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God's Middle Finger: Into the Lawless Heart of the Sierra Madre Paperback – Bargain Price, March 4, 2008
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Fifteen years ago, journalist Richard Grant developed what he calls "an unfortunate fascination" with this lawless place. Locals warned that he would meet his death there, but he didn't believe them -- until his last trip. During his travels Grant visited a folk healer for his insomnia and was prescribed rattlesnake pills, attended bizarre religious rituals, consorted with cocaine-snorting policemen, taught English to Guarijio Indians, and dug for buried treasure. On his last visit, his reckless adventure spiraled into his own personal heart of darkness when cocaine-fueled Mexican hillbillies hunted him through the woods all night, bent on killing him for sport.
With gorgeous detail, fascinating insight, and an undercurrent of dark humor, God's Middle Finger brings to vivid life a truly unique and uncharted world.
- Print length288 pages
- LanguageEnglish
- PublisherFree Press
- Publication dateMarch 4, 2008
- Dimensions5.5 x 1 x 8.44 inches
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"This is exactly the book you're hoping for when you pick it up: a crazy, sprawling story so well-written, you can't decide whether to keep reading or go to Mexico to see for yourself. Keep reading: You have an extraordinary book in your hands." -- Sebastian Junger, author of The Perfect Storm
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1
Boiled Vultures
The first time I saw him, he was standing in his front yard in Patagonia, Arizona, with a pack of dogs roiling at his feet and a high-stepping emu penned off to the side. Fifth-generation Arizona cowboy and cattleman, former U.S. Marine, occasional gold prospector, and a well-respected novelist, J. P. S. Brown spent the best part of forty years on horseback in the Sierra Madre Occidental -- the Mother Mountains of the Mexican West -- a rugged, forbidding, lawless region for which I felt an unfortunate fascination.
The dogs came forward and sniffed politely at my legs and he shut them away in the screened front porch of his house. He was a big, broad-shouldered, stout-bellied man in his early seventies, an aging alpha male with a bad knee, a white mustache and small smoky green eyes that were shot through with intelligence and authority. "Joe Brown," he said, extending a leathery right hand.
We exchanged opinions on the likelihood of rain and then I asked him about the emu. It was standing by the fence now studying us. It bore a strong resemblance to Samuel Beckett. "You can pet him if you want to," Joe said. "He likes affection but you have to watch him."
I went over and started stroking the emu's neck. The skin on its neck was blue under a patchy covering of feathers. The neck began to undulate as I stroked it, the eyelids lowered and fluttered with pleasure and then it made a sudden, vicious, lunging peck at my ear. I whipped back my head and let slip an involuntary oath.
"Yup, he's a feisty one all right," said Joe Brown, smiling proudly.
"Where did you get him?" I asked.
"There was a fad for emu ranching around here a few years back. When the ranchers went bankrupt, a lot of them just let their stock go loose in the desert. Most of them got killed by coyotes or starved to death. This one showed up starving for water at my horse trough and fell in with my horses. He thought he was a horse for a while but he's getting over it now. He's a good old emu."
He pronounced it eh-moo, as if it were a Spanish word.
"Does he have a name?"
"We call him Eh-moo."
I judged that the preliminary courtesies had now run their proper course and started wheeling the conversation around to the Sierra Madre. Joe Brown surveyed me from under his hat brim and listened carefully to what I had to say.
"How's your Spanish?" he asked.
"Pretty basic but I'm working on it."
"How are you horseback?"
"Not good. I've been on a horse four times in my life and none of them were happy experiences."
"Well," he said curtly. Joe Brown learned to ride at the age of three and once wrote most of a novel from a horse's point of view. "You're not going to find anyone who speaks English up there. And they're not going to wait for you to catch up afoot."
He limped over to his pickup truck, planted his cowboy boots, and started unloading fifty-pound bags of horse feed as if they were feather pillows. The truck was an old white Ford. A sticker in its rear window declared, "BEEF: It's What's For Dinner." There were low gray clouds scudding overhead and the smell of rain falling somewhere else on the desert.
Joe Brown finished unloading. He gave me another long searching look. "Let's say you were fluent in Spanish and a horseman," he said. "I still don't see how you can do this without getting killed."
"I was hoping you might have some advice for me about that. I was thinking about posing as an academic of some kind, a historian maybe, and trying to steer clear of the really dangerous places."
"Look," he said and now his eyes bored into mine in deadly earnest. "I don't know you but you're a friend of someone who's been a very good friend to me. If you go up in those mountains, what you're going to find is murder. Lots of murder. The last place you want to find is the heart of the Sierra Madre, because that's where you'll get shot on sight, no questions asked, and the guy who shoots you will probably still have a smile on his face from saying hello."
"That's the type of place I want to avoid."
"Well, stay out of the Sierra Madre then."
"I don't think I can. And I don't think it's as dangerous as it used to be."
The sky was a dark pearl color now and the first fat raindrops came spattering down. "I guess you'd better come inside," he said.
From Joe Brown's front yard the foothills of the Sierra Madre are ninety miles away. He used to fly down there in a Cessna, back in his cattle-buying and gold-prospecting days, and he is still enowned in the town of Navojoa, Sonora, for buzzing the roof of the local whorehouse while flying drunk. On the second pass, with his favorite whore beside him in the passenger seat, he managed to knock off the TV aerial so the madam could no longer watch her soap operas.
Farther east in the border town of Douglas, Arizona, the foothills of the Sierra Madre are only twenty miles away and from the southwestern bootheel of New Mexico they are closer still. The mountains climb out of the desert on bony, outlying fingers and knuckled ridges, rising up into high cliffs, peaks, and battlements, with further ranges stacked up behind them in paler shades of blue. Crossed by only one railway and two paved roads, lacking a single city or large town, the Sierra Madre Occidental extends away behind those northern ramparts for 800 miles.
Or it extends for 930 miles. There are quarrels among cartographers, wild discrepancies on the maps. Where does the Sierra Madre end and a new chain of mountains begin? When the king of Spain asked Cortéz to describe the geography of Mexico, the country he had just conquered, Cortéz is said to have crumpled up a piece of paper and thrown it down on the table.
The worst mountains, the most crumpled and impenetrable, were the Sierra Madre Occidental and the Spanish authorities, like the Aztec emperors before them, were never able to bring them under government control. Some isolated mines, missions, haciendas, and military colonies were established but the population remained predominantly Indian and largely unsubdued.
Apaches terrorized the northern 250 miles. The warlike Yaquis were in the northwest and a nightmare horde of Comanches ravaged the eastern flanks every September, riding down from Texas and Oklahoma on horses festooned with human scalps, blowing on eagle-bone whistles, raping, killing, torturing, snatching up children, and riding away with the livestock.
The Spaniards and mixed-blood mestizo Mexicans who made their ranches and villages in the Sierra Madre developed a rough, violent, fiercely independent culture that had more in common with the American frontier than the civilized parts of central Mexico. Feuds and vendettas flourished. So did banditry, alcoholism, a fanatical machismo, and a deep distrust of law, government, or any kind of outside authority.
In the 180 years since independence from Spain, the Mexican nation-state has made a few inroads into the Sierra Madre but it still relies on the army to defend the small pockets of control it has managed to establish. Local power is in the hands of feuding mafias and regional strongmen who usually operate outside the law. Bandit gangs are still at large and some of them are still riding horses and mules like their cinematic counterparts in The Treasure of the Sierra Madre ("Badges? I don't have to show you any stinking badges!").
The Sierra Madre Occidental still contains unconquered and largely unassimilated Indian tribes. Three hundred miles south of the U.S. border, in the early years of the twenty-first century, it is still possible to find Tarahumaras wearing loincloths and living in seasonal caves. At the southern end of the Sierra Madre are some twenty thousand Huichol Indians, most of whom are still guided by their shamans and the hallucinogenic visions they experience on peyote cactus.
The range is mostly volcanic, a southern continuation of the Rocky Mountain chain, rising up to nearly eleven thousand feet at its highest point and torn apart by plunging ravines, gorges, and the immense, steep-sided canyons known in Spanish as barrancas. Four of them are deeper than the Grand Canyon of Arizona, three others are nearly as deep, and there are six more only slightly less daunting. You can stand on the rimrock in high pine forest with snow on the ground and look down on the backs of parrots and macaws flying over semitropical jungle at river level -- a sight guaranteed to wow the passing traveler and sink the hearts of any army or police force.
The Sierra Madre Occidental was the last refuge for the Apaches, some of whom were still living free and raiding Mexican homesteads into the 1930s, and in the last thirty years it has become one of the world's biggest production areas for marijuana, opium, heroin, and billionaire drug lords. It was my bright idea to travel the length of the Sierra Madre and write a book about it.
Joe Brown hung up his hat, smoothed back his thinning hair, and limped with stately dignity across the kitchen linoleum to the coffeepot. He poured out two cups and we sat down in opposing armchairs in the front room. The house was clean, modestly furnished, and decorated almost exclusively with images of cows, horses, cowboys, and Indians.
"It's always been dangerous, it's always been an anarchy, but now nearly all the decent people have been killed or run out and all the bad guys have automatic weapons, at least in the part of the Sierra that I know," he said. "It's become the kind of anarchy that gives anarchy a bad name."
A few months previously, Joe Brown had won the Lawrence Clark Powell award for his lifetime contributions to the literature of the American Southwest and northern Mexico, mainly in light of his first novel, Jim Kane, which was filmed as Pocket Money with Paul Newman and Lee Marvin, and The Forests of the Night, the best novel ever written about the Sierra Madre with the arguable exception of B. Traven's The Treasure of the ...
Product details
- ASIN : B001OW5N0U
- Publisher : Free Press; No Stated edition (March 4, 2008)
- Language : English
- Paperback : 288 pages
- Item Weight : 10.4 ounces
- Dimensions : 5.5 x 1 x 8.44 inches
- Best Sellers Rank: #3,974,914 in Books (See Top 100 in Books)
- #1,612 in General Mexico Travel Guides
- #9,453 in Deals in Books
- #12,645 in Travelogues & Travel Essays
- Customer Reviews:
About the authors
Richard Grant is a British journalist, author and television presenter living in Mississippi. He is the author of four non-fiction books: American Nomads (2003), God's Middle Finger (2008), Crazy River: Exploration and Folly in East Africa (2011), and the New York Times bestseller Dispatches From Pluto: Lost and Found in the Mississippi Delta (2015). He writes articles on a wide range of subjects for magazines and newspapers, including the New York Times, Smithsonian magazine, The Guardian, and the Telegraph magazine (UK). He is the writer and presenter of American Nomads, a documentary for the BBC based on his first book. His hobbies include hunting, floating down rivers, and drinking.
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Grant is a good writer and an observant, honest journalist. He describes his experiences in a readable and entertaining way and always puts them in an historical context. He really does make the history come alive and for this alone I am indebted to Grant
All books I have read have a common theme. He launches himself into adventure with a minimum of planning and a maximum of faith and most of all a sense of adventure. But he lacks the gigantic ego and self-aggrandizement that one might expect from this kind of book. He is actually more interested in talking to people and getting an honest take on the culture he is experiencing.
He is a very different writer than Hunter S Thompson but he reminds me of him. A large part of each book consists of him drinking or doing drugs with locals. That is one way he makes friends and gets beyond the surface of the culture.
Having said all this, God’s Middle Finger was the book I found the least interesting. It had the most personal danger for the author but the Sierra Madre culture stayed pretty impenetrable to me and not one I wanted to learn more about. There was one trek after another but I didn’t get the same sense of curiosity about place and culture that I did about say Africa or Mississippi.
Still he is a very good writer and anything he writes is worth reading.
Go to a God-forsaken place where one's life is randomly spared each day the sun comes up, and live to write about it.
At the soul of the story is Joe Brown, a seventy something author who has lived at the foothills of the Sierra Madre, and braved a rough, hardscrabble existence. Brown warns Richard Grant that he will surely die should he complete his fantasy of travelling through this area.
Grant, of course, goes in spite of this, and makes some acute observations about the people he encounters.
Some of the most eye-opening encounters are with local police. These are mean, corrupt, and hard living folk for whom justice is a concept that has never breached their consciousness. Envariably, the only way to get into their graces as an outsider is to smoke copious amounts of mota with them, or drink ones self into oblivion in their presence. Of course, buying them cocaine is a third option.
There are some truly kind and helpful people to be found on this journey, however, they are few and far between.
He writes with wonder of the Tarahumara's, and here, in my opinion he is at his best. Providing a historical context, he tells of these people who are so tough, that they cut up strips of rubber from tires, wrap them around their feet, and proceed to run 100 miles. A group of Tarahuma's were brought to Leadville, Colorado to compete in the ultra-marathon. With no training, no stretching and a diet rich in barley and hops (brewed in Mexico's finest breweries) they put the most finely trained athletes in this sport to shame.
When he slips into his alcohol and mota filled paranoiac writing of fear and life preserving actions, it can be fun, but disjointed, and not nearly as interesting.
Still, an excellent read. I am glad I learned about the lawlessness of our southern neighbors.
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Granted it would have been pretty hard to get into the scene much further without getting killed, but I kept expecting him to do so. (Go deeper, not get killed.) Recommended though overall, and did make me want to go see for myself.