Science This! Some Ancient Theories on Eclipses

N.B. This selection is by no means exhaustive.

Xenophanes, fr.  D34

“Xenophanes [says eclipses] come from flames going out and that a different one happens again in the east. He reports in addition that there was an eclipse for an entire month and also a total eclipse that made the day seem like night.”

D34 (A41) Aët. 2.24.4 (Ps.-Plut.) [περὶ ἐκλείψεως ἡλίου]

Ξενοφάνης κατὰ σβέσιν· ἕτερον δὲ πάλιν πρὸς ταῖς ἀνατολαῖς γίνεσθαι· παριστόρηκε δὲ καὶ ἔκλειψιν ἡλίου ἐφ᾽ ὅλον μῆνα καὶ πάλιν ἔκλειψιν ἐντελῆ, ὥστε τὴν ἡμέραν νύκτα φανῆναι.

Xenophanes fr. D35

“Xenophanes says that there are many suns and moons arrayed along the earth’s latitudes, segments and zones. At certain times, he says, the disk falls out of the sky to some uninhabited place of the earth and an eclipse appears because it left empty space.”

D35 =(Stob.; cf. Ps.-Plut.) [περὶ ἐκλείψεως ἡλίου]

Ξενοφάνης· πολλοὺς εἶναι ἡλίους καὶ σελήνας κατὰ τὰ κλίματα τῆς γῆς καὶ ἀποτομὰς καὶ ζώνας. κατὰ δέ τινα καιρὸν ἐκπίπτειν τὸν δίσκον εἴς τινα ἀποτομὴν τῆς γῆς οὐκ οἰκουμένην ὑφ’ ἡμῶν καὶ οὕτως ὡσπερεὶ κενεμβατοῦντα ἔκλειψιν ὑποφαίνειν [. . . = D31].

Anaximander, Fr. 26

“Anaximander says that the [moon] is a wheel nineteen times larger than the earth, like the wheel of a chariot it has a hollow rim filled with fire similar to that of the sun, situated at an angle, like that one. It has a single exhalation point like the mouth of bellows. An eclipse happens when the wheel turns.”

Aët. 2.25.1 (Stob., cf. Ps.-Plut.)

Ἀναξίμανδρος κύκλον εἶναι ἐννεακαιδεκαπλασίονα τῆς γῆς, ὅμοιον ἁρματείῳ τροχῷ κοίλην ἔχοντι τὴν ἁψῖδα καὶ πυρὸς πλήρη καθάπερ τὸν τοῦ ἡλίου, κείμενον λοξόν, ὡς κἀκεῖνον, ἔχοντα μίαν ἐκπνοὴν οἷον πρηστῆρος αὐλόν. ἐκλείπειν δὲ κατὰ τὰς ἐπιστροφὰς τοῦ τροχοῦ.

Heraclitus Fr. 20 (=Stob)

“Herakleitos and Hekateios say that the sun is a burning specter from the sea and that it is bowl-shaped and curved on one-side. They say an eclipse happens because of the turn of the bowl shape so that the hollow side turns up and the curved side turns down to our vision.”

     ῾Ηράκλειτος καὶ ῾Εκαταῖος ἄναμμα νοερὸν τὸ ἐκ θαλάττης εἶναι τὸν ἥλιον. —Σκαφοειδῆ δ’ εἶναι, ὑπόκυρτον. —Γίνεσθαι δὲ τὴν ἔκλειψιν κατὰ τὴν τοῦ σκαφοειδοῦς στροφήν, ὥστε τὸ μὲν κοῖλον ἄνω γίγνεσθαι, τὸ δὲ κυρτὸν κάτω πρὸς τὴν ἡμετέραν ὄψιν.

Empedocles, Fr. D133

“Empedocles says that an eclipse happens when the moon moves under the sun”

D133 = Aët. 2.24.7 (Stob.) [περὶ ἐκλείψεως ἡλίου]

ἔκλειψιν δὲ γίνεσθαι σελήνης αὐτὸν ὑπερχομένης.

Antiphon fr. D21 and D24

 “Antiphon says that [the sun] is made of fire that feeds on the wet mist around the earth and that its rising and setting come from it leaving air that has been consumed as it attaches to air with moisture.”

     ᾿Αντιφῶν πῦρ ἐπινεμόμενον μὲν τὸν περὶ τὴν γῆν ὑγρὸν ἀέρα, ἀνατολὰς δὲ καὶ δύσεις ποιούμενον, τῷ τὸν  μὲν ἐπικαιόμενον αἰεὶ προλείπειν, τοῦ δ’ ὑπονοτιζομένου πάλιν ἀντέχεσθαι.

 “And Antiphon says [lunar eclipses] happen because of the turn of the bowl-like celestial body and its angles.”

 Ἀντιφῶν κατὰ τὴν τοῦ σκαφοειδοῦς στροφὴν καὶ τὰς περικλίσεις

Anaxagoras, fr. D4.7

“Anaxagoras says that the moon eclipses when the earth is in the way and sometimes because of the celestial bodies below the moon; the sun eclipses because the moon gets in the way during its new phase.”

D4 (< A42) Ps.-Hippolytus, Refutation of All Heresies

ἐκλείπειν δὲ τὴν σελήνην γῆς ἀντιφραττούσης, ἐνίοτε δὲ καὶ τῶν ὑποκάτω τῆς σελήνης, τὸν δὲ ἥλιον ταῖς νουμηνίαις σελήνης ἀντιφραττούσης.

Aristotle, Posterior Analytics, II 90a (On Lunar Eclipses)

“What is an eclipse? The stealing of light from the moon by the superposition of the earth. Saying “what is an eclipse” is the same thing as saying “why does the moon eclipse”. Because the light of the sun leaves it when the earth gets in the way.”

τί ἐστιν ἔκλειψις; στέρησις φωτὸς ἀπὸ σελήνης ὑπὸ γῆς ἀντιφράξεως. διὰ τί ἔστιν ἔκλειψις, ἢ διὰ τί ἐκλείπει ἡ σελήνη; διὰ τὸ ἀπολείπειν τὸ φῶς ἀντιφραττούσης τῆς γῆς.

Seneca the Younger, Natural Questions 7

“The sun has no audience unless it starts to disappear. No one looks at the moon unless it is eclipsing. Then, cities scream together and everyone makes a ruckus because of silly superstition.”

Sol spectatorem, nisi deficit, non habet. Nemo observat lunam nisi laborantem; tunc urbes conclamant, tunc pro se quisque superstitione vana strepitat.

 

Rowing the Same Ship, Twice

Plutarch, Theseus 23.1

“The Athenians preserved the boat—a thirty-oared ship—on which Theseus sailed with his companions and came back safely until the time of Demetrius of Phalerus, changing out the older wood and replacing it with strong, new parts until the ship became a famous example to philosophers of the problem of growth. Some say that it remained the same ship, others claim it did not.”

τὸ δὲ πλοῖον ἐν ᾧ μετὰ τῶν ἠϊθέων ἔπλευσε καὶ πάλιν ἐσώθη, τὴν τριακόντορον, ἄχρι τῶν Δημητρίου τοῦ Φαληρέως χρόνων διεφύλαττον οἱ Ἀθηναῖοι, τὰ μὲν παλαιὰ τῶν ξύλων ὑφαιροῦντες, ἄλλα δὲ ἐμβάλλοντες ἰσχυρὰ καὶ συμπηγνύντες οὕτως ὥστε καὶ τοῖς: φιλοσόφοις εἰς τὸν αὐξόμενον λόγον ἀμφιδοξούμενον παράδειγμα τὸ πλοῖον εἶναι, τῶν μὲν ὡς τὸ αὐτό, τῶν δὲ ὡς οὐ τὸ αὐτὸ διαμένοι λεγόντων.

Solon, fr. 18

“I grow old, always learning many things.”

γηράσκω δ’ αἰεὶ πολλὰ διδασκόμενος·

Plato, Cratylus 402

So. “Heraclitus, I guess you know, says that everything flows and nothing stays the same. He compares reality to a flowing river, saying that you cannot step into the same river twice.”

Λέγει που Ἡράκλειτος ὅτι πάντα χωρεῖ καὶ οὐδὲν μένει, καὶ ποταμοῦ ῥοῇ ἀπεικάζων τὰ ὄντα λέγει ὡς δὶς ἐς τὸν αὐτὸν ποταμὸν οὐκ ἂν ἐμβαίης.

Her. That’s for real.

ΕΡΜ. Ἔστι ταῦτα.

Homer, Odyssey 16.204

“No other Odysseus will ever come home to you”

οὐ μὲν γάρ τοι ἔτ’ ἄλλος ἐλεύσεται ἐνθάδ’ ᾿Οδυσσεύς,

When This is All Over, It Will Happen Again

Nemesius, De natura Hominis 37

“The stoics say that once the planets return into the same sign and location where each one was at the beginning when the universe first arose, in that appointed circuit of time there is a burning and purging of existence and everything returns necessarily to the same order. Each of the stars that travels again ends up indistinguishable from how they were in the previous cycle.

They say that Socrates will be there again along with Plato and each of the people with them and their friends, and their fellow citizens. They will experience the same things, do the same things, and try their hand at the same things; and every city, village, and field will be the same. This re-creation of everything happens not once but often

In the boundless space, the things turn out the same without this completion. The gods, because they do not submit to that destruction and have become away from just one cycle, know everything that is going to happen in subsequent eras from a single turn. There’s nothing different in what happens from before but everything is indistinguishable down to the smallest detail.”

 

οἱ δὲ Στωϊκοί φασιν ἀποκαθισταμένους τοὺς πλανήτας εἰς τὸ αὐτὸ σημεῖον κατά τε μῆκος καὶ πλάτος ἔνθα τὴν ἀρχὴν ἕκαστος ἦν ὅτε τὸ πρῶτον ὁ κόσμος συνέστη, ἐν ῥηταῖς χρόνων περιόδοις ἐκπύρωσιν καὶ φθορὰν τῶν ὄντων ἀπεργάζεσθαι, καὶ πάλιν ἐξ ὑπαρχῆς εἰς τὸ αὐτὸ τὸν κόσμον ἀποκαθίστασθαι, καὶ τῶν ἀστέρων ὁμοίως πάλιν φερομένων ἕκαστα τῶν ἐν τῇ προτέρᾳ περιόδῳ γενομένων ἀπαραλλάκτως ἀποτελεῖσθαι.

ἔσεσθαι γὰρ πάλιν Σωκράτην καὶ Πλάτωνα καὶ ἕκαστον τῶν ἀνθρώπων σὺν τοῖς αὐτοῖς καὶ φίλοις καὶ πολίταις, καὶ τὰ αὐτὰ πείσεσθαι, καὶ τοῖς αὐτοῖς συντεύξεσθαι καὶ τὰ αὐτὰ μεταχειριεῖσθαι, καὶ πᾶσαν πόλιν καὶ κώμην καὶ ἀγρὸν ὁμοίως ἀποκαθίστασθαι· γίνεσθαι δὲ τὴν ἀποκατάστασιν τοῦ παντὸς οὐχ ἅπαξ ἀλλὰ πολλάκις·

μᾶλλον δὲ εἰς ἄπειρον, καὶ ἀτελευτήτως τὰ αὐτὰ ἀποκαθίστασθαι· τοὺς δὲ θεοὺς τοὺς μὴ ὑποκειμένους τῇ φθορᾷ ταύτῃ, παρακολουθήσαντας μιᾷ περιόδῳ γινώσκειν ἐκ ταύ- πάντα τὰ μέλλοντα ἔσεσθαι ἐν ταῖς ἑξῆς περιόδοις·  οὐδὲν γὰρ ξένον ἔσεσθαι παρὰ τὰ γενόμενα πρότερον, ἀλλὰ πάντα ὡσαύτως ἀπαραλλάκτως ἄχρι καὶ τῶν ἐλαχίστων.

or

Mattia, Daughter of Mattios and Eutukhia

IC II x 20 Crete, early Rom. Imp. period

“Mattia, the daughter of Loukios, says hello:

Hades stole away this pretty girl because of her beauty and form
Suddenly, this girl most desirable to all people alive.
Mattios fathered me and my mother Eutukhia
Nursed me. I have died at twelve years old, unmarried.

My name is Mattia, and now that I have left the light
I lie hidden in the dark chamber of Persephone.
I left a lifetime’s grief for my father and mother
Who will have many tears for the rest of time.”

[Μ]αττία Λουκίου θυγάτηρ
χαῖρε.
κάλλει καὶ μορφᾶι τὰν ε[ὐῶ]πα̣ ἥρπ̣α̣σ̣εν Ἅϊδας
αἰφνιδίως ζωοῖς πᾶσι ποθεινοτάταν,
Μάττιος ἃν ἐφύτευσε πατήρ, μάτηρ δ̣’ ἀτίτ[η]λ̣εν
Εὐτυχία· θνάσκω δωδεχέτης ἄ[γ]αμος,

Ματτία οὔνομα ἐοῦσα, λιποῦσα δὲ φ[ῶς] ὑπὸ [κ]ε̣[ύ]θη
[κεῖ]μαι Φερσεφόνας ἐν νυχίωι θαλάμωι,
πατρί τε καὶ τᾶι ματρὶ λιποῦσ’ [αἰώ]νιον ἄλγος
[τᾶ]ι πολυδακρύτωι εἰς τὸν ἅπαντα χρόνον.

Marble funerary statues of a maiden and a little girl, ,Stone Sculpture
Marble Funerary Statues from the MET

A List of Women Authors from Ancient Greece and Rome for #InternationalWomensDay

In our  annual tradition, we are re-posting this list with more names and updated links. Most of the evidence for these authors has been collected only in Wikipedia. I have added new translations and new names over the past few years (especially among the philosophers). Always happy to have new names and links suggested.

I originally received a link to the core list in an email from my undergraduate poetry teacher, the amazing poet and translator Olga Broumas. The post is on tumblr on a page by DiasporaChic, bit the original author is Terpsikeraunos.

** denotes names I have added

Sappho and Erinna in a Garden at Mytilene by Simeon Solomon
Women in ancient Greece and Rome with surviving works or fragments

 

PHILOSOPHY

Here is a list of Women philosophers with testimonia and fragments (with French translations and commentary).

Aesara of Lucania: “Only a fragment survives of Aesara of Lucania’s Book on Human Nature, but it provides a key to understanding the philosophies of Phintys, Perictione, and Theano II as well. Aesara presents a familiar and intuitive natural law theory. She says that through the activity of introspection into our own nature – specifically the nature of a human soul – we can discover not only the natural philosophic foundation for all of human law, but we can also discern the technical structure of morality, positive law, and, it may be inferred, the laws of moral psychology and of physical medicine. Aesara’s natural law theory concerns laws governing three applications of moral law: individual or private morality, laws governing the moral basis of the institution of the family, and, laws governing the moral foundations of social institutions. By analyzing the nature of the soul, Aesara says, we will understand the nature of law and of justice at the individual, familial, and social levels.” – A History of Women Philosophers: Volume I: Ancient Women Philosophers, 600 B.C.-500 A.D., by M.E. Waith

*Wikipedia on Aesara

A translation of her work

**Aspasia of Miletus: wikipedia entry

**Axiothea of Phlius: wikipedia entry

**Bistala

**Damo: daughter of Pythagoras and Theano. wikipedia entry

**Deino of Croton: A student of Pythagoras.

A translation of Diogenes Laertius’ account.

**Diotima: wikipedia entry

**Eurydice: cf. Plutarch Conj. praec. 145a and e

**Hipparchia of Maronea: wikipedia entry

A translation of Diogenes Laertius’ account

**Klea: Cf.  Plut. Mul. virt. 242 ef

**Lasthenia of Mantinea: wikipedia entry

**Leontion: an Epicurean philosopher

Melissa: “Melissa (3rd century BC)[1][2] was a Pythagorean philosopher…Nothing is known about her life. She is known only from a letter written to another woman named Cleareta (or Clearete). The letter is written in a Doric Greek dialect dated to around the 3rd century BC.[2] The letter discusses the need for a wife to be modest and virtuous, and stresses that she should obey her husband.[2] The content has led to the suggestion that it was written pseudonymously by a man.[2] On the other hand, the author of the letter does not suggest that a woman is naturally inferior or weak, or that she needs a man’s rule to be virtuous.[1]” –Wikipedia

**Myia of Samos: wikipedia article

Perictione (I and II): “Two works attributed to Perictione have survived in fragments: On the Harmony of Women and On Wisdom. Differences in language suggest that they were written by two different people. Allen and Waithe identify them as Perictione I and Perictione II. Plato’s mother was named Perictione, and Waithe argues that she should be identified as the earlier Perictione, suggesting that similarities between Plato’s Republic and On the Harmony of Women may not be the result of Perictione reading Plato, but the opposite–the son learning philosophy from his mother. On the Harmony of Women, however, is written in Ionic prose with occasional Doric forms. This mixed dialect dates the work to the late fourth or third centuries BC. The reference in On the Harmony of Women to women ruling suggests the Hellenistic monarchies of the third century BC or later. On Wisdom is written in Doric and is partly identical with a work by Archytas of the same name. This work should be dated later, to the third or second centuries BC. Both the dates of the works and their dialects mean Perictione as the mother of Plato could not have written them. We then have two Pythagorean texts, attributed to otherwise unknown women named Perictione who should be dated perhaps one hundred years apart.” –Women Writers of Ancient Greece and Rome: An Anthology, by I.M. Plant

*N.B. This account leaves out the the basic narrative from Diogenes Laertius, that Plato’s father Ariston raped his mother Perictione.

A translation of a fragment attributed to Perictione here.

Phintys: “Phintys (or Phyntis, Greek: Φίντυς; 4th or 3rd century BC) was a Pythagorean philosopher. Nothing is known about her life, nor where she came from. She wrote a work on the correct behavior of women, two extracts of which are preserved by Stobaeus.” –Wikipedia

*Note, Stobaeus (4.32.61a) calls her the daughter of Kallikrates the Pythagorean (Φιντύος τᾶς Καλλικράτεος θυγατρὸς Πυθαγορείας). Here are some of her fragments on the prudence befitting women: part 1 and part 2.

Ptolemais of Cyrene: “Ptolemais is known to us through reference to her work by Porphyry in his Commentary on the Harmonics of Ptolemy. He tells us that she came from Cyrene and gives the title of her work, The Pythagorean Principles of Music, which he quotes. She is the only known female musical theorist from antiquity. Her dates cannot be known for sure. She clearly preceded Porphyry, who was born about AD 232; Didymus, who is also quoted by Porphyry, knew Ptolemais’ work and may even have been Porphyry’s source for it. This Didymus is probably the one who lived in the time of Nero, giving us a date for Ptolemais of the first century AD or earlier…One of the problems in dealing with this text is that it is in quotation. Porphyry does not clearly distinguish between the text he quotes from Ptolemais and his own discussion of the issues raised…A second issue is the problem of the accuracy of the quotation. Porphyry says in the introduction to fragment 4 that he has altered a few things in the quotation for the sake of brevity. We should not assume that this is the only quotation to have suffered from editing. On the other hand, where he quotes the same passage twice (fragment 3 is repeated almost verbatim in fragment 4) his consistency is encouraging. Ptolemais’ extant work is a catechism, written as a series of questions and answers. She discusses different schools of thought on harmonic theory, distinguishing between the degree to which they gave importance to theory and perception. Her text prefers the approach of Aristoxenus to that of the Pythagoreans, thus she should not be thought a Pythagorean, despite the title of her work.” –Women Writers of Ancient Greece and Rome: An Anthology, by I.M. Plant

A new translation of her fragment

**Theano the Pythagorean (I have collected her words here)

“When Theano the Pythagorean philosopher was asked what eros is, she said ‘the passion of a soul with spare time.’ ”

Θεανὼ ἡ πυθαγορικὴ φιλόσοφος ἐρωτηθεῖσα τί ἐστιν ἔρως ἔφη· ” πάθος ψυχῆς σχολαζούσης.”

“While Theano was walking she showed her forearm and some youth when he saw it said “Nice skin”. She responded, “it’s not communal”.

Θεανὼ πορευομένη ἔξω εἶχε τὸν βραχίονα· νεανίσκος δέ τις ἰδὼν εἶπε· ” καλὸν τὸ δέμας·” ἡ δὲ ἀπεκρίνατο· ” ἀλλ’ οὐ κοινόν.”

**Timycha of Sparta: wikipedia entry

Continue reading “A List of Women Authors from Ancient Greece and Rome for #InternationalWomensDay”

Life Wasted in Greek & Latin

Edward John Trelawney, Records of Shelley, Byron, and the Author (Chp. 9):

Shelley was in high glee, and full of fun, as he generally was after these “distractions,” as he called them. The fact was his excessive mental labor impeded, if it did not paralyze, his bodily functions. When his mind was fixed on a subject, his mental powers were strained to the utmost. If not writing or sleeping, he was reading; he read whilst eating, walking, or traveling – the last thing at night and the first thing in the morning – not the ephemeral literature of the day, which requires little or no thought, but the works of the old sages, metaphysicians, logicians, and philosophers, of the Grecian and Roman poets, and of modern scientific men, so that anything that could divert or relax his overstrained brain was of the utmost benefit to him. Now he talked of nothing but ships, sailors, and the sea; and although he agreed with Johnson that a man who made a pun would pick a pocket, yet he made several in Greek, which he at least thought good, for he shrieked with laughter as he uttered them. Fearing his phil-Hellenism would end by making him serious, as it always did, I brought his mind back by repeating some lines of Sedley’s, beginning

Love still has something of the sea

From whence his mother rose.

During the rest of our drive we had nothing but sea yarns. He regretted having wasted his life in Greek and Latin, instead of learning the useful arts of swimming and sailoring.

Edward John Trelawney by W. E. West

Zeus’ Pity and Tears of Blood

For a longer commentary on this passage, see “Even Zeus Suffers…” on Painful Signs

Homer, Iliad 16.431-461

“As the son of crooked-minded Kronos was watching them, he felt pity
And he addressed Hera, his sister and wife:
“Shit. Look, it is fate for the man most dear to me, Sarpedon,
To be overcome by Patroklos, son of Menoitios.
My hearts is split in two as I rush through my thoughts:
Either I will snatch him up still alive from the lamentable battle
And set him down in the rich deme of Lykia,
Or I will overcome him already at the hands of Patroklos.”

“Then queen, ox-eyed Hera answered him
Most shameful son of Kronos, what kind of a thing have you said.
Do you really want to rescue from discordant death
When it was long ago fated for this man because he is mortal?
Do it. But the rest of the gods will not praise you for it.
I’ll tell you something else, and keep this in your thoughts:
If you send Sarpedon alive to his own home,
Think about how one of the other gods won’t want
To send their dear son free of the oppressive conflict.
For around the great city of Priam there are many sons
Of the immortals fighting, and you will incite rage in those gods.
But if this is ear to you, and your heart does mourn,
Let him stay in the oppressive battle indeed
To be overcome by the hands of Patroklos, Menoitios’ son.
Then when his soul and and his life leaves him,
Have death and sweet sleep take him until
They arrive at the land of broad Lykia.
There, his relatives and friends will bury him
With a tomb and a marker. This is the honor due to the dead.

“So she spoke, and the father of men and gods did not disobey her.
He was shedding bloody teardrops to the ground,
Honoring his dear son, the one Patroklos was about to destroy
Far off from his fatherland in fertile Troy.”

τοὺς δὲ ἰδὼν ἐλέησε Κρόνου πάϊς ἀγκυλομήτεω,
῞Ηρην δὲ προσέειπε κασιγνήτην ἄλοχόν τε·
ὤ μοι ἐγών, ὅ τέ μοι Σαρπηδόνα φίλτατον ἀνδρῶν
μοῖρ’ ὑπὸ Πατρόκλοιο Μενοιτιάδαο δαμῆναι.
διχθὰ δέ μοι κραδίη μέμονε φρεσὶν ὁρμαίνοντι,
ἤ μιν ζωὸν ἐόντα μάχης ἄπο δακρυοέσσης
θείω ἀναρπάξας Λυκίης ἐν πίονι δήμῳ,
ἦ ἤδη ὑπὸ χερσὶ Μενοιτιάδαο δαμάσσω.
Τὸν δ’ ἠμείβετ’ ἔπειτα βοῶπις πότνια ῞Ηρη·
αἰνότατε Κρονίδη ποῖον τὸν μῦθον ἔειπες.
ἄνδρα θνητὸν ἐόντα πάλαι πεπρωμένον αἴσῃ
ἂψ ἐθέλεις θανάτοιο δυσηχέος ἐξαναλῦσαι;
ἔρδ’· ἀτὰρ οὔ τοι πάντες ἐπαινέομεν θεοὶ ἄλλοι.
ἄλλο δέ τοι ἐρέω, σὺ δ’ ἐνὶ φρεσὶ βάλλεο σῇσιν·
αἴ κε ζὼν πέμψῃς Σαρπηδόνα ὃν δὲ δόμον δέ,
φράζεο μή τις ἔπειτα θεῶν ἐθέλῃσι καὶ ἄλλος
πέμπειν ὃν φίλον υἱὸν ἀπὸ κρατερῆς ὑσμίνης·
πολλοὶ γὰρ περὶ ἄστυ μέγα Πριάμοιο μάχονται
υἱέες ἀθανάτων, τοῖσιν κότον αἰνὸν ἐνήσεις.
ἀλλ’ εἴ τοι φίλος ἐστί, τεὸν δ’ ὀλοφύρεται ἦτορ,
ἤτοι μέν μιν ἔασον ἐνὶ κρατερῇ ὑσμίνῃ
χέρσ’ ὕπο Πατρόκλοιο Μενοιτιάδαο δαμῆναι·
αὐτὰρ ἐπὴν δὴ τόν γε λίπῃ ψυχή τε καὶ αἰών,
πέμπειν μιν θάνατόν τε φέρειν καὶ νήδυμον ὕπνον
εἰς ὅ κε δὴ Λυκίης εὐρείης δῆμον ἵκωνται,
ἔνθά ἑ ταρχύσουσι κασίγνητοί τε ἔται τε
τύμβῳ τε στήλῃ τε· τὸ γὰρ γέρας ἐστὶ θανόντων.

῝Ως ἔφατ’, οὐδ’ ἀπίθησε πατὴρ ἀνδρῶν τε θεῶν τε·
αἱματοέσσας δὲ ψιάδας κατέχευεν ἔραζε
παῖδα φίλον τιμῶν, τόν οἱ Πάτροκλος ἔμελλε
φθίσειν ἐν Τροίῃ ἐριβώλακι τηλόθι πάτρης.

Color Photograph of a vase showing Sarpedon’s body carried by Hypnos and Thanatos (Sleep and Death), while Hermes watches. Side A of the so-called “Euphronios krater”, Attic red-figured calyx-krater signed by Euxitheos (potter) and Euphronios (painter), ca. 515 BC.
Sarpedon’s body carried by Hypnos and Thanatos (Sleep and Death), while Hermes watches. Side A of the so-called “Euphronios krater”, Attic red-figured calyx-krater signed by Euxitheos (potter) and Euphronios (painter), ca. 515 BC.

It Was Winter, It Was Snowing

Homer, Il. 3.222-3

“Yet, then a great voice came from his chest And [Odysseus’] words were like snowy storms”

ἀλλ’ ὅτε δὴ ὄπα τε μεγάλην ἐκ στήθεος εἵη καὶ ἔπεα νιφάδεσσιν ἐοικότα χειμερίῃσιν,

Quintilian, 12.10.64-65

“Homer said that speech pours forth from Nestor’s lips sweeter than honey—no greater pleasure can be formed than this. But when he is about to demonstrate the greatest ability and power in Ulysses, he grants him a voice, the strength of speech “like a winter blizzard” in its force and abundance of words.

Because of this, no mortal will compete with him and men gaze at him as a god. This is the force and speed Eupolis admioes in Pericles, this force Aristophanes compares to thunderbotls. This is truly the power of speaking.”

et ex ore Nestoris dixit dulciorem melle profluere sermonem, qua certe delectatione nihil fingi maius potest: sed summam expressurus in Ulixe facundiam et magnitudinem illi vocis et vim orationis nivibus 〈hibernis〉 copia [verborum] atque impetu parem tribuit. Cum hoc igitur nemo mortalium contendet, hunc ut deum homines intuebuntur. Hanc vim et celeritatem in Pericle miratur Eupolis, hanc fulminibus Aristophanes comparat, haec est vere dicendi facultas.

Thucydides 4.103

“It was winter and it was snowing”

χειμὼν δὲ ἦν καὶ ὑπένειφεν…

Hermippus 37 (Athenaeus 650e)

“Have you ever seen a pomegranate seed in drifts of snow?”

ἤδη τεθέασαι κόκκον ἐν χιόνι ῥόας;

Pindar, Pythian 1. 20

“Snowy Aetna, perennial nurse of bitter snow”

νιφόεσσ᾿ Αἴτνα, πάνετες χιόνος ὀξείας τιθήνα

Plutarch, Moralia 340e

“Nations covered in depths of snow”

καὶ βάθεσι χιόνων κατακεχωσμένα ἔθνη

Herodotus, Histories 4.31

“Above this land, snow always falls…

τὰ κατύπερθε ταύτης τῆς χώρης αἰεὶ νίφεται

Diodorus Siculus, 14.28

“Because of the mass of snow that was constantly falling, all their weapons were covered and their bodies froze in the chill in the air. Thanks to the extremity of their troubles, they were sleepless through the whole night”

διὰ γὰρ τὸ πλῆθος τῆς κατὰ τὸ συνεχὲς ἐκχεομένης χιόνος τά τε ὅπλα πάντα συνεκαλύφθη καὶ τὰ σώματα διὰ τὸν ἀπὸ τῆς αἰθρίας πάγον περιεψύχετο. διὰ δὲ τὴν ὑπερβολὴν τῶν κακῶν ὅλην τὴν νύκτα διηγρύπνουν·

Ammianus Marcellinus, History V. V. Gratianus 27.9

“He will tolerate sun and snow, frost and thirst, and long watches.”

solem nivesque et pruinas et sitim perferet et vigilias

Basil, Letter 48

“We have been snowed in by such a volume of snow that we have been buried in our own homes and taking shelter in our holes for two months already”

καὶ γὰρ τοσούτῳ πλήθει χιόνων κατενίφημεν, ὡς αὐτοῖς οἴκοις καταχωσθέντας δύο μῆνας ἤδη ταῖς καταδύσεσιν ἐμφωλεύειν.

Livy, 10.46

“The snow now covered everything and it was no longer possible to stay outside…”

Nives iam omnia oppleverant nec durari extra tecta poterat

Plautus, Stichus 648

“The day is melting like snow…”

quasi nix tabescit dies.

Seneca, De Beneficiis 4

“I will go to dinner just as I promised, even if it is cold. But I certainly will not if it begins to snow.”

Ad cenam, quia promisi, ibo, etiam si frigus erit; non quidem, si nives cadent.

Snowy Mountain

Snow istotle

Famous Songs for a Precious Few

Pindar, Pythian 3.108-116

“I’ll be small for minor matters but big for big ones
and I will cultivate in my thoughts
The fate that comes to me, serving it by my own design.

So if god allows me wealth’s luxury
I have hope of finding fame’s height as well.

We know about Nestor and Lykian Sarpedon–
People’s legends, from famous songs which
The wise craftsmen assembled. And excellence blooms
In famous songs for all time. But it is easy for only a few to earn.”

σμικρὸς ἐν σμικροῖς, μέγας ἐν μεγάλοις
ἔσσομαι, τὸν δ᾿ ἀμφέποντ᾿ αἰεὶ φρασίν
δαίμον᾿ ἀσκήσω κατ᾿ ἐμὰν θεραπεύων μαχανάν.
εἰ δέ μοι πλοῦτον θεὸς ἁβρὸν ὀρέξαι,
ἐλπίδ᾿ ἔχω κλέος εὑρέσθαι κεν ὑψηλὸν πρόσω.
Νέστορα καὶ Λύκιον Σαρπηδόν᾿, ἀνθρώπων φάτις,
ἐξ ἐπέων κελαδεννῶν, τέκτονες οἷα σοφοί
ἅρμοσαν, γινώσκομεν· ἁ δ᾿ ἀρετὰ κλειναῖς ἀοιδαῖς
χρονία τελέθει· παύροις δὲ πράξασθ᾿ εὐμαρές.

White vase with brown/black line figures. Hypnos and Thanatos carrying the body of Sarpedon from the battlefield of Troy.
Hypnos and Thanatos carrying the body of Sarpedon from the battlefield of Troy. Detail from an Attic white-ground lekythos, ca. 440 BC. British Museum D56

In Exchange for Pain, Sometimes Good

Pindar, Olympian 12.1-12a

“I am begging you, child of Zeus-who-Frees,
Savior Chance, safeguard mighty Himera.
For you direct swift ships on the sea,
And fast wars on land,
And  counsel-bringing assemblies too.
Human hopes rise up and then back down
As they turn, traversing pointless lies.

No mortal has yet discovered a trustworthy sign,
From the gods about deeds still to come.
Plans for the future remain in the dark.

Humans experience many things against their expectations–
Sometimes, it’s the opposite of pleasure, but in others
Those who have faced great storms receive profound good for their pain
In a short time.”

Λίσσομαι, παῖ Ζηνὸς Ἐλευθερίου,
Ἱμέραν εὐρυσθενέ᾿ ἀμφιπόλει, σώτειρα Τύχα.
τὶν γὰρ ἐν πόντῳ κυβερνῶνται θοαί
νᾶες, ἐν χέρσῳ τε λαιψηροὶ πόλεμοι
κἀγοραὶ βουλαφόροι, αἵ γε μὲν ἀνδρῶν
πόλλ᾿ ἄνω, τὰ δ᾿ αὖ κάτω
ψεύδη μεταμώνια τάμνοισαι κυλίνδοντ᾿ ἐλπίδες·
σύμβολον δ᾿ οὔ πώ τις ἐπιχθονίων
πιστὸν ἀμφὶ πράξιος ἐσσομένας εὗρεν θεόθεν,
τῶν δὲ μελλόντων τετύφλωνται φραδαί·
πολλὰ δ᾿ ἀνθρώποις παρὰ γνώμαν ἔπεσεν,
ἔμπαλιν μὲν τέφψιος, οἱ δ᾿ ἀνιαραῖς
ἀντικύρσαντες ζάλαις
ἐσλὸν βαθὺ πήματος ἐν μικρῷ πεδάμειψαν χρόνῳ.

Seated Marble sculpture. Female figure in draped clothing looking right, hand on chin
Seated Muse or Nymph on Rock (Adaptation of Urania Type), Walters Art Museum