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Annie Leibovitz: The Early Years, 1970-1983 Hardcover – December 10, 2018


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For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.

The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.

Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.

Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.

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From the Publisher

fo-Leibovitz, Early Years_01

Annie Leibovitz. The Early Years. 1970–1983

Annie Leibovitz began working as a photographer in the early 1970s, which was a volatile and frenetic time in America. The lines had yet to be drawn between journalists and the people they covered, so she had access that would now be considered unusual. This unique collection provides a vivid account both of Leibovitz’s development as an artist and of a pivotal era.

fo-Leibovitz, Early Years_02

The Origins of a Legendary Photographer

For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.

Annie Leibovitz’s photographic beginnings and Rolling Stone reportage

fo-Leibovitz, Early Years_03

fo-Leibovitz, Early Years_04

fo-Leibovitz, Early Years_05

The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.

Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.

Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.

Edition: English, French, German

fo-Leibovitz, Early Years_06

The photographer

Annie Leibovitz is one of the most influential photographers of our time. She began working as a photojournalist for Rolling Stone in 1970 while she was still a student at the San Francisco Art Institute. By 1983, when she left Rolling Stone for the revived Vanity Fair, she was already closely identified with the conceptual, theatrical style that is her hallmark. In subsequent decades, at Vanity Fair and Vogue and in independent projects, she has worked across many photographic genres and developed a large body of work—portraits of actors, directors, writers, musicians, athletes, and political and business figures, as well as fashion photographs—that expanded her collective portrait of contemporary life. She has published several books and has exhibited widely. She is a Commandeur in the French Ordre des Arts et des Lettres and has been designated a Living Legend by the U.S. Library of Congress.

fo-Leibovitz, Early Years_07

The authors

Luc Sante teaches writing and the history of photography at Bard College in Annandale-on-Hudson, New York. He is a frequent contributor to The New York Review of Books and the recipient of the 2010 Infinity Award for Writing from the International Center of Photography.

Jann S. Wenner founded Rolling Stone in 1967. He has been inducted into the Hall of Fame of the American Society of Magazine Editors and is the recipient of the Norman Mailer Center’s Prize for Lifetime Achievement in Magazine Publishing.

Editorial Reviews

Review

“A reminder of the service Leibovitz has done for us in documenting so flawlessly the most important moments and people of the past three generations.” ― Artnet.com

About the Author

Jann S. Wenner founded Rolling Stone in 1967. He has been inducted into the Hall of Fame of the American Society of Magazine Editors and is the recipient of the Norman Mailer Center’s Prize for Lifetime Achievement in Magazine Publishing.



Lucy Sante teaches writing and the history of photography at Bard College in Annandale-on-Hudson, New York. She is a frequent contributor to The New York Review of Books and the recipient of the 2010 Infinity Award for Writing from the International Center of Photography.



Annie Leibovitz is one of the most influential photographers of our time. She began working as a photojournalist for Rolling Stone in 1970 while she was still a student at the San Francisco Art Institute. By 1983, when she left Rolling Stone for the revived Vanity Fair, she was already closely identified with the conceptual, theatrical style that is her hallmark. In subsequent decades, at Vanity Fair and Vogue and in independent projects, she has worked across many photographic genres and developed a large body of work―portraits of actors, directors, writers, musicians, athletes, and political and business figures, as well as fashion photographs―that expanded her collective portrait of contemporary life. She has published several books and has exhibited widely. She is a Commandeur in the French Ordre des Arts et des Lettres and has been designated a Living Legend by the U.S. Library of Congress.

Product details

  • Publisher ‏ : ‎ Taschen America Llc; Multilingual edition (December 10, 2018)
  • Language ‏ : ‎ Multilingual
  • Hardcover ‏ : ‎ 182 pages
  • ISBN-10 ‏ : ‎ 3836571897
  • ISBN-13 ‏ : ‎ 978-3836571890
  • Item Weight ‏ : ‎ 2.27 pounds
  • Dimensions ‏ : ‎ 8.27 x 0.98 x 10.63 inches
  • Customer Reviews:

Customer reviews

4.6 out of 5 stars
4.6 out of 5
112 global ratings

Top reviews from the United States

Reviewed in the United States on June 15, 2021
I liked the book, though it has a paper cover
Reviewed in the United States on December 25, 2018
Awesome!
Reviewed in the United States on January 13, 2019
I did like this book, and I always appreciate Annie's work, but I have an issue here. This is a 50 dollar book that really is only worth about 30 dollars. There just isn't a lot of substance to it. It was fun to look at some of her older photos, get an insight into her days as a photographer for Rolling Stone before they were a cultural icon, but even so, there just isn't a lot going on here. The foreword by the LUMA foundation doesn't really tell us anything we don't already know (we know she was an art student before she took up photography, we know she started working at Rolling Stone when they were still fairly new). Annie has a foreword as well, and this is pretty good, but I feel that they should have asked her to add some captions to some of the photos. Several of them only take up part of the page, and it would have been nice for Annie to give us some insightful story about the photo in the space available. The photos are nice, even though most of them are jsut kind of snapshots. This is her early work, I wasn't expecting much more than snap shots, and it was cool seeing that even a legend had humble beginnings. A large chunk of the book is just foreign language translations of the few write ups in the book, so it is artificially a longer book (19 pages of this). This likely was done to avoid having to make foreign print versions, making the print run cheaper. I think these savings should have been passed to the consumer, since otherwise the book is kind of short (I got through it in about an hour, and that was stopping to really look at everything).

In the end, if you really want some insight in the incomparable Ms Leibovitz, then I would say get a copy of her book Annie Leibovitz At Work. That book is loaded with substance, well worth the 50 dollar price tag. This one, well, I would say only if you are a big fan of Annie, which I am.
17 people found this helpful
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Reviewed in the United States on April 6, 2020
Great little book for 30.00 . Wish it was a little bigger. Never the less great book.

Top reviews from other countries

Philippe Bernard
5.0 out of 5 stars Beau volume
Reviewed in Canada on December 30, 2022
Belles photos
Traveller
5.0 out of 5 stars Alles ok, bis auf DHL
Reviewed in Germany on October 8, 2022
Alles bestens. Dafür auch die 5 *. Aber DHL bekommt bei mir -5 *. Siehe Bild. Obwohl ich ausdrücklich geschrieben habe, dass das Buch im Treppenhaus abgelegt werden soll, wurde es vom Anlieferer mit Gewalt in den Briefkasten gedrückt. Zum Glück ist dem Buch nichts passiert. Hätte auch anders ausgehen können.
Customer image
Traveller
5.0 out of 5 stars Alles ok, bis auf DHL
Reviewed in Germany on October 8, 2022
Alles bestens. Dafür auch die 5 *. Aber DHL bekommt bei mir -5 *. Siehe Bild. Obwohl ich ausdrücklich geschrieben habe, dass das Buch im Treppenhaus abgelegt werden soll, wurde es vom Anlieferer mit Gewalt in den Briefkasten gedrückt. Zum Glück ist dem Buch nichts passiert. Hätte auch anders ausgehen können.
Images in this review
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Mr Triggs
5.0 out of 5 stars A Good Start to a Collection of Annies' Work
Reviewed in the United Kingdom on February 18, 2022
This is a good solid work filled with fascinating images and interesting literature. I don't know her work that well but this book has me interested in buying more.
A good size too, not too small to be overpriced and filled with images too small to really see but also not too big as to be awkward to handle and not quite fit on the shelf. Well bound with an unusual 'unfinished edge' binding, which is the first time I've ever seen that, and the photo's are reproduced vert well with the B&W's being nicely grainy and the colour ones well saturated and vibrant.
All in all a good book, well worth what I paid for it.
One person found this helpful
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Bellenger
3.0 out of 5 stars Bonne idée cadeau
Reviewed in France on February 20, 2022
Très joli livre
Ann mc connell
5.0 out of 5 stars Book
Reviewed in the United Kingdom on January 1, 2020
A Christmas present for my daughter
One person found this helpful
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