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Through a Glass Darkly: A Savory, Romantic Historical Drama Paperback – May 1, 2003
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THE NEW YORK TIMES BESTSELLER!
"A sprawling escape into 18th century English nobility and one heck of an engaging romantic drama."—Newsweek
One of the most beloved historical fiction novels of all time, Through a Glass Darkly presents a breathtaking, lush story of a young noblewoman as she explores the intriguing world of the noble class while building her life with the man she loves.
Karleen Koen's sweeping saga introduces unforgettable characters consumed with passion: the extraordinarily beautiful fifteen-year-old noblewoman, Barbara Alderley; the man she adores, the wickedly handsome Roger MontGeoffry; her grandmother, the duchess, who rules the family with cunning and wit; and her mother, the ineffably cruel, self-centered and licentious Diana.
Although her own romantic fairy tale seems to be coming true, Barbara has a lot to learn about the machinations of the royal courts, financial chaos, and surviving with her reputation intact. Like no other work, Through a Glass Darkly is infused with intrigue, sweetened by romance and awash in the black ink of betrayal.
Full of elements that fans of Susanna Kearsley, Diana Gabaldon, and Phillipa Gregory will love:- A rich, beautiful world you can escape to
- Characters with strong hearts and extraordinary depth
- Sumptuous, stunning historical detail
- Romance to sweep you up and carry you away
Praise for Through a Glass Darkly:
"[A] lavish, carefully researched portrait of a young woman's turbulent coming of age in 18th-century England and France."—People
"Fast-paced and fun to read!"—Glamour
"A brilliant historical novel, a lovely romance, a gripping character study—there's something for everyone."—Richmond Times-Dispatch
- Print length768 pages
- LanguageEnglish
- PublisherSourcebooks Landmark
- Publication dateMay 1, 2003
- Dimensions6 x 1.92 x 9 inches
- ISBN-101402200447
- ISBN-13978-1402200441
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Editorial Reviews
Review
"Lives up to every expectation. It's magnificent."
"Engaging, elegant, chock full of sex and gossip."
"Lives up to every expectation. It's magnificent!"
About the Author
Karleen Koen is interested in history, particularly women's place in it. Love and hate, gender issues, and spiritual quests are themes she explores in her fiction. She lives in Houston and is also the author of Dark Angels and Now Face to Face. Her blog, called Writing Life, is at www.wordpress.karleenkoen.com.
Excerpt. © Reprinted by permission. All rights reserved.
Two voices, raised in anger, carried through the half-opened window of the library. Recognizing them, Barbara stopped and looked for a place to hide, a place where she might listen but not be seen. Seconds later, she was burrowing into the ancient ivy that crisscrossed the mellowed red-pink brick of the house. Entangled, dense, persistent, its vines as thick as her wrists in places, the ivy released the house reluctantly. Each spring it sent cunning, thin green fingers curling under the window frames and into the rooms, and each spring her grandmother calmly snipped the fingers to bits with a pair of sewing scissors and ordered the gardeners to trim it down to size. Now, in November, it clung to the house stubbornly. Already many of its glossy dark green leaves were dulled yellow-brown with cold.
"Fool! Impudent young fool!"
Her mother's voice carried clearly from the library.
"Did you imagine I would approve it? Were you going to come crawling like a whipped dog for my blessing? Blessing! I could kill you. Do you realize what you have almost done? Did you think―or has all feeling ceased, save for that hard prick between your legs?"
It was impossible to describe the effect of her mother's voice. Its usual tone was low and husky, but when anger and scorn were added, the result was numbing.
Harry muttered something, and Barbara tried to move closer to the window so that she could hear better, but the ivy was tenacious. It had been there first, being as old as the house, which had been built well over a hundred years ago in the time of Elizabeth I. The house sprawled over several stories, its once modern features now considered quaint and old-fashioned: twisted chimney stacks of brick, no two of them alike; sharp, pointed gables all across the roofline; windows with many small panes of blown glass; dark, cold rooms with uneven floors; and outside, arbors of wych elm, a bowling green, fish ponds, an old garden maze. Barbara loved it, for it was both her birthplace and her home. She knew every path and pond and orchard and creaky place on the stairs. She felt safe and beloved here...except when her mother visited, which was fortunately not often. It was Harry who must have brought her down from London, she thought. How could she have found out? She envisioned her mother's beautiful, white face and felt foreboding for her brother.
"You are such a fool," said her mother, and her voice paralyzed with its scorn. "The match is totally unsuitable. Now more than ever. John Ashford was appalled when I told him." Harry must have made some movement―she could picture him, crouched in a chair, his face as hard and cold as their mother's, his hands clenched with the effort to hold his temper―because her mother's voice changed.
"Yes, I told him! With his daughter standing beside him to hear me. If she had not cried like the weak, mewling child she is, her father would have beaten her, something I would have done, at any rate. God, I wanted to strike her! As for you, your conduct is unforgivable. Any alliance we form now is crucial―as you should know better than anyone!"
Each word had the clear, harsh sound of finality. Barbara knew that Harry, always thoughtless about the future, must be stunned by their mother's sudden appearance from London, by her quick, sure, numbing action.
"Damn the family!" Harry said. "And damn you. I love her. What does it matter whom I marry? There is no scandal I could create to equal what you and my father have already begun―"
The crack of a palm against flesh sounded. Barbara's body jerked as if it were she, and not Harry, who had just been slapped.
"Do not say your father's name in my presence again."
What venom there was in those words.
"He is out of my life. As Jane is out of yours. She is to marry her cousin within a few months; already the Ashfords are packing her off to London to stay with a relative. And you are going away also, Harry. Tomorrow. A few months' stay in Italy, a visit to France, should add the polish and patience necessary to a youth of your...what? Impulsive? Yes. Impulsive nature. I prefer impulsive to stupid. Your face, Harry! I wish you could see it. The mention of Italy calms the ardent lover within you somewhat, does it not?" She laughed. "I thought it might."
It was always fatal to show emotion to their mother; she pounced on it and turned it against you. Her voice was fainter now, she must have moved from her position in the room. Barbara had to stand on tiptoe, straining, the ivy around her uncooperative, to hear.
"You will obey me in this. Meres will be with you until you sail, so there can be no final, romantic farewells between you and your little sweetheart. And no final surprises nine months from now, either! It is over. Accept that. It was calf love, a brief spark, the first of many, I trust. I leave you to your thoughts, my dear Harry. If you are capable of summoning any."
There was silence. Barbara wanted to go to her brother, but she knew better. He had been humiliated, quickly, ruthlessly, thoroughly, and he would not want her witnessing the aftermath. She wedged her foot on a thick ivy vine; she would climb up slightly, just enough so that she could look in the window and see him―
"Mistress Barbara!"
She jumped. Without a doubt, it was one of the serving girls calling to tell her that her mother was home. Well, with any luck, she could miss her mother's visit entirely. Or, at worst, see her for a few moments tomorrow before she returned to London. She backed off the ivy, still torn between her instinct to escape and Harry.
"Mistress Barbara!"
The voice of the serving girl was closer now. Escape won hands down. She ran across the wide flagstone steps of the library terrace. She ran past her grandmother's faded rose garden, the bushes now bare, ugly with their thorns and fat hip pods, the lush petals of summer all gone into her grandmother's potpourris and brandies and wines and remedies. She ran past the clipped yew hedges whose dense evergreen shapes would hide her. The woods bordered the yews; once there it would be easy to spend the afternoon in the warm kitchen of one of her grandmother's tenant farmers, sipping tea, eating blackberries or walnuts while the housewife baked a winter wild plum pie and talked of the corn and barley harvest, of recipes and children.
"Mistress Barbara!"
She doubled her speed, her cloak billowing out behind her like a dark sail. The woods loomed ahead. She ran toward them as if her grandfather's hunting dogs were at her heels. It did not matter that now no one could see her from the house. Her mother was home.
In the withdrawing chamber of the Duchess of Tamworth, Diana, Viscountess Alderley, sank into an armchair and lifted her feet to an old-fashioned, embroidered, silver-fringed stool with heavy, dark, twisted legs. She was a beautiful woman with dark hair and violet eyes, a white complexion and sweet, red lips, all of which she emphasized to the fullest with paint and powder and dye pot. Her looks were deceiving. She had the stamina (and sensitivity) of a horse. All that giving birth to eleven children had done was take away her waist, which her stays disguised, and make deeper a hard line on each side of her face from nose to mouth. A young girl fluttered beside her to arrange pillows behind her back, her gown into more graceful folds. Diana waved the girl away, taking no more notice of the maidservant than she would an annoying fly. She surveyed a dish of comfits, small, fat plums preserved in sugar, on the table beside the armchair, selected one, and bit into it slowly. Some of the sticky plum juice ran down the corners of her mouth and stained the bodice of her gown.
Product details
- Publisher : Sourcebooks Landmark (May 1, 2003)
- Language : English
- Paperback : 768 pages
- ISBN-10 : 1402200447
- ISBN-13 : 978-1402200441
- Item Weight : 1.67 pounds
- Dimensions : 6 x 1.92 x 9 inches
- Best Sellers Rank: #844,931 in Books (See Top 100 in Books)
- #2,693 in Historical British & Irish Literature
- #39,787 in Literary Fiction (Books)
- #57,683 in Historical Fiction (Books)
- Customer Reviews:
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About the author
My childhood was filled with glorious books, Little Women, Lad A Dog, Black Beauty, Little House on the Prairie, Caddie Woodlawn. They were as real to me as the life around me, a lower middle class one in a small oil refinery town in Texas. My grandfather, an invalid, was a huge fan of the writers Frank Slaughter, Frank Yerby, and Zane Grey. By the time I learned to read, I was sneaking his square, cheap (a dime, I think) paperbacks off and reading them. Pirates. Passion. History. It has never occurred to me to write anything but historicals, a kind of time travel into other minds, other lands, other eras, other cultures, other worlds. That's what I wish for my readers, that my books take them far away into another place and time and that they enjoy themselves there and maybe even learn an interesting fact or two.
My blog: http://www.karleenkoen.wordpress.com
My website: http://www.karleenkoen.net
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England, at the beginning of the eighteenth century, was filled with political unrest & economic upheaval. King George I of Hanover had inherited the English throne, (1714), succeeding his cousin Queen Anne. English law stated that their King/Queen must be Protestant - and King George, even if he could not speak English, was definitely Protestant. However, many English Catholics, known as Jacobites, wanted to overthrow George and crown James Stuart, (James III), called "The Pretender," as king. He was the son of England's King James II & directly in line to the throne through his royal English bloodline. Thus plots & whispers of revolution abounded.
Interestingly, the terrible economic times of this period resemble those we are experiencing today. In 1711 the South Sea Company was formed. It was given exclusive rights to trade with the Spanish colonies in South America, transporting many slaves from Africa to South America. In 1720 shares in the company became massively overpriced. Then the share price collapsed - the South Sea Bubble burst - and many investors, from the highest nobles to the poorest commoners with a few guineas to invest, lost huge sums of money - their entire life savings. The losses and subsequent impact on the country's economy were catastrophic.
Fifteen year-old Barbara Aderley is central to the plot. This is her coming of age story and so much more. Bab, as she is called, is beautiful, intelligent, precocious, strong-willed and ready to be married off. The custom in these days is to marry young and for money and/or title. Her grandfather, Richard, Duke of Tamworth, a famous general, is deceased and much beloved by his countrymen. Richard's widow, Alice, the Duchess of Tamworth, may be elderly but is every bit as sharp and lively as her granddaughter. She is a powerful dowager who rules her roost, but has an extremely soft spot in her heart for Barbara. And Diana, Barbara's vicious but gorgeous mother, bears child after child to her unscrupulous Jacobite husband and leaves them with the Duchess to raise. What can I say? Diana is a hoyden and a slut...to put it mildly. And she is willing to sell her daughter off to the highest bidder.
Roger MontGeoffry, Lord Devane, served as an officer under Barbara's grandfather in the long wars with Louis XIV of France, and she has known him and adored him from early childhood. And why not? He is handsome, brilliant, kind & charming. Although there is more than a twenty-five year difference in their ages, when Lord Devane is proposed as a potential match for Barbara, she is thrilled. And he is extremely fond of her and needs her fortune to build a visionary architectural estate and museum in the center of London.
Sweeping, passionate and scandalous, the story moves from London to Paris to Italy, taking with it the members of a great English family with all the intrigue and baggage they bring with them....and a haunting, hurtful secret and betrayal to boot.
I usually do not read a book twice unless it is a beloved classic. However, I read "Through A Glass Darkly" when it was first published & it became a favorite. I read it again about ten years ago and found that the novel only improved with age. Now that a sequel has come out, ("Now Face to Face" - also excellent), I read it for a third time so that there would be a flow of events & people when reading both books back-to-back. I cannot recommend "Through a Glass Darkly" highly enough.
PS - To see "through a glass" -- a mirror -- "darkly" is to have an obscure or imperfect vision of reality - perhaps by letting our emotions distort the true nature of people or events. The expression comes from the writings of the Apostle Paul, the King James version of the Bible, Corinthians 13.
Jana Perskie
I had no idea what I was in for.
I dreamed about this book, and I couldn't put it down until I'd finished it. It was beautifully written and had some of the best prose I've ever read. (I highlighted many passages in my Kindle to read again later on.)
With the possible exception of Abigail, whose "I always know the right thing that everyone should do" attitude was a bit too self aware for my tastes, the characters truly came to life on the page. I became emotionally vested in all of them, which made what the author did to them (and, by extension, to me) all the more unfair.
I'll agree with a previous reviewer in that I really, really, really wish the last third of the book didn't exist. (See spoilers below.) If it didn't, this would likely be my favorite book of all time.
If I had to rate "Through a Glass Darkly" based on *how* it made feel, I would only give it one star. But I gave it five stars because it did make me feel something and is extremely well written - two of my biggest criteria for a good read.
The writer has a strong command of the English language and knows how to effectively weave emotion into a story. The words were like silk on the page, but they cut with the sharpness of a knife. It is unfortunate that they cut so deeply.
[SPOILERS]
I didn't like who the main character became in the last third of the book, and I say this as a judgment based on her moral standards, not mine. I just don't believe she would really make some of the decisions she did; her actions felt very out of character to me, no matter how upset she was.
There was so much tragedy in this book that I wanted so badly, so desperately for a happy ending, but I could barely finish the last 20 pages because I was crying so hard - literally grieving. I found myself angry at the author for playing God in such a cruel way, for making these characters' lives so bitterly unfair.
There is an ongoing theme in this story, which could be summarized as "Whatever your heart desires most, you will never have it, and anyone you care about will die."
Everyone's life was miserable in this book. Although some of it was their own doing, the result of some very human mistakes, most of it was beyond their control. And just when you think 'It can't possibly get any worse', it does. And then it gets worse again. And it never ends, never gets better. It's okay to have a down ending in a story, but not if the rest of it is as depressing as this one is.
I've never been left with such a feeling of despair as I felt with this gut-wrenching book, which literally made me sick with its apparent message of 'Life is inherently unfair, and nothing you can do will ever make it right'.
It took me several days to recover from this story. It truly is not for the faint of heart! :(
Top reviews from other countries
I first read this book years ago, when it first came out, and must admit it has been one of the defining books that inspired my own novel, The Open Doorway. I can't thank Koen enough for her snappy writing, great plot twists and fantastic character creations. Why they've not made a movie from it, or a mini series is another mystery.
The story goes from London to Paris, and back to London. Alice is now the Duchess of Tamworth and Richard has passed away. Barbara and her sisters and brothers have been bought up by the Duchess. Their mother Lady Alderley has other things better to do than worry about her children. When Barbara is 15 years old she marries the man she has always loved, Roger, Lord Devane. Roger is a lot older than Barbara but he will be able to get the land he wants to build on, by marriage. To Roger at first Barbara is a child, but gradually love grow with Roger, and things go smoothly for sometime. Then suddenly all things happen and are heartbreaking untill Barbra's dreams are shattered into tiny pieces.
So much goes on in the storyline and i found it hard to put down unless i had to. Even you, feel your heart is broken, by days gone by, and of love, through a glass darkly.
I strongly recommend this wonderful author.