The Glass Tomb (1955) - Turner Classic Movies

The Glass Tomb


59m 1955

Film Details

Also Known As
The Glass Cage, The Outsiders
Release Date
Apr 15, 1955
Premiere Information
not available
Production Company
Exclusive Films, Ltd.; Lippert Productions, Inc.
Distribution Company
Lippert Pictures, Inc.
Country
Great Britain and United States
Location
London, England, Great Britain; Windsor, England, Great Britain
Screenplay Information
Based on the novel The Outsiders by A. E. Martin (New York, 1945).

Technical Specs

Duration
59m
Sound
Mono
Color
Black and White
Film Length
5,310ft (7 reels)

Synopsis

American carnival promoter Pel Pelham lives with his English wife Jenny and son Peter in London, where he hopes to stage an attraction featuring Henri Sapolio, the "world's champion starving man." Needing money, Pel borrows £250 from his old friend, bookie Tony Lewis. Tony confides in Pel that he has received a suspicious letter from Dolores LaMarr, a former lover, and that he does not want his socialite fiancee to find out about her. Pel offers to talk to Dolores, who lives in the same building as Sapolio and his wife Marie, but when he leaves Tony's office, Pel is confronted by Rorke, the crooked representative of the Carnival and Circus Owners League. Pel brushes off Rorke, then persuades real estate agent Rutland to donate a site for his tent. After giving Sapolio a much-needed salary advance, Pel goes upstairs to question Dolores. To Pel's surprise, Dolores is actually an old friend, the tempermental Rena Maroni, whose circus owner father gave Pel his first job. Rena admits that after quarreling with her father, she changed her name and moved to London, where she had an affair with Tony. Rena insists, however, that she has no intention of blackmailing Tony and instead wanted to tell him that she will not need any more money from him. Concerned, Pel invites Rena to that evening's celebration of the opening of his venture. Later, as Sapolio leaves to buy groceries, he sees but does not recognize a man entering Rena's apartment. The man, theatrical agent Henry Stanton, is Rena's secret lover, as well as the benefactor of Pel, Sapolio and their friends. Unknown to the carnival people, Stanton is also a killer, and when Rena tries to end their affair, he strangles her. As Stanton is leaving the building, he is mistaken for an arriving guest and so joins the celebration at the Sapolios' flat. Rorke is also there, and in the midst of the raucous gathering, midget Mickelwitz discovers Rena's body. Scotland Yard inspector Lindley finds Rena's letter to Tony, which Pel had returned to her, then questions Pel, who is a known acquaintance of Tony. The inspector goads Pel by revealing that Rena's death is similiar to the year-old death of another woman, and asks him to question his friends. Pel refuses, then cautions Sapolio not to reveal that he saw a man entering Rena's apartment until he has conducted his own investigation. Pel fears that Tony is the killer, while Rorke, suspecting that Stanton is the murderer, begins to blackmail him. Soon after, Pel's exhibit opens to a large crowd as Sapolio is sealed into the glass tomb in which he will live without eating for the next seventy days. Lindley arrives to question Pel about Tony's check, about which Rorke informed him, but Pel is evasive. The next morning, Pel still worries about Tony and confides in Stanton that Sapolio saw a man outside Rena's apartment, and that Sapolio will eventually figure out who it was. Meanwhile, Tony marries his fiancee, and upon his return from their honeymoon, receives a blackmailing phone call from Rorke. Later, Pel returns home to discover that Jenny is missing. Jenny soon staggers home and reveals that she was kidnapped by a man who threatened to kill her and Peter if Pel continued his investigation. Mistakenly believing that Tony is the culprit, Pel confesses all to Lindley the following morning, but Lindley informs him that Tony has been shot to death. While Pel and Lindley discuss searching for a new suspect, Stanton confronts Rorke, who confesses to kidnapping Jenny and killing Tony when he pulled a gun on him. At the tomb, Pel's helper George, an alcoholic, cannot resist when a bottle of liquor is delivered, and after Geoge passes out, someone sneaks in and slips Sapolio a poisoned piece of ham fat. Late that night, Sapolio's body is discovered, and in order to entrap the killer, Pel and Lindley plant a newspaper story that Sapolio is in a coma, and that his slumbering body will continue to be displayed. With a police decoy lying in Sapolio's bed, Pel and Lindley scan the crowds, searching for the guilty man. One afternoon, Stanton disguises himself as a doctor and enters the tomb, but when he attempts to kill "Sapolio," the policeman rises up to fight him. Stanton shoots the policeman, then holds the crowd at bay with his pistol. One of the onlookers gets the gun away from Stanton and fights with him, after which Stanton is shot and killed by George. As he regards Stanton's body, Pel bitterly comments on Stanton's reputation of possessing the "greatest heart is show business." Later, Pel places a wreath under Sapolio's photograph and tells Lindley that he is keeping the tomb open for display, as the late entertainer would have wanted.

Film Details

Also Known As
The Glass Cage, The Outsiders
Release Date
Apr 15, 1955
Premiere Information
not available
Production Company
Exclusive Films, Ltd.; Lippert Productions, Inc.
Distribution Company
Lippert Pictures, Inc.
Country
Great Britain and United States
Location
London, England, Great Britain; Windsor, England, Great Britain
Screenplay Information
Based on the novel The Outsiders by A. E. Martin (New York, 1945).

Technical Specs

Duration
59m
Sound
Mono
Color
Black and White
Film Length
5,310ft (7 reels)

Quotes

Trivia

Notes

The working title of this film was The Outsiders, and it was released in Great Britain on August 29, 1955 as The Glass Cage. According to a September 9, 1948 Daily Variety news item, the rights to A. E. Martin's novel were originally purchased by Eronel Productions, with Herbert G. Luft "set to supervise script development." In July 1949, Daily Variety reported that Luft himself had purchased the novel for "a contemplated independent production." It is unlikely that Luft contributed to The Glass Tomb, however. Although Arnold Marle receives an onscreen credit, the character of "Pop Maroni" did not appear in the viewed print.