this anthology of 35 new writers there are refreshing creative voices that will constantly surprise and delight. Most of the writers are published in this volume for the first time in print. I should by now be used to the high quality of writing to come out of Roddy Phillips' Bourne to Write 'stable' of new writers. This latest anthology, Beautiful Lies, is stuffed with short stories and poems that will run you through the gamut of emotions. As they were written for the Bourne to Write Workshop many of the pieces share themes, lines and subject matter, yet each one is a unique and beautiful lie. Some of these are dark, challenging and disturbing. Some are introspective. Some twang on the heartstrings of nostalgia – real or imagined – and some are gently humorous. It takes a particular skill to be able to condense a

Julia's Baby by Natasha Murray

Is it possible to start a new life in a different country when all the time you're looking over your shoulder? This is the situation that Jules Bridgewater and Seth Hearn found themselves in when they fled their West Sussex home in search of sanctuary from the unwanted attentions of both the police and Seth's murderous mother. Arriving in Ireland, penniless and desperate, they sought the protection of Seth's old employer, May, hoping she would offer them work at her riding stable and a roof over their heads. Gradually they settled in, working and honing their talent and building their reputation as a duo busking in the busy streets of Cork, leaving the horrific events of the previous months behind them. Or so they thought. Will they be able to re-build their lives? Or will the threat to their safety prove too great and further losses ensue? The sequel to 58 Farm End and the second book in The Waterfall Way series, Julia's Baby follows the continuing struggle of the two protagonists as they adjust to circumstances forced upon them. Seth rekindles old friendships and Jules embraces new ones with warmth 66

complete narrative, with all its plot twists and characterisations, to a short story format. The evocations of time and place, not dependent upon lengthy descriptions, have to be precise, pin-point accurate. The best short stories leave you feeling as if you have read a novel, but still thirsting to know more about the characters and their story. A surprising number of feature films have been based on short stories: Total Recall on a short story called 'We can remember it for you wholesale' by Philip K Dick; South Pacific on 'Tales of the South Pacific' by James A Michener; and the classic The Third Man on a short story of the same name by Graham Greene. So who knows where some of these Beautiful Lies may end up... Perfect to dip into over a coffee break, Beautiful Lies is available on Amazon. bournetowrite.co.uk

and gratitude. She is physically fragile and is sad to leave her precious horse Connor and dear old pony Barney behind in West Sussex, but needs must. And Seth's obvious delight at the prospect of being reunited with his beloved Irish cob Moss compensated for her own loss. Although adjusting valiantly, Jules' mettle is tested to the limit by an older man's lascivious overtures and the feared return of an old adversary. But the close ties of love and friendship prevail. More surprises bring the story to a head and the denouement delivers further shocks. The final chapter holds reconciliation however, and the promise of more adventure to come. Murder, incest and betrayal are the driving forces of the plot but love, horses and music are at the heart of this story and prove to be its redeeming factors. Julia's Baby is available on Amazon. For more about the author go to Facebook @NatashaMurray3004.

ingénu/e magazine – south downs and high weald : issue 33

poetry prose & illustration

Secrets & Saviours by Beverley Elphick

It is 1801. After a succession of tumultuous and life-threatening experiences Esther Coad, herbalist and midwife of Lewes, has settled down with her new husband, local physician and coroner Dr Bartholomew Grieve, and her young ward, Beth, to a comfortable life surrounded by dear friends. Esther's reputation as a caring midwife has spread as her midwifery practice, tending to those women unable to afford the services of a physician, has gone from strength to strength, and she has become a respected part of Lewes society. The peace and harmony of her home would soon be interrupted, however, by the unwelcome arrival of Bartholomew's haughty, spiteful elder sister – her carping criticisms casting a pall of anxiety and discord over the familiar, friendly household and her poisonous gossip threatening to undo all Esther's hard work. To add to her worries, Esther has a sudden terrifying encounter with an enemy from the past and old fears are re-ignited. More complications arise when a fragile young woman turns up on their doorstep seeking asylum, and a little girl, the daughter of an old acquaintance is left in her charge in tragic circumstances, after a terrific shipwrecking storm off the nearby coast which left many drowned. At this point you might be forgiven for thinking

The Granville Legacy by Patricia M Osborne

George Gilmore, son of a coalminer, assumes the role intended for him by his maternal grandfather, Lord Granville of Granville Hall. But this is no sudden transition, for George has been heading towards the title ever since his grandmother wrested him from the warmth of his family home under false pretences when he was just a boy, much to the anguish of his recently widowed mother. His new title, however, does not sit easily on George's slim shoulders. Creative and sensitive by nature, he lacks the ruthless streak for which his grandfather was renowned. So when an old adversary re-appears unexpectedly and his family is under threat will he have the necessary grit and determination to protect them? The third and final book in the House of Grace trilogy, The Granville Legacy follows the fortunes of the Gilmores and the Granvilles through the 1980s, charting the success of Grace Gilmore's fashion design empire and George's burgeoning career as an architect.

that Esther has enough on her plate. And yet... A handsome young gentleman calls upon her. He has a proposition that offers the chance to rid the area of the gang of smugglers that had previously dogged Esther and been the cause of so much tragedy and grief, and thus to restore peace to herself and her young family. What should she do? It is an audacious plan. To get involved may jeopardise her own life and those of her loved ones. But to not act... This third book in the Esther Coad trilogy is full of exquisite details of the period, from the niceties of society, manners and clothing to actual historical events, and is peppered throughout with references to the beneficial herbs which were Esther's stock-in-trade. It picks up all the threads from the first two books and weaves them cleverly into an engaging narrative, bringing the story to an exciting conclusion. I loved it! Secrets and Saviours is available from all online suppliers, on order from all good bookshops, or direct from www.beverleyelphick.com, where you can find our more about the author.

But the uneasy truce between George and his mother, Grace, whom he'd always believed had abandoned him all those years ago, is put to the test as external pressures threaten to unravel their patched-up relationship. Sibling rivalry rears its ugly head as it had done a generation before, and George's sister Alice reveals painful secrets both past and present. Romance blossoms, old friends are revisited and new ones introduced as the family strives to overcome tragedy and rebuild their lives. Above all this is a story of the power of friendship, the importance of following your dream – despite all invitations otherwise – and the value of family. The Granville Legacy is available from https://whitewingsbooks.com where you can also find out more information about the author.

ingénu/e magazine – south downs and high weald : issue 33

Grandpa's D

poetry prose & illustration

We'd love you to come on Sa turday 4th children's adve nture story bo ok published b Fair Thompson , and the illust

Grandpa's Dear Old Girl by Felicity Fair Thompson

Millie was anxious. How would her grandpa cope without his dear old girl. Millie's grandpa was the custodian of the 100-yearold SeeSaw Lighthouse – his Dear Old Girl. When modern technology and automation came to the lighthouse, Millie's grandpa's expertise as a lighthouse keeper and his intimate knowledge of the coast and its weather were suddenly and unceremoniously made redundant. As Millie's grandpa sadly contemplated his enforced retirement, a sudden change in the weather brought a big storm, threatening the island's fishing fleet and testing the new automated system at the lighthouse. Would it stand up to this test? What would happen to Grandpa and his Dear Old Girl? And what part will Millie play in this unfolding drama? Grandpa's Dear Old Girl is a charming and exciting children's story. Written with a rhythm that is at times poetic, it yet has a hint of the edginess that author Felicity Fair Thompson brings to her novels. And like

If You Loved Me

a story of love, loss and a cat called Leonardo by Jennifer Pulling When Amy Armstrong arrived in Rome to deal with an unexpected and mysterious inheritance, she did not anticipate the affect it would have on her life. Guided by stylishly elegant Paulo, an old family friend, Amy sampled the hidden delights of Rome and before long she had thrown off the shackles of her ordinary middle-class existence and embraced the opportunities of this vibrant and romantic city. Then two chance encounters changed the course of events. A large grey cat with amber eyes drew her inexplicably to the square Largo di Torre Argentina, where, among the Roman ruins, she came across a cat sanctuary. Having no previous experience with cats she was surprised to find a natural affinity with them and before she knew it she had agreed to help out. Then there was Davide. Handsome and enigmatic, he came to her rescue as she was threatened by a potential mugger then vanished into the bustling crowds – but not before she had instinctively felt some kind of connection. Her attention was captured. Would they meet again? Backtrack to 1967 and Amy's mother Caroline arrived in Rome after two years travelling. There she met Marco, who offered to show her the real Rome and ended up giving her his heart. But could this girl 68

all the best stories for children it 'A sto conveys a valuUnpu able message, Goodn one that is 'A little relevant for both grandc kids and adults Ingenu alike. Grandpa's Dear Old Girl 'Enhanc is a little gem fascinat – reading it to their kee whose g your children lighthous or grandchildren will be a 'I was ab delight. em otion Published Secretary by Beachy Books, Grandpa's Dear Old Girl is out now, available to order from your local 'A tend er ex bookshop and direct from www.beachybooks.com. ploration of fa mily, our ever the sea.about A perfthe For more information her work -changin ect author book toand read snuggled sa ys Da up by th isy Coulham, Ea go to www.wightdiamondpress.com stEnders writer , creator of

Buy the book at

the with the heart of a £7.99 - a great Christma hippy abandon Co herme along between 11.30am and 2.30 wanderlust lifestyle pm to N ne ar Newport - Bl and settle down to ackwater Road PO30 Cafe Bar open Italian family life? for drinks, teas an dc Or would heartbreak https://www.n ewclose.org/ba r-a be her destiny? Amy, who knew www.beachyb ooks nothing of her Grandpa’s Dear Old Girl – Beac h ISBN 978-1-99 mother's past, 97283-8-0 was intrigued but unsatisfied with the few grains of information she had gleaned from Paulo and was determined to discover all. Little did she know that she would stumble upon the truth thanks to a cat. Written with a lightness of touch, this engaging story weaves back and forth between Amy and Caroline and their respective and sometimes parallel Roman journeys. The other characters central to the plot are well fleshed out and believable. Among these is Rome herself, described with the assurance and familiarity of one who knows and loves the city, its customs and its people. After reading this book you will want to visit. If You Loved Me is available on Amazon. For more infomation about the author and her other work go to www.jenniferpulling.co.uk

ingénu/e magazine – south downs and high weald : issue 33

poetry prose & illustration pictured: Illustrations for Felicity Fair Thompson's 'Grandpa's Dear Old Girl'

Carolyn Pavey Illustrator Professional artist and illustrator Carolyn Pavey teamed up with fellow Isle of Wight inhabitant, author Felicity Fair Thompson, to illustrate Thompson's latest book, Grandpa's Dear Old Girl.

“

I was born on the Isle of Wight and spent a very carefree childhood, barefoot on the beach during the long hot summers, riding ponies and building campfires in the woods during the winter months. After graduating from what is now Brighton University I lived in Herefordshire for several years, started a family, and enjoyed the glorious farmland with all its wildlife and stunning scenery. It was here that I had my first solo exhibition and started to show in London and provincial galleries. I also provided illustration for various businesses in the region. However, a more fine art side began to emerge and soon I was sketching and painting the landscape around me and exploring the hills and red earth fields of Herefordshire. Finally the call of the Island was too much and I returned to my roots. With its rolling downs with trees shaped by the strong winter sea winds, small bays, sandy beaches and seaside towns and villages its a wealth of inspiration for any artist. It is here I have my studio. As birds feature in many of my illustrations I only have to glance out of the window to see the various wildlife that come to visit! I always carry a sketchbook and though I do use photographs on occasion, I like them to be out of focus so I can still use my imagination. Sometimes I start with a title or a snippet of overheard conversation. I then take my sketches into my studio where I continue to develop my ideas allowing my paintings to evolve, gradually building into an entity of their own.

As a trained illustrator/artist I enjoy varying technique in my work, and make no apology for the fact that I can paint in both contemporary and more figurative styles. Best of all, I am able to paint what I wish, meet some lovely people along the way and spend time observing the wonderful beaches and countryside around me. Who could ask for more?

”

For more information about Carolyn and her work go to https://paveypaintings.co.uk

ingénu/e magazine – south downs and high weald : issue 33

poetry prose & illustration

– flash fiction – The Empty Shop –by Jennifer Pulling

After months of remaining empty, there was activity in the shop in Rue Marcel. Peering through the smeary windows you could see men building wooden stands and fixing lights. In the small town of Guigneville there was speculation as to what these premises would become. Not that the tête-a-tête conducted in people’s kitchens and living rooms, or in cafes where they drank coffee on market days, involved Catherine. Her initial enthusiasm in exchanging her call centre job for life in rural France had been sadly extinguished. Perhaps it was her penchant for alternative clothing, her Patsy Purple dyed hair that singled her out. Catherine only asked to be recognised for what she sincerely was: a devoted vegan and animal lover whose heart embraced all living beings – not to mention an excellent teacher of English. Now she began to think she’d made a terrible mistake. Brighton was one thing, Guigneville an absolute other. Solitary, apart from her tawny cat, Tabigail, who enjoyed going for walks on a lead, they would pass and re-pass the empty premises and peer through the windows to note what was going on. There were three men certainly taking their time to fit out a smallish shop. They worked hard in the mornings but when the ancient Saint Radegund clock intoned the sacrosanct hour of one, labour ceased. The trio were seen strolling down the town’s famed plane tree avenue until they found a suitable spot for lunch. And as this, naturally, included red wine, which beggared a siesta, they resumed their work well after four. Thus, Catherine and Tabigail would watch the men continue their sawing and hammering, their fixing and fitting… but for what end? As work proceeded she began to view it as a symbol of hope. Drinking her evening herbal tea, Catherine would enter a fantasy world where, the moment the new shop opened, her life would

be transformed. Sometimes she daydreamed it would be a café with a cosy atmosphere where everyone was welcome. There’d be a piano anyone could play and shelves of books. She’d take her morning coffee there and one such day a seductive voice would murmur: ‘may I join you?’ She would meet his dark gaze and they’d fall instantly in love. On other occasions, picking a lettuce from her garden, she imagined the premises’ incarnation as a dress shop run by a kindly middle aged woman – not one of the busty French ladies she’d encountered who withered you with a glance. This woman would comment on her perfect figure and they’d choose so chic an outfit, she would turn all heads in town. She’d become the woman everybody wanted at their dinner table, witty and worldly wise. Perhaps her favourite vision was of a florist. She saw buckets of tulips, daffodils and gladioli ranged outside, pictured herself in a pretty overall working there. In spring, the scent of mimosa would fill the air, and, on May Day, the perfume of lilies of the valley. Roses would follow and in autumn chrysanthemums’ cream and tawny heads to grace family tombs on All Saints Day. She would create bouquets of such harmony, delightful table decorations for christenings and weddings that her customers would sigh over for her exquisite taste. Thus she watched the slow construction within this shop until one day the sign painter arrived to proclaim in bold letters: Henri Lacroix – Boucherie. Strings of sausages and pigeons festooned the windows. A side of lamb hung behind the counter and in a glass case, among the dead rabbits and mounds of offal, a pig’s head mocked her dreams. Bitten by the travel bug from an early age, Jennifer's journeys have inspired many a short story and book. Her aim is to share the colour and sensations of faraway places with her readers. A devoted cat lover, felines often make their appearance in her writing. As a journalist, her articles have been published widely in the UK and abroad. She lives in a Victorian cottage where she tries to fill her garden with the favourite flowers of artist Claude Monet, helped or hindered by Sheba the black cat. For more information about Jennifer Pulling and her work go to www.jenniferpulling.co.uk

ingénu/e magazine – south downs and high weald : issue 33

poetry prose & illustration

Celebrations And Mrs Arbuthnot

proposal has been fully examined, and I feel that there is a time when one must, in all conscience, speak up for the voice of sanity. ‘Yours, more in sorrow than in anger.’

–by Patricia Feinberg Stoner

To the Editor, Gorehampton Gazette ‘Dear Sir It is with a heavy heart that I take up my pen to write to you. It is not in my nature to be judgmental, nor do I wish to interfere with the innocent enjoyment of others, but This Will Not Do. ‘I saw recently on the “Facebook” that there is to be a gala of some sort in the village on Saturday week. A communal meal was suggested and there was mention of fireworks. It is, supposedly, to celebrate the end of “lockdown”. Now there are several reasons why I consider this to be highly inappropriate. ‘First of all, events such as these inevitably involve music of the most loud and salacious kind. This will de facto lead to bad behaviour among the youth of the village and, trust me, such behaviour needs no encouragement. We still remember, though we try to forget, that incident of the two young people discovered behind the school science block last summer, in strict contravention of the social distancing prescriptions. ‘Then there is the question of noise. It has come to my attention that the teenager at number seven, Church Road, Gorehampton, has recently come into possession of a motor bicycle of the most loud and powerful variety. It is, I believe, called a Lambretta. In no time at all we shall be inundated with hoodlums tearing up the village green, on the pretext of the proposed jollifications. Those of us who prefer a quiet Saturday afternoon will be forced to retreat indoors in search of peace. ‘I come now to the matter of the intended organiser of this event. Not wishing to cast aspersions – and of course I wouldn’t dream of naming names – but I will just say that this person still has a few questions to answer concerning the cancelled Women’s Institute outing to Budleigh Salterton. I believe certain sums of money have never been recovered. ‘Lastly, and I cannot believe I need to point this out, there is the Virus. Even the “Facebook” itself is telling us to be careful, and not to congregate in large numbers. Has the village committee lost its mind? Does it seriously expect us to gather on the Green just because the Prime Minister now says it is all right to do so? Is he a doctor? Is he a pandemic expert? I do not think so. ‘As I said at the beginning of this letter, it is far from my intention to cast a gloom over the proposed festivities. However, I do not think this ludicrous

She signed the letter with a flourish. Then, with a sigh of satisfaction and the sense of a job well done, Mrs Arbuthnot screwed the cap back on her bottle of green ink and laid down her pen. www.paw-prints-in-the-butter.com

The Return

–by Bronwen Griffiths Journeying 311 miles, the roads fat and fast, later winding and circling through green soft hills where waterfalls might be. Finally the push up the high pass into the swirling mist, then quick to the crossroads (there must always be a crossroads) and, at last, yes at last, the steep track through the woodland that smells of bracken and pine. Arriving After months of lockdown, hours of packing and impatience, you have arrived. The rain falls in soft veils, caressing the ridge and the stream is loud with the carrying of water. There is a hare in the long grass. You cannot yet see the mountain. Settling You must unpack the car, make the beds, light the fire and settle everything in its place. You too try to settle but the weight of absences is heavy in your heart like the sea-scoured stone on the windowsill – so much is gone. Walking You take the same path, the one you’ve been walking fifty years – past the stone bridge, the mossy, hunched oak and the ancient cherries – to the cattle grid. You are relieved to hear the sheep bleating in the fields, to see the swallows diving above the barn. Some things, at least, never change. Holding This place is not just stones and mortar, the familiar smells of wood-smoke and damp – you hold this place so deep in your heart, you never leave it, no matter how far away you travel, down those long roads. www.bronwengrff.co.uk @bronwengwriter

ingénu/e magazine – south downs and high weald : issue 33

t e o p poetry prose & illustration

Muscat grapes

Latex gloves

I’ve waited and waited for this time Throughout September’s shattered sleep As the stalking giant mantis shapes Of the tottering picking machines Clatter down the dawning village street.

We cannot wash another’s hair Without ourselves protecting We daren’t allow our skin to feel Or touch, or heal, or nothing

They climb the stony path to vines, above, Of Merlot, Syrah and Grenache. It isn’t Syrah, Merlot or Grenache I’m waiting for.

I’m waiting for the week, or if I’m lucky, more When the barrows in our village market brim And tumble with the dusty purple bounty Of the Muscat grapes, Scented, honeyed, almost perfume sweet. Greedily I pile the bunches, more and more Upon the waiting scales. While Monsieur Alibert, the vigneron, laughs And rubs his belly with a circular motion And a knowing wink.

And his wife bestows a whiskery smile Upon the English woman standing there With her faltering French, euros ready in her hand.

No loving touch, no calming hand A rubber glove divides us No Skin to skin, no heart to heart No longer can these calm us

To gently touch another’s soul To soothe and heal a brow Those skills no longer can we know All is Latex now Layers of lies, layers of gloves Secrets, Covert hiding No wonder we cry into our towels This Latex has us dying. –by Ger White ©GWhite2021

www.facebook.com/gerardinewhite

–Patricia Feinberg Stoner, June 2021

Ger White grew up in the wild open country of the West of Ireland where poetry fell off people’s tongues as easily as the rain fell from the clouds.

Most of her poems reflect Irish country life, Christianity, beauty and loss. As such they align with Irish poets John O’Donoghue and Seamus O’Rourke. She writes to give pleasures to others and for fun. She encourages “Seek the beauty in your surroundings”. When not writing she loves country walks with friends followed by a cuppa tea and chat at the end. She currently lives in Sussex happily married to Barry, a gentle soul who manages everything allowing her full freedom to splurge on her writings. Her poems have been published in magazines and she is published in eight anthologies. She has featured on several monthly East London Radio programmes, in the storytelling section doing audio poems in her own voice. Ger has work published in eight anthologies, her

audio poems are featured monthly in East London Radio, and she was Author of the Month, April 2020 in Spillwords.com 'Newspapers on the Floor' is her first compilation of her own poems. Irish traditional ways and other themes are gently explored here in this first collection of poems. “Ger's poems touch my heart with their gentle humour, awareness of nature, and their ability to delve into the magical wonder that is the human spirit.” – Jim Bates (Author of Periodic Stories) The virtual launch of 'Newspapers on the Floor' is on 10th October on Facebook and Impspired, and the physical launch on Thursday 28th October at 7:30 pm upstairs at the Dorset Arms, East Grinstead. For more info: www.facebook.com/gerardinewhite

ingénu/e magazine – south downs and high weald : issue 33

y r t

poetry prose & illustration

Dunkirk Spirit?

Bolt the doors, the windows. Pull the blinds, draw the curtains, unplug the TV and play track after track of easy listening. Now pour a glass of wine: wallow in the peace, the quiet, the knowledge, that all points of intrusion

into your safe and comfortable world are sealed. Let go of the pain; the hurt. Absolve yourself of sin, of involvement, and entering that emptied space where compassion once resided, repeat a trillion million times, 'I've done my bit'.

Yet; even then, guilt will still haunt your quietest moments, and though emanating from far-away places; you'll still hear the slap of money on greedy palms, the sickening slurp and gurgle of water-logged boats, the crash of waves against dark shorelines, the obscene quietness of drowned and bloated bodies bobbing listless in a colding, uncaring sea. And as this latest Dunkirk moment

drowns in a sea of false promises and broken vows, the latest noises penetrating your blockade of doors, window, blinds, curtains, music and drink, is that of babies howling with fear, of ululating mothers, of closing borders and retreating Nations bellowing, 'No more room at this Inn'.

And always, and ever, in the background; the chink and clink of cash-registers, the obscene guffaws of arms-dealers, the knowing chuckle of politicians and fat-cat money-men, the false words of gung-ho generals and the thud, thud, thud of ‘smart’ bombs as innocent children run for cover. –by Tony Frisby Aged nineteen, Tony Frisby left Ireland as an economic migrant and has lived ever since in England, settled now in Sussex between the South Downs and the sea. He returned late to education, achieving a BA, an MA, then embarked on a PhD in Northern Irish Poetry. Four years later he abandoned academia to concentrate on writing poetry himself, his imagination constantly inspired by the Downs and the coastline. In the last ten years he has had a number of works published and applauded. His latest work ‘A Boreen in County Waterford’, which delves into his Irish past, is available from Amazon. For details and more of his poetry, find him on Facebook.

Poppy Wreath Seeing these poppies she thinks of a quiet corner of a foreign field, wild poppies and fragments of dark slate, white bones of a song bird, or maybe fallen men. Him. A spent shell risen. A rusted gun plate. Huge rolled tangles of barbed wire marking trenches on that drawn out line and mere boys alive beside long buried men. Dripping oil, the smell of fire and fear, called up, and volunteer. Horses. Screaming. Squelching mud, and gunfire round. Boots biting deep into that ground, leaving pale thin scar, and more, a sign it might be where he fell. Now these poppies glisten scarlet in the sun. He was his country’s man and King’s. Like a cross she bears his name. Coming here, the cenotaph, listening to young voices generations on, so strong and clear, for her these flowers still bloom in bright blood red and though he’s long dead, she cares. She holds the line. She’s glad she came. She knows he’s here. –by Felicity Fair Thompson

N.B. All poems shown here are subject to copyright

ingénu/e magazine – south downs and high weald : issue 33

creative courses

Debbie Smith

Jewellery Workshops After many years of running classes in the workshop, and with the enforced closure during lockdown, this gave me a great opportunity to reflect and rethink the classes and I’m back refreshed and full of new ideas! Since re-opening the workshop in July, I have introduced some new classes especially tailored for beginners. With the success of the TV jewellery show, 'All that Glitters' the idea of making and creating has become really popular! Classes are smaller (a maximum of three people) and each session introduces the students to a different silver project, covering a new skill and creating a new piece of jewellery, for example earrings, pendants, and rings. The classes are held in my workshop in Lindfield, from 10am to 1pm. The cost is £50 and includes the cost of silver. Please contact me for more details and to book your place! Call on 07775884990 or visit www.thejewellery-workshop.co.uk

ingénu/e magazine – south downs and high weald : issue 33

Ars Gratia Artis as

Art Junction gets back to normal

creative courses Art for Art’s Sake has long been a mantra of sculptors and painters alike and nowhere is that more evident than at the Art Junction Sussex Sculpture Studios alongside platform 2 of Billingshurst station. For years it has been home to a large community of Sussex creatives, both as a drop-in studio for ad hoc work and kiln firing, and a centre of tuition based around workshops and Masterclasses. The culture is very much ‘come on in, roll your sleeves up and get your hands dirty’. After an enforced break due to Covid, Art Junction ran several Masterclasses through July at its traditional Summer School. This autumn, it is finally ‘business as usual’. Regular weekly life drawing classes are up and running, studio space is available to book for Hot Benching and tuition is available for all sorts of sculpture, whether free form, life or portraiture. As numbers for the Summer School were constrained by social distancing restrictions, Art Junction will be reprising some of the sold-out events from July – with well-known sculptors Hazel Reeves and Mark Longworth tutoring figurative sculpture courses, and atelier-trained painter Ben Laughton Smith offering a Figure Drawing Masterclass, all with the life model. Why not join us? For further details visit www.artjunction.uk or call 01403 786224.

Figurative Sculpture, model and students ingénu/e magazine – south downs and high weald : issue 33

creative courses

west dean college New Season New Skills

If you spent the summer making memories and collecting inspiration, seize autumn as the time to get back to the studio and learn a new skill. Head to West Dean College of Arts and Conservation and choose from hundreds of immersive short courses for all abilities. Grab a fresh sketchbook and let’s get started. Naturally creative Painting and drawing the Sussex Downland with Robert A Newell, 31 October - 4 November Sculpting and gilding a natural object with Elpida Hadzi-Vasileva, 26-29 November Botanical painting – veritable vegetables with Mariella Baldwin, 28-30 November Printed landscapes in lino and monotype with Mark Cazalet, 5-10 December Get hands-on with heritage crafts Pick a pocket – leather slips, sheaths and cases with Jeremy and Carla Bonner, 2 November Goldwork lobster with Hannah Mansfield, 26-29 November Make an English long-bow with Gavin Pond, 11-14 November Make a leather journal with Kate Holland, 23 November 76

Transform your practice Liminal light – pastel drawing at night with Mark Cazalet, 1-4 December Textiles on the edge with Amanda Clayton, 6-9 December Drawing with charcoal – various approaches with Christopher Baker, 10-12 December Archaeology and landscape at West Dean – talks, walks and discussion with Mark Roberts, 15 December See all courses at westdean.ac.uk top: painting outside; inset: Hannah Mansfield, goldwork lobster

ingénu/e magazine – south downs and high weald : issue 33

creative courses

Moorhouse Art @ The Mill Arundel

“Drawing is the artist’s most direct and spontaneous expression.” Degas Join Elements of Drawing and see where you can take your art. Varied subjects and Various media Visit website for details, dates and mailing list:

www.moorhouse-art.com moorhouse-art.com

NEW SEASON NEW SKILLS https://www.westdean.org.uk/ westdean.ac.uk

255+ new courses. What will you create? ingénu/e magazine – south downs and high weald : issue 33

creative courses

The Magic Of Music Learning music helps young people to unlock imagination, lifts spirits and improves academic skills. By signing up today, your child will boost their confidence and creativity - for life.

Lessons From

£10

bhma.org.uk https://www.eastsussexmusic.org/ eastsussexmusic.org https://www.bhma.org.uk/

ingénu/e magazine – south downs and high weald : issue 33

creative courses

THE ART OF THE CHRISTMAS PRESENT www.studio11eb.co.uk

GIFT VOUCHERS AT ART JUNCTION

Textile Classes with

Christine Chester

Mixed programme of studio, online and video-based learning for all abilities. E Mail for details:

studio11eastbourne@yahoo.com

Looking for a Christmas gift for an artist or sculptor? Art Junction, alongside Billingshurst Station, offers vouchers of all denominations to use for life-drawing classes, taster sculpting sessions in clay, and art and sculpture courses at all levels.

Visit www.artjunction.uk

Frances May Art Workshops

£90

per person 01892 722073

The workshops will cover a variety of drawing, painting and collage techniques; each workshop will take place over 3 weeks (3 x 3 hour sessions), starting in November 2021. Based in Matfield Kent. For more information please ring or visit my website

francesmayartist

www.paintdesignstyle.co.uk ingénu/e magazine – south downs and high weald : issue 33

Coda

Have Fun! I’ve read quite few of American writer Kurt Vonnegut’s novels and short stories. Sadly he passed away in 2007 aged 85, leaving behind quite an array of work; novels, short stories, plays and non-fiction work, with more to be published, hopefully, posthumously. In my opinion he has quite a unique style; his writing being extremely amusing and satirical and yet somehow illuminating all that is good and all that is bad in the behaviour of Mankind. Here is quote from him – I think it is very applicable to any creative person, or indeed, to any human being. To do things simply because they are fun must be one of the best motivations for any activity. “When I was 15, I spent a month working on an archaeo80

logical dig. I was talking to one of the archaeologists one day during our lunch break and he asked those kinds of “getting to know you” questions you ask young people: Do you play sports? What’s your favourite subject? And I told him, no I don’t play any sports. I do theatre, I’m in choir, I play the violin and piano, I used to take art classes. And he went WOW. That’s amazing! And I said, “Oh no, but I’m not any good at ANY of them.” And he said something then that I will never forget and which absolutely blew my mind because no one had ever said anything like it to me before: “I don’t think being good at things is the point of doing them. I think you’ve got all these wonderful experiences with different skills, and that all teaches you things and makes you an interesting person, no matter how well you do them.” And that honestly changed my life. Because I went from a failure, someone who hadn’t been talented enough at anything to excel, to someone who did things because I enjoyed them. I had been raised in such an achievement-oriented environment, so inundated with the myth of Talent, that I thought it was only worth doing things if you could “Win” at them.”

ingénu/e magazine – south downs and high weald : issue 33

coda The media – such a cheerful bunch of souls – not! The TV news reports of the British athletes’ successes at the Tokyo Olympics was such fun. If you looked carefully, you could see the newscasters squirming beneath their ingratiating demeanour at having to actually partake in broadcasting some real good news. Compared to the commentators at the Olympics, who were the personification of enthusiasm and exhilaration, the delivery of talking heads of the newsroom was, to say the least, stultified. And they had to end on a controversy of course. An example might go like this: “Two British athletes won gold medals today at Tokyo, but the day was marred by a covid outbreak in the Swiss camp resulting in some of their athletes being sent home, and an investigation is also occurring as one of the Dutch athletes tested positive for eating a McDonald’s.” You get the idea. Utterly lifeless, programmed, joyless autocue mannequins.

Vaguely Sunny's 25th Anniversary Vaguely Sunny organises creative events, musical and otherwise, on the Isle of Wight. Kudos goes to Vic King and friends (present and past) who this year celebrated the 25th anniversary of Vaguely Sunny. To date they have brought over 250 festivals, gigs and literary events to the Island. Latterly they were also invited to be founder members of the team that organise the annual Harp on Wight Festival. Vic is a great supporter of ingénu/e, distributing the magazine around the Island in such places as Sheer Pink Coffee shop in Newport, Quay Arts, Monkton Arts, Dimbola Museum and Galleries, Ventnor Art Club etc. Vaguely Sunny is an example of ‘ordinary people’ deciding to bring creativity to their area, brightening up peoples’ lives, and they do it all with a quiet modesty that belies their passion and hard work. The Vaguely Sunny story is a fascinating one and can be seen on their website https://vaguelysunnypromotions. wordpress.com.

And talking of our magazine distribution... You may or perhaps may not know that Gill and I, with the help of one or two wonderful volunteers in a couple of towns, actually distribute the magazine throughout the area ourselves. We really enjoy this as we love to get out and about, meet interesting people, advertisers and readers alike, and we can then judge which are the better outlets. And while out distributing the summer issue, back in print once again, we were forced to review our whole distribution set up as, fortunately or unfortunately, things had changed quite a bit since the start of the pandemic. There were essentially two major changes; some outlets had completely changed and/or sadly didn’t exist anymore, and some were reluctant to have any leaflets, brochures or magazines again due to fears, despite the lessening of restrictions, of spreading covid-19. And so we decided on a re-think. What we discovered was that most of the outlets we had always considered the better spots were still very happy to have the magazine and also happy to have many more copies, as they ‘fly off the shelf’ at a rapid rate. And so we gave most of these double

clockwise from opposite top: Still from the 2018 film A.I. Rising; (inset) Kurt Vonnegut; Oxmarket Gallery in Chichester with its stylish new entrance; the editor takes a break from distributing in Tonbridge; interior of The Village Hub, a new outlet in Storrington; The new ESCAPE arts hub in Tonbridge; Opening ceremony Tokyo Olympic Games

ingénu/e magazine – south downs and high weald : issue 33

coda or triple the amount we had given them prior to the pandemic, while also managing to find a small number of new outlets to make up for those that had closed. As a result we are now reviewing all the outlets for the future, being more selective and streamlining while also increasing our mailing list and encouraging readers to subscribe. This seems a more sensible and worthwhile approach for our advertisers and all concerned with the magazine. As a final note, it was such fun to be out again in the sunshine, travelling around the area, meeting people, disseminating the magazine and, of course, taking mini sojourns in choice cafés for coffee (or tea) and cake. We felt alive again!

It was a 100 years ago this year There have been many one hundred year anniversaries in this year of 2021, but one of those is close to my creative heart. Some of these Centennials are: the founding of the Communist Party of China (enough said); Picasso’s ‘Three Musicians’ painted in the summer of 1921 while vacationing with his family in France; Chanel No.5 (can you believe it!), a fragrance that smells fresh and clean; the Vibraphone, invented in the United States by Hermann Winterhoff – a percussion instrument similar in shape to a xylophone that uses metal bars and resonating tubes to create sound; the Phillips Collection, America's first Museum of Modern Art; the Tulsa Race Riot and Massacre; Insulin, created on 27th July, 1921; Hitler becoming the leader of the Nazi Party; and the silent comedydrama ‘The Kid’, written, produced, and starring Charlie Chaplin, marking his full-length directorial film debut. But what, you ask, was created exactly one hundred year ago, which has left a lasting impression on you? If you are a Science Fiction fan you might guess, but then again, you might not. 1921 saw the birth of the word Robot. The word was used for the first time in a play called R.U.R, which stood for Rossum's Universal Robots and was premiered at the National Theatre in Prague. Written by Czech writer Karel Capek, the play tells of bioengineered artificial humans, almost indistinguishable from humans, who do most of the world's labour so that their masters can enjoy a post-work utopia. Inevitably, the plan goes awry. Humans grow lazy and infertile while the robots plot revolution. Capek has been quoted as saying “This is not the machines' fault, it is ours". I read the play in my twenties and it cemented my fascination for the SF genre. RUR is the forerunner of all the Science Fiction stories about artificial humans that followed, modern examples being the Replicants in the film Blade Runner, itself based on a novel by Philip K. Dick, and A.I. Artificial Intelligence, Steven Spielberg’s 2001 82

cinematic tour de force. RUR became an international success and has been translated into over thirty languages. It has been staged in the West End, on Broadway and was the first radio play aired by the BBC in 1927, and the world's first televised science-fiction drama, in 1938. RUR’s influence can be noticed in many later stories and films, and in the great tradition of Science Fiction writing, points to a future which is quite easily imaginable now, a hundred year later. Isaac Asimov, arguably the most well-known Science Fiction writer, was moved to invent the ‘3 Laws of Robotics’ in 1942, which, programmed into all Robots, would keep Humanity safe from them. 100 years after RUR’s first performance there is now a real possibility of robotics gradually unburdening Mankind of the need to work. And what then? Perhaps after an initial period of increasing hedonism, civilisation would begin to collapse into a decadent, apathetic slumber, never to recover. As Capek said, if the worst happens, it will be our fault. above: Poster for a production of R.U.R. in New York, 1939

ingénu/e magazine – south downs and high weald : issue 33

OPEN THIS AUTUMN MEMORIES AWAIT! Highlights Hound of the Baskervilles: 26 – 30 Oct Being Mr Wickham: 4 – 6 Nov The Smeds and The Smoos: 15 – 17 Nov The Legend of Sleepy Hollow: 23 – 27 Nov Sleeping Beauty – Pantomime: 10 Dec – 9 Jan For full listings and to see how we are keeping audiences safe visit https://eastbournetheatres.co.uk eastbournetheatres.co.uk or call 412000

DEVONSHIRE PARK THEATRE, EASTBOURNE ingénu/e magazine – south downs and high weald : issue 33

EAST IS EAST PRIVATE LIVES THE GOOD LIFE CHRISTMAS CONCERTS STICK MAN PINOCCHIO THE NUTCRACKER FANTASTICALLY GREAT WOMEN WHO CHANGED THE WORLD DOUBT THE PLAY WHAT I WROTE TWO CIGARETTES IN THE DARK PRIVATE PEACEFUL COMEDY, DANCE, MUSIC AND MUCH MORE

November 2021 – March 2022 BOOKING NOW OPEN! https://www. cft.org.uk 01243 781312 cft.org.uk/