‎Clint Eastwood, Director, Ranked, a list of films by Captain Quint • Letterboxd

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Clint Eastwood, Director, Ranked

Clint's turning 94 on May 31st, and to celebrate, a list.

Taking a que from one of his mentors, Don Siegel, Eastwood is a quick, no-nonsense type, known for his minimalism and his use of natural, low-key lighting. His best work delves into the gray; he's also willing to tackle all manner of genre (westerns, romance, mystery, bio, drama, war) & lifestyles and outlooks (Breezy, Hereafter). Plus, there's his love of music, especially jazz.

In the 90s he upped his game, gaining wider respect for his skill behind the camera, and winning his first directorial Oscar with Unforgiven. He repeated the trick in 2004 (Million Dollar Baby) - and was nominated for Mystic River and Letters from Iwo Jima.

Currently my most watched director of 2024 - features at the top, TV work placed at the bottom - Juror No. 2 included as a placeholder until I see it.

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  • Unforgiven

    1.Unforgiven

    ★★★★★

    My favorite western of all time, Eastwoods supreme masterpiece, which received 9 Oscar nominations, winning for Picture, Director, Supporting Actor and Editing

    Saw this in the theater.

    Read Review
  • Million Dollar Baby

    2.Million Dollar Baby

    ★★★★½

    In the theater - and it wrecked me, I was inconsolable. Most crying I think I've ever done in a crowded house, and it was worse when I saw it in the privacy of my own home.

    Baby received 7 Oscar nominations, winning for Picture, Direction, Best Actress and Supporting Actor.

  • Letters from Iwo Jima

    3.Letters from Iwo Jima

    ★★★★½

    Received 4 Oscar nominations including Picture, Director, Original Screenplay, and winning for Sound Editing.

  • High Plains Drifter

    4.High Plains Drifter

    ★★★★½

    It's a cruel and uncaring world carved out for us here.

    Reading material: Brandon David Wilson's essay on the films 50th anniversary.

  • The Outlaw Josey Wales

    5.The Outlaw Josey Wales

    ★★★★½

  • A Perfect World

    6.A Perfect World

    ★★★★½

  • The Bridges of Madison County

    7.The Bridges of Madison County

    ★★★★½

    I remember Clint saying he didn't want Meryl to do an accent, but she did one anyway, lol. I don't know why she felt the need, as most of her performance is in body language and expression, and she's great in that, and Clint is laid back and proves he can do more than snarling tough guys. 

    Lovely, gentle love story that was released the same year as Before Sunset (another where 2 people just talk and get to know one another). It strangely only garnered 1 Oscar nomination (for Streep).

  • Gran Torino

    8.Gran Torino

    ★★★★

    In the theater

  • Hereafter

    9.Hereafter

    ★★★★

    I know, I know, what the hell is this doing in the top 10? What can I say, I'm one of those rare cats that found it beautiful and profound.

    Received an Oscar nomination for Best Achievement in Visual Effects

    Read Review
  • Richard Jewell

    10.Richard Jewell

    ★★★★

    A comeback effort, after years of fair to poor releases. Kathy Bates received an Oscar nomination for best Supporting Actress.

    Read Review
  • Play Misty for Me

    11.Play Misty for Me

    ★★★★

    I watched this (his feature debut) and Breezy (his third) on the same night. Though new to the role, you can already see an assured directorial hand at work. Yes, they are products of the early 70s (dialogue, attitudes), regardless, I was engaged by both.

    Note: Each film was scripted by Jo Heims, who also co-wrote (uncredited) Dirty Harry. Sadly, 5-years after Breezy's release, Jo died from breast cancer at the age of 48.

  • Mystic River

    12.Mystic River

    ★★★★

    An adaptation of a novel that I didn't really care for. And it's a movie I admire more than like, and those types are always difficult to rank (yes, Clint is in the midst of his peak period as a director, but you know, as dated and rough as it is, I'd rather spend time with Breezy if I'm being perfectly honest). That said, it's hard to deny its artistic superiority. So, if your curious why it's a little lower than traditional rankings, that's why. 😉

    In the theater - earned 6 Oscar noms, winning for Best Actor and Best Supporting Actor.

  • Honkytonk Man

    13.Honkytonk Man

    ★★★★

  • Pale Rider

    14.Pale Rider

    ★★★½

    This and High Plains Drifter are close cousins in one regard, the metaphysical - and I find the possibility of a supernatural element rather tantalizing. In High Plains, did his character crawl out of heaven -or hell- to exact his revenge? In Pale Rider, is he the spirit of death made flesh in an answer to a prayer? (an explanation was provided by Eastwood himself, but I didn't need it, I liked the unknowable aspects, the air of mystery)

    It does sag in the middle, making it the lesser of his 4 westerns, but still a worthwhile watch, and one I caught in the theater.

  • Breezy

    15.Breezy

    ★★★½

  • Changeling

    16.Changeling

    ★★★½

    Overlong 'n' overcooked in spots, and more black-and-white than the morally gray areas he excels at. The jerks are jerks, the good are good and evil is... but after reading the true story, that was pretty near the truth (though the a-hole cop, did start to doubt and investigate). Still. a harrowing film, well shot, edited and directed.

    Saw in theaters.

  • White Hunter, Black Heart
  • Bird

    18.Bird

    ★★★½

  • Bronco Billy

    19.Bronco Billy

    ★★★½

    Mostly goodhearted and funny, with bittersweet moments, my dad really liked this one. Locke and Eastwood were a cute comedy paring. Julliette Lewis makes her feature debut in a cameo (her father Geoffrey Lewis was in the film), you might also spot a couple of Clint's kids, Kyle and Alison.

  • Sudden Impact

    20.Sudden Impact

    ★★★½

    It's only right Clint directing a Dirty Harry flick, this is the one where he utters the iconic catchphrase, "Go ahead, make my day!" Callahan's at his most Sledge Hammery in the first act, but things get increasingly dark and grim in this tale of rape and revenge. And while Eastwood's never been a homage type, this gives off Hitchcockian vibes with a finale set at a carousel. Sondra Locke is memorable, in this, the last of their 6 features together (there was a television episode in '85)

    Another one I saw in a theater.

  • Cry Macho

    21.Cry Macho

    ★★★½

    I was aware of the low grades, but didn't mind this at all, rather enjoyed it. It touches on matters of masculinity, a subject that has found its way in several productions but takes on a different meaning at this late stage of his career.

  • Midnight in the Garden of Good and Evil

    22.Midnight in the Garden of Good and Evil

    ★★★½

    I never read the book but apparently it's not a faithful adaptation (it missed the mark in some areas), but as courtroom drama it's pretty entertaining. Lady Chablis is a scene stealer and Spacey was very good.

  • The Gauntlet

    23.The Gauntlet

    ★★★

    Ben Shockley: How's our Assistant D.A. these days?
    Josephson: Shit! He couldn't convict Hitler.

    Preposterous buddy comedy/road picture with a violent spin. Thousands and thousands of bullets fly in this flick, which was one I dug as a teenager (the doddering old man I've become liked it a little less).

  • The Mule

    24.The Mule

    ★★★

    There are plot contrivances, inconsistencies and repetitions, but Clint's Earl cracks me up, saying things he shouldn't say as the elderly will do, being out of touch, and just taking life easy, even when acting as a drug mule for some scary people.

    It's a minor effort, but nevertheless, an enjoyable 2 hours spent.

  • Sully

    25.Sully

    ★★★

    A workman like effort. The problem with biopics/true tales is the way they sensationalize or exaggerate certain things to ramp up the drama. Both Sully and American Sniper are guilty of this, and it undercuts a story for me.

  • Heartbreak Ridge

    26.Heartbreak Ridge

    ★★★

    Despite the cliches and contrivances and bad 'insult comedy' style vulgarities, there's an engaging energy here that drew me in, and once it settled in and found its heart, even better.

  • American Sniper

    27.American Sniper

    ★★★

    An up and down movie that sometimes touches on the greatness of his glory days, while at others feels a bit forced, artificial. It did get Clint back on Oscar's radar, earning 6 nominations, including Best Picture, Leading Actor, Editing, Adapted Screenplay, Sound Mixing, and winning for Sound Editing.

  • Absolute Power

    28.Absolute Power

    ★★★

    Clint assembled an all-star cast - and as a thriller it was all right.

    Might have seen this at the theater, not sure, but looking at movies that were released around Valentine's Day of that year, we definitely went out to see Liar Lair (probably in March). Power would have been the only April release we'd have been drawn to.

  • True Crime

    29.True Crime

    ★★★

    Kind of in the same groove as the previous 2 - they're all decent releases.

  • Invictus

    30.Invictus

    Modestly successful but I wished it would have inspired me more than it did.

    This and the next were rather vanilla in the telling.

  • Flags of Our Fathers

    31.Flags of Our Fathers

    Clint Eastwood, myth buster - I like the idea, but yeah, it was just kind of... there.

    Nowhere near as compelling as its companion piece, Iwo Jima.

  • Space Cowboys

    32.Space Cowboys

    Cute, innocuous, nothing to write home about, though not unwatchable.

  • The Eiger Sanction

    33.The Eiger Sanction

    ★★½

    This is offensive, and it's supposed to be, as it's taking a piss out of Bond and other groovy spy flicks that are laced with homophobia, sexism and racism... this just rubs your nose in it. No, it's not deft satire, and it's discomforting even within that context (the rape line is a definite "YIKES!").

    The slow burn adventure is dry as unbuttered toast, but the mountain scenery is breathtaking.

  • J. Edgar

    34.J. Edgar

    ★★½

    Hammer's old man make-up is laughable (DiCaprio's is better; he looks like actor George Mathews), and it flounders significantly in its final act, which is unfortunate, as the first hour-and-a-half wasn't bad at all.

  • Blood Work

    35.Blood Work

    And this is where the crap kicks in.

    I enjoyed the book and thought Eastwood could work his magic with it, but his screenwriter (Brian Helgeland) screwed up the adaptation. The best thing that came out of this is that in follow up novels, the movie became part of the series, as the butt of a joke, as a certain character was pissed at how he was made the villain. LMAO, cute way for the writer to express his disapproval.

    In theaters - for a total of 8 or 9 (course I saw a few he acted in but didn't direct).

  • Firefox
  • The Rookie
  • Jersey Boys

    38.Jersey Boys

    ★★

  • The 15:17 to Paris
  • Juror No. 2

    40.Juror No. 2

    A placeholder. This will be his final feature for Warners, it's possible it'll be his last anywhere, and because of that I plan to see it in theaters, no matter the reviews. Eastwood's long been a part of my film life, and this could be the last time I'll see one of his new releases on the big screen.

  • Piano Blues

    41.Piano Blues

    ★★★

    I'm just tossing his TV productions in at the end here. This was Clint's segment in a larger Scorsese production.

  • Vanessa in the Garden

    42.Vanessa in the Garden

    ★★★

    Spielberg wrote it, Eastwood directs this 25-minute piece.

    The only one I haven't seen was a 12-minute 'making-of' doc he filmed in 1971, The Beguiled: The Storyteller