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Stakeout
Genre | Comedy |
Format | Widescreen, Multiple Formats, NTSC, Color |
Contributor | Kyle Wodia, Madeleine Stowe, Forest Whitaker, Emilio Estevez, Kim Kondrashoff, John Badham, Jim Kouf, Ian Tracey, Scott Andersen, Earl Billings, Dan Lauria, Jan Speck, Beatrice Boepple, John Seale, Aidan Quinn, Jackson Davies, Richard Dreyfuss See more |
Language | English |
Runtime | 1 hour and 57 minutes |
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Product Description
Acclaimed director John Badham delivers a winning combination of action, suspense, comedy, and romance! Convinced that a dangerous escaped convict (Aidan Quinn) is headed for his ex-girlfriend's (Madeleine Stowe), a pair of Seattle detectives (Richard Dreyfuss, Emilio Estevez) stake out her apartment. The watch remains routine until one of the detectives begins a high-risk romance with the woman under surveillance -- jeopardizing not only the partners' careers ... but also their lives!
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.4 ounces
- Item model number : 2250976
- Director : John Badham, John Seale
- Media Format : Widescreen, Multiple Formats, NTSC, Color
- Run time : 1 hour and 57 minutes
- Release date : August 13, 2002
- Actors : Richard Dreyfuss, Emilio Estevez, Aidan Quinn, Madeleine Stowe, Dan Lauria
- Language : Unqualified (DTS ES 6.1), English (Dolby Digital 5.1)
- Studio : Buena Vista Home Entertainment
- ASIN : B000065V3E
- Writers : Jim Kouf
- Number of discs : 1
- Best Sellers Rank: #43,057 in Movies & TV (See Top 100 in Movies & TV)
- #2,246 in Mystery & Thrillers (Movies & TV)
- #5,206 in Comedy (Movies & TV)
- #7,691 in Drama DVDs
- Customer Reviews:
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Reviewed in the United States on March 14, 2018
Two Seattle detectives are put on a Stakeout watching the ex-girl friend of an escaped prisoner. Not expecting him (played by Aidan Quinn) to show, it’s the junk assignment. Through the windows they peek, and when Dryfuss’ character, Chris, gets stuck inside, the humor and fun begin. Over the course of time he becomes the white in not so shiny armor for Stowe, an ex-girlfriend with apparently bad taste in men. And as these two start falling for one another, things get heated when Quinn finally shows up - where he wasn’t expected - in her apartment. The laughs still come quick and really are funny. There is a dark undertone whenever Quinn’s bad guy is around and we get proper chases and danger. But the love story balances it out as the two unlikely love birds end up falling for one another, unaware of what’s really going on - well, at least she’s unaware. In the end, causes after chase, see Dryfuss and Estevez being fun, goofy, and skilled, and if you’re wondering if they catch the bad guy and the good guy gets the girl (really, you’re wondering?) you’ll have to watch to find out... This Stakeout is a good one to enjoy!
Dreyfuss and Emilio Estevez, are very good together as police detective partners, and all the supporting cast is just great, including Aidan Quinn as the villain
Richard Dreyfuss and Madeleine Stowe are a rather unlikely paring. He is quite a bit older than she is, but the audience sees how good the writing and directing and acting are, when the heat that Dreyfuss and Stowe create, shows the genius casting, instead of making Dreyfuss the married guy, and sticking Estevez and Stowe together, since he was quite the hearthrob as part of the "Brat Pack" back then
Dreyfuss has been cast very successfully as a leading man, several times, even though he is only about 5' 6" and not extremely handsome.
However, he has loads of charisma, and the roles he's chosen give him a chance to showcase it.
I am a straight woman, but Stowe is SO beautiful, you almost can't take your eyes off her. And the sensual way SHE was going after Dreyfuss was completely believable, and on FIRE!
AND, what I really liked, was they didn't do any tricks to make Dreyfuss look taller.
At the end of the movie, he is standing next to the FBI agent he had confronted earlier in the film, and he only comes up to the guy's shoulder, but his big personality more than makes up for it.
The way the last scene between Dreyfuss and Stowe is shot and written gives me goose bumps every time I see it, and it was made almost 30 years ago.
The scene starts out shot from behind Dreyfuss, looking at Stowe as he walks toward her.
Then the camera makes a dramatic swing way out behind him, and around over to put a close up on Stowe looking up at Dreyfuss as he arrives standing facing her. That cinematography and direction, and the absolutely exquisite way Dreyfuss delivers his line, when he tells Stowe, she saved his life, is what separates a good movie, from a great one.
The other two movies are "The Abyss". and "Heaven Can Wait"