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Easier with Practice
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Product Description
A writer traveling to promote his unpublished novel enters into a bizarre phone relationship with a mysterious woman in this cellular love story based on Davey Rothbart's autobiographical GQ article of the same name. Davy Mitchell (Brian Geraghty) is a writer who has yet to realize his full potential. In order to raise awareness about his latest manuscript, Davy hits the road with his younger brother Sean (Kel O'Neill) and begins performing readings for small groups across the country. One night, while sitting in a lonely hotel, Davy's phone rings unexpectedly. The voice on the other end of the line belongs to Nicole, and before long Davy and Nicole have established a unique bond despite the fact that they've never actually met face to face. The more Davy gets to know Nicole, the happier he becomes. But when the time finally comes to meet his long-distance love interest, the itinerant writer realizes that before he can truly be honest with Nicole, he must first start being honest with himself.
Product details
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.72 ounces
- Item model number : 5797044
- Director : Kyle Patrick Alvarez
- Media Format : Multiple Formats, NTSC, Color, Widescreen
- Run time : 1 hour and 40 minutes
- Release date : April 6, 2010
- Actors : Brian Geraghty, Kel O'Neill, Marguerite Moreau, Jeanette Brox, Jenna Gavigan
- Studio : Breaking Glass
- ASIN : B003517UW2
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #247,109 in Movies & TV (See Top 100 in Movies & TV)
- #37,309 in Drama DVDs
- Customer Reviews:
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See what independent film fans and festival goers are already discovering. A movie with a true heart, a unique story, and is made by people that LOVE cinema, Easier With Practice.
SPOILER ALERT:
PROCEED ONLY IF YOU ALREADY KNOW OR WANT TO KNOW HOW THIS MOVIE ENDS.
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That's its first big flaw. This movie forces a conscientious reviewer to reveal the ending because it presents itself dishonestly as a gently romantic and sensitive character study when it's really a thriller. The ending betrays a viewer who has fallen under its sensitive, romantic spell with a shocking twist at the end. That is certainly a novel approach in movie-making, but it's also mean-spirited - almost as bad as secretly rewriting Winnie-the-Pooh so that it ends with Christopher Robin being gang-raped, but not warning parents before they read the book to their children.
This is as good a place as any to deal with the often-repeated excuse "But it's a true story!", because that's a lie. Even if the Davy Rothbart story the movie is based on is completely true (and there's good reason to doubt that), this movie distorts his story. (You can still read it on the GQ website, as I did; it's a badly-written and annoying story, by the way - hardly worth making into a movie.)
In the story, Davy had already suspected that "Nicole" might be a man, but he was having fun so he kept playing the phone-sex game. He was savvy and worldly, not at all the totally clueless, paralyzingly shy man the Davy in the movie is. It is unforgivable for the movie to create such a helpless, hopeless, rawly vulnerable character and then rip his slowly emerging, microscopic hopes to shreds the way this horrible movie does.
That's its second big flaw. It creates a preternaturally innocent, naive and vulnerable protagonist and then brutalizes him for entertainment.
The third, and to me the most unforgivable, flaw in this offensive movie is that the horror at the end of the tunnel is the fact that "Nicole" is really a gay man. Aaron is a man almost as shy and vulnerable as Davy is, but he's as unattractive as Davy is adorable. Davy is enormously appealing in his innocence and his sweet vulnerability - but Aaron is just a sleazy, lying, slimy creep.
Being gay is wonderful. I love it. I wouldn't be straight if you gave me a billion dollars. So having the monster who suddenly punches you in the gut at the end of a "heartwarming" movie be a gay man is deeply insulting. And then to have him be a creep, a pervert, a disgusting loser - in sharp contrast to Davy's charming, heartwarming (and straight!) loser - makes the insult even more appalling.
I cannot imagine what kind of person likes this movie. Certainly not any gay person; or any shy person, gay or straight; or anyone who cares about shy or gay people. The only audience I can imagine for this movie is severely abused women serving life sentences for murdering their abusers. They might be able to identify with the Davy this movie creates and then savages for entertainment by revealing that his secret love is a gay creep.
Don't blame it on Rothbart's story, as dumb and offensive as that story is; blame it on Alvarez's movie, which is far worse.