Secret Window (2004) - Secret Window (2004) - User Reviews - IMDb
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9/10
A superb, suspenseful classic.
Sleepin_Dragon14 February 2021
Mort Rainey, a successful writer received an unwanted visitor one day, Mr Shooter, who accuses him of plagiarism, Mort's life spirals out if control.

I have to be honest, I absolutely loved it, I'd class it as a real classic, it had a touch of everything, horror, thriller, psychological drama, I thought it was great.

'The only thing that matters is the ending.' Never a truer word has been spoken, it built and built, it developed pace and momentum, and peaked with a tremendous conclusion, the best bit of the film.

Johnny Depp, what can you say, absolutely incredible here, he's outstanding.

I loved it, 9/10.
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A Writer With Problems
Lechuguilla31 January 2009
Johnny Depp plays Mort Rainey, a writer with wife problems. Mort secludes himself in a wilderness cabin to write. Soon, he gets a visit from a strange Southern mountain man named John Shooter (John Turturro). Throughout most of the plot, Mort tries to deal with this threatening man who won't go away, and confronts his wife and her new lover.

"Secret Window" is a moody, Hitchcockian thriller with a major story twist. Pacing is slow. There's lots of waiting for something to happen, which enhances a sense of foreboding. And Depp's performance is terrific.

With hair that looks like a mop, and a delightfully slovenly appearance, Mort mopes around the cabin, talks to his nearly blind dog, and tries to placate Mr. Shooter. He also spends a lot of time on the phone, mostly with Shooter and with his disconsolate wife.

Casting and acting are fine. Production design is great; love that cabin where Mort lives. Camera work, lighting, special effects, CGI, and editing are all quite good.

Although I liked the film's twist, some viewers will be disappointed with it, perhaps because the underlying idea is not terribly original. The risk for the director is that the entire story hinges on this one twist. If a viewer discovers the twist ahead of time, or finds it unsatisfying for any reason, the viewer likely will render a negative verdict on the entire film.

My only serious complaint with the film is that, at times, the plot discards logic so as to maximize gratuitous violence, the result no doubt of the film's source material, a horror story by Stephen King.

Overall, "Secret Window" is a generally fine thriller, enhanced especially by the splendid performance of Johnny Depp. Just be aware that one's reaction to this film likely will depend on one's perception of the story's major plot twist.
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Secret Window
This movie should be paying huge debts to much better psychological thrillers like PSYCHO or MISERY (coincidentally, the latter is another Stephen King book adaptation), but nevertheless, SECRET WINDOW is creepy, disturbing and haunting. Not to mention it benefits from a strong performance from Johnny Depp.
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Nothing special but made enjoyable by a fun(ny) performance by Depp and capable direction
MovieAddict201622 July 2004
"Secret Window" is another one of those eerie thrillers where danger lurks within the shadows. We can almost feel it, and so can the hero, as he walks through his house, armed with a weapon, ready to defend himself at all costs. He hears a noise from somewhere behind him, spins around, and suddenly realizes it was just his imagination. He sighs, puts down the weapon, turns around, and BOO! There's the bad guy, who has somehow managed to enter the locked home and avoid being detected. What if, I wonder, one of these times, the bad guy was seen as he entered? What if the Fisherman from "I Know What You Did Last Summer" had been spotted, and confronted, by one of the teenagers? What if Norman Bates' "Mother" had been exposed from the start? Then there presumably would be no movie, of course.

Although we know where "Secret Window" is headed quite early on, David Koepp (writer of "Panic Room" and director of the well-made "Stir of Echoes") manages to sustain the audience's interest through a series of suspenseful camera shots. Some are inventive, while others are merely fun to watch because we can guess where Koepp got his inspiration.

Mort Rainey (Johnny Depp) is a successful author who lives up north with his beloved dog and a laptop. He apparently abandons his social life, never gets a haircut, and wears quite silly-looking glasses. He has a sarcastic personality and presumably does not get along very well with the local residents, who generally keep to themselves anyway.

Mort's life is changed forever when a strange man named John Shooter (John Turturro) shows up at his doorstep claiming that Mort has "stolen" his story. Mort is handed a dirty manuscript. Within the pages are passages literally identical to those from Mort's own book, "Secret Window," published in 1994, three years before John claims he wrote his. "Secret Window," the novel, is about a man whose wife cheats on him. Fueled by rage, the fictional character murders his own wife and buries her in the "secret garden" located outside of the "secret window" of their home.

It is said that art imitates life, and through a series of flashbacks we learn that Mort's novel bears an eerie similarity to his own problems -- "six months ago" his wife (Maria Bello) had an affair with Ted (Timothy Hutton). Mort assumes that John Shooter has some sort of connection to his past, and hires a detective (Charles S. Dutton) to find the mysterious man, who always seems to appear out of nowhere when Mort is alone.

Depp's performance is the highlight of the film -- if Depp is imitating Stephen King (the author of the short story "Secret Window" is based on), he succeeds. Barely recognizable hidden underneath a layer of geeky clothing and a generally disheveled appearance, Depp once again proves that he can tackle any sort of role as an actor -- from a scared teenager who has to stay up ("A Nightmare on Elm Street") to a Hunter S. Thompson lookalike ("Fear and Loathing in Las Vegas").

Koepp, who wrote the screenplay for the film, realizes that the key to the story is Depp's performance wisely allows his primary actor to let loose. Meanwhile the co-stars all deliver fine, convincing performances and although the grand finale is a bit of a let-down, and terribly predictable, the movie's style is interesting. "Secret Window" is better than most in its genre, although by no means is it a masterpiece of any sort. Just an enjoyable Friday/Saturday night matinée, and worthy of recommendation if you're not looking for anything special.

I could criticize the "twist" of the movie and say that it has become one of the most overused solutions to Hollywood film thriller/mysteries of the past decade, but I won't spoil it, and let you decide for yourself whether it does the story justice.
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8/10
A very well crafted and skilled psychological thriller
lopcar19937 October 2009
I've seen psychological thriller's that try to scare you more than melt your brain, this one I'm proud to say does both. It's a very, very malicious and haunting thrill machine. I t brings the very essence of how horror and Psycho thriller's are suppose to be done, not with over the top gore and CGI, but with old school conventional means.

Secret Window is as sinister as it is smart it rolls along at a very steady pace and brings more to the table than what was required. It shows you what the decent into madness and utter chaos looks like, it shows you the depth and moral ambiguities of a torn man who's lost everything. With that said you can examine the physic of the mind as it cracks under extreme and constant pressure and how your choices do affect who you help, or who you hurt. This film's pace and dark style is meant to reflect horror films of the 40's, 50's, 60's and early 70's before gore became cool but that makes this film such a joy to watch and study. And that makes it a great film, not a good film, a great film.

Johnny Depp( who was fantastic here.) gives a very eccentric and brilliant performance as the conflicted writer Mort Rainey, John Turturro does exceptionally well as the sinister and vicious Shooter and he almost outclasses Depp in this film. Charles S. Dutton does well with the few scenes he's. But the main let down and I think the reason for this film's poor reviews from critics were the bland and very lame performances of Timothy Hutton( he won an Oscar he can do better than this.) and Maria Bello, they really lowered the caliber and class of this film and forced Depp to try harder to make them look good and make there time on screen with him good, but he succeeds and they fail. But Turturro and Depp hold up strong.

Secret Window is a very Keene and captivating psychological/horror thriller that is surefire mind boggling entertainment and out of this world fun. This movie is great rainy day entertainment or any day entertainment for that matter it's just all around a fantastic and mind boggling film that makes you question the sanity of writers and the world they live in ( speaking as one myself.) it brings to question as the thoughts in our mind really our conscious or our selves just speaking out to right the wrongs doe against us It's a film that ask those questions and then you have to answer. All in all Secret Window was a sinister, malicious and thought provoking film that delivers a movie going experience like no other.
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7/10
Relationship Crisis or One Nasty Divorce Story.
nycritic25 March 2005
Warning: Spoilers
The second novella to be adapted from the Stephen King compilation "Four Past Midnight," SECRET WINDOW is one of King's adapted stories that while not being great or especially memorable, somehow manages to tell its premise quite chillingly while maintaining itself closer to B-movie status and (equally) true to its dark core.

The story is actually quite familiar ground: Stephen King commented that while MISERY depicted a writer being held prisoner by a demented ex-nurse and rabid fan who does unspeakable things to him to ensure her favorite character, Misery Chastain, lives on, and THE DARK HALF introduces a Twilight Zone-ish take on a split personality where another author is tormented by a dangerous man, SECRET WINDOW blends both into what results in "the perfect ending" to the missing pages of an apparently plagiarized story. And while the plot is clearly clichéd within every inch of its life, director David Koepp manages to generate some good suspense which allows us to care for this poor chap Mort Rainey (underplayed by Johnny Depp who by doing so makes his character totally human) and fear the rage just underneath John Shooter (a creepy John Turturro), all the while not quite giving us everything in black and white so as to suddenly introduce a left-field turn of events. As a matter of fact, once the "twist" arrives, it seems plausible and even expected, but is even more chilling in the inexorability in which it fulfills itself.

One thing that works in Stephen King's books are his constant uses of internal dialogues which here is finally brought into a great forefront by splitting Rainey into two separate entities and having them talk to each other in a crucial scene. This only intensifies the notion that Rainey is unraveling as a person and will more than likely fall prey to the darkness that seems to be closing in. It's a technique which isn't used often when adapting his novels to movies and which tends to work against suspense, and finally, someone got it right. It never feels too long a movie even though it runs just shy of an hour and three quarters, and this is due to the deft direction. Good suspense, great psychological horror that comes through an incredibly tired plot, and that's good film-making.
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6/10
Depp saves the day
rbverhoef23 June 2005
Director David Koepp has written some nice screenplays ('Carlito's Way', 'Panic Room') and I liked his 'Stir of Echoes'. Here he comes with a thriller based on a Stephen King novel that is not very good but has some qualities. The best quality here is another terrific performance from Johnny Depp. No matter what he does, he succeeds in making a film entertaining even when it should not be.

Depp is a writer named Mort Rainey, recently divorced because his wife (Maria Bello) cheated on him. Now he lives in a cottage near a lake, alone, writing his new book. One day a man rings his bell telling Rainey he has stolen one of his stories. Rainy is unaware of this fact and he can prove it; a magazine printed his short story a couple of years before the man, who is named John Shooter (John Turturro), claims he has written his version. Shooter wants to see this magazine before he believes it, causing quite some trouble in the meanwhile.

This is a film with a secret, something we understand pretty soon. I will not reveal it, but most people will come up with an idea and find out they are right. Even though it has a secret it plays too much like a lot of thrillers we have already seen. Interesting performances (Bello is pretty good as the wive too) and some dry humor does not change that. There is one other thing I liked. Koepp payed some good attention to what David Fincher did with his 'Panic Room' screenplay, especially with the camera. There are some great shots here and together with Depp they make sure 'Secret Window' is not wasted.
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8/10
More to appreciate than some people realize.
rjsuno8 June 2005
This is one of the few movies that you will either love or hate. There is no middle ground. The people that have slammed this movie must not have understood a lot of the symbolism. Seriously, some of it is obvious but a lot of it would require you listen to the Director's commentary to catch.

While aspects of the story are predictable, you will never see the last couple minutes coming. Koepp made a film that HE believed in, with a finale that may not sit well with the general public. For this, I applaud him.

As I've noted on the message board, Koepp borrowed a page from Hitchcock's book and relied on our imagination to fill in the gaps during the violent sequences. Some of it is shown but certainly not all. Without question this film tested the limits of the PG-13 rating but Koepp did not take the easy way out and turn this film into an R-rated gore fest. This film proves that PG-13 films can be gritty and poignant.

Depp's performance is amazing, as can be expected. The cinematography is awesome. Watch this film with an open mind, taking to heart each character's motivations.

If you've already seen the film I would strongly suggest you watch the Featurettes and listen to the Director's commentary on the DVD. You may find this to be quite an eye opener.

My Score: 8/10 stars
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5/10
Spoilers… what spoilers?
BA_Harrison3 November 2013
Warning: Spoilers
I've ticked the 'spoilers' box, but this review doesn't really contain any spoilers: that's because even a total numb-nuts with the IQ of a flannel could figure out that Johnny Depp's character in Secret Window is a few sandwiches short of a picnic—a schizophrenic whose damaged psyche has created a murderous alter-ego. It's a twist telegraphed so clearly right from the start that it's almost impossible to spoil, although further evidence of Depp's nuttiness is liberally sprinkled throughout for those living vegetables that might struggle with such an oft-used plot device.

I've not read it yet, but I imagine that the novella from which this film has been adapted—Stephen King's Secret Window, Secret Garden—bears little resemblance to this film. Writer/director David Koepp's script lacks sophistication and finesse, as does his direction, and despite the involvement of a terrific cast, his film is quite the embarrassment, complete with numerous dumb plot turns and woeful CGI trickery. As a fan of bad movies, I actually had quite a bit of fun with this, particularly with Depp's typically quirky performance (hence my middling score of 5/10), but I wouldn't blame King if he sought out all those involved, killed their dog, torched their home, stuck a screwdriver in their head and buried them in his garden as a warning to others!
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5/10
Mr. Torrance, This is Mr. Sheldon.
rmax30482328 December 2004
Warning: Spoilers
Alfred Hitchcock's "Psycho" forced us to identify with Janet Leigh's character from the very beginning. She's in almost every frame, and we have a lot of shots from her point of view. This, her murder, roughly two thirds of the way through the film came as a real shocker.

In "The Secret Window" we are caused to identify with Stephen King's manifestation in Mort Raimey, Johnny Depp. That is, we see a lot of things through his eyes. And he talks to himself (ie., the audience). And we are made to feel that injustices are heaped upon him -- he catches his wife in the sack with Timothy Hutton and some backwoods loony accuses him of plagiarism and threatens his life.

So far it's rather like Marion Crane in drag. But what would "Psycho" have been if Marion Crane, instead of Anthony Perkins, had turned out to be the murderer with multiple personality? That's more or less what happens here. Depp begins as a rather ordinary guy, an author with writer's block, spending the summer in a comfortable old lakeside cabin in Connecticut. He has all sorts of endearing human traits. He's slothful, dresses in a ripped robe, and is doing his best to quit smoking in the middle of divorce proceedings. The persecution by John Turturro, against whom he is legally and physically helpless, trap him into a Paul Sheldon mold, out of King's "Misery." But then, following a couple of murders, he begins not only to talk to himself but to visualize his other self. He holds complete conversations with his other self, who patiently explains that he, Mort Rainey, is the arsonist and murderer, and that the Turturro character is only a hallucination. He becomes as nutty as a Granola bar and as violent as Jack Torrance in "The Shining." There's even an ax involved, and a replay of the "Redrum" device in which "Shooter" turns into "Shoot Her." The first part of the movie is okay. The production design is accomplished. The many plot holes begin about the time Mort Rainey's dog, Chico, is killed by the loony with a screwdriver. If Turturro's character is made up by Rainey as a way of showing his evil side without having to recognize it, which turns out to be the case, then why would Rainey kill his own dog? It gets more complicated until the end, which yields almost complete confusion. Eating a crop of fresh corn that is growing out of your wife's grave is gruesome but doesn't add to the plot or tell us anything we needed to know.

As King's movies go, this one is photographed and acted well, and it looks right. But there is a crazy logic to, say, "Misery" that's lacking here. I can understand a writer being trapped in a fruitcake's bed with a pair of broken legs, but I can't begin to get inside Mort Rainey's skin. Mediocre.
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No Secret Here
Chrysanthepop3 June 2008
Not exactly a memorable or path-breaking movie of its genre, 'Secret Window' does manage to be fun to an extent. The story is easily predictable and there are plenty of unintentionally funny moments (which were supposed to provide thrills). It is pretty much just another thriller but the locations (especially the landscape and nature round the lake house) are very pleasing to look at and the cinematography is quite impressive, even though it's highly overdone in the end sequence. The way the 'revelation' is displayed towards the end is hilarious and overly dramatic. Perhaps 'Secret Window' would have worked better had it been more subtle. The plot holes do not provide much advantage to the film. Johnny Depp is great at what he's given to do but the role itself suffers from poor writing. Torturro is adequate. The supporting cast are just there. They don't contribute much and the actors are just okay. If it weren't for Depp and the nice lakeside view, this would be just another mediocre thriller
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5/10
Secret Window... The secret is you have seen this before.
juliankennedy2329 November 2008
Warning: Spoilers
Secret Window: 5 out of 10: I am not going to critique Johnny Depp. He is fine in this movie. And I certainly do not want the great wrath of woman, of various ages, down upon my head. Johnny Depp is a thespian God. He can do no wrong. Charlie and the Chocolate Factory never existed... (God he was awful in that.) Depp’s performance is the most entertaining thing is Secret Window. In fact with the exception of a wonderfully drawn Timothy Hutton in a supporting role, it is the only entertaining thing in the movie. The small cast is rounded out by Maria Bello (A 41 year old butterface that plays Depp’s, cuckolding, bitchy, soon to be ex-wife) and the usually dependable John Turturro who is a disaster.

This is a Stephen King adaption about a writer going over the edge. (If you saw the Dark Half which also starred Timothy Hutton this will definitely feel like familiar ground). The plot is a familiar train wreck. Depp is a writer going through a nasty divorce and suffering from writers block. There is a knock at the door and Turturro is at the door. With a southern drawl and an Amish tailor Turturro claims that Depp stole his story and has to make it right.

Ah plagiarism, that old plot twist standby which many a great horror novel is based on. (Or maybe not). Turtorro’s character quickly becomes a nasty bit of work as he kills Depp’s beloved dog with a screwdriver. (This isn’t really a plot spoiler. This is a Steven King adaptation, there are no kids in it to kill and the beloved dog might as well have been dressed in a metaphorical red shirt from the first scene.) This is where the movie officially lost me. Turturro is about as threatening as a Joe Pesci romantic comedy and if his character (named Shooter) killed one of my family members the next time he entered my property he would be renamed shot.

But the movie cannot let Depp kill Shooter... cause of a super secret plot twist so lame and so obvious that it’s no wonder plagiarism was at the forefront of the writer’s mind. To add insult to injury the movie actually feels it needs to drop hints at this shocking plot twist apparently under the assumption a portion of the audience sniffs glue for a living and didn’t figure it out within 10 minutes of the opening credits.

The only real surprise in the entire film is the strange Children of the Corn references (Turtorro’s character seems to be clearly channeling Malachi and the last scene is torn right from that mid-eighties classic.) Perhaps the film is meant to be homage to the fine Children of the Corn series... No greater faint praise could I imagine damning with.
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Wino Forever
tedg25 March 2004
Warning: Spoilers
Spoilers herein.

According to current thinking, there are only 14 ways to fold a story inside out. Three of them seem too hard, at least I have never heard of anyone trying. King sticks pretty close to only two methods, but his genius is that he blurs the mechanics so that you suspect through the story it may be one of the more interesting methods.

That shows here. The original, ambiguous King ending is kept: Mort is crazy you see. But thankfully writer/director Koepp takes things in the interim far beyond what King does - what he is capable of.

The first scene establishes that Mort has multiple selves and experiences a trauma. That's King. Then we start the movie proper and Koepp takes over. We have the by now ordinary shot over water up to a house and in the window, then we go down the stair partway. The stairways shot is directly out of `Psycho' and in fact that starting sequence of zooming through the window to a bed was used to begin the `remake.'

Then dear friends we go directly into a mirror where the entire film takes place. In fact we see the reversal later in that same mirror when Mort sees only the back of his head. That's how a mirror would work in a reverse world, reverse.

So what's the folding? The ninth type, in fact the exact type Depp participated in with `The Ninth Gate:' the story that writes its characters. In this case, the story is the film itself. The secret window is the mirror and so on.

The question is: is the ending we see the original King ending that is `bad writing,' or is it the ending you will worry about in your dreams tonight, the one that still has to be written?

Depp makes a specialty of folded acting to support folded projects, especially for Gilliam and Burton. Watch him here as he gives you many layers of the fold without committing - until that false end - to any of them.

Koepp, by the way, wrote one of the most complex selfreferential films in history: `Snake Eyes.' Check it out.

Turtorro has been the reflected self in several projects. The ones that come to mind are `Cradle will Rock,' `O Brother,' and `Illuminata.'

Ted's Evaluation -- 3 of 3: Worth watching.
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7/10
Why Johnny Depp is probably the most interesting actor of his generation.
lee_eisenberg2 December 2005
Warning: Spoilers
Mort Rainey (Johnny Depp) is a writer having trouble coming up with an idea. Finally, he comes up with something. The only problem is, a stranger named Shooter (John Turturro) accuses Mort of plagiarism. Naturally, Mort wants to prove himself innocent - but then, that's where the movie becomes apparent as a Stephen King story. You may never trust yourself again after seeing this movie.

Movies like "Secret Window" (as well as "Edward Scissorhands", "What's Eating Gilbert Grape", "Ed Wood", "Sleepy Hollow", "Chocolat", "Pirates of the Caribbean: The Curse of the Black Pearl", "Finding Neverland" and "Charlie and the Chocolate Factory") show why Johnny Depp may be the most interesting actor of his generation. Maybe anyone could have given Mort the mannerisms that he exhibits, but Depp puts his usual impressive spin on it. After watching this movie, you may want to think twice before even attempting to write anything.
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7/10
Ending Is The Most Important Part of the Story
claudio_carvalho9 January 2005
Mort Rainey (Johnny Depp) is a lonely successful writer is a process of divorce of his wife Amy (Maria Bello), who is living with the new mate Ted Milner (Timothy Hutton). The life of Mort changes when he is accused by the Mississippi redneck John Shooter (John Turturo) of plagiarizing his tale "Secret Window". Shooter threatens Mort and his friends, in a story with a surprising end. "Secret Window" is a movie where the characters are slowly well-developed, but with a great conclusion. Unfortunately the darker conclusive last scene was deleted, and there is no explanation for such procedure. It seems that the director forgot that ending is the most important part of the story. Anyway, this movie is a worthwhile entertainment. My vote is seven.

Title (Brazil): "A Janela Secreta" ("The Secret Window")
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9/10
almost as god as two previous King adaptations,The Shawshank Redemption and The Green Mile,
disdressed1223 January 2008
though it is a very different movie than both of those.still,i liked everything about it.it's suspenseful,thrilling and unpredictable.plus,Johnny Depp gives a masterful performance,in my opinion.the supporting cast is also great.John Turturro,Maria Bello,Timothy Hutton and Charles S.Dutton all put in great performances.i have only seen a handful of Stephen King adaptations,but probably half of those have been unimpressive to me.like most king movies,this one has its weirdness.nothing is straightforward or as it seems.but i felt this one had a bit more depth of character and story,which is refreshing.there are a few twists and turns and some red herrings to lead you in the wrong direction.i was kept guessing to the very end. i thought this movie was great,though like i said i didn't like it quite as much as two previous King adaptations,such as The Shawshank redemption and The Green Mile,which are masterpieces,in my opinion.still,Secret Window is a right up there.for me,Secret Window is a 9/10
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9/10
The Most Important Part Is The Ending...And this one it great!
YoureTooMuchFun8 October 2005
This captivating thriller, based on a novella (Secret Window, Secret Garden) by Stephen King, is a true stroke of movie genius. Many reviews, make the claims that this movie is "outworn", "cliched" and even "predictable"! With these claims, I strongly disagree. The writing for this film is incredibly clever and complicated, I myself had to watch the film 2 or 3 times before I could fully comprehend all of the twists and turns that are interwoven throughout. Not a film for the faint hearted - although the majority of the violence is only implied - there are a few gory scenes, which all include a screw driver and a lot of blood. Despite how this may sound, this is not a "full on gore movie" by any means. Quite the opposite, it is a very deep psychological thriller which will leave you with a lot to think about. A truly moving performance by Johnny Depp, who plays the role of Mort outstandingly, so that you can really connect with Mort, and empathize with how he is feeling. John Turturro, another incredible actor, plays Shooter with a real eeriness,with the perfect amount of emotion and madness. A truly fantastic film, which will leave you jaw dropped (no exaggeration) by the time you reach the end. Plus Johnny Depp is gorgeous as Mort Rainey, and that can't be bad ;)
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6/10
spooky without the intensity
SnoopyStyle2 January 2016
Writer Mort Rainey (Johnny Depp) is struggling getting divorced from his wife Amy (Maria Bello) after she cheated with Ted (Timothy Hutton). He's alone in his remote cabin when mysterious stranger John Shooter (John Turturro) shows up. He accuses him of plagiarism and starts threatening him. Sheriff Dave Newsome is nonchalant. Mort hires private investigator Ken Karsch (Charles S. Dutton). He needs an old magazine to prove his case and then somebody burns down his house.

This one is spooky without much intensity. Depp is playing normal and Turturro is doing super creepy southerner. There is obviously a twist coming and it becomes a waiting game for the movie to reveal it. The twist is good enough but it is barely a worthwhile wait.
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10/10
Topnotch thriller, another masterpiece by king
joiningjt26 May 2020
Johnny Depp was indeed amazing, but john turturro was just as amazing!! Great story, great acting, great directing, great cinematography what else do you need oh yeah A GREAT ending !!!!
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6/10
Decent adaptation of a tough bit of material
mstomaso20 June 2005
Warning: Spoilers
When I first heard that this film was in production, I was frankly very surprised. I have read all of Steve King's work, and "Secret Window, Secret Garden" was never something I felt would make an easy film adaptation. I was even more surprised to hear that Johnny Depp - an actor who rarely mis-steps - was signed for the lead. Now, add both Depp and John Turturro doing deep-south accents, and I'm afraid, you've just disappeared into a mirror through which I could never pass. Yet, here it is. And somehow, they all pull it off. Secret Window is a fairly well made and entertaining shocker, with some amazingly creepy and bizarre performances by Depp and Turturro, and some good eerie camera work and sound. That said, I will cut right to the chase - THIS IS NOT A FEEL-GOOD FILM - so don't come to it looking for straightforward fun, comedy or a happy-go-lucky story. This is hardcore Stephen King, and does not necessarily let anybody off the hook. As with many of the film adaptations of Steve King, this is a film best seen AFTER you read the original work. This film, like so many others, lacks the depth, detail and richness of King's writing, but does relate the story particularly well, and occasionally achieves a literary feel.

This film, like the original story, is a disturbing mystery dealing with the connection between unconscious thought and premeditated murder.

Depp's Mort Rainey is an odd-ball writer undergoing a painful divorce from a wife who he found cheating. He has locked himself away in their vacation cabin deep in the woods, taking long naps, smoking, and apparently experiencing writer's block. Soon enough, "Shooter" (Turturro), an obsessive sociopath fan shows up. Mr. Shooter claims that Rainey stole one of his stories, and demands that he re-publish it with Shooter's name and that he "fix the ending." In Shooter's version of the story, the protagonist kills his wife and buries her in her 'secret garden, which can be seen from the 'secret window' of their house. Mr Shooter, it seems, will go to any length to ensure that his will is carried out, and is particularly adept at connecting Mr Rainey, but not himself, to all of his dirty little deeds.

Depp plays the down and out writer well, appearing alternatingly drunk, depressed, anxious, confused, desperate and angry. Depp deserves credit for handling this very difficult role decently, however, this is not his usual flawless performance. Turturro is especially creepy as the monotone, murderous, and obsessive Mr Shooter. These two succeed in transforming every scene in which either of them appear, with the help of some clever directing and camera work, into something surreal and memorable. One of the most convincing aspects of this film is the way it shifts from the otherworldly weirdness of these two to the very ordinary lives of all of the other characters. The plot becomes somewhat transparent about 2/3rds of the way through the film, but, as with some of King's more predictable works, it's not what happens but how it happens that is interesting in the end.

If I remember the original story correctly, the 'secret window' becomes something of a metaphor for the later action of the story. This is not really explored in the film, and any non-King fan in the audience might end up wondering what the title of the film really means.

Bottom-line: Recommended for Stephen King fans, mildly recommended for non-King folks.
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Too obvious for words unless you are daft
portia-111 July 2004
Warning: Spoilers
I make no excuse for the fact that whatever Johnny Depp does I rate highly. He has amazing depth of character acting and each role he has ever played is different and never type cast it's therefore all the more disastrous that he should lend himself to such a predictable and very obvious narrative, that said perhaps he is the film's saving grace. Within the first quarter of an hour or so it is quite clear exactly what is happening because there are so many clues right in front of your very eyes, also if you are familiar with both the work of Stephen King and this genre of film you will guess the ending in its entirety. The opening paragraph of the book 'Secret Window'that John Shooter accuses Mort of plagiarising is a giveaway, the location of the cabin is another clue and although the films tries to build up to a climax any shock is totally eroded away by literally stacks of 'in your face' scenes and one liners. When Mort tells his minder friend that he has a witness who waved to him from his truck if you listen to what that witness actually said you will know immediately how this will all end and thus for any moderately bright person the film ends right there. All this is a great pity because the film could have been so much better given the basic premise and the acting skills of Depp. As a avid film fan of all genre I am getting mighty sick of the same stuff being churned out again and again and AGAIN. It is about time that we had some originality coming out of Hollywood. The problem is that when something as good as say Fight Club or The Sixth Sense provide us with such original and excellent endings other movie makers think that it is always a money spinner just to regurgitate the same ideas but with different actors.

To those of you who have no yet seen this film by all means give it a go if only to just admire the work of Depp but I guess you will feel somewhat cheated by feeling you have been here before.
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3/10
Secret Window
jboothmillard16 October 2006
Warning: Spoilers
From director Dave Koepp (Ghost Town), writer of films such as Jurassic Park, The Paper, Mission: Impossible and Spider-Man, and based on the work of Stephen King, I remember seeing this once before and thinking it was terrible, I thought at least one more viewing was necessary. Basically famous mystery writer Mort Rainey (Johnny Depp) is having problems with writer's block and getting an unfriendly divorce from wife Amy (Coyote Ugly's Maria Bello), and now a new problem has cropped up. A stranger calling himself John Shooter (Transformers' John Turturro) shows up on his doorstep claiming he stole his story, Secret Window, and copied it all, but he says he can prove the man is wrong. Mort digs around for a magazine that wrote about the book that he claims was written two years before Shooter's copy, but as the search as slow the mysterious man is becoming more threatening. First Mort's dog is killed, a couple of people die, and the divorce proceedings are getting ugly, but no-one seems to be doing anything substantial to stop the stranger's threatening behaviour. Eventually it becomes apparent that Mort is not only an insomniac, but he has a bad case of mental health where he is schizophrenic, so in the end it is obvious that Shooter is another personality of Mort. Also starring Timothy Hutton as Ted Milner and Charles S. Dutton as Ken Karsch. Depp is a little dull, and it is a question why he accepted the part, I will admit the story was a little gripping for the first hour or so, but after that it starts to fade into ridiculousness, so overall, a daft suspense thriller. Adequate!
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8/10
good stephen king adaptation
Loofa0019 December 2020
Warning: Spoilers
Stephen King adaptations come in across a whole spectrum of quality. This one's on the good end. The music is by Phillip Glass! And Johnny Depp is an excellent lead. He's so natural and relaxed in the role; he makes it look easy. Overall, the film does a good job at disguising the real plot behind soapy thriller themes; when you realize what's been going on all along, you realize it was a better movie than it seemed; the plot gaps are a part of the plot. Tricky to make this come off well in a movie, but I think they got it right.

SPOILER:

I'm going to spoil it now, but I just have to add: the reviews that complain that the movie is overwrought, cheesy, film 101...they are missing that that is Mort's writing style, not the actual movie's. For example, when he shouts 'I'll get you for this Shooter!' and you just hear his voice ringing through the twilight forest: the awkward timing and stereotypical clunkiness are MORT's version of how this scene happened. Because he is writing this story in his head, this is how he rationalizes 1 side of reality. We're watching MORT's unfinished rough draft sketch of events. So yeah, that's a hard balance to get right for the filmmakers. I think they did well.
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8/10
Depp & Turturro: Now There's A Pair!
ccthemovieman-121 July 2006
I liked this film but never bought it, even previously-viewed which I usually do if I enjoy a film and plan on seeing it multiple times. Thus, I guess what I'm saying is the film is entertaining but not that great to run out and purchase. Rent it, first, and see what you think.

People who are in love with Johnny Depp will buy it, regardless. Depp, as usual, is interesting and plays a strange character. His character, "Mort Rainey," and the film in general are interesting right from the get-go up to the surprise ending.

Speaking of guys who play wackos, John Turturro does that in here, too. He plays a very creepy character. That was good casting, having those two guys in the same film! Also in here are Maria Bello, Timothy Hutton and Charles S. Dutton.

I wonder if I did go back and watch this several times, if I would (as I think I would) find some gaping holes in the story. Perhaps it's better just to play dumb and enjoy the movie and not worry about its credibility.
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Kept my interest all the way, but overall not very memorable.
TxMike9 November 2004
Warning: Spoilers
I mostly enjoyed seeing this movie for the acting of Johnny Depp as Mort Rainey, author going through a divorce from Amy (lovely, blonde Maria Bello) and John Turturro as John Shooter, a menacing character that shows up at Mort's woodsey hideway claiming that Mort had stolen his story. Tim Hutton is also good as Ted, the lover of Mort's wife. The movie is suspenseful and a twist near the end changes the movie's tone completely. Not a very good movie, still a good watch for its suspense elements, the actors, and an unconventional ending.

SPOILERS FOLLOW, QUIT READING. While Shooter is menacing, kills Mort's dog, burns down Mort's house, and later kills Mort's private detective, he doesn't really seem to want to harm Mort. He just wants him to write the story with the correct ending. But we eventually find that Shooter is simply an alter ego of Mort's, they are in fact the same person, sort of a "Fight Club" twist. In the end he even kills Ted and Amy who show up at his secluded home to get him to sign divorce papers, and buries them in the garden, their decaying bodies providing fertilizer for his corn, which he was eating as the movie ends. An adaptation from a Stephen King story.
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