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Oliver Trinke has always tried to put his Highlands, New Jersey past behind him, but it's been difficult for the past six years. He was a successful New York City music publicist, but after his wife Gertrude died immediately after delivering their daughter Gertie. unprepared Ollie became persona non grata in the entertainment publicity industry through a single incident largely putting his desire for professional success over his responsibilities as a father, and he returned to Highlands and he and Gertie moved in with his own father, Bart, until he could get back on his feet. That meant working side-by-side with Bart in the Borough of Highlands works crew, a job he still has. He also still has the desire to get back to a New York City life and a high-powered job as an entertainment publicist, despite learning to be a responsible, loving father to Gertie, who has only known Highlands life and likes everything about it, including her daddy and Bart, her "Pop." As Ollie tries to realize...Written by
In the first scene, at the Christmas party, Santa Claus is sitting on the throne in the middle of the room with a girl on his lap. When Ollie walks up there seconds later (in the next shot) they are both gone. See more »
Everyone, please take your seats. You heard the bell. You know what it means. Last week, the assignment was to write an essay about your family. Who they...
And what they...
[class: "Mean to us!"]
See more »
The opening production-company title features a CGI-rendered Jay and Silent Bob, recurring characters from the five previous ViewAskew films. JerseyGirl was the first ViewAskew movie to use the new title. See more »
Kevin Smith has a three-hour "director's cut" version that has screened in Los Angeles and in New Jersey at his Vulgarthon all-day film events. Smith says he will release the longer version on DVD for the film's eventual tenth anniversary. See more »
The Other Kevin Smith - who is all the same despite all
I'm certain that if I had been Kevin Smith, approached by Miramax with this idea and screenplay, I would definitely have turned it down.
Maybe that's exactly why he had chosen to do it. And what a wise decision it was indeed... The movie didn't promise much judging it by the trailers, but in the end, I was quite satisfied with it when I finally saw it. I'm sure, that an average, or below-the-average Hollywood director would have made it into a blunt, silly, sentimental, and instantly forgettable, "soap-bubble-like" movie. But not Smith... There were many, many crucial points along the storyline that just called and yelled for directors to commit fatal errors... Smith had succeeded to avoid these errors, creating a really enjoyable, lovable, deeply emotional and yet funny piece of work. But still... this isn't the Kevin Smith that I admire so much. I believe that with "Dogma" he created a milestone in American film-making, by daring to speak fiercely openly and frankly about very delicate issues. I missed this part of him from "JerseyGirl" - but there was no room for it because of the plot.
With "JerseyGirl" he had showed more real emotions than he ever did in all of his works. He had proved himself an expert of human emotions. He showed the audience that he really understands about deep feelings, love, loss, family ties, ambition...
The only thing this film is lacking is really great acting. None of the actors gave bad performances, not by long shot, but still... there could have been some more... especially from Affleck. Tyler gave a surprisingly fresh, and believable performance, showing some real theatrical talents in the scene when she performs in Gertie's 'musical'.
The unavoidable Star Wars jokes, and celebrity "nose-pricks" are present of course, maintaining the overall "Smith-feel" to the movie. To be adequate, I quote Darth Vader: "Impressive... Most impressive."
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