Lisa’s Week In Television: 4/4/21 — 4/10/21

Posted on April 10, 2021 by Lisa Marie Bowman

Another busy week so, once again, I’m running behind on watching some things that I really want to watch. Hopefully, I’ll get caught up with shows like The Walking Dead, Falcon and the Winter Soldier, and The Serpent during this upcoming week!

American Justice (CIN, Monday Morning)

I watched two episodes of this old true crime series on the Crime and Investigation Network. One episode was about teacher Pamela Smart convincing her students to murder her husband. The other was about a crazed Texas deputy who murdered a woman with whom he was obsessed. The most memorable thing about the episodes was the very precise and dramatic narration of Bill Kurtis. Kurtis sounded like a such a stereotypical anchorman that he became oddly fascinating to listen to. Discovering that there were journalists who actually sounded like a comedian doing an imitation of a journalist felt a bit like stumbling across Bigfoot after watching a movie about the Abominable Snowman.

America’s Most Wanted (Fox, Monday night)

The revival of America’s Most Wanted is entertaining in its tabloid-like way and it might even lead to the capture of some bad people. That said, it’s hard for me not to worry about the idea of the show eventually being used to track down people who have criticized the government or who have been accused of thought crimes. As dramatic as that might sound, that is the way our culture seems to be heading.

Until then, though, I really hope that this week’s episode leads to the capture of grotesque bodybuilder Raymond McLeod, who apparently murdered his girlfriend five years ago.

Baywatch (H&I, weekday evenings)

On Sunday’s episode, Billy Warlock got hit on the head and ended up fantasizing that he was starring in an episode of Gilligan’s Island. That was seriously the entire episode and you know what? It was actually kind of cute. It was an episode in which Baywatch acknowledged that it was silly show and not meant to be taken seriously. It fit into my thesis that Baywatch was meant to be a satirical. Of course, that episode was immediately followed by an episode in which David Hasselhoff was trapped underneath an old shipwreck. That episode took itself very seriously and was full of flashbacks to previous episodes, forcing me to consider that the Gilligan episode might have just been an outlier.

Monday’s episodes did little to settle the question as to whether or not Baywatch was meant to be taken seriously. The first episode featured Shauni (Erika Eleniak) freaking out after thinking that one of her friends had been eaten by a shark. It was all very dramatic and it too featured flashbacks to previous episodes and it ended up with a very important message about not pressuring your daughter to the extent that she ends faking her own death while swimming around Shark’s Cove. (That’s a rather ominous name for any part of the beach.) That would seem to suggest that Baywatch took itself seriously. The second of Monday’s episodes featured a beach bum/poet who discovered a stolen jewelry box on the beach. The poet was such a silly character that it was hard to believe that anyone involved could have taken that episode’s script seriously. In other words, when it comes to the Is Baywatch Serious Or Not debate, Monday’s episodes constituted yet another draw.

Tuesday’s episodes led to another draw. The first episode featured Hasselhoff breaking into the headquarters of a multinational corporation to track down evidence that they were polluting the bay. It also featured a character who was a lifeguard-turned-environmental activist and it took itself very seriously. The 2nd episode, however, featured an illegal poker game and a B-plot in which Billy Warlock stood up to his girlfriend’s snobby family. It also featured Erika Eleniak dramatically announcing, “He’s a lifeguard!” when someone tried to stop Billy Warlock from giving CPR to a woman who had drowned. The 2nd episode, again, seemed to suggest that the show was in on the joke.

Wednesday’s episodes broke the tie, with both episodes being ludicrous enough that it was hard not to believe that the show had to be at least a little bit aware of how silly it was. The first episode featured a gypsy fortune teller. The second featured David Charvet battling evil surfers. At the same time, the 2nd episode also featured Alexandra Paul as Stephanie, a woman from Mitch’s past, and Hasselhoff acted the Hell out of being shocked to see her. Based on Wednesday’s episodes, it would seem Baywatch did not take itself as seriously as David Hasselhoff did.

Thursday’s episodes — well, who knows? You had a two parter that started with Mitch getting all weepy over a dead uncle but you also had a subplot about the search for a lost gold mine. And, to top it all off, you had Pamela Anderson, Nichole Eggert, and David Charvet all showing up for the first time. (Though all three were in Wednesday’s episode, it appears that H&I showed the episodes out-of-order.) Who knows what to make of all that?

Friday’s episodes both dealt with Nicole Eggert and David Charvet struggling to make it through rookie school and they were both silly enough to make me think that Baywatch was in on the joke. Saturday, however, featured not only a native American activist with magical powers but it also ended with a PSA about the dangers of huffing inhalants. It seemed to be taking itself pretty seriously, even if no one else was.

In the end, all I can surmise is that Baywatch took place in a strange dream world where everyone was in on the joke but they still took the joke literally.

Court Cam (Wednesday Night, A&E)

With the cancellation of Live P.D., Court Cam is A&E’s newest way to 1) exploit people during the worst moments of their lives and 2) justify keeping Dan Abrams under contract. This show is made up of courtroom footage, all breathlessly narrated by Abrams. A typical episode will feature several stories. There’s usually one story that ends in a brawl. There’s at least one sarcastic judge story. There’s at least one story where the defendant begs for mercy. It’s all pretty exploitive and, of course, it’s also fully on the side of the system as opposed to the people living under it.

“But Lisa, if you hate the show so much, why do you watch it?”

Each episode is only 30 minutes long and it passes the time. Plus, occasionally, they’ll show footage from DFW and I’ll spot someone I know.

The District (Weekday Nights, H&I)

Last week, I said that the main appeal of this old show was watching Craig T. Nelson somehow find a way to overact in every single scene in which he appeared. It turns out that appeal is actually kind of limited. On Tuesday morning, as I watched Nelson’s Jack Mannion violate the Constitutional rights of suspects and browbeat everyone who works for him, I realized that the act was no longer particularly amusing so I think I’m done with The District for now.

The Drew Barrymore Show (Weekdays, Syndication)

I caught an episode on Tuesday. I was depressed for hours afterwards. Drew used to be so cool and now she’s hosting a talk show for people find Ellen DeGeneres to be too challenging.

Kung Fu (Wednesday Night, The CW)

I wrote about Kung Fu and my mixed reaction to pilot over at SyFyDesigns.

The Old Guys (Sunday Night, PBS)

This is a British sitcom that aired in the UK in 2009 and 2010. In America, it just recently started airing on PBS. It’s about two …. well, old guys. Tom (Roger Lloyd-Pack) and Roy (Clive Swift) are old and they are housemates and they’re both in love with Sally (Jane Asher). This Sunday’s episode was called “the triple date” and it found the two men competing to see who could go on a date with Sally, who apparently didn’t realize she was on a date with either of them. It was amusing, largely due to the performance of Jane Asher and the two men. Sadly, both Lloyd-Pack and Swift have since passed away.

Open All Hours (Sunday Night, PBS)

This is an incredibly depressing British sitcom about two men and a grocer’s shop. Arkwright, the older of the two, is always trying to cheat people out of their money. His nephew, Granville, always appears to be on the verge of walking into the middle of traffic. The show originally aired in the 70s and 80s and, in America, it’s pretty much a PBS mainstay. I have to admit that I don’t usually pay much attention to the show when it’s on. I usually just watch it because it’s the lead-in to Yes, Minister and there’s not really much else on at 11:30 on Sunday night. That said, the few times I have really paid attention to it, I’ve found it to be well-acted if a bit grim. The bits where Arkwright has to deal with the customers are occasionally amusing.

Don’t even ask me what happened during this Sunday’s episode. I think Granville was in love but he knew it would never work out because he was stuck in a go-nowhere life. By the end of the episode, he appeared to be borderline catatonic due to the overwhelming misery of his existence. It was hard not to feel bad for him.

The Rookies (Sunday Morning, H&I)

I’m still setting the DVR to record this old 70s cop show. Though the storylines are predictable cop stuff (albeit from the point of view of idealistic rookies as opposed to cynical veterans), it’s still pretty interesting if you’re just looking for a show with some early 70s flavor.

This week’s episode featured special guest star Lou Gossett, Jr. as a criminal-turned-preacher. The older cops suspected that he was just running a scam. The Rookies — Georg Stanford Brown and Michael Ontkean — felt that he was sincere in his desire to reach people and atone for his past. In the end, the show left it somewhat ambiguous as to just how sincere Gossett was. Gossett gave an excellent performance as the preacher and the show actually treated his congregation of hippies with a bit more respect than you might expect from an early 70s cop show.

The SAG Awards (Sunday Night, TBS)

This year, the televised SAG Awards were handed out in an hour and there weren’t any awkward attempts at either comedy or political pontification. To be honest, it was probably the best awards show that I’ve seen so far this year. Here’s hoping the Oscars pay attention to how SAG did it.

Shipping Wars (Vice, Sunday afternoon)

I wrote about Shipping Wars a few years ago. I watched two episodes on Sunday, though I mostly just had them on for background noise. The people involved in the show are always too angry and their customers are always too unlikeable for me to really spend too much time really paying attention to Shipping Wars.

The first episode featured Jen delivering bottled water to hurricane victims in Louisiana while Roy delivered a boat and acted like a jackass. It was typical Roy behavior, which made him entertaining to watch even though you wouldn’t want to actually have a conversation with him. When Roy suddenly died in 2014, Shipping Wars brought on a handful of people to try to replace him but none of them could. Certainly not Dusty! Don’t even get me started on freaking Dusty.

The second episode featured more of Roy being a jackass, this time as he transported a Cadillac to a 50s diner. It also featured Robbie and Chris transporting a deactivated nuclear missile. It would have been more fun if it had been an active missile but still, just the strangeness of that situation explains why Shipping Wars was briefly a popular show.

Storage Wars (A&E, Tuesday Night)

I watched four episodes. None of the storage lockers had any cursed amulets and dead bodies inside of them. I was disappointed.

Tough As Nails (CBS, Wednesday Night)

This reality competition show doesn’t really make a lot of sense to me. Two teams, made up of blue collar, salt-of-the-Earth workers, compete to see which team can be the first to complete various blue collar tasks, like cleaning windows on an office building or installing drywall. It seems like the show would be more interesting if it was like middle-management types and low-level executives having to do the hard work while being instructed and judged by construction works and plumbers.

Still, I watch almost every week, just because the show is hosted by The Amazing Race’s Phil Keoghan. Love ya, Phil!

Wipeout (TBS, Sunday Night)

So apparently, this is a thing again. Wipeout is a game show where teams make money if they can manage to cross an obstacle course without falling or dying. It used to be on ABC, where every episode ended with John Henson saying, “Big balls,” with a creepy smile on his face. Now, it’s on TNT and it’s hosted by John Cena, who just can’t quite match Henson when it comes to being creepy.

Anyway, on Sunday night, they reaired the first episode of the reboot. It aired after the SAG Awards. I have to admit that I mostly just had it on for background noise. Every time I looked up at the TV, people were either jumping on top of or falling off of big rubber balls. I imagine the reboot will probably run until 2060 and I’ll never watch another episode.

Yes Minister (Monday Morning, PBS)

Well, sadly enough, this week’s episode of Yes, Minister is the last one that’s going to be aired on my local PBS station for a while. Next week, Yes, Minister is being replaced by …. ugh …. Are You Being Served? Imagine, going from one showing one of the wittiest and most intellectually engaging sitcoms of all time to showing a hundred episodes of Are You Being Served?

Fortunately, this week’s episode was a great one. It featured both Paul Eddington’s Jim Hacker and Nigel Hawthorne’s Sir Humphrey testifying at a committee meeting about cutting government waste. For once, Hacker actually got the better of Sir Humphrey. Both Eddington and Hawthorne, both of whom are sadly no longer with us, gave brilliant comedic performances. It was a joy to watch.

(UPDATE: I wrote the above on Monday afternoon. When I checked on Tuesday morning, the guide had been changed and apparently, Yes, Minister is going to continue to air on PBS! So, I guess the listing for Are You Being Served was an error. I also checked with KERA.org and found no plans to replace Yes, Minister with Are You Being Served so, hopefully, all that frustration was for nothing! I’ll find out for sure on Monday at midnight, I suppose.)