Una familia se dirige a un hotel aislado para pasar el invierno. Allí, una presencia espiritual maligna violenta al padre, mientras el hijo, psíquico, tiene horripilantes visiones del pasado... Leer todoUna familia se dirige a un hotel aislado para pasar el invierno. Allí, una presencia espiritual maligna violenta al padre, mientras el hijo, psíquico, tiene horripilantes visiones del pasado y del futuro.Una familia se dirige a un hotel aislado para pasar el invierno. Allí, una presencia espiritual maligna violenta al padre, mientras el hijo, psíquico, tiene horripilantes visiones del pasado y del futuro.
- Premios
- 6 premios y 9 nominaciones
Argumento
¿Sabías que...?
- CuriosidadesFor the scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
- PifiasDuring the long shot of the Overlook Hotel in the beginning (right before The Interview title card), the maze cannot be seen, though throughout the rest of the movie it is rather close to the hotel.
- Citas
Jack Torrance: Here's Johnny!
- Créditos adicionalesThe party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away.
- Versiones alternativasABC edited 4 minutes from the film for its 1983 network television premiere.
- ConexionesEdited into Hai-Kubrick (1999)
- Banda sonoraThe Shining (Main Title)
Written by Wendy Carlos and Rachel Elkind
Performed by Wendy Carlos and Rachel Elkind
Based on "Dream of a Witches' Sabbath"
From Symphonie Fantastique by Hector Berlioz (traditional requiem "Dies Irae")
Reseña destacada
A masterpiece of psychological horror
Stephen King may have said the master director knew nothing about horror, but that simply is not true. That is a too biased opinion for anyone to go on given that he wrote the book, which Kubrick based his wonderful film ever so loosely on. And at any rate, faithful or not, KUBRICK's Shining-the BEST crafted genre film of the 80's- performs it's duty as a fright flick, and then some.
There are appropriately no words strong enough to convey the haunting beauty of the visuals showcased throughout the movie, from the drive to the Overlook to the final chase in the hedgemaze the movie is a feast for the eyes as it is for the mind. And it IS a feast for the mind as The Shining is as psychological as horror gets, toying relentlessly, and expertly with your emotions and expectations(some could even say SADISTICALLY), throwing something in that's completely out of left field and never, ever letting you catch your breath between the now classic shocks as the movie speeds toward it's memorable conclusion in the last half hour.
Kudos are in order for Kubrick, a director of the old school style, who builds an eerie atmosphere by exercising total control over the filmic environment, manipulating everything down to the tiniest detail to suit the needs of the picture, yet filming with a coldly detatched, objective eye, as though Kubrick were making a documentary about these events. This would account for the dialouge, which-thankfully-is not the typical phoney balloney Hollywood banter (Kubrick detractors/King purists usually bitch about this the most, having been weaned on the phony nature of 'Hollywood talk', which is usually nothing at all like real talk. Many of us speak 'on the nose', and do not try to convey subtext through use of carefully chosen words that articulate our state of being without being direct.) In this light, Shelley Duvall must be commended for her performance which is very naturalistic. It does not seem like acting at all. She is not concerned with glamour, nor does she clutter her performance with typical acting chops, but rather she is solely focussed on hitting the emotional highpoints of her character as 'Wendy' gradually comes to realize that her husband is a madman. And let's face it folks, how many of us would like a million bucks when placed in a situation like that? Who does NOT look like a blubbering idiot when they are hysterical? That's what I thought, so what did you expect? She was great. To say nothing of the rest of the cast.
There are appropriately no words strong enough to convey the haunting beauty of the visuals showcased throughout the movie, from the drive to the Overlook to the final chase in the hedgemaze the movie is a feast for the eyes as it is for the mind. And it IS a feast for the mind as The Shining is as psychological as horror gets, toying relentlessly, and expertly with your emotions and expectations(some could even say SADISTICALLY), throwing something in that's completely out of left field and never, ever letting you catch your breath between the now classic shocks as the movie speeds toward it's memorable conclusion in the last half hour.
Kudos are in order for Kubrick, a director of the old school style, who builds an eerie atmosphere by exercising total control over the filmic environment, manipulating everything down to the tiniest detail to suit the needs of the picture, yet filming with a coldly detatched, objective eye, as though Kubrick were making a documentary about these events. This would account for the dialouge, which-thankfully-is not the typical phoney balloney Hollywood banter (Kubrick detractors/King purists usually bitch about this the most, having been weaned on the phony nature of 'Hollywood talk', which is usually nothing at all like real talk. Many of us speak 'on the nose', and do not try to convey subtext through use of carefully chosen words that articulate our state of being without being direct.) In this light, Shelley Duvall must be commended for her performance which is very naturalistic. It does not seem like acting at all. She is not concerned with glamour, nor does she clutter her performance with typical acting chops, but rather she is solely focussed on hitting the emotional highpoints of her character as 'Wendy' gradually comes to realize that her husband is a madman. And let's face it folks, how many of us would like a million bucks when placed in a situation like that? Who does NOT look like a blubbering idiot when they are hysterical? That's what I thought, so what did you expect? She was great. To say nothing of the rest of the cast.
útil•378134
- hanniballe11752
- 19 ene 2002
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- How long is The Shining?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- La resplendor
- Localizaciones del rodaje
- Timberline Lodge, Mount Hood, Oregón, Estados Unidos(Overlook Hotel; exterior)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 19.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 45.634.352 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 622.337 US$
- 26 may 1980
- Recaudación en todo el mundo
- 47.380.610 US$
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What is the streaming release date of El resplandor (1980) in Spain?
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