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Don't Look Now (Special Edition) [Blu-ray] [1973]

Donald Sutherland (Actor), Julie Christie (Actor), Nicolas Roeg (Director) Rated: Suitable for 15 years and over Format: Blu-ray

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Format	Blu-ray
Contributor	Hilary Mason, Donald Sutherland, Nicolas Roeg, Julie Christie
Language	English
Runtime	1 hour and 45 minutes

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Product description

Nicolas Roeg's chilling film, based on a short story by Daphne du Maurier, follows a married couple as they attempt to recover from the death of their young daughter. John Baxter (Donald Sutherland) and his wife, Laura (Julie Christie), are staying in Venice in an attempt to find relief after the drowning of their daughter, Christine (Sharon Williams), in a tragic accident. However, the city appears to have an unfortunate effect upon the grieving John, who begins seeing a red-coated figure who resembles the dead child flitting around the local canals. The couple also happen across a pair of sisters who claim to have had visions of their daughter. According to the sisters, the child has been trying to contact John in an attempt to warn him that something terrible is about to happen...

Product details

Is discontinued by manufacturer ‏ : ‎ No
Rated ‏ : ‎ Suitable for 15 years and over
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 17.2 x 14.3 x 1.6 cm; 74 g
Audio Description: ‏ : ‎ English
Manufacturer reference ‏ : ‎ 5055201815477
Director ‏ : ‎ Nicolas Roeg
Media Format ‏ : ‎ Blu-ray
Run time ‏ : ‎ 1 hour and 45 minutes
Release date ‏ : ‎ 4 July 2011
Actors ‏ : ‎ Donald Sutherland, Julie Christie, Hilary Mason
Studio ‏ : ‎ Optimum Home Entertainment
ASIN ‏ : ‎ B004EMS034
Number of discs ‏ : ‎ 1

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William gaisford

Great film

Reviewed in the United Kingdom on 13 March 2024

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Realy like the service and condition of the product!

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Andrei s

NOW..LOOK.,AGAIN..

Reviewed in the United Kingdom on 16 October 2018

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"Don't Look Now"(1973):Optimum/Studio Canal:Bluray edition. As my old DVD copy has 'gone missing', I 'upgraded' to Bluray('steelbox cover' 2015).
The disc is the same bluray edition that was issued in 2011. Since I got a DVD copy over 10 years ago there has been an improved 'restored version' of the DVD as many people were critical of the audio & image on the early DVD issue. And it appears some people are unhappy with the image quality of this Bluray edition...
....I can only say(on my 32"-non HDTV) I've found the colour range,depth & clarity mostly excellent .There are a couple of scenes that are not 'perfect', but much of this was filmed with mostly natural lighting in a difficult range of locations ,with the tools available ,while trying to mute naturally occurring reds(when not used in various essential scenes),while making an 'out of season' Venice look natural, beautiful, ugly, beguiling, sinister, stark, ornate,dangerous & dreamlike ,& that's before getting round how to film Julie Christie,Donald Sutherland & the rest of the cast.
I think whatever 2or4K remaster or HD etc process is used you can't fundamentally alter the 'quality' of the original film print. This subject is addressed in various sections in the extras that comment on the cameras used & the qualities of a 50 ASA film speed.
The Film.- of importance I think is that many years have passed since its release & its (in)famous 'controversial love making' & 'Shocking death scenes'. This has given the film (& viewers) time to 'breathe' & truly watch this afresh & appreciate it far beyond 'A Classic 70s British psychological/mystery/horror film'.
I feel this film is now & will be viewed as- Nic Roegs greatest achievement & simply one of 'THE Great British Films'
that improves on repeat viewings largely due to the many intricacies & excellent editing that take the linear nature experience of viewing a film into a different realm.(e.g. the 'Venice in Peril' sign on the church that Sutherlands character is working on is one of the more obvious 'warning signs' to the future..)
The film is 110mins approx, 1.85:1ratio with 'HD standard 1080p' & 'mono LPCM'audio (that sounds good to me) .With optional English subtitles -
The Extras(some available on previous DVD issues) are: A rather low key commentary with Nic Roeg talking to Adam Smith. An informative& on occasion very amusing(23min) take on the film with Donald Sutherland. A(14min)feature with screenwriter/producer Alan Scott-very entertaining. Danny Boyles passionate & astute(15min) declaration of what this film means to him + D.Boyles somewhat odd 'D L N compressed into a 4&half mins'(!)'BFI Roeg tribute'. 'Death in Venice'-a feature on composer Pino Donnaggio(18mins) .An interesting(24min) feature on cinematographer Tony Richmond. Alan Jones 'introduction' to the film(7mins) really is a well informed feature in itself & for those that haven't seen this film previously I would advise watching after viewing the film.
'Looking Back' a 20min 'mini-doc' with N.Roeg ,editor Graeme Clifford & Tony Richmond .
'Nothing is as it seems' is an unusual archive feature with Psycologist/author Colin Murray Parkes intercut with scenes from the film & finishing off with the original 3min trailer(+ a striking3min trailer for M.Powells 'Peeping Tom',50th anniversary)- the only very minor gripe from me is that the extras apart from the Italian Pino Donnagios section(with very clear English subs) are not available with subtitles.
So a great film,& in my eyes a very good print-although I accept image 'quality' IS subjective,& also greatly influenced by your home viewing 'set up' .All with some 'extra' extras-that's why I bought this on Bluray..

14 people found this helpful

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Bryan A. Pfleeger

Nothing Is As It Seems

Reviewed in the United Kingdom on 26 September 2013

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Nicolas Roeg's moody atmospheric psychic thriller Don't Look Now is one of the most unique explorations of the subject of grief that I have seen in quite a while. Controversial upon release in 1973 the film holds up quite well and is recognized as a classic of the English horror genre.

After the drowning death of their young daughter the Baxters (Donald Sutherland and Julie Christie) leave their English home for Venice where John has found work restoring a church. His wife Laura meets there two old women, Heather(Hilary Mason) and her blind sister Wendy(Clelia Matania). Wendy claims that she can receive messages from the deceased daughter who is now happy but feels that her father is in danger.

What follows is a showcase of the unexpected and the movie fits together like an elaborate puzzle with the viewer having to piece together the clues in order to get to the ensd of the journey. The director's desire was to present a realistic view of how a couple deals with grief and how it can force them apart even while they remain together. The film was extremely controversial upon its release due primarily to an explicit love scene between the couple that is intercut with scenes of the couple preparing for dinner.

The film uses both editing and location work in Venice to create a mood of impending doom. The other key feature here is represented by the line:"Things are not always as they seem." The film is filled with twists and in order to get the most out of the film it takes a careful viewing or several repeat viewings.

The Optimum Releasing Corporation Blu Ray that I viewed was encoded for Region B and presents a pristine transfer of the film. The sound is good for the most parts but some fluctuations in dialogue make some parts of the film harder to understand than others. This is not a real concern but more a minor annoyance. There are a ton of special features including a commentary track with Roeg, two featurettes, and quite a few interviews with the crew. This is a well put together package of a great film that is unfortunately not often seen. One only hopes that a comparable Region 1 release makes its way to the market soon.

A must see.

4 people found this helpful

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Ian Hassall author of Hamba Gashle

Not as good as I remembered

Reviewed in the United Kingdom on 14 October 2023

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I watched this film many years ago, and enjoyed its spookiness. However on reviewing it last week in my old age, I found I found it full of 1970s cliches, corny intercutting of sex scenes, unlikely swirling fog at the murder scene and so on. I found myself concentrating more on the irritating camera angles and actor poses, than the story itself. I say this with some trepidation because high praise on a Channel 4 program had led me to watch it again. My wife watching with me had the same opinion.

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justinfay

Gran bel film...

Reviewed in Italy on 19 August 2023

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Certo un gran bel film, con audio inglese, e non lo si discute. L'assurdità è che sul mercato italiano non si trovi nulla con lingua italiana!...ed ancora più assurdo che titoli "fuori catalogo" ,come in questo caso, debbano essere proposti, in alcune occasioni, all'equivalente costo di due grammi d'oro! Un abbraccio.j

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Tita Fürst - Koren

Ich sehe, was Du nicht siehst

Reviewed in Germany on 12 May 2018

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Nach längerer Zeit habe ich wieder den Film gesehen. Vorneweg, er hat nicht von der Intensivität, von dem Esprit, der mich im Bann hielt, eingebüsst. Gute Filme sind wie einige gute Weine (wobei ich gute Filme bevorzuge), mit dem Jahren sind sie immer besser.

Es fängt alles so schön an. Die beiden Baxter Kinder, Christine und Johnny spielen draußen. Johnny ist mit Fahrrad unterwegs, Christine ist beim einem Teich. Sie spielt mit weiß-rotem Ball, denkt sich eine Geschichte aus. Das Wasser ist ganz in der Nähe, den Ball wirft sie immer weiter.
Im Haus sitzen ihre Eltern, Laura (Julie Christie) und John (Donald Sutherland). Er ist Restaurator, sieht sich Dias von einer Kirche. Auf einem Bild ist die rote Farbe zu sehen, die auf einmal fast das ganze Bild "zerstört". John sieht sich das Bild an und läuft nach draußen, während Laura noch über die Frage der Tochter, warum die Erde rund ist, nachsinnt.
John läuft zu dem Teich, taucht in das trübe Wasser, wo seine Tochter liegt. Ertrunken. Ein Schrei kommt aus seinem Mund, danach ist Stille...

Wenedig: John und Laura sind beide in der Lagunenstadt. Sie wohnen in einem Hotel, wo ihnen der Besitzer fast verzweifelt sagt, das die Saison vorüber ist, er möchte das Hotel schliessen. John arbeitet als Restaurator in einer Kirche. Die Mittel dazu bekommt er vom Bischof Barbarrigo. Die Kirche, die dem Hl. Nicolaus gewidmet ist, ist alt, modrig, die Mosaike im schlechten Zustand. Die Arbeiten gehen nur langsam voran.
Als Laura und John in einer Trattoria essen, werden sie von zwei älteren Damen beobachtet. Eine Dame klagt, dass sie etwas im Augen hat, die andere will helfen. Am Ende hilft Laura und erfährt, dass die helfende Schwester Heather zwar blind ist, aber ein zweites Gesicht hat. So sagt sie zu Laura, dass sie ihre kleine Tochter gesehen hat. Sie saß bei den Eltern am Tisch im ihren roten Regenmantel. Sie sagte, Christine sei glücklich. Als Laura das hört, ist sie sofort fasziniert und glaubt der beiden Schwestern. Sie möchte, dass auch John mit ihnen spricht. Er sträubt sich dagegen, hat Angst um seine Frau, die ihr Trauer bisher mit Medikamenten bewältigt hat.
Im Hotel angekommen, sind sich die Eheleute auf einmal sehr sehr nahe. Die Liebesszene, die von vielen DIE Szene ist (für mich nicht), ist ein Beweis, dass John und Laura sich lieben und verstehen. Dass es Hoffnung gibt. Die Szene ist wunderbar integriert in ihr Ritual des Ankleidens für das Abendessen. So sieht man die beiden nackt, entrückt von der Liebe, nicht weinger erotisch sind die täglichen Bewegungen, als Laura ihren Pullover anzieht, John sich die Krawatte bindet...
Aber das Schicksal hat schon seinen Lauf genommen. Die beiden Schwestern sind irgendwie immer dabei. Die ältere Wendy überbringt die Botschaft der Blinden, dass John in Wenedig gefährdet ist. Sie bittet die beiden abzureisen. Heather meint, John habe eine spirituelle Ader, möchte sie nur nicht zugeben.
Ein Zwischenfall ergeignet sich, Johnny hat einen Unfall in der Schule, Laura fliegt nach England. Als ihr Mann im Vaporetto sitzt, sieht er eine schwarze Gondel. Dort stehen seine Frau und die beiden Engländerinnen. Laura trägt schwarz, sieht starr in eine unbestimmte Richtung. John sucht nach ihr. Er kommt zu der Kirche, wo ihm der Bischof die Mosaiken zeigt. Er möchte sich selbst überzeugen, klettert auf den Gerüst und fällt fast runter. Mit knapper Not rettet er sich.
Immer mehr seltsamme Sachen passieren. In der Stadt werden einige Menschen getötet, der Mörder ist nicht zu fassen.
John geht zu der Polizei und zeigt die beiden Schwestern an. Er glaubt, sie hätten seine Frau entführt. Die Polizei nimmt ihn nur zum Teil ernst.
Als er bei dem Bischof nach England telefoniert, erfährt er, dass seine Frau da ist, er spricht mit ihr. Sie kommt am Abend zurück, weil es Johnny gut geht.
Der Abend: John hat Heather von der Polizei ins Hotel gebracht. Jetzt müsste seine Frau kommen, die man zu der Polizei fährt, obwohl John ihr eine Adresse gab. Sie wundert sich, als sie zu der Polizei kommt, ist John schon weg. Sie suchen einander...
John läuft in den engen Gassen, voll mt dunklen Wasser, neblig und sieht "etwas" im roten Cape, genau wie bei seiner Tochter. Er rennt ihr hinterher, verläuft sich im Labyrinth mehrmals. Laura ihrerseits läuft und sucht John, sie sind ganz nah... Bis John die Gestalt im roten Mantel au s der Nähe sieht...

Der Film nach der Geschichte von Daphne du Maurier ist ein Verwirrspiel, und zwar ein perfektes. Nicolas Roeg hatte im Film genügend Freiraum geschaffen, damit nicht alles gesagt wird. Man ahnt vieles. Die Farbe ROT prägt wie ein Banner die Story. Sie ist wie eine Nachricht, ein Zeichen, sowohl des Unheils wie auch der Transzendenz.
Hier erlaube ich mir Karl Jaspers zu zittieren: "Die Transzendenz aller immanenten Weisen des Umgreifenden (Dasein, Bewusstsein überhaupt, Geist, Welt): „Wir transzendieren zu jedem [immanenten] Umgreifenden, d. h. wir überschreiten die bestimmte Gegenständlichkeit zum Innewerden des sie Umgreifenden; es wäre daher möglich, jede Weise des [immanenten] Umgreifenden eine Transzendenz zu nennen, nämlich gegenüber jedem in diesem Umgreifenden fassbar Gegenständlichen.“ (abgerufen auf der Wikipedia, Karl Jaspers: Von der Wahrheit ((mit freundlichen Dank an Wikipedia, 12.05.2018))
Man soll den Film mit inneren Augen sehen, man soll auf die Dinge achten, die nicht ganz in das Bild passen. Und doch sind sie real, viel mehr als die vermeindliche Handlung.
Wir bewegen uns hier, dort, wir wissen NICHT, was Laura un John wissen, außer am Beginn. Oder doch?
Sowohl Julie Christie wie auch Donald Sutherland spielen überragend. Alle anderen sind gut, nur lebt der Film von der Geschichte der beiden.
Ein Film, der zwar technisch nicht ganz auf der Höhe ist, man merkt ihm die Jahre, aber ein Film, den ich immer wieder empfehlen würde.

37 people found this helpful

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Juan Sánchez Canales

Subtle terror, mesmerizing both visualy and conceptually.

Reviewed in Spain on 28 December 2015

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This great film shows us the rotten face of beauty to elicit the most unsetling of moods, guiding us through the darkest passages of Venice channels. The purest love, that of a father for his child, draws him to pure horror.

Baillon

chef-d'oeuvre

Reviewed in France on 29 August 2013

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mais il est dommage qu'un sous-titrage français ne soit pas prévu, car ce classique du cinéma fantastique moderne mérite d'être vu et revu et n'a pas pris une ride. D'une intelligence diabolique, l'adaptation de la nouvelle de Daphne Du Maurier transcende le matériau original, auquel le film reste étrangement fidèle tout en se permettant des variations qui donnent un résultat stupéfiant, proprement cinématographique. Roeg fait un usage maintes fois loué, et à juste titre, du montage et de la couleur. Les deux acteurs principaux sont étonnants et le film reste aussi dans la mémoire comme une des performances les plus abouties de Donald Sutherland, dont on ne dira jamais assez à quel point le cinéma d'horreur lui est redevable. "Don't Look Now" est aussi un grand film sur Venise, qui n'a pas à rougir de la comparaison avec Visconti ("Mort à Venise") ou avec Schrader ("The Comfort of Strangers", qui comporte d'ailleurs des échos du film de Roeg).

10 people found this helpful

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Helmut

Mystery-Klassiker

Reviewed in Germany on 2 March 2024

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Ein Film wie ein Psycho-Trip! Ansehen empfohlen !

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