Love In The Time Of Cholera Quotes

“She would defend herself, saying that love, no matter what else it might be, was a natural talent. She would say: You are either born knowing how, or you never know.”
― Gabriel García Márquez, Love in the Time of Cholera

“He was still too young to know that the heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past. But when he stood at the railing of the ship... only then did he understand to what extent he had been an easy vicitim to the charitible deceptions of nostalgia. ”
― Gabriel Garcia Marquez

“Together they had overcome the daily incomprehension, the instantaneous hatred, the reciprocal nastiness, and fabulous flashes of glory in the conjugal conspiracy. It was time when they both loved each other best, without hurry or excess, when both were most conscious of and grateful for their incredible victories over adversity. Life would still present them with other moral trials, of course, but that no longer mattered: they were on the other shore.”
― Gabriel García Márquez, Love in the Time of Cholera

“There is no greater glory than to die for love.”
― Gabriel García Márquez, Love in the Time of Cholera

“He repeated until his dying day that there was no one with more common sense, no stone cutter more obstinate, no manager more lucid or dangerous, than a poet.”
― Gabriel Garcia Marquez

“Each man is master of his own death, and all that we can do when the time comes is to help him die without fear of pain.”
― Gabriel Garcia Marquez

“The people one loves should take all their things with them when they die.”
― Gabriel Garcia Márquez, Love in the Time of Cholera

“Lo tocó murmurando la letra, con el violín bañado en lágrimas, y con una inspiración tan intensa que a los primeros compases empezaron a ladrar los perros de la calle, y luego los de la ciudad, pero después se fueron callando poco a poco por el hechizo de la música, y el valse terminó con un silencio sobrenatural. El balcón no se abrió, ni nadie se asomó a la calle, ni siquiera el sereno que casi siempre acudía con su candil tratando de medrar con las migajas de las serenatas. El acto fue un conjuro de alivio para Florentino Ariza, pues cuando guardó el violin en el estuche y se alejó por las calles muertas sin mirar hacia atrás, no sentía ya que iba la mañana siguinte, sino que se había ido desde hacía muchos años con la disposición irrevocable de no volver jamás.”
― Gabriel Garcia Marquez

“There is bound to be someone driven mad by love who will give you the chance to study the effects of gold cyanide on a cadaver. And when you do find one, observe with care, they almost always have crystals in their heart”
― Gabriel García Márquez

“There was a house at the foot of the tower, close to the thunder of the waves breaking against the cliffs, where love was more intense because it seemed like a shipwreck.”
― Gabriel García Márquez

“We men are the slaves of prejudice,' he had once said to her. 'But when a woman decides to sleep with a man, there is no wall she will not scale, no fortress she will not destroy, no moral consideration she will not ignore at its very root: there is no God worth worrying about.”
― Gabriel Garcí­a Márquez, Love in the Time of Cholera

“By the time she had finished unburdening herself, someone had turned off the moon”
― Gabriel García Márquez, Love in the Time of Cholera

“The truth is she was a fearless apprentice but lacked all talent for guided fornication. She never understood the charm of serenity in bed, never had a moment of invention, and her orgasms were inopportune and epidermic.”
― Gabriel Garcia Marquez - translator Edith Grossman

“إن حباً فائضاً له من التأثير على القلب كما لقلة الحب”
― Gabriel Garcia Marquez

“t nightfall, at
the oppressive moment of transition, a storm of carnivorous mosquitoes rose
out of the swamps, and a tender breath of human shit, warm and sad, stirred
the certainty of death in the depths of one’s soul.”
― Gabriel Garcí­a Márquez

“No, not rich," he said. I am a poor man with money, not the same thing.”
― Gabriel Gracia Marquez

“If I died now," he said, "you would hardly remember me when you are my age."
He said it for no apparent reason, and the angel of death hovered for a moment in the cool shadows of the office and flew out again through the window, leaving a trail of feathers fluttering in his wake, but the boy did not see them.”
― Gabriel García Márquez, Love in the Time of Cholera

“I told your daughter that she is like a rose."
"True enough," said Lorenzo Daza, "but one with too many thorns.”
― Gabriel García Márquez, Love in the Time of Cholera

“The young doctor was disappointed: he had never had th eopportunity to study the effects of gold cyanide on a cadaver. Dr. Juvenal Urbino had been surprised that he had not seen him at the Medical School, but he understood in an instant from the young man's blush and Andean accent that he was probably a recent arrival to the city. He said: "There is bound to be someone driven mad by love who will give you the chance one of these days." And only after he said it did he realize that among the countless suicides he could remeber, this was the first with cyanide that had not been caused by the sufferings of love. Then something changed in the tone of his voice. "And when you do find one, observe with care," he said to the intern: "they almost always have crystals in their heart.”
― Gabriel Garcia-Marquez

“In Hong Kong, I read Gabriel Garcia Marquez’s “Love in the Time of Cholera”, in which the hero must wait until his seventies before being united with his beloved. In a moment of Melancholy, I inscribed my copy: Angelina, I will love you always. Adam and sent it to her, via Jacinta. It was an unhealthy book for me to have read at that time, and to have then inflicted on Angelina. Just wait long enough and somehow the right people will die. The starts will align, we’ll get over ourselves and we’ll be together. And in the meantime, what?”
― Graeme Simsion, The Best of Adam Sharp

“From there he saw Fermina Daza walk in on her son's arm, dressed in an unadorned long-sleeved black velvet dress buttoned all the way from her neck to the tips of her shoes, like a bishop's cassock, and a narrow scarf of Castilian lace instead of the veiled hat worn by other widows, and even by many other ladies who longed for that condition”
― Gabriel García Márquez, Love in the Time of Cholera

“Until then Dr. Juvenal Urbino and his family had conceived of death as a misfortune that befell others, other people’s fathers and mothers, other people’s brothers and sisters and husbands and wives, but not theirs. They were people whose lives were slow, who did not see themselves growing old, or falling sick, or dying, but who disappeared little by little in their own time, turning into memories, mists from other days, until they were absorbed into oblivion. His father’s posthumous letter, more than the telegram with the bad news, hurled him headlong against the certainty of death.”
― Gabriel García Márquez, Love in the Time of Cholera