Theater Critic
Lily Janiak
Lily Janiak joined the San Francisco Chronicle as theater critic in May 2016. Previously, her writing appeared in Theatre Bay Area, American Theatre, SF Weekly, the Village Voice and HowlRound. She holds a BA in theater studies from Yale and an MA in drama from San Francisco State.
Stories By Lily Janiak
Arts & Entertainment
May 7, 2024
New name, new leader, lesser-known plays at Marin Theatre in 2024-25
Arts & Entertainment
May 3, 2024
‘Funny Girl’ review: Katerina McCrimmon gives a performance that makes comparison irrelevant
Theater
May 2, 2024
Review: Danish theater at S.F. International Arts Festival probes the narcissism at abuse’s heart
Theater
April 30, 2024
This Berkeley native just got nominated for a Tony Award
Theater
April 29, 2024
Review: Oakland Theater Project’s ‘Red Red Red’ writes new myth of queer love
Theater
April 27, 2024
Review: Immersive show about Fillmore’s redevelopment scheme asks which side you’re on
Arts & Entertainment
April 24, 2024
4 Bay Area artists to receive $100,000 each from Kenneth Rainin Foundation
Theater
April 16, 2024
Review: Golden Thread’s ‘Returning to Haifa’ is theater helping you understand the war in Gaza
Arts & Entertainment
April 16, 2024
In 2024-25, Berkeley Rep bets on stories that Netflix can’t tell
Arts & Entertainment
April 15, 2024
In 2024-25 lineup, TheatreWorks goes from fundraising emergency to world-premiere musicals
Arts & Entertainment
April 11, 2024
Aurora Theatre might be in financial trouble, but it’s still announcing its 2024-25 season
Arts & Entertainment
April 11, 2024
Golden Thread opens a ‘Season for Palestine’ with play to combat historical amnesia
Theater
April 10, 2024
Got overbearing Asian American parents? Confront them vicariously with ‘Tiger Style!’
Theater
April 9, 2024
In the AI age, how have artists envisioned robots in theater, film and ballet?
Arts & Entertainment
April 8, 2024
Bay Area theater that premiered Oakland artist’s Broadway-bound play now facing fundraising emergency
Theater
April 8, 2024
Review: In ‘Hangmen,’ Martin McDonagh is the maestro of macabre, the bard of bloviation