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It Isn't Just Thir13en Ghosts, It's the House - IGN
"> Commenting on the motivations for the fictitious house's new owners, director Steve Beck notes, "Having all of these riches handed over to this family in what is essentially an enormous glass case is very telling. When we expose the things we value, we expose ourselves as well. It's a provocative question: How much are we willing to sacrifice to attain the material objects we covet?"Production designer Sean Hargreaves brought the producers' ideas to reality. "The first thing that comes to mind when you consider a glass and steel house is that it would have a very futuristic appearance. For that reason we decided to go for the unexpected, and we included some antique elements in the design. We incorporated cogs and gears and pulleys into the glass walls of the house, so that everything would run like a clockwork mechanism. It also has art deco and art nouveau elements, which, combined with old-fashioned technology, helps to give the house its unique character." The whole concept of the house is what I've found most unique about Thir13enGhosts; and, apart from the ghosts themselves, it's been the focal point of my interest in the film. The house's glass cells, etched with Latin inscriptions (containment spells encasing the ghosts), encircle the "Ocularis Room," wherein resides the Black Zodiac; a geared circular design, constructed into the floor, around which each of the ghosts has a corresponding symbol. I haven't seen the film, thus, my best guess is the zodiac may be the mechanism that calls the ghosts, and/or releases them from their cells at timed intervals. The film "centers around a complex mythology," comments Silver. "In order for that mythology to be believable, every component of the film must be as authentic and detailed as possible. An enormous amount of work went into making this happen. In this particular case, the devil is in the details."
