'Excision': Why AnnaLynne McCord's Pauline Is a Queer Icon [Horror Queers Podcast] - Bloody Disgusting
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‘Excision’: Why AnnaLynne McCord’s Pauline Is a Queer Icon [Horror Queers Podcast]

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Beautiful Necrophilia.

If June is Pride Month, what better way to celebrate than with some unabashedly queer texts? Last week we delved into British allegory The Wolves of Kromer and this week we’re checking out Richard Bates Jr‘s nasty horror-comedy Excision, which has an all-star cast and a very unconventional protagonist in AnnaLynne McCord‘s Pauline.

In the film, Pauline is an antagonistic suburban teen with an exceptionally gory and fantastical dream-life. In real life, she regularly butts heads with her conservative mother (Traci Lords) while her passive father (Roger Bart) and sick younger sister (Ariel Winter) look on. As Pauline’s aggressive behaviour lands her in more hot water, she decides that she’s the only one who can help her sister as her Cystic Fibrosis worsens, leading to a stunning and emotionally wrought conclusion.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicAcastGoogle Podcasts, and RSS.


Episode 129 – Excision (2012) feat. Wren Crain

Prep your dream fantasies and your give no fuck attitude because we’re checking out Richard Bates Jr’s Excision (2012). Joining us to talk about Traci Lords and AnnaLynne McCord’s powerhouse performances is Transploitation author and Sick Sad Monsters co-host Wren Crain, who contributes a candid and personal reading about mental illness in the film. CW: Necrophilia, Abortion.

Up for discussion: why McCord’s Pauline is a queer icon, the film’s rude and crude comedy (hint: it’s tied to abjection!), and age-appropriate crushes on Jeremy Sumpter.

Plus: comparisons to May and Ginger Snaps, tangents about Gilmore Girls AND Monster-In-Law (?!), another sexually charged locker room scene and *a lot* of feelings about the ending.


Cross out Excision!

Coming up on Wednesday: We’re checking out Ernest R. Dickerson’s blaxploitation meets Italian gothic film, Bones (2001)!

P.S. Subscribe to our Patreon for tons of additional content! For June, we’re tackling The Conjuring universe with a minisode ranking of all of the films, an audio commentary on James Wan’s franchise starter The Conjuring, plus a full-length episode on the latest The Devil Made Me Do It. Plus: a minisode Summer horror movie preview and a full-length episode on the new Pierce Brosnan/Ilana Glazer pregnancy film False Positive.

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

Podcasts

David Slade’s ‘Hard Candy’ Subverts the Concept of Predator and Prey [The Lady Killers Podcast]

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“I am every little girl you ever watched, touched, hurt, screwed, killed.”

Being a teenager is hard. In addition to raging hormones, awkward social interactions, and the never ending quest to be cool, every action, choice, or identifying marker may be ruthlessly picked apart by peers just as concerned with maintaining their own social status. Elder millennials and older generations were lucky to go through these awkward years without social media to document every misstep or well-intentioned faux pas. The predators we were taught to fear operated out of shadowy vans or crowded food courts and stranger danger was the law of the land. In addition to the stress of social media, the teens of today must be on the lookout for catfishing creeps who lure them in with charming online personas, deceptive avatars, and manipulative DMs. David Slade’s 2005 film Hard Candy explores the early days of this new brand of horror with a modern Little Red Riding Hood story that turns the tables on the big bad wolf.

Haley Stark (Elliot Page) is a sweet-wise teen excited to finally meet the cute guy she’s been flirting with online. But rather than a student from a neighboring high school, Jeff (Patrick Wilson) is a grown man who seems equally surprised that they have so much in common. After a coffee shop meet cute, Jeff “reluctantly” takes Haley back to his isolated house/photography studio to listen to some music and quickly loses control of the situation. Haley is not the innocent little girl Jeff expected to trap and her plans for their “first date” will change his life forever. With Jeff finally stripped of power, Haley unleashes a horrific revenge as vigilante justice for the long string of abused and murdered girls left in Jeff’s destructive wake.

The Lady Killers conclude a series of episodes following April Fools by dissecting one of the genre’s most notorious bait and switch stories. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall will discuss their reactions to this shocking film and remember exploring early iterations of online culture. Can Jeff be both victim and villain? Who is Haley and what are the ethics of her castration plan? Just how trusting is Sandra Oh and hasn’t anyone at this cafe ever heard of an AMBER Alert? In their latest episode, The Lady Killers tackle the complicated themes and symbolic justice in David Slade’s Hard Candy – a film that feels more relevant with each passing day.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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