Stranger Things • Chapter Seven: The Massacre At Hawkins Lab:
WINNER:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Winners for Sound Editing: Craig Henighan, MPSE, Co-Supervising Sound Editor • Will Files, MPSE, Co-Supervising • Sound Editor Ryan Cole, MPSE, Sound Editor • Korey Pereira, MPSE, Sound Editor • Angelo Palazzo, MPSE, Sound Editor • Katie Halliday, MPSE, Sound Editor • Ken McGill, MPSE, Foley Editor • Steven Baine, Foley Artist • David Klotz, Music Editor • Lena Glikson-Nezhelskaya, Music Editor
WINNER:
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
Winners for Sound Mixing: Will Files, CAS, Re-Recording Mixer • Mark Paterson, Re-Recording Mixer • Craig Henighan, CAS, Re-Recording Mixer • Michael P. Clark, CAS, Production Mixer
Behind the sound of Stranger Things:
The Duffer Brothers and Stranger Things Season 4 | Sound + Image Lab:
Moon Knight • Gods And Monsters:
WINNER:
Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special
Winners for Sound Editing: Bonnie Wild, Co-Supervising Sound Editor • Mac Smith, Co-Supervising Sound Editor • Kimberly Patrick, Sound Editor • Vanessa Lapato, Sound Editor • Matt Hartman, Sound Editor • Teresa Eckton, Sound Editor • Tim Farrell, Sound Editor • Leo Marcil, Sound Editor • Joel Raabe, Sound Editor • Ian Chase, Sound Editor • Anele Onyekwere, Music Editor • Stephanie Lowry, Music Editor • Carl Sealove, Music Editor • Dan O’Connell, Foley Artist • John Cucci, MPSE, Foley Artist
Behind the sound of Moon Knight:
Read ‘Making The Mystical Sound Of Marvel’s ‘Moon Knight’ here Read ‘Five Questions With… ‘Moon Knight’ Sound Team Mac Smith, Tim Farrell’ here Read ‘Mac Smith and Tim Farrell (‘Moon Knight’ sound team) on the ‘ballet’ of finding ‘the right sound’ to ‘grab your attention and get your ear’ [Exclusive Video Interview]’ hereThe Beatles: Get Back • Part 3: Days 17-22:
WINNER:
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera)
Winners for Sound Editing: Martin Kwok, Supervising Sound Editor / Dialogue Editor • Emile De La Rey, Sound Editor • Matt Stutter, Sound Editor • Michael Donaldson, Foley Editor • Stephen Gallagher, Music Editor • Tane Upjohn-Beatson, Music Editor • Simon Riley, Foley Artist
WINNER:
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera)
Winners for Sound Mixing: Michael Hedges, Re-Recording Mixer • Brent Burge, Re-Recording Mixer • Alexis Feodoroff, Re-Recording Mixer • Giles Martin, Music Mixer
Behind the sound of The Beatles: Get Back:
Read ‘The Beatles: Get Back Sound Editing Team on Revisiting and Cleaning Up Audio From 50 Years Ago for Peter Jackson’s Hit Docuseries’ hereOnly Murders In The Building • The Boy From 6B:
WINNER:
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
Winners for Sound Mixing: Lindsey Alvarez, Re-Recording Mixer • Mathew Waters, CAS, Re-Recording Mixer • Joseph White Jr., Production Mixer
Behind the sound of Only Murders In The Building:
The Sound of ‘Only Murders In The Building’
‘Only Murders in the Building’ sound editor Mathew Waters: Dialogue-free ep. ‘like composing music’
Barry • starting now:
WINNER:
Outstanding Sound Editing for a Comedy or Drama Series (Half-hour) and Animation
Winners for Sound Editing: Sean Heissinger, Co-Supervising Sound Editor • Matthew E. Taylor, Co-Supervising Sound Editor • John Creed, Dialogue Editor • Rickley W. Dumm, MPSE, Sound Editor • Clay Weber, Sound Editor • Darrin Mann, Sound Editor • Michael Brake, MPSE, Music Editor • Alyson Dee Moore, Foley Artist • Chris Moriana, Foley Artist
The White Lotus • Departures:
WINNER:
Outstanding Sound Mixing for a Limited or Anthology Series or Movie
Winners for Sound Mixing: Christian Minkler, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Walter Anderson, Production Mixer • Jeffrey Roy, ADR Mixer
Adele: One Night Only • CBS:
WINNER:
Outstanding Sound Mixing For A Variety Series Or Special
Winners for Sound Mixing: Paul Wittman, Production Mixer • Tom Elmhirst, Music Mixer • Eric Schilling, Music Mixer • Josh Morton, Re-Recording Mixer • Kristian Pedregon, Re-Recording Mixer • Shane O’Connor, Re-Recording Mixer • Christian Schrader, Supplemental Audio Mixer
Nominees:
Arcane • When These Walls Come Tumbling Down:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brad Beaumont, MPSE, Co-Supervising Sound Editor / Sound Designer • Eliot Connors, MPSE, Co-Supervising Sound Editor / Sound Designer • Shannon Beaumont, ADR / Dialogue Editor • Alex Ephraim, MPSE, Foley Editor • Alexander Temple, Music Editor • Alex Seaver, Music Editor • Dan O’Connell, Foley Artist • John Cucci, Foley Artist
Behind the sound of Arcane:
The Sound & Music of Arcane: League of Legends
The Music and Sound Design of Arcane League of Legends
Cobra Kai • The Rise:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Patrick Hogan, Sound Supervisor • Daniel Salas, Sound Editor • Jesse Pomeroy, Sound Editor • Gary DeLeone, Sound Editor • Nick Papalia, Sound Editor • Andres Locsey, Music Editor • Mitchell Cohen, Foley Artist
Behind the sound of Cobra Kai:
Read ‘Patrick Hogan (‘Cobra Kai’ supervising sound editor) on the intricacies of dialogue, ADR, sound effects and foley on the martial arts action comedy [Exclusive Video Interview]’ hereLove, Death + Robots • In Vaulted Halls Entombed:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brad North, MPSE, Co-Supervising Sound Editor • Craig Henighan, MPSE, Co-Supervising Sound Editor • Anthony Zeller, Foley Editor • Jeff Charbonneau, Music Editor • Zane Bruce, Foley Artist • Lindsay Pepper, Foley Artist
Behind the sound of Love, Death + Robots:
Creating a Successful Anthology TV Series — LOVE DEATH + ROBOTS Season 3 | Sound + Image Lab:
Ted Lasso • Beard After Hours:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Brent Findley, MPSE, Co-Supervising Sound Editor • Bernard Weiser, MPSE, Co-Supervising Sound Editor • Ashley Harvey, Dialogue Editor • Kip Smedley, Sound Effects Editor • Mark Cleary, Sound Effects Editor • Jordan McClain, Foley Editor • Sharyn Gersh, MPSE, Music Editor • Richard David Brown, Music Editor • Sanaa Kelley, Foley Artist • Matt Salib, Foley Artist
Behind the sound of Ted Lasso:
Read ‘Bringing Sound to Life on Ted Lasso Featuring Emmy-nominated Supervising Sound Editing Team’ here Read ‘Brent Findley, Bernard Weiser and Sanaa Kelley (‘Ted Lasso’ sound editors): ‘Everybody’s voice is on the table’ [Exclusive Video Interview]’ hereWhat We Do In The Shadows • The Escape:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
Nominees for Sound Editing: Steffan Falesitch, Sound Supervisor • Chris Kahwaty, MPSE, Dialogue Editor • David Barbee, MPSE, Sound Editor • John Guentner, Foley Editor • Sam Lewis, Foley Editor • Steve Griffen, Music Editor • Ellen Heuer, Foley Artist
NOMINATED:
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
Nominees for Sound Mixing: Diego Gat, CAS, Re-Recording Mixer • Sam Ejnes, Re-Recording Mixer
Behind the sound of What We Do In The Shadows:
Read ‘The Sound Design of What We Do in the Shadows’ hereMidnight Mass • Book VII: Revelation:
NOMINATED:
Outstanding Sound Editing For A Limited Or Anthology Series, Movie Or Special
Nominees for Sound Editing: Trevor Gates, Co-Supervising Sound Editor • Jonathan Wales, Co-Supervising Sound Editor • Kristen Hirlinger, Dialogue Editor • Jason Dotts, Dialogue / ADR Editor • Michael Baird, Dialogue / ADR Editor • Paul Knox, Sound Effects Editor • Russell Topal, Sound Effects Editor • James Miller, Sound Effects Editor • Matthew Thomas Hall, Sound Effects Editor • Mark Coffey, Sound Effects Editor • Amy Barber, Foley Editor • Julia Huberman, Foley Editor • Brett “Snacky” Pierce, Music Editor • Ben Parker, Foley Artist • Jonathan Bruce, Foley Artist
Behind the sound of Midnight Mass:
Read ‘Making The Mesmerizing Sound Of ‘Midnight Mass’ here Read ‘How Sound Designer Jonathan Wales Gave Us Chills With Netflix’s ‘Midnight Mass’ here Read ‘Midnight Mass interview: The sounds of Crockett Island with supervising sound editor Jonathan Wales’ hereSuccession • Too Much Birthday:
NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Mixing: Nicholas Renbeck, Re-Recording Mixer • Andy Kris, Re-Recording Mixer • Ken Ishii, Production Mixer
Behind the sound of Succession:
Read ‘Shaping The Subdued Sound Of ‘Succession’ herePam & Tommy • The Master Beta:
NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie
Nominees for Sound Mixing: Nick Offord, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Juan Cisneros, Production Mixer
Behind the sound of Pam & Tommy:
The Sound of ‘Pam & Tommy’
Loki • Journey Into Mystery:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Editing: Matthew Wood, Co-Supervising Sound Editor • David Acord, Co-Supervising Sound Editor • Brad Semenoff, Sound Editor • Steve Slanec, Sound Editor • Kyrsten Mate, Sound Editor • Adam Kopald, Sound Editor • Joel Raabe, Sound Editor • Anele Onyekwere, Music Editor • Ed Hamilton, Music Editor • Nashia Wachsman, Music Editor • Shelley Roden, Foley Artist • John Roesch, Foley Artist
Behind the sound of Loki:
Read ‘Behind The Fun, Futuristic-Retro Sound Of ‘Loki’ On Disney+’ hereStar Trek: Strange New Worlds • Memento Mori:
NOMINATED:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees for Sound Editing: Matthew E. Taylor, Co-Supervising Sound Editor • Michael Schapiro, Co-Supervising Sound Editor • Kip Smedley, Sound Designer • Clay Weber, Sound Editor • John Sanacore, Sound Editor • David Barbee, Sound Editor • Matt Decker, Music Editor • Alyson Dee Moore, Foley Artist • Rick Owens, Foley Artist • Chris Moriana, Foley Artist
Behind the sound of Star Trek: Strange New Worlds:
Read ‘Voyage Into The Sound Of ‘Star Trek: Strange New Worlds’ herePopular on A Sound Effect right now - article continues below:
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Cinematic & Trailer Sound Effects Creaking – Ropes, Cables, Wires Play Track 377+ sounds included $38Over 375 sounds of creaking materials, including breaking cables, ropes under tension and about to split, wires and strings under stress, metal friction causing tension. Recorded with a combination of Sanken CO100K and Nevaton microphones for full frequency sound content. Saved as 192KHz these files allow for high resolution editing. Useful for impact sounds in cinema, games or documentary, but also for cartoon sounds or even creature sounds as many of the recordings contain vowel-like screeching and scraping.
Imagine a scene where a rope is about to break over an edge, an object being torn by a huge cable, a wooden structure about to collapse under stress and so on… Our brain is triggered by those rattling sounds or spine-breaking cracks coming from little fibers being split apart, parts of the structure creaking, wires scraping over edges…
These sounds can be perceived as delicate but have a great psychological impact as we interpret these and know what is about to happen. So suspense is built with both background and close-up sounds. Useful when building tension, when creating a sense of upcoming climax, these sonic elements will work out to amplify the details that are often important but not always visible for the eye.
All the source material and recording are acoustic, there are no digital effects applied. This guarantees natural organic harmonics, even way beyond our hearing. Pitching down the 192 KHz files will let you discover another collection of sounds!
You can find the following libraries in this collection >
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COMPATIBLE WITH ANY VIDEO SOFTWARE CRAFTED BY INDUSTRY PROFESSIONALS INSTANT DIGITAL DOWNLOAD
100% ROYALTY FREEIntroducing the Ultimate Sound FX Bundle – your all-in-one solution to level up your audio game! Say goodbye to wasting countless hours searching for the perfect sound effects, and hello to a seamless editing process that enhances your creativity.
This bundle includes sound effects from different genres and subjects, so you’ll have everything you need right at your fingertips. Whether you’re working on a film, game, podcast, or music project, this bundle has got you covered.
With the Ultimate Sound FX Bundle, you can speed up your workflow and take your creativity to new heights. Imagine having access to a vast library of high-quality sound effects that perfectly match your project’s needs, all in one place. No more time wasted on sifting through endless sound effect libraries – this bundle has it all.
Don’t let sound effects be a pain point in your creative process any longer. Invest in the Ultimate Sound FX Bundle today and experience a smoother, more efficient workflow that unleashes your full creative potential.
78 %OFF -
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20 %OFF -
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26 %OFF -
25 %OFFEnds 1714514399 -
20 %OFF
More Nominees for Sound Editing and Sound Mixing
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Nominees:
Better Call Saul • Carrot And Stick • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television
Nick Forshager, Co-Supervising Sound Editor • Kathryn Madsen, Co-Supervising Sound Editor • Jane Boegel, Dialogue Editor • Matt Temple, Sound Effects Editor • Marc Glassman, Sound Effects Editor • Jeff Cranford, Foley Editor • Jason Tregoe Newman, Music Editor • Gregg Barbanell, Foley Artist • Alex Ullrich, Foley Artist
The Book Of Boba Fett • Chapter 6: From The Desert Comes A Stranger • Disney+ • Lucasfilm Ltd.
Matthew Wood, Co-Supervising Sound Editor • Bonnie Wild, Co-Supervising Sound Editor • David Acord, Sound Editor • Angela Ang, Sound Editor • Ryan Cota, Sound Editor • Benjamin A. Burtt, Sound Editor • David Collins, Sound Editor • Alyssa Nevarez, Sound Editor • Stephanie McNally, Music Editor • Margie O’Malley, Foley Artist • Andrea Gard, Foley Artist • Sean England, Foley Artist
Star Trek: Picard • Penance • Paramount+ • CBS Studios in association with Secret Hideout and Roddenberry Entertainment
Matthew E. Taylor, Co-Supervising Sound Editor • Michael Schapiro, Co-Supervising Sound Editor • Sean Hessinger, Dialogue Editor • Alex Pugh, Sound Editor • Clay Weber, Foley Editor • John Sanacore, Foley Editor • Ben Schorr, Music Editor • Katherine Harper, Foley Artist • Ginger Geary, Foley Artist
Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special
Nominees:
American Horror Story: Double Feature • Gaslight • FX • 20th Television
Christian Buenaventura, MPSE, Supervising Sound Editor • Steve Suhr, Dialogue Editor • David Beadle, Dialogue Editor • Tim Cleveland, Sound Effects Editor • Zheng Jia, Sound Effects Editor • Samuel Muñoz, Foley Editor • Sean McGuire, Music Editor • Noel Vought, Foley Artist
Gaslit • Year Of The Rat • STARZ • UCP in association with Esmail Corp, Anonymous Content, Red Om Films, The Slate Group
Kevin Buchholz, Co-Supervising Sound Editor • Stefani Feldman, Co-Supervising Sound Editor • Sang Kim, Dialogue Editor • Dan Kremer, Sound Effects Editor • Adam Parrish-King, Sound Effects Editor • Sam Munoz, Foley Editor • Jordan Aldinger, Foley Editor • Ben Zales, Music Editor • Chris Rummel, Music Editor • Jacob McNaughton, Foley Artist • Noel Vought, Foley Artist
Station Eleven • Wheel Of Fire • HBO/HBO Max • HBO Max presents a Paramount Television Studios production in association with Tractor Beam Productions, Shadowfox Productions, Stone Village Television, Inc., Pacesetter Productions, and Super Frog
Bradley North, MPSE, Sound Supervisor • Tiffany S. Griffith, Dialogue Editor • Chuck Michael, Sound Effects Editor • Matt Manselle, Foley Editor • Matt Kelsey, Foley Editor • Lodge Worster, Music Editor • Brian Straub, Foley Artist
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera)
Nominees:
George Carlin’s American Dream • HBO/HBO Max • HBO Documentary Films presents an Apatow/Rise Films Production in association with Pulse Films
Bobby Mackston, Sound Supervisor • Matt Temple, Sound Effects Editor • Joseph Beshenkovsky, Sound Effects Editor
Lucy And Desi • Prime Video • Amazon Studios, Imagine Documentaries, White Horse Pictures in association with Paper Kite Productions and Diamond Docs
Anthony Vanchure, Co-Supervising Sound Editor • Daniel Pagan, Co-Supervising Sound Editor • Mike James Gallagher, Sound Effects Editor • Jason Tregoe Newman, Music Editor • Bryant Furhman, Music Editor
McCartney 3, 2, 1 • The People We Loved Were Loving Us! • Hulu • Hulu, Endeavor Content, A Tetragrammaton, Film 45, Kennedy/Marshall Company, MPL Communications
Jonathan Greber, Sound Supervisor • Leff Lefferts, Sound Editor • Bjorn Ole Schroeder, Sound Editor v E. Larry Oatfield, Sound Editor • Kim Foscato, Sound Editor
The Tinder Swindler • Netflix • A Netflix Documentary / A Raw Production with Gaspin Media and AGC Studios in association with VG
Maria Kelly, Dialogue Editor • Chad Orororo, Sound Designer • Nirupama Rajendran, Sound Effects Editor
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
Nominees:
Barry • all the sauces • HBO/HBO Max • HBO in association with Alec Berg and Hanarply
Elmo Ponsdomenech, CAS, Re-Recording Mixer • Teddy Salas, Re-Recording Mixer • Scott Harber, CAS, Production Mixer
Curb Your Enthusiasm • IRASSHAIMASE! • HBO/HBO Max • HBO
Earl Martin, Re-Recording Mixer • Chuck Buch, CAS, Production Mixer • Michael Miller, ADR Mixer
Hacks • The Captain’s Wife • HBO/HBO Max • Universal Television in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment
John W. Cook II, Re-Recording Mixer • Ben Wilkins, Re-Recording Mixer • Jim Lakin, Production Mixer
Ted Lasso • Rainbow • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television
Ryan Kennedy, Re-Recording Mixer • Sean Byrne, Re-Recording Mixer • David Lascelles, Production Mixer • Arno Stephanian, Foley Mixer
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
Nominees:
Better Call Saul • Carrot And Stick • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television
Larry Benjamin, CAS, Re-Recording Mixer • Kevin Valentine, Re-Recording Mixer • Philip W. Palmer, CAS, Production Mixer
Euphoria • Stand Still Like The Hummingbird • HBO/HBO Max • HBO in association with ADD Content Agency | HOT | TCDY Productions, Dreamcrew, Tiny Goat, A24 and The Reasonable Bunch
Anne Jimkes-Root, Re-Recording Mixer • Chris David, Re-Recording Mixer • Austin Roth, Re-Recording Mixer • Sean O’Malley, Production Mixer
The Marvelous Mrs. Maisel • How Do You Get To Carnegie Hall? • Prime Video • Amazon Studios
Ron Bochar, Re-Recording Mixer • Mathew Price, CAS, Production Mixer • George A. Lara, Foley Mixer • Stewart Lerman, Scoring Mixer
Ozark • Sanctified • Netflix • MRC for Netflix
Larry Benjamin, CAS, Re-Recording Mixer • Kevin Valentine, Re-Recording Mixer • Akira Fukasawa, Production Mixer • Amy Barber, Foley Mixer
Outstanding Sound Mixing for a Limited or Anthology Series or Movie
Nominees:
Dopesick • Pseudo-Addiction • Hulu • 20th Television, Danny Strong Productions, John Goldwyn Productions, The Littlefield Company
Nick Offord, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Jay Meagher, CAS, Production Mixer
Gaslit • Final Days • STARZ • UCP in association with Esmail Corp, Anonymous Content, Red Om Films, The Slate Group
John W. Cook II, Re-Recording Mixer • Ben Wilkins, Re-Recording Mixer • Devendra Cleary, CAS, Production Mixer
Moon Knight • Gods And Monsters • Disney+ • Marvel Studios
Bonnie Wild, Re-Recording Mixer • Scott R. Lewis, Re-Recording Mixer • Tamás Csaba, Production Mixer • Scott Michael Smith, Score Mixer
Pam & Tommy • The Master Beta • Hulu • Hulu, Annapurna Television, Point Grey Pictures
Nick Offord, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Juan Cisneros, Production Mixer
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera)
Nominees:
George Carlin’s American Dream • HBO/HBO Max • HBO Documentary Films presents an Apatow/Rise Films Production in association with Pulse Films
Earl Martin, Re-Recording Mixer • Jason Gaya, Re-Recording Mixer • Brad Bergbom, Production Mixer • Kevin Rosen Quan, Production Mixer
Lizzo’s Watch Out For The Big Grrrls • Becoming 100% That Bitch • Prime Video • Amazon Studios
Erik Brena, Re-Recording Mixer • Ross D’Alessandro, Production Mixer • Julianne Kane, Production Mixer • Deanna Decenario, Production Mixer
McCartney 3, 2, 1 • These Things Bring You Together • Hulu • Hulu, Endeavor Content, A Tetragrammaton, Film 45, Kennedy/Marshall Company, MPL Communications
Gary A. Rizzo, CAS, Re-Recording Mixer • Laura Cunningham, Production Mixer
RuPaul’s Drag Race • Big Opening #1 • VH1 • World of Wonder
Erik Valenzuela, Re-Recording Mixer • David Nolte, Production Mixer • Glenn Gaines, Production Mixer
Stanley Tucci: Searching For Italy • Venice • CNN • CNN Original Series, RAW
Tom O’Pray, Re-Recording Mixer • Renato Ferrari, Production Mixer
Outstanding Sound Mixing For A Variety Series Or Special
Nominees:
The 64th Annual Grammy Awards • CBS • Fulwell 73 UK Limited
Thomas Holmes, Production Mixer • John Harris, Music Mixer • Eric Schilling, Music Mixer • Christian Schrader, Supplemental Audio Mixer • Eric Johnston, Playback Mixer • Josh Morton, Package Mixer • Ron Reaves, FOH Music Mixer • Jeffrey Michael Peterson, FOH Production • Mixer Mike Parker, Monitor Mixer • Tom Pesa, Monitor Mixer • Juan Pablo Velasco, Pro Tools Playback Mixer • Aaron Walk, Pro Tools Playback Mixer
The Late Show With Stephen Colbert • First Show Back With An Audience, Dana Carvey As Joe Biden, Interview With Jon Stewart, And Jon Batiste Performs “Freedom” • CBS • CBS Studios
Pierre de Laforcade, Production Mixer • Harvey Goldberg, Broadcast Music Mixer • Alan Bonomo, Monitor Mixer • Tom Herrmann, Front of House Mixer
The Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar And 50 Cent • NBC • Jesse Collins Entertainment, DPS and Roc Nation
Thomas Holmes, Production Mixer • Alex Guessard, FOH Production Mixer • Dave Natale, FOH Music Mixer • Tom Pesa, Monitor Mixer • Christian Schrader, Supplemental Audio Mixer • Pablo Munguia, Pro Tools Playback Mixer
Saturday Night Live • Host: John Mulaney • NBC • SNL Studios in association with Universal television and Broadway Video
Robert Palladino, CAS, Production Mixer • Ezra Matychak, Production Mixer • Bob Selitto, FOH Music Mixer • Frank J. Duca Jr., CAS, FOH/Foldback Mixer • Caroline Sanchez, FOH Production Mixer • Josiah Gluck, CAS, Music Mixer • Tyler McDiarmid, Playback Mixer • Douglas Nightwine, Monitor Mixer • William Taylor, CAS, Sound Effects mixer • Devin Emke, Package Mixer • Eric Pfeifer, Package Mixer • Andrew Guastella, Package Mixer
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COMPATIBLE WITH ANY VIDEO SOFTWARE CRAFTED BY INDUSTRY PROFESSIONALS INSTANT DIGITAL DOWNLOAD
100% ROYALTY FREEIntroducing the Ultimate Sound FX Bundle – your all-in-one solution to level up your audio game! Say goodbye to wasting countless hours searching for the perfect sound effects, and hello to a seamless editing process that enhances your creativity.
This bundle includes sound effects from different genres and subjects, so you’ll have everything you need right at your fingertips. Whether you’re working on a film, game, podcast, or music project, this bundle has got you covered.
With the Ultimate Sound FX Bundle, you can speed up your workflow and take your creativity to new heights. Imagine having access to a vast library of high-quality sound effects that perfectly match your project’s needs, all in one place. No more time wasted on sifting through endless sound effect libraries – this bundle has it all.
Don’t let sound effects be a pain point in your creative process any longer. Invest in the Ultimate Sound FX Bundle today and experience a smoother, more efficient workflow that unleashes your full creative potential.
78 %OFF -
Cinematic & Trailer Sound Effects Creaking – Ropes, Cables, Wires Play Track 377+ sounds included $38
Over 375 sounds of creaking materials, including breaking cables, ropes under tension and about to split, wires and strings under stress, metal friction causing tension. Recorded with a combination of Sanken CO100K and Nevaton microphones for full frequency sound content. Saved as 192KHz these files allow for high resolution editing. Useful for impact sounds in cinema, games or documentary, but also for cartoon sounds or even creature sounds as many of the recordings contain vowel-like screeching and scraping.
Imagine a scene where a rope is about to break over an edge, an object being torn by a huge cable, a wooden structure about to collapse under stress and so on… Our brain is triggered by those rattling sounds or spine-breaking cracks coming from little fibers being split apart, parts of the structure creaking, wires scraping over edges…
These sounds can be perceived as delicate but have a great psychological impact as we interpret these and know what is about to happen. So suspense is built with both background and close-up sounds. Useful when building tension, when creating a sense of upcoming climax, these sonic elements will work out to amplify the details that are often important but not always visible for the eye.
All the source material and recording are acoustic, there are no digital effects applied. This guarantees natural organic harmonics, even way beyond our hearing. Pitching down the 192 KHz files will let you discover another collection of sounds!
You can find the following libraries in this collection >
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20 %OFF
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26 %OFF
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25 %OFFEnds 1714514399
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20 %OFF