One of Britain’s finest: Stephanie Cole
ENTERTAINMENT

One of Britain’s finest: Stephanie Cole

Nick Thomas, Tinseltown Talks
On the left Graham Crowden and the right Stephanie Cole in 'Waiting for God'.

American audiences were introduced to British actress Stephanie Cole when she portrayed grumpy, sharp-witted Diana Trent, a resident of the Bayview Retirement Village in the 90s sitcom Waiting for God. A decade later, Stephanie was back on U.S. Public Television playing a more congenial matriarchal character in another popular British comedy import, Doc Martin.

Stephanie Cole and Martin Clunes in 'Doc Martin'.

Turning 75 this month, Ms. Cole’s current work schedule might be the envy of many actors.

“I’m in two popular series (Man Down and Still Open all Hours) and do one in the spring and the other in autumn,” said Ms. Cole from her home near Bath, west of London. “That gives me time to fit a play in between.”

This year, that summer theatrical diversion was a production of King Lear at the Bristol Old Vic Theatre (see bristololdvic.org.uk).

Stephanie Cole playing the Fool and full company in the 2016 'Bristol Old Vic Theater production of 'King  Lear'.

“It’s their 250th anniversary, making it the oldest continually working theater in the British Isles,” explained Cole. “For this year’s King Lear production they used third-year students in all the roles except for Lear, Gloucester, and the Fool – I played the Fool! But it was very special for me.”

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Cole began her career at the Bristol Old Vic Theatre School in the 50s.

“When I was 17, I played a 90-year-old woman in a rather appalling new play, but it was the first time I was paid for doing something I loved. I had to run on and off stage – well, I was supposed to be 90, so I didn’t actually run! – shouting something like ‘Papists! Blasphemists!’ at a wonderful and very young Leonard Rossiter.”

She rubbed shoulders with other theater greats such as Laurence Olivier, and one encounter early in her career was especially memorable.

“A gentleman came backstage and wanted to visit someone in the dressing room. I recognized him immediately as John Gielgud. I led him to the room and as I raised my hand to knock on the door preparing to announce him, I turned and asked ‘Who shall I say it is?’ He said ‘It…it’s John Gielgud.’ I said ‘Yes, yes, of course, I’m sorry’ and felt an utter twit, but was so thrilled to be face to face with such a great actor.”

There was a time, however, when Cole gave up acting.

“I had spent 12 years in theaters and radio around the country and felt I wasn’t getting anywhere. I just thought I was probably no good at it and tried other jobs such as book binding. Then one day I was invited to teach at the Old Vic School and after a year began getting offers for roles in more plays and small parts on the telly. That began what I call the second half of my career.”

In the early 80s, her big TV break came in Tenko, a sobering BBC drama that followed the hardships of women prisoners held in internment camps after the Japanese invasion of Singapore in 1942.  

Stephanie Cole left in the publicity cast photo of 'Tenko'.

“When you’re seen every week in a very popular series it changes your career,” she said.

While Tenko is less known in the U.S. (most episodes are currently available on YouTube), it was Waiting for God that made Cole a household name to Public Television viewers across the country.

“I laughed when I first read the script and knew I wanted the part,” said Cole. “I thought it was wonderful to have two elderly characters in the starring roles. Parts for older actors and actresses are often not interesting or their characters are just there to be made fun of.”

The late Graham Crowden played Tom, Cole’s quirky and nonconformist fellow retirement home "inmate."

Graham Crowden and Stephanie Cole in 'Waiting for God'.

“He was an absolute joy and really was gloriously eccentric,” laughed Cole, who remembers the next-to-last episode of the series where Tom goes Bungee jumping.

“I had assumed a stuntman would do the actual jump for filming, which indeed he did. But before we knew it, Graham was half-way up the tower and began strapping himself in the harness. It was pointed out that at 72, it might not be a frightfully good idea for Graham to do it. He was immensely disappointed until they actually let him dangle on the end of the rope for the final shot.”

Both Crowden and Cole would become patrons of British Age Concern, an organization that offers support and services to seniors. Cole also worked with the British Schizophrenia Fellowship, and for all her work was awarded an O.B.E.

“I’m not sure if I made an impact,” she said modestly, “but it would be nice if I did.”

Beginning in 2004, Cole appeared in the first four seasons of Doc Martin, playing the aunt to star Martin Clunes. The show was filmed on the beautiful Cornwall coast, but Cole’s involvement was bittersweet.

“My husband was ill when we filmed the first series and I signed on with the proviso that if he got worse they would immediately release me,” she explained. “Unfortunately he did and I had to rush back home, but sadly he died.”

Two weeks later she was back on the set to complete a rather poignant episode featuring veteran British actor John Alderton.

“His character had been an old lover of mine’s, but he was ill and sailed off in his boat rather than renewing our relationship,” said Cole. “So although I worked with wonderful people in a beautiful setting, the show is not something I look back on with particular joy as it was such a sad and difficult personal time for me.”

But there is no hint of trepidation surrounding her Oct. 5 birthday, an anniversary she says means less and less.

“After a certain age you don’t feel old in your head, although your body might occasionally remind you!” she laughed. “The passage of time, to coin a phrase, is a matter of complete embuggerance as far as I’m concerned.”

Nick Thomas teaches at Auburn University at Montgomery, Ala., and has written features, columns, and interviews for over 600 magazines and newspapers. See tinseltowntalks.com.