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Love in the Time of Cholera (Oprah's Book Club) Paperback – October 5, 2007


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INTERNATIONAL BESTSELLER "A love story of astonishing power" (Newsweek), the acclaimed modern literary classic by the beloved Nobel Prize-winning author.

In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs--yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

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Editorial Reviews

Review

“This shining and heartbreaking novel may be one of the greatest love stories ever told.” —The New York Times Book Review

"A love story of astonishing power and delicious comedy . . . humane, richly comic, almost unbearably touching and altogether extraordinary.” —
Newsweek

“Brilliant, provocative…magical…splendid writing.” —
Chicago Tribune

“Beguiling, masterly storytelling…. García Márquez writes about love as saving grace, the force that makes life worthwhile.” —
Newsday
 
“A sumptuous book…[with] major themes of love, death, the torments of memory, the inexorability of old age.” —
The Washington Post Book World

"The greatest luxury, as in all of García Márquez’s books, is the eerie, entirely convincing suspension of the laws of reality . . . the agelessness of the human story as told by one of this century’s most evocative writers." —Anne Tyler,
Chicago Sun-Times Book Week

About the Author

GABRIEL GARCÍA MÁRQUEZ was born in Colombia in 1927. He was awarded the Nobel Prize in Literature in 1982. He is the author of many works of fiction and nonfiction, including One Hundred Years of Solitude, Love In The Time Cholera, The Autumn Of The Patriarch, The General In His Labyrinth, and News Of A Kidnapping. He died in 2014.

Product details

  • Publisher ‏ : ‎ Vintage; Reprint edition (October 5, 2007)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 368 pages
  • ISBN-10 ‏ : ‎ 0307389731
  • ISBN-13 ‏ : ‎ 978-0307389732
  • Item Weight ‏ : ‎ 9.2 ounces
  • Dimensions ‏ : ‎ 5.18 x 0.76 x 7.97 inches
  • Customer Reviews:

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Gabriel García Márquez
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Gabriel García Márquez (1927 – 2014) was born in Colombia and was a Colombian novelist, short-story writer, screenwriter and journalist. His many works include The Autumn of the Patriarch; No One Writes to the Colonel; Love in the Time of Cholera and Memories of My Melancholy Whores; and a memoir, Living to Tell the Tale. He was awarded the Nobel Prize for Literature in 1982.

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I wanted this particular hardcover copy because it was featured in the movie "Serendipity" which I love.This seller was the only person that had it available (at the time of purchase). Book is originally from 1988/1989. Good condition. Arrived without any damage - nothing bent / wet. Thank you Billy Budd's Books!
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Top reviews from the United States

Reviewed in the United States on November 19, 2022
It was highly regarded as The Top 100 Best Novels of the BBC. Funnily enough, people recognized "One Hundreds Years of Solitude" as his best. Even the former US president like Barack Obama admired that novel. But after I read both novels, I must say that I love this novel more than the admired ones. Since after reading this novel, I have bought two more versions of this book. Maybe it because I waited to read this novel for three years and known this novel for more than 4 years. The reason for my patience, it might be because I know that every book has an answer, something to guide and strive for. Maybe it wasn't a good timing for this book, until now...

Timeless novel, as we might not travelled by carriages & ships, might not send a love letter or even an emerald tiaras to our affairs. But some of the stories and terms are up-to-date and related. Even the novel title is related, since Cholera is a plague that needs to be quarantined and vanished by itself with no vaccines in the of the book, same as the infamous Corona Virus- The perfectly lovable characters. The jealousy, envy, and betrayal. The passionate love affair ended in a private catastrophe. His words are dreamy, enchanted, and fabulous like the eyes of an angel waiting for me to arrive. At first, before reading this book, I always thought of myself as Florentino Ariza, but after getting to know both characters I think I'm the perfect combination of Dr. Juvenal Urbino & Florentino Ariza. But after half the book, I know deep down that I'm more Dr. Urbino than Mr. Ariza, which I fell the sense of relief and calm till this day. After a great deal of breakups, my heart is still broken, but my soul is at peace.

Let the time pass, and we will see what it brings, by the time she unburdened herself, someone had turn off the moon.
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Reviewed in the United States on December 9, 2021
Marquez combines the genius of Chaucer's unreliable narrators with Milton's mockery of the epic protagonist. He has even managed to dupe his reviewer into believing in Florentino Ariza's eternal declaration of love for Fermina Daza is praiseworthy! His masterful mockery of that declaration through the unfolding of the story is at least as good as Fitzgerald's flattening of Gatsby's idealist notions of his love under the cold, profane moneyed world of Tom and Daisy. While Fitzgerald flattens idealism, this novel flattens the shallow ego-centric infatuation that many call love in this generation.
A little observation reveals indicators of Marquez’s clear derision of ‘love’:

1) The narrator provides us an unmediated juxtaposition of two contrasting definitions of love: On one side, the narrator praises love as a thread of kindness and companionship woven through a tapestry of misunderstandings, trials, and temptations. Acts of kindness, forgiveness, and sanctification mark the story of Dr. Urbino and Fermina Daza. On the other side, the same narrator praises love as a self-deceived ideal that is essentially projected onto Fermina, without recognition of who she is at heart. Florentino lives this love out in such a way that he convinces himself that acts of perfidy are actually acts of idolatrous devotion. A narrator who cannot distinguish between these two notions of love ought to evoke suspicion in any reader who has half a brain!

2) Florentino Ariza is like Gatsby gone promiscuously mad. 622 'love' affairs to preserve 'love'? The joke is on anyone who will believe it. A Gatsby who can't see the real Daisy for his idolization of her as a goddess is combined with a Marquis De Sade who takes every opportunity to objectify human beings as sexual objects. Ariza is a sexually deviant version of Jekyl and Hyde. He is so full of excrement, that he curtails his first visit to a widowed Fermina in order to gain relief by defecating in his own pants.

3) The path of fragmentation Ariza leaves in his wake is indescribably horrific. His 'love' affairs don't sizzle so much as they fizzle into a bleak, hopeless void covered only by the pretense of a shared desire to break things off. Percy Walker’s Binx would describe this as "dead, dead, dead." The pretense of 'love affairs' being anything but bleakly mechanical fornications is clearly shattered by Ariza's relationships with three women: 1) Sara Noriega, who will not hide her hostility at feeling used, 2) Olimpia Zuleta, who reveals the real cost of Ariza's campaign of careless seduction when her husband murders her, and 3) the capstone molestation of a 14-year-old school girl (one who is placed in his trust!) when he is in his 70s! Ariza’s selfishishness ends the girl's life by suicide while he still chases after his 'ideal' with only a passing thought for the tragic death of this girl he himself ruined! He is incapable of any meaningful attachment or responsability to the women he has screwed in so many ways. He loves no one, not even Fermina, but only loves his ideal of Fermina. His love is, in reality, nothing but an obtuse, self-centric, hellish lust twisted within the guise of idealistic love.

4) The final clue comes with a river boat that is stranded near the swamps. How fitting to end such a life in the stagnant, malodorous swamps of life! 'Love' that is merely a correlated amalgamation of so many discrete sexual experiences has no destination and no route out of stagnancy. There is no pilgrimage, no journey, no hope of redemption or even return to communion/community. As Edith Wharton's Countess Olenska told us, illicit love, for all its excitement, ends in a dark alley of bitter disappointments and disillusionment (the urban version of the stagnant swamp). And so our protagonist, like Milton's Lucifer, for all his boasting of achieving a great ideal, ends his life as a fragmented, isolated, impotent old man who drags his companions with him into the quagmire of hell.
Marquez's genius for building the narrative by shifting time and individual character narratives in order to provide contrasts not only between love and lust as ideals, but also the inner struggle between love and lust in the individual, keeps the reader in a state of inner conflict. The attempt to decipher just what love is and is not builds in tension just like the building of crisis in ancient Greek theater. This playing with/on the reader's expectation thus reveals the reader's own flawed view of love as much as it reveals the flaws of the characters. You, the reader, are exposed! The final catharsis itself doesn't provide resolution so much as it exposes the reader's own conflict between reckless escape from community (fragmentation) in order to follow personal fullfillment and return to community (wholeness). This is somewhat similar to the unsettling relief one might encounter at the end of Oedipus Rex.
The ending leaves us only with the daringly haunting question of what love is. This is assuredly better than presuming the trite answers that pervade contemporary culture(s), but one sometimes yearns for a Chaucer who not only poses daunting questions, but has the courage to answer them. But alas! That type of genius finds few appreciative minds given the spirit of the present age.
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Reviewed in the United States on February 29, 2024
A must read for every romantic! Garcia Marquez covers every era of romantic love - lust, passion, compassion, debauchery, infidelity, marriage, friendship, exasperation, etc, etc. It is an epic tale of the fulfillment of one man's lifelong obsession with an as yet unrequited love.
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Top reviews from other countries

Sanhita Banerjee
5.0 out of 5 stars Its not been a reading but an incredible journey and a trwat to.intellect and emotion !
Reviewed in India on March 14, 2024
The book much more than a story is an unique sojourn through human psyche and time engulfing each other painting minute details of both inside out mesmerizing the reader by introspection into life and beyond . The author by his amazing literary genius entizes the reader revealing the eternal.philosophy of human relations with blatant truthfull submissions at ease which challenges the innate hypocracy of the society and individual through out the read .
Dan
5.0 out of 5 stars Arrived on time
Reviewed in Germany on November 26, 2023
Wonderful book by a wonderful author
Angel B.
5.0 out of 5 stars Calidad y rapidez
Reviewed in Mexico on December 21, 2018
Muy buen producto, coincide con lo ofertado
Martin Gilar
5.0 out of 5 stars Great classic.
Reviewed in Australia on March 10, 2024
This is a great all time classic, in this Penguin edition anyone can enjoy.
nn
5.0 out of 5 stars Good
Reviewed in Japan on March 11, 2021
I'm happy I could find this edition.