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Wide Sargasso Sea [Region 4]
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Genre | Drama |
Format | Import, PAL, Widescreen |
Contributor | Rowena King, Rachel Ward, Nathaniel Parker, Huw Christie Williams, John Duigan, Ben Thomas, Martine Beswick, Michael York, Karina Lombard, Casey Berna, Wide Sargasso Sea (1993), Claudia Robinson See more |
Runtime | 98 minutes |
Studio | Roadshow |
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Product Description
Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( DTS 5.1 ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: Director John Duigan brings Jean Rhys' difficult 1966 best-selling novel to the screen. It's a story meant to be a prequel to Charlotte Bronte's novel {-Jane Eyre}, surmising what drove the first Mrs. Rochester mad in that novel. In Jamaica in the 1840s, slavery has been recently outlawed. Plantation owner Annette Cosway (Rachel Ward) has become so poor that she marries a rich, boorish Englishman whom she does not love. Her husband, Paul Mason (Michael York), is a sexist, racist tyrant who mistreats his servants and his wife. Paul flees to England after the servants and their countrymen revolt and burn down the mansion, killing Annette's young son. Annette goes insane and is consigned to the care of a servant. Her daughter Antoinette (Karina Lombard) is placed in a convent until she is old enough to inherit the property, but the inheritance depends on her marrying a proper husband. By previous arrangement, she marries Edward Rochester (Nathaniel Parker). At first they are lustily in love, but Rochester proves to be as elitist who is as disrespectful as Mason. Rochester has title to all of Antoinette's property, but he despises Jamaica and wants to return to England. He also fears the black magic of Christophene (Claudia Robinson), who mixes up a voodoo potion which ends up driving the couple farther apart. ...Wide Sargasso Sea (1993)
Product details
- MPAA rating : Unrated (Not Rated)
- Package Dimensions : 7.48 x 5.31 x 0.55 inches; 3.03 Ounces
- Director : John Duigan
- Media Format : Import, PAL, Widescreen
- Run time : 98 minutes
- Actors : Michael York, Karina Lombard, Nathaniel Parker, Rachel Ward, Martine Beswick
- Producers : Wide Sargasso Sea (1993)
- Language : English (Dolby Digital 2.0)
- ASIN : B005ZLF4C8
- Country of Origin : Australia
- Number of discs : 1
- Best Sellers Rank: #338,380 in Movies & TV (See Top 100 in Movies & TV)
- #50,190 in Drama DVDs
- Customer Reviews:
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I admit to feeling equal parts awe and disappointment with this film. It wasn't that the erotic excesses offended me; I just felt less attention to erotic love scenes and more attention to the rather heavy themes in story would have made things more interesting.
The movie is not consistent with Rochester's portrayal in Jane Eyre or his explanations of his marriage to Antoinette. The implication is that Antoinette was descended from lunatics and was also a notorious adulteress (there were even hints her insanity was the result of syphilis in "Jane Eyre"). Antoinette's brother in the novel, Richard Mason, is completely eliminated as a character.
In the movie, Antoinette is presented as a lonely orphan with no close family to cover up her alleged madness and "vices".
There are other inconsistencies that just stray too far from Rochester's explanations as well as Bronte's novel to keep a true Bronte fan engaged.
Antoinette and Amelie are two-dimensional characters, competing for the sexual favors of Antoinette's loser husband who doesn't particularly like or respect either one of them.
It looks like the brains behind the film could not decide whether Edward Rochester was a racist libertine or a victim of circumstance. The balance is tipped by saddistic behavior (i.e., killing animals and brutalizing his young wife.) He is basically a fortune-hunter who does not hesitate to despise his wife's cultural differences once he's acquired her wealth and properties.
I think the writers hoped to create a theme of Black/African female empowerment by having Amelie seduce Rochester, then accept a gift of money from him and walk out of his life to become a whore.
Also, it is never clear to me when/how Antoinette went mad. She does not strike me as mad or even unstable in the course of the film although she does portray classic alcoholism and depression after her husband's abandonment. Surely no one presumes she is psychopathic because she tried to club Rochester with with a glass bottle and spit in his face after he had loud noisy sex with Amelie just outside her bedroom!
Even the portrayal of Daniel Cosway is sort of weird. One minute he appears to be affectionate towards Antoinette (his half-sister) and the next he is bound and determined to do everything he possibly can to ruin her marriage and destroy any opportunity for her happiness.
The two actresses who portray Aunt Cora and Christophine deliver solid performances and Lombard does her best with her role and makes the most of her improbable lingerie (midriff-baring camisoles were not around in 1840.)
The film has lush beautiful scenes and an almost fantasy quality about it and costume quality is good except for inaccutate lingerie. I think it's best to watch and appreciate the film for what it is and not worry too much about accuracy with its actual novel or Jane Eyre. As an erotic romance gone bad it's a keeper.
This could have been an excellent character film, showing how Rochester exaggerated his relationship with his wife "Bertha" to Jane. Was Mason the brother-in-law mad, and passing a hereditary madness on to "Bertha"? No, he and his brother (the one who married Antoinette/Bertha's widowed mother) were not only not even her biological relatives, they were merely dips. Was Antoinette's mother mad? According to Antoinette's account, merely grief-stricken, alcoholic, sexy, and socially inconvenient--hence, locked up by the men who had legal power over her. And why should Rochester believe the statements of Daniel the half-brother? First, Daniel is an extortionist. Second, his revelation that Antoinette's father had affairs with his slaves is deeply shocking to Rochester, who somehow blames it on Antoinette. While I'm not condoning it, many other slaveowners did the same, so it would hardly have shocked a period Jamaican. Rochester, in fact, consistently refuses to accept Jamaica--he's constantly complaining about the climate, doesn't understand the racial tensions, and so on.
Still, Rochester's character could have been developed more deeply. As for Antoinette, she's merely a one-dimensional "child of nature," devoted to long sleeps, sex, and an enjoyment of the sultry climate. Given that after her parents' death she seems to have been brought up in a Catholic boarding school, she should display more in the way of education, social graces, and well, character. A more rounded character would make Antoinette far more sympathetic. As it is, the viewer is tempted to side with Rochester in wanting a wife who is interested in more than sex.
And one thing that would have been far more powerful, is establishing Antoinette as locked up by Rochester merely as an inconvenience, an alcoholic wife who doesn't understand British culture. One scene with Rochester urging/paying a doctor to certify Antoinette as mad no matter what, would have done this beautifully.
Other than that, although Nathaniel Parker doesn't look bad in the nude, Antoinette is too scrawny (and seems unable to do anything with her hair other than a modern pageboy style, for in bed or out of it). In summary, the film would be far better with more emphasis on character and less on sex. I will say that the actors doing Afro-Haitian dance actually do it well, unlike the ludicrously stiff and unpractised attempts at walzing done by the actors playing British characters. Also, the scenery is gorgeous.
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Nothing else has captured both her doe eyed innocence and also wild ethereal beauty to such devastating effect as this film. Indeed with her mixed french and native american heritage and born in tahiti it really does seem as if karina was born to play this part i simply cannot think of a better or more suitable actress.
To the reviewer who admonished her for being scrawny well i think that is part of her unique charm. No she is not the usual buxom wench/sex kitten our western eyes are saturated with she is instead more of the femme/infant willowy exotic beauty of say a nastassja kinski or a jane birkin.
A would be women waiting to blossom not having quite matured enough and still in thrall to long nights of passion and playfull games of skinnydipping and drinking in bed. She is young for heavens sake and enamoured of life so why not?
Add to this the staid and rather stiff mr rochester (not very well played by nathaniel parker in my opinion he just doesn't have the depth or range) and you can see trouble brewing on the horizon a mile off.She awakens his lust but also his misogyny predictably enough he decides to put her in her place with all the entitlement since time began of the white elitist male privilege thats what is really seductive to him a sense of power and domination.The film depicts racial abuse in a sympathetic and sensitive manner its definately a thread that runs through the film but handled with grace in my opinion.
Consider the scene for example when mr rochester tries to have christophene thrown out of the house (a superlative performance by claudia robinson who dominates every scene she is in) and she squares up to him rather like a cobra circling its prey and tells him straight you cannot arrest me or have me thrown out as i am a free women mr rochester.
Sadly probably the first and last time a women has the power to stand up to him without damaging herself because she can and does walk away.
The same cannot be said of Bertha mason (karina lombard) her struggle to be an equal and assert herself is both heartfelt and heartbreaking but by god she doesn't half try.That its futile and ends badly is no fault of hers but a damning expose of both misogyny and as said before entitled male privilege that the sneering mr rochester with his patronising attitude towards both the natives and then his wife (finding out she is maybe of creole extraction just gives him the excuse he needs to justify his hatred) kills any sense of natural beauty and bliss and sensuality.
In fact he acts as a repellant and people leave in droves no longer wanting to be a witness to an abusive man who has no respect for either his wife or the country she is born into.
This is the dashing tormented hero of jane eyre smashed to smithereens both by jean rhys who wrote the book and john duigan who directed the film and also by karina lombard who by potraying the pathos of bertha mason showed with such passion how women are enslaved and then ultimately abandoned by a cruel and brutal patriarchy who have little interest in (except for exploitation of) warmth or love or humanity.
They say that still waters run deep so give this film a try i admit on the surface it flowed too easily and i didn't think much of it upon first viewing but then a funny thing happened some time after it was finished it crept up on me almost by stealth and then i couldn't stop thinking about it and indeed felt compelled to write this review as i wanted to find out for myself why it lingered and why it haunted me so?
The answer i believe is in bertha mason she still exists the mad women in the attic (so called) a prisoner of gendered oppression a reminder to us all that as women our progress and empowerment is still difficult and still a battle to obtain it our freedom as human beings in case we forget!