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The Casual Vacancy Hardcover – September 27, 2012
Purchase options and add-ons
- Print length503 pages
- LanguageEnglish
- PublisherLittle, Brown and Company
- Publication dateSeptember 27, 2012
- Dimensions6.38 x 1.5 x 9.5 inches
- ISBN-100316228534
- ISBN-13978-0316228534
- Lexile measure960L
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"I had come under the spell of a great novel....A big, ambitious, brilliant, profane, funny, deeply upsetting and magnificently eloquent novel of contemporary England, rich with literary intelligence....This is a deeply moving book by somebody who understands both human beings and novels very, very deeply."―Lev Grossman, Time
"A vivid read with great, memorable characters and a truly emotional payoff....Rowling captures the humanity in everyone, even if that humanity is not always a pretty sight."―People
"This book represents a truckload of shrewdness.... There were sentences I underlined for the sheer purpose of figuring out how English words could be combined so delightfully....genuinely moving."―Washington Post
"A positively propulsive read."―Wall Street Journal
"An insanely compelling page-turner....The Casual Vacancy is a comedy, but a comedy of the blackest sort, etched with acid and drawn with pitch....Rowling proves ever dexterous at launching multiple plot lines that roar along simultaneously, never entangling them except when she means to. She did not become the world's bestselling author by accident. She knows down in her bones how to make you keep turning the pages."―The Daily Beast
"There are plenty of pleasures to be had in The Casual Vacancy....Parts of the story would be tonally of a piece with any Richard Price or Dennis Lehane novel, or an episode of The Wire."―Parade
"Rowling knows how to write a twisty, involving plot....She is clearly a skilled writer."―The Huffington Post
"The Casual Vacancy is a complete joy to read....a stunning, brilliant, outrageously gripping and entertaining evocation of British society today."―The Mirror (UK)
"Rowling has written a grand novel...a very brave book."―The Bookseller (UK)
"A study of provincial life, with a large cast and multiple, interlocking plots, drawing inspiration from Elizabeth Gaskell and George Eliot...The Casual Vacancy immerses the reader in a richly peopled, densely imagined world...intelligent, workmanlike, and often funny."―The Guardian (UK)
"The Casual Vacancy, JK Rowling's first adult novel, is sometimes funny, often startlingly well observed....Jane Austen herself would admire the way [Rowling] shows the news of Barry's death spreading like a virus round Pagford."―Telegraph (UK)
About the Author
J.K. Rowling is the author of the bestselling Harry Potter series of seven books, published between 1997 and 2007, which have sold more than 450 million copies worldwide, are distributed in more than 200 territories, translated into 74 languages, and have been turned into eight blockbuster films. She has also written two small volumes, which appear as the titles of Harry’s schoolbooks within the novels. Fantastic Beasts & Where to Find Them and Quidditch Through The Ages were published by Scholastic Bloomsbury Children’s Books in March 2001 in aid of Comic Relief. In December 2008, The Tales of Beedle the Bard was published in aid of the Children’s High Level Group, and quickly became the fastest selling book of the year.
As well as an OBE for services to children’s literature, J.K. Rowling is the recipient of numerous awards and honorary degrees including the Prince of Asturias Award for Concord, France’s Légion d’honneur, and the Hans Christian Andersen Literature Award, and she has been a Commencement Speaker at Harvard University. She supports a wide number of charitable causes through her charitable trust Volant, and is the founder of Lumos, a charity working to transform the lives of disadvantaged children.
Product details
- ASIN : 0316228532
- Publisher : Little, Brown and Company; First Edition (September 27, 2012)
- Language : English
- Hardcover : 503 pages
- ISBN-10 : 0316228534
- ISBN-13 : 978-0316228534
- Lexile measure : 960L
- Item Weight : 1.85 pounds
- Dimensions : 6.38 x 1.5 x 9.5 inches
- Best Sellers Rank: #288,366 in Books (See Top 100 in Books)
- #2,734 in Contemporary Literature & Fiction
- #15,654 in Literary Fiction (Books)
- Customer Reviews:
About the author
J.K. Rowling is the author of the enduringly popular, era-defining Harry Potter book series, as well as several stand-alone novels for adults and children, and a bestselling crime fiction series written under the pen name Robert Galbraith.
The Harry Potter books have now sold over 600 million copies worldwide, been translated into 85 languages and made into eight blockbuster films. They continue to be discovered and loved by new generations of readers.
Alongside the Harry Potter series, J.K. Rowling also wrote three short companion volumes for charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, in aid of Comic Relief, and The Tales of Beedle the Bard, in aid of her international children’s charity, Lumos. The companion books and original series are all available as audiobooks.
In 2016, J.K. Rowling collaborated with playwright Jack Thorne and director John Tiffany to continue Harry’s story in a stage play, Harry Potter and the Cursed Child, which opened in London, and is now thrilling audiences on four continents. The script book was published to mark the plays opening in 2016 and instantly topped the bestseller lists.
In the same year, she made her debut as a screenwriter with the film Fantastic Beasts and Where to Find Them. Inspired by the original companion volume, it was the first in a series of new adventures featuring wizarding world magizoologist Newt Scamander. The second, Fantastic Beasts: The Crimes of Grindelwald, was released in 2018 and the third, Fantastic Beasts: The Secrets of Dumbledore was released in 2022.
The screenplays were published to coincide with each film’s release: Fantastic Beasts and Where to Find Them - The Original Screenplay (2016), Fantastic Beasts: The Crimes of Grindelwald - The Original Screenplay (2018) and Fantastic Beasts: The Secrets of Dumbledore - The Complete Screenplay (2022).
Fans of Fantastic Beasts and Harry Potter can find out more at www.wizardingworld.com.
J.K. Rowling’s fairy tale for younger children, The Ickabog, was serialised for free online for children during the Covid-19 pandemic in the summer of 2020 and is now published as a book illustrated by children, with her royalties going to her charitable trust, Volant, to benefit charities helping alleviate social deprivation and assist vulnerable groups, particularly women and children.
Her latest children’s novel The Christmas Pig, published in 2021, is a standalone adventure story about a boy’s love for his most treasured thing and how far he will go to find it.
J.K. Rowling also writes novels for adults. The Casual Vacancy was published in 2012 and adapted for television in 2015. Under the pseudonym Robert Galbraith, she is the author of the highly acclaimed ‘Strike’ crime series, featuring private detective Cormoran Strike and his partner Robin Ellacott. The first of these, The Cuckoo’s Calling, was published to critical acclaim in 2013, at first without its author’s true identity being known. The Silkworm followed in 2014, Career of Evil in 2015, Lethal White in 2018, Troubled Blood in 2020 and The Ink Black Heart in 2022. The series has also been adapted for television by the BBC and HBO.
J.K. Rowling’s 2008 Harvard Commencement speech was published in 2015 as an illustrated book, Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination, sold in aid of Lumos and university-wide financial aid at Harvard.
As well as receiving an OBE and Companion of Honour for services to children’s literature, J.K. Rowling has received many other awards and honours, including France’s Legion d’Honneur, Spain’s Prince of Asturias Award and Denmark’s Hans Christian Andersen Award.
J.K. Rowling supports a number of causes through her charitable trust, Volant. She is also the founder and president of Lumos, an international children’s charity fighting for every child’s right to a family by transforming care systems around the world.
www.jkrowling.com
Image: Photography Debra Hurford Brown © J.K. Rowling
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Secondly, The Casual Vacancy's really an extreme opposite of the Harry Potter series and it's unsuitable for some of the Harry Potter's readers so it's also unfair to be reading it expecting it'll be the same kind of entertaining as Harry Potter's and here's why..
1- Ironically the Harry Potter Series starts with the boy who lived, while this one starts with the man who had died. It's funny how Rowling deals with life and death. As Harry's being alive was what made the novel. The death of Barry Fairbrother was what has affected the lives of residents of the small city "Pagford" and every character through the novel and affected their motivations.
2-It's not about magic at all ...It's realistic, raw, ugly most of times, unpleasant life. And that's not bad thing since it's a totally different genre ... and Rowling is really awesome in drawing the life of small town, its history and the people living there whether the rich, the middle class or the poor.
3-There's -almost- no mystery events at least for us -as readers- only some parts of the ghost's posts plot. But it's not bad since there are many hidden parts at every character that was really fun to discover in further read and learn more about their lives.
4-There's no actual Good Vs. Evil Plot. There's no Evil at the whole story and no pure good person either. At some points you'd feel the character is really bad, awful, arrogant and hypocritical and the same one you'd find them later just a victim of their terrible circumstances. That's why when you first meet a character especially in the first Part - which is over 170 pages- you'll find out that you really dislike and can't feel sympathy toward the characters. For example:
Krystal Weedon, First impression that she's an awful teenager, you'd even feel it's weird that last thing Barry did was writing about her for the newspaper.. But you can't help notice that she's a true heart-breaking girl trapped in her terrible circumstances.
Also Kay when first introduced from Gavin's point of view was a terrible messy lady, but later you'd find out that she's not that bad. , she's a sincerely caring woman after all, away from the hypocrisy that existed at other characters.
I believe that all of the characters are in their own shade of gray, there's no black and white... not totally good or totally bad except a character or two that more into the black side. That's exactly how people are in real life.
5- In Harry Potter series the whole story is from Harry's point of view (POV) except 5 chapters from the whole series. It's totally the opposite here the book is in 7 parts every part got many chapters each chapter coming from one of the characters' perspective, even sometimes it switch from a character to another at the same chapter.. Which many reader find it's bad and a weakness of the novel .. But it's not bad at all , it may be confusing alittle but the novel introduced so many characters so quickly. So it's better to get a wide perspective to learn about each of these characters, rather than just one, and to learn more about their lives and past.
Rowling's writing skills was in real test here and I believe she did it right. Especially at the last Part which wasn't in chapters. It was really amazing. It's like a journey that I've really enjoyed after all.
6-For sorry the language is so much "tougher" than you'd imagine the Harry Potter author would write, I was in shock when I've read it and her statement:" "There is no part of me that feels that I represented myself as your children's babysitter or their teacher. I was always, I think, completely honest. I'm a writer, and I will write what I want to write."
However, the language is not un-common from the middle class, even the higher one that presented in the story.
There is one common point between The Casual Vacancy and Harry Potter series which is The amazing friendship between the adolescents, their romantic interests the bullying which drawn here in amazing way , the adolescents characters and their relationship issues with each other or with their parents was a one of the basic plots at the novel and the most well written one and some how the most heart breaking .
I know it's not a real review But to sum up what I feel about the novel, without spoilers ... It's a Journey into realistic characters, in a small town after a certain event... When you finish that journey you'd may feel the tragic ending left u heart breaking BUT the very optimistic scene by the end -although it was like a flash back- will cheer you up and there's a touch of sweet hope that presented at the final part with some changes in a character that lead to peace after all. And without more spoilers the ending really will leave a nice feeling after all and I'm sure you may back to re-read the book in more appreciation.
P.S. When I start part 3 I was totally into the characters so when I tried to re-read the first part at least the character introducing parts and find out it's not that bad you should try it as I've said before the first part is exhausting read just at the first read.
P.S.2 Try to imagine your favorite cast for the characters for example I don't know why the beginning made me recall "Desperate Housewives" so I mix American cast of the show with the some adults and the adolescents from Harry Potter cast except for Krystal was Miley Cyrus in my mind.
REVIEW SUMMARY:
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A highly dramatic, very cathartic, character-focused drama with lots of small-town gossip. I enjoyed it and recommend it!
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DETAILS:
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I am a big fan of the Harry Potter books, so I wanted to read this one, especially after seeing a fascinating interview with Joanne Rowling in the New Yorker Magazine. I was especially interested after seeing her make the statement, in that interview, that she had forced herself to keep the details of romance out of the harry potter books because she'd felt it wasn't appropriate to mix realistic romance and magical creatures. And so, she said, she wrote this book in exactly the way that she wanted.
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For the benefit of Harry Potter fans, the biggest differences between this book and Harry Potter are: (A) Level of Suspense and (B) Negativity.
(A) Level of Suspense
In contrast to the Harry Potter books, which I found to be extremely suspenseful, "Casual Vacancy" is very slow paced. After you have read it, you might look back and think that she could have begun or ended the story at multiple points before and after the story's timeline, since all the plot threads meander along slowly. The suspense, for me, picked up greatly at about the 66% mark, where lots of dramatic scenes start to occur. However, the first two thirds was difficult for me to read as there are a lot of characters with a lot of detailed little thoughts and points of view that you have to soak up before the plot can start moving.
(B) Negativity.
Also in contrast to the Harry Potter books, which might be described as "dark," the atmosphere of "Casual Vacancy" might be described as "abysmal" or "pitch black." For the first two thirds of the book, almost nothing good happens to any characters. Some children are cruel to each other, some are cruel to parents, while other parents are cruel to children, and each other. All the characters start out as either cruel, sad and pathetic, or both. I have a hard time with books if there is no one to be sympathetic to, and so I found this extremely depressing. However, by the second half, the characters "Andrew", "Samantha", and "Sukhvinder" had emerged as reasonable and flawed yet sympathetic people.
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My Criticism:
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I enjoyed the book, and found it most enjoyable when I visualized it as a slow-paced TV drama, focusing on gossip among a small group of families.
If I were to critique it as though a peer had written the book, these are the points I'd bring up:
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1 - There are not too many characters, but the deep thoughts of a large list of characters are all explicated in great detail, and I feel this isn't necessary. While they are interesting in how detailed and relatable all their interior worldviews are, I feel that ultimately (a) this slows down the plot too much and (b) characters might be more interesting to watch if you only knew the inner thoughts of a few of them and had to guess at the rest.
2 - A lot of the characters, specifically the ones identified as living in poverty, had their dialogue written with such strong accents (often, the majority of letters in words are removed) that I initially thought they had speech impediments or mental problems, until I realized that that was just their accent. This took a long time to get used to, and I ended up feeling that lighter indicators of these characters' accents would have made them easier to understand and more importantly, easier to relate to.
3 - The book feels like it has a big political dimension. It's in favor of the government having a 'social safety net' for the poor, and other leftist ideas. This is totally fine and I myself agree. However, it was just awkward that in one of the penultimate chapters, one character takes a bold, righteous stand against teenagers using anti-LGBT slurs, and then in the final scene, which is clearly supposed to be positive and triumphant, anti-LGBT slurs are used repeatedly. Anyway I thought the political dimension was fine, it was just that the final scene felt awkward.
4 - The "Samantha & Miles" conclusion didn't totally make sense to me. Samantha's epic frustration disappeared only because Howard had a heart attack? I didn't get it.