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Screenwriter David Sumner travels with his wife Amy in his Jaguar to her homeland Blackwater, in Mississippi. Amy's father has passed away and David intends to write his screenplay about Stalingrad in the house. David hires the contractor Charlie and his team to repair the roof of the Barn. Amy was Charlie's sweetheart when she lived there and neither he nor his crew show respect to her now. Charlie invites David to hunt deer with his group and him; but they leave David alone in the woods and rape Amy. She does not tell David what happened. When the drunken coach Tom Heddon calls Charlie and his friends to hunt down the slow Jeremy Niles, who likes his daughter, David decides to protect not only Jeremy, but also Amy and his honor.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The book that David has next to him on the kitchen table when he is working early in the movie is 'Stalingrad' by Anthony Beevor. See more »
When Amy gets back from jogging, the amount of and position of the sweat on her top changes numerous times from scene to scene. See more »
Hey Charlie, there is something in the Bible I do believe.
Whats that, sir.
"Thou shall not covet thy neighbor's wife."
I believe in that, too. But what happens when thy neighbor's wife covets you?
See more »
The versions released in India (English original and Hindi dubbed) are relatively shorter in duration as compared to the original. See more »
Written by Shorty Medlocke
Performed by Blackfoot
Courtesy of Elektra Entertainment Group
By arrangemnet with Warner Music Group Film & TV Licensing See more »
What are You Capable of?
Greetings again from the darkness. If you have seen Sam Peckinpah's classic 1971 original with Dustin Hoffman and Susan George, it is impossible to watch this remake without comparing the two films. Because of that, these comments will include some comparative notes. After all, it's been 40 years and most people watching this new version have never seen the original.
Director Rod Lurie follows the Peckinpah version pretty closely with the obvious changes being a move from the English countryside to the deep south (Mississippi), and the main characters are now a screenwriter and actress instead of mathematical whiz and ... well, whatever Susan George's character was in the original. Those are the obvious changes, but not the most significant. I really missed the subtlety and psychological trickery delivered by Peckinpah, especially in the relationship between David and Amy.
Lurie chooses to take advantage of the physical screen presence of Alexander Skarsgard (True Blood) as Charlie, the local stud and Amy's ex. Charlie's past exploits on the football field and his creepy leadership skills with his posse of thugs, provide the yin of physical strength to the yang of David's intelligence. It's interesting to note that this version spells out Sun-Tzu's description of "strawdogs" while Peckinpah left his audience to fend for themselves. But, of course, what this boils down to is just how far can a civilized person be pushed ... and how far is the bully willing to go?
James Woods is a welcome and terrifying addition to the new version. Since it is based in the small town south, high school football must play a role. Woods is the former high school coach who is now a violent drunk, and still leader of his former players. He is a sadistic type who picks on Jeremy Niles (Dominic Purcell), the slow-witted brother of Daniel (Walton Goggins) and constantly accuses him of inappropriate behavior with his 15 year old cheerleader daughter.
James Marsden (Hairspray) and KateBosworth (Remember the Titans) play David and Amy. They come back to Amy's childhood home so she can rest and David can have some peace and quiet while writing his screenplay on the Battle of Stalingrad. Well, we couldn't really have him writing a rom-com, could we? From Day One, the peace and quiet is clearly missing and Lynyrd Skynyrd wins out over Bach in the battle of radio volume. Tension builds and David is tested daily over what it means to be a man ... tested by the local hicks and doubted by his lovely wife.
Things turn from bad to worse when the locals invite David to go hunting with them. What happens with Charlie and Amy during this time changes everything. This sequence was the key to the controversy of the original and what caused it to be banned in many cities and countries. Lurie chooses to handle it in a very straightforward manner - plus, times and mores have changed quite a bit in the last 40 years.
For me, the Peckinpah original remains a classic film with brilliant psychological undertones which left me feeling very uncomfortable and questioning what I might do in this situation. Lurie's new version offered little of that but does work fine as a straightforward suspenseful thriller.
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