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The Casual Vacancy Hardcover – September 27, 2012


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When Barry Fairbrother dies unexpectedly in his early forties, the little town of Pagford is left in shock. Pagford is, seemingly, an English idyll, with a cobbled market square and an ancient abbey, but what lies behind the pretty façade is a town at war. Rich at war with poor, teenagers at war with their parents, wives at war with their husbands, teachers at war with their pupils…. Pagford is not what it first seems. And the empty seat left by Barry on the town’s council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations? Blackly comic, thought-provoking and constantly surprising, The Casual Vacancy is J.K. Rowling’s first novel for adults.

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Editorial Reviews

From Publishers Weekly

On the face of it, Rowling's first adult book is very different from the Harry Potter books that made her rich and famous. It's resolutely unmagical: the closest thing to wizardry is the ability to hack into the amateurish Pagford Parish Council Web site. Instead of a battle for worldwide domination, there's a fight over a suddenly empty seat on that Council, the vacancy of the title. Yet despite the lack of invisibility cloaks and pensieves, Pagford isn't so different from Harry's world. There's a massive divide between the haves and those pesky have-nots—the residents of the Fields, the council flat that some want to push off onto Yarvil, the county council nearby. In tiny Pagford, and at its school, which caters to have and have-nots alike, everyone is connected: teenager Krystal Weedon, the sole functioning member of her working-class family, hooks up with the middle-class son of her guidance counselor; the social worker watching over Krystal's troubled mother dates the law partner of the son of the dead Councilor's fiercest Council rival, who also happens to be the best friend of Councilor Barry Fairbrother; Krystal's great-grandmother's doctor was Fairbrother's closest ally; the daughters of the doctor and the social worker work together, along with the best friend of Krystal's hookup; and so on. When Fairbrother—born in Fields but now a middle-class Pagforder and one of the few people who can deal with the obstreperous Krystal—dies suddenly, the fight gets uglier. Rowling is relentlessly competent: all these people and their hatreds and hopes are established and mixed together. Secrets are revealed, relationships twist and break, and the book rolls toward its awful, logical climax with aplomb. As in the Harry Potter books, children make mistakes and join together with a common cause, accompanied here by adults, some malicious, some trying yet failing. Minus the magic, though, good and evil are depressingly human, and while the characters are all well drawn and believable, they aren't much fun. Agent: The Blair Partnership. (Sept. 27)

From Booklist

J. K. Rowling has said that she considered writing The Casual Vacancy under a pseudonym. Had she done so, Rowling probably would have learned what it’s like to be a midlist author—unpublicized, unnoticed, and unhappy. Like many midlist titles, this one is perfectly fine, but in no way outstanding. Set in Pagford, a picturesque West Country village, this very British book has a clever, if arcane, centerpiece: a casual vacancy, an opening on the village council. When Barry Fairbrother drops dead of an aneurysm, his death sets off a chain reaction. A strong supporter of keeping a poor council estate as part of Pagford (he grew up there), Fairbrother is opposed by a smug, controlling businessman (Vernon Dursley, writ small) who wants to rid the village of the “undesirables.” Fairbrother’s demise causes a crisis at the council and in the personal lives of many, including a teenager to whom he gave a helping hand. As everyone knows, Rowling is very good at creating worlds, and here she effectively shows the stifling (for some) and satisfying (for others) constraints of village life. Somewhat less successful are her characters, who wouldn’t seem out of place in a British soap opera: not surprisingly, it’s her several teen characters, the tortured and the torturers, who jump most from the page. As for her prose, well, that was never Rowling’s strong suit, and it lumbers more than it soars. To give credit where it’s due, one of the world’s richest women wrote her book and is willing to take the critical lumps when she didn’t have to do anything more than stay home and count her money. She must like to write. --Ilene Cooper

Product details

  • ASIN ‏ : ‎ 0316228532
  • Publisher ‏ : ‎ Little, Brown and Company; First Edition (September 27, 2012)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 503 pages
  • ISBN-10 ‏ : ‎ 0316228534
  • ISBN-13 ‏ : ‎ 978-0316228534
  • Lexile measure ‏ : ‎ 960L
  • Item Weight ‏ : ‎ 1.85 pounds
  • Dimensions ‏ : ‎ 6.38 x 1.5 x 9.5 inches
  • Customer Reviews:

About the author

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J.K. Rowling
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J.K. Rowling is the author of the enduringly popular, era-defining Harry Potter book series, as well as several stand-alone novels for adults and children, and a bestselling crime fiction series written under the pen name Robert Galbraith.

The Harry Potter books have now sold over 600 million copies worldwide, been translated into 85 languages and made into eight blockbuster films. They continue to be discovered and loved by new generations of readers.

Alongside the Harry Potter series, J.K. Rowling also wrote three short companion volumes for charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, in aid of Comic Relief, and The Tales of Beedle the Bard, in aid of her international children’s charity, Lumos. The companion books and original series are all available as audiobooks.

In 2016, J.K. Rowling collaborated with playwright Jack Thorne and director John Tiffany to continue Harry’s story in a stage play, Harry Potter and the Cursed Child, which opened in London, and is now thrilling audiences on four continents. The script book was published to mark the plays opening in 2016 and instantly topped the bestseller lists.

In the same year, she made her debut as a screenwriter with the film Fantastic Beasts and Where to Find Them. Inspired by the original companion volume, it was the first in a series of new adventures featuring wizarding world magizoologist Newt Scamander. The second, Fantastic Beasts: The Crimes of Grindelwald, was released in 2018 and the third, Fantastic Beasts: The Secrets of Dumbledore was released in 2022.

The screenplays were published to coincide with each film’s release: Fantastic Beasts and Where to Find Them - The Original Screenplay (2016), Fantastic Beasts: The Crimes of Grindelwald - The Original Screenplay (2018) and Fantastic Beasts: The Secrets of Dumbledore - The Complete Screenplay (2022).

Fans of Fantastic Beasts and Harry Potter can find out more at www.wizardingworld.com.

J.K. Rowling’s fairy tale for younger children, The Ickabog, was serialised for free online for children during the Covid-19 pandemic in the summer of 2020 and is now published as a book illustrated by children, with her royalties going to her charitable trust, Volant, to benefit charities helping alleviate social deprivation and assist vulnerable groups, particularly women and children.

Her latest children’s novel The Christmas Pig, published in 2021, is a standalone adventure story about a boy’s love for his most treasured thing and how far he will go to find it.

J.K. Rowling also writes novels for adults. The Casual Vacancy was published in 2012 and adapted for television in 2015. Under the pseudonym Robert Galbraith, she is the author of the highly acclaimed ‘Strike’ crime series, featuring private detective Cormoran Strike and his partner Robin Ellacott. The first of these, The Cuckoo’s Calling, was published to critical acclaim in 2013, at first without its author’s true identity being known. The Silkworm followed in 2014, Career of Evil in 2015, Lethal White in 2018, Troubled Blood in 2020 and The Ink Black Heart in 2022. The series has also been adapted for television by the BBC and HBO.

J.K. Rowling’s 2008 Harvard Commencement speech was published in 2015 as an illustrated book, Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination, sold in aid of Lumos and university-wide financial aid at Harvard.

As well as receiving an OBE and Companion of Honour for services to children’s literature, J.K. Rowling has received many other awards and honours, including France’s Legion d’Honneur, Spain’s Prince of Asturias Award and Denmark’s Hans Christian Andersen Award.

J.K. Rowling supports a number of causes through her charitable trust, Volant. She is also the founder and president of Lumos, an international children’s charity fighting for every child’s right to a family by transforming care systems around the world.

www.jkrowling.com

Image: Photography Debra Hurford Brown © J.K. Rowling

Customer reviews

3.6 out of 5 stars
3.6 out of 5
21,129 global ratings
Not the grown up version of Harry Potter - absolutely not suitable for children
5 Stars
Not the grown up version of Harry Potter - absolutely not suitable for children
Let me start off by mentioning that I have two college degrees - one in English Literature. I have read Harry Potter several times. From glancing at the reviews, it seems people were expecting Harry Potter 2.0 from this exquisite novel, and were dismayed with the results of their curiosity. This is considered an adult novel. It isn't a magical fairytale; I would venture to say it could be considered the exact opposite of HP.The craft of this novel is marvelous. Every sentence paints a picture. The wording can be very difficult. I came across copious amounts of unfamiliar words - some I would have never understood save for etymology courses I've taken that taught me to break apart words, some I still don't understand. I used context clues to grasp the gist of some sentences so I could move on instead of googling them. There are loads of point-of-view shifts from character to characte and sometimes it can be difficult to recall who is married to whom and which child is which.For my fellow Americans, you will come across many words that are British, just be prepared. It isn't an easy read.I would not recommend you allow your teens to read this book unless you're prepared to explain incest, rape, drug addiction, homosexuality, self mutilation, etc. The language is extremely colorful, dotted by many an f-bomb. This is absolutely unfit for any child under 16. I was excited to read it because it's written by one of my favorite authors (as, too, your child may argue) but please remember that this is NOT HARRY POTTER.
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Top reviews from the United States

Reviewed in the United States on November 19, 2012
First of all Please give it a try ... It's not fair that most of the "One Star Ratings" are just based on the first couple parts of the book which -I admit- a real exhausting read specially the first part which is over 170 pages but afterward it's really deep, emotional and interesting story.

Secondly, The Casual Vacancy's really an extreme opposite of the Harry Potter series and it's unsuitable for some of the Harry Potter's readers so it's also unfair to be reading it expecting it'll be the same kind of entertaining as Harry Potter's and here's why..

1- Ironically the Harry Potter Series starts with the boy who lived, while this one starts with the man who had died. It's funny how Rowling deals with life and death. As Harry's being alive was what made the novel. The death of Barry Fairbrother was what has affected the lives of residents of the small city "Pagford" and every character through the novel and affected their motivations.

2-It's not about magic at all ...It's realistic, raw, ugly most of times, unpleasant life. And that's not bad thing since it's a totally different genre ... and Rowling is really awesome in drawing the life of small town, its history and the people living there whether the rich, the middle class or the poor.

3-There's -almost- no mystery events at least for us -as readers- only some parts of the ghost's posts plot. But it's not bad since there are many hidden parts at every character that was really fun to discover in further read and learn more about their lives.

4-There's no actual Good Vs. Evil Plot. There's no Evil at the whole story and no pure good person either. At some points you'd feel the character is really bad, awful, arrogant and hypocritical and the same one you'd find them later just a victim of their terrible circumstances. That's why when you first meet a character especially in the first Part - which is over 170 pages- you'll find out that you really dislike and can't feel sympathy toward the characters. For example:
Krystal Weedon, First impression that she's an awful teenager, you'd even feel it's weird that last thing Barry did was writing about her for the newspaper.. But you can't help notice that she's a true heart-breaking girl trapped in her terrible circumstances.
Also Kay when first introduced from Gavin's point of view was a terrible messy lady, but later you'd find out that she's not that bad. , she's a sincerely caring woman after all, away from the hypocrisy that existed at other characters.

I believe that all of the characters are in their own shade of gray, there's no black and white... not totally good or totally bad except a character or two that more into the black side. That's exactly how people are in real life.

5- In Harry Potter series the whole story is from Harry's point of view (POV) except 5 chapters from the whole series. It's totally the opposite here the book is in 7 parts every part got many chapters each chapter coming from one of the characters' perspective, even sometimes it switch from a character to another at the same chapter.. Which many reader find it's bad and a weakness of the novel .. But it's not bad at all , it may be confusing alittle but the novel introduced so many characters so quickly. So it's better to get a wide perspective to learn about each of these characters, rather than just one, and to learn more about their lives and past.
Rowling's writing skills was in real test here and I believe she did it right. Especially at the last Part which wasn't in chapters. It was really amazing. It's like a journey that I've really enjoyed after all.

6-For sorry the language is so much "tougher" than you'd imagine the Harry Potter author would write, I was in shock when I've read it and her statement:" "There is no part of me that feels that I represented myself as your children's babysitter or their teacher. I was always, I think, completely honest. I'm a writer, and I will write what I want to write."
However, the language is not un-common from the middle class, even the higher one that presented in the story.

There is one common point between The Casual Vacancy and Harry Potter series which is The amazing friendship between the adolescents, their romantic interests the bullying which drawn here in amazing way , the adolescents characters and their relationship issues with each other or with their parents was a one of the basic plots at the novel and the most well written one and some how the most heart breaking .

I know it's not a real review But to sum up what I feel about the novel, without spoilers ... It's a Journey into realistic characters, in a small town after a certain event... When you finish that journey you'd may feel the tragic ending left u heart breaking BUT the very optimistic scene by the end -although it was like a flash back- will cheer you up and there's a touch of sweet hope that presented at the final part with some changes in a character that lead to peace after all. And without more spoilers the ending really will leave a nice feeling after all and I'm sure you may back to re-read the book in more appreciation.

P.S. When I start part 3 I was totally into the characters so when I tried to re-read the first part at least the character introducing parts and find out it's not that bad you should try it as I've said before the first part is exhausting read just at the first read.

P.S.2 Try to imagine your favorite cast for the characters for example I don't know why the beginning made me recall "Desperate Housewives" so I mix American cast of the show with the some adults and the adolescents from Harry Potter cast except for Krystal was Miley Cyrus in my mind.
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Reviewed in the United States on January 28, 2013
===============
REVIEW SUMMARY:
===============
A highly dramatic, very cathartic, character-focused drama with lots of small-town gossip. I enjoyed it and recommend it!

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DETAILS:
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I am a big fan of the Harry Potter books, so I wanted to read this one, especially after seeing a fascinating interview with Joanne Rowling in the New Yorker Magazine. I was especially interested after seeing her make the statement, in that interview, that she had forced herself to keep the details of romance out of the harry potter books because she'd felt it wasn't appropriate to mix realistic romance and magical creatures. And so, she said, she wrote this book in exactly the way that she wanted.

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For the benefit of Harry Potter fans, the biggest differences between this book and Harry Potter are: (A) Level of Suspense and (B) Negativity.

(A) Level of Suspense
In contrast to the Harry Potter books, which I found to be extremely suspenseful, "Casual Vacancy" is very slow paced. After you have read it, you might look back and think that she could have begun or ended the story at multiple points before and after the story's timeline, since all the plot threads meander along slowly. The suspense, for me, picked up greatly at about the 66% mark, where lots of dramatic scenes start to occur. However, the first two thirds was difficult for me to read as there are a lot of characters with a lot of detailed little thoughts and points of view that you have to soak up before the plot can start moving.

(B) Negativity.
Also in contrast to the Harry Potter books, which might be described as "dark," the atmosphere of "Casual Vacancy" might be described as "abysmal" or "pitch black." For the first two thirds of the book, almost nothing good happens to any characters. Some children are cruel to each other, some are cruel to parents, while other parents are cruel to children, and each other. All the characters start out as either cruel, sad and pathetic, or both. I have a hard time with books if there is no one to be sympathetic to, and so I found this extremely depressing. However, by the second half, the characters "Andrew", "Samantha", and "Sukhvinder" had emerged as reasonable and flawed yet sympathetic people.

=================
My Criticism:
=================
I enjoyed the book, and found it most enjoyable when I visualized it as a slow-paced TV drama, focusing on gossip among a small group of families.

If I were to critique it as though a peer had written the book, these are the points I'd bring up:
===========
1 - There are not too many characters, but the deep thoughts of a large list of characters are all explicated in great detail, and I feel this isn't necessary. While they are interesting in how detailed and relatable all their interior worldviews are, I feel that ultimately (a) this slows down the plot too much and (b) characters might be more interesting to watch if you only knew the inner thoughts of a few of them and had to guess at the rest.

2 - A lot of the characters, specifically the ones identified as living in poverty, had their dialogue written with such strong accents (often, the majority of letters in words are removed) that I initially thought they had speech impediments or mental problems, until I realized that that was just their accent. This took a long time to get used to, and I ended up feeling that lighter indicators of these characters' accents would have made them easier to understand and more importantly, easier to relate to.

3 - The book feels like it has a big political dimension. It's in favor of the government having a 'social safety net' for the poor, and other leftist ideas. This is totally fine and I myself agree. However, it was just awkward that in one of the penultimate chapters, one character takes a bold, righteous stand against teenagers using anti-LGBT slurs, and then in the final scene, which is clearly supposed to be positive and triumphant, anti-LGBT slurs are used repeatedly. Anyway I thought the political dimension was fine, it was just that the final scene felt awkward.

4 - The "Samantha & Miles" conclusion didn't totally make sense to me. Samantha's epic frustration disappeared only because Howard had a heart attack? I didn't get it.
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Top reviews from other countries

Barone Scarpia
1.0 out of 5 stars Farragoso.
Reviewed in Mexico on August 31, 2018
Habiendo leído hace años "Harry Potter" creí que el primer título 'maduro' de J.K. Rowling iba a tener la misma sustancia y personajes inolvidables. Me equivoqué de manera terrible. Normalmente tengo mucha paciencia a los libros (cosa aprendida al leer a Umberto Eco) pero en este volumen no pasa nada ni a las cien páginas ni a las trescientas, lo único interesante es la muerte que desata la historia y uno o dos arcos argumentales dentro de la misma. Lo demás es paja y una avalancha de personajes y situaciones totalmente prescindibles y olvidables.
Rikki grinberg
5.0 out of 5 stars the name put me off but the book is brilliant
Reviewed in Australia on March 13, 2024
What scrutiny J K Rowling gives to the ordinary and extraordinary lives in this book. With waspish observations, laugh out loud and cry out loud moments. Very real - we all know these people, and we have all been guilty of their crimes and their prejudices. Brilliant
Zangiku
5.0 out of 5 stars Superlative
Reviewed in Japan on November 10, 2023
This is a very engrossing, beautifully written novel with enormously interesting characters and a complex & winding plot most cleverly structured. A bit of a social commentary a la Austen for modern times. Highly recommended.
Leticia
5.0 out of 5 stars Llegó muy rápido, pese a que tiene muchas páginas es muy compacto
Reviewed in Spain on June 26, 2018
Llegó muy rápido, pese a que tiene muchas páginas es muy compacto, lo que se agradece ya que lo quería de bolsillo. El libro es genial, me encanta el vocabulario, sobre todo el rango de léxico que usa JK Rowling, merece la pena cogerse la V.O.!
Roberta
5.0 out of 5 stars Quello che mi aspettavo da una grande scrittrice
Reviewed in Italy on December 22, 2015
Ho letto la versione in inglese con non poche difficoltà, in quanto l'autrice usa un linguaggio assolutamente ricco, pieno di sfumature, modi di dire, riproduzione fonetica di slang, e praticamente tutte le parole del vocabolario. Probabilmente proprio l'uso della lingua sarebbe uno degli aspetti più godibili per un madrelingua (e anche per me) ma può costituire un ostacolo per chi studia l'inglese. Detto ciò, l'ho trovato davvero un romanzo interessante e profondo. Un grande affresco, amaro e pieno di tenerezza nello stesso tempo, uno di quei libri che non riesci a lasciare e che ti segue per qualche giorno anche dopo che lo hai terminato; in cui i personaggi, dalla psicologia complessa, prendono vita propria pagina dopo pagina, e non sono mai solo buoni o solo cattivi, proprio come nella vita reale. La Rowling, secondo me, più che una scrittrice è una demiurga, crea mondi coerenti e complessi, anche se la saga di Harry Potter non sarà mai superata.
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