Laurie Lee - Poems by the Famous Poet - All Poetry
Though many biographies say that Laurie Lee was born is Slad his family " name="description" />

Famous poet /

Laurie Lee

1914-1997

Laurence Edward Alan "Laurie" Lee, MBE (June 26, 1914 – May 13, 1997) was an English poet, novelist, and screenwriter.

Though many biographies say that Laurie Lee was born is Slad his family seems to have moved there when he was three. This move affected him a lot and has been written about in great detail many many years later in Cider with Rosie "I was set down from the carrier's cart at the age of three; and there with a sense of bewilderment and terror my life in the village began.

The June grass, amongst which I stood, was taller than I was, and I wept. I had never been so close to grass before. It towered above me and all around me, each blade tattooed with tiger-skins of sunlight. It was knife-edged, dark, and a wicked green, thick as a forest and alive with grasshoppers that chirped and chattered and leapt though the air like monkeys. I was lost and didn't know where to move. A tropic heat oozed up from the ground, rank with sharp odours of roots and nettles. Snow-clouds of elder-blossom banked in the sky, showering upon me the fumes and flakes of their sweet and giddy suffocation. High overhead ran frenzied larks, screaming, as though the sky were tearing apart."

The autobiographical Cider with Rosie which is his most famous work, contains vivid records of his memories of his childhood in Slad before the arrival of the motorcar, including his school days. Laurie Lee studied at the village school and later went to Stroud Central School.

At fifteen he left school and became an errand-boy. Lee also gave lectures on the violin. When he was twenty he left Slad for London to earn his living.

He then spent four years travelling in Spain and the eastern Mediterranean. There he travelled on foot, playing his fiddle to earn his keep. Later, in December 1937, he joined the International Brigades to fight in the the Spanish Civil War, but after having a medical he was declared to be "physically weak" and was sent home.

His Spanish experiences resulted in the pre Civil War book As I walked Out One Midsummer Morning (1969) and the book considered by some to be his best work, A Moment of War (1991), a spare, unsentimental memoir of his experience as a volunteer in the Spanish Civil War.

Before devoting himself entirely to writing in 1951, Lee worked as a journalist and as a scriptwriter. In the Second World War he made documentary films for the General Post Office (1939-40), Crown Film Unit (1941-43)and the Ministry of Information (1944-46).

During the war he also worked for the Ministry of Information. From 1944 to 1946 he worked as an editor at the Ministry of Information Publications. From 1950 to 1951 he was caption-writer-in-chief for the Festival of Britain, for which service he was awarded the MBE in 1952.

His Cider with Rosie was an immediate best-seller, reaching a wide public with its images of village life from a bygone era of innocence and simplicity. With its success Lee could buy his childhood home in Slad.

His first love though, was always poetry though he was only moderately successful as a poet. His first poem Lee's first poem appeared in Horizon in 1940 and he published his first volume of poems, The Sun My Monument in 1944. This was followed by The Bloom of Candles (1947) and My Many Coated Man (1955). Several poems written in the early 1940s reflect the atmosphere of the war, but also capture the beauty of the English countryside.

Other works have included A Rose for Winter, about a trip he made to Andalusia 15 years after the Civil War, and Two Women (1983) was a story of Lee's courtship of his wife Cathy, and the birth and growth of their daughter Jessy.

Lee also wrote travel books, essays, a radio play, short stories. He received several awards, including the Atlantic Award (1944), Society of Authors travelling award (1951), M.B.E. (Member, Order of the British Empire), William Foyle Poetry Prize (1956), W.H. Smith and Son Award (1960).

Laurie Lee returned to Slad, in Gloucestshire to live in his childhood home, with his wife Cathy in the early 1960s and remained until his death on May 14, 1997, at the age of 83. He is buried in the local churchyard.
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Christmas Landscape

Tonight the wind gnaws
With teeth of glass,
The jackdaw shivers
In caged branches of iron,
The stars have talons.

There is hunger in the mouth
Of vole and badger,
Silver agonies of breath
In the nostril of the fox,
Ice on the rabbit’s paw.

Tonight has no moon,
No food for the pilgrim;
The fruit tree is bare,
The rose bush a thorn
And the ground is bitter with stones.

But the mole sleeps, and the hedgehog
Lies curled in a womb of leaves,
The bean and the wheat-seed
Hug their germs in the earth
And the stream moves under the ice.

Tonight there is no moon,
But a new star opens
Like a silver trumpet over the dead.
Tonight in a nest of ruins
The blessed babe is laid.


And the fir tree warms to a bloom of candles,
And the child lights his lantern,
Stares at his tinselled toy;
And our hearts and hearths
Smoulder with live ashes.

In the blood of our grief
The cold earth is suckled,
In our agony the womb
Convulses its seed;
In the first cry of anguish
The child’s first breath is born.

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Analysis (ai): The poem presents a stark and unforgiving winter landscape, characterized by cold, hunger, and barrenness. The imagery is both vivid and unsettling, with references to sharp teeth of glass and silver agonies. The poem evokes a sense of hardship and desperation, with references to animals suffering from the cold and pilgrims lacking food.

However, amidst this bleakness, the poem offers a sense of hope and renewal. The mention of the bean and wheat-seed holding their germs suggests a future of fertility and abundance. The new star opening like a silver trumpet signifies the coming of a new era. The birth of the blessed babe in a nest of ruins symbolizes the triumph of life over adversity.

The poem's tone shifts in the final stanza to one of warmth and comfort. The fir tree's blooming candles and the child's lighted lantern create a cozy and inviting atmosphere. The mention of our hearts and hearths smoldering with live ashes suggests a sense of resilience and renewal. The poem concludes with the idea that the birth of the child will lead to a new beginning, even amidst the suffering and grief of the present.
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Winter Poem

Tonight the wind gnaws with teeth of glass
The jackdaw shivers in caged branches of iron
The stars have talons
There is hunger in the mouth of vole and badger
Silver agonies of breath in the nostril of the fox
Ice on the rabbit’s paw
Tonight has no moon, no food for the pilgrim
The fruit tree is bare, the rose bush a thorn
And the ground is bitter with stones
But the mole sleeps and the hedgehog lies curled in a womb of leaves
And the bean and the wheat seed hug their germs in the earth
And a stream moves under the ice
Tonight there is no moon
But a star opens like a trumpet over the dead
And tonight in a nest of ruins the blessed babe is laid
And the fir tree warms to a bloom of candles
And the child lights his lantern and stares at his tinsel toy
And our hearts and hearths smoulder with live ashes
In the blood of our grief the cold earth is suckled
In our agony the womb convulses its seed
And in the last cry of anguish
The child’s first breath is born
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Analysis (ai): This poem depicts a harsh winter landscape, contrasting the suffering of animals and humans with the hope and renewal symbolized by the birth of a child. It is notable for its use of sensory imagery, with references to "teeth of glass," "talons," and "silver agonies of breath." The poem also employs personification, giving human qualities to the natural elements.

The poem's tone shifts from despair to hope in the final stanzas, mirroring the cycle of life and death. This duality reflects the complex emotions of the time period, which was marked by both hardship and resilience. The poem's themes of suffering, renewal, and the birth of new life suggest a larger message about the human condition, making it relevant to readers beyond the specific historical context.
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April Rise

If ever I saw blessing in the air
I see it now in this still early day
Where lemon-green the vaporous morning drips
Wet sunlight on the powder of my eye.

Blown bubble-film of blue, the sky wraps round
Weeds of warm light whose every root and rod
Splutters with soapy green, and all the world
Sweats with the bead of summer in its bud.

If ever I heard blessing it is there
Where birds in trees that shoals and shadows are
Splash with their hidden wings and drops of sound
Break on my ears their crests of throbbing air.

Pure in the haze the emerald sun dilates,
The lips of sparrows milk the mossy stones,
While white as water by the lake a girl
Swims her green hand among the gathered swans.

Now, as the almond burns its smoking wick,
Dropping small flames to light the candled grass;
Now, as my low blood scales its second chance,
If ever world were blessed, now it is.  
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Analysis (ai): "April Rise" presents a vibrant and sensory-rich depiction of a serene spring morning. The poem's language evokes a sense of purity and tranquility, with images of verdant greenery, sparkling sunlight, and melodious bird song. The use of specific colors, such as "lemon-green" and "emerald," creates a vivid and immersive experience.

Compared to the author's other works, "April Rise" stands out for its focus on the natural world and its celebration of the beauty and abundance of the season. It reflects the author's deep appreciation for the transformative power of nature and its ability to inspire a sense of awe and wonder.

Within the context of the time period, "April Rise" aligns with the early 20th-century artistic movement known as Post-Impressionism. Like many Post-Impressionist works, the poem emphasizes the importance of color and sensory perception, while also expressing a subjective and emotional response to the world.
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