Hans Zimmer & Benjamin Wallfisch – Blade Runner 2049 (Original Motion Picture Soundtrack)
Label: | Epic – 19075803641, Alcon Sleeping Giant – 19075803641, Sony Music – 19075803641 |
---|---|
Format: | 2 x Vinyl, LP, Album |
Country: | Europe |
Released: | |
Genre: | Electronic, Rock, Stage & Screen |
Style: | Score, Soundtrack, Ambient, Dark Ambient, Industrial |
Tracklist
A1 | Hans Zimmer & Benjamin Wallfisch– | 2049 |
A2 | Hans Zimmer & Benjamin Wallfisch– | Sapper's Tree |
A3 | Hans Zimmer & Benjamin Wallfisch– | Flight to LAPD |
A4 | Hans Zimmer & Benjamin Wallfisch– | Rain |
A5 | Hans Zimmer & Benjamin Wallfisch– | Wallace |
A6 | Hans Zimmer & Benjamin Wallfisch– | Memory |
A7 | Hans Zimmer & Benjamin Wallfisch– | Mesa |
B1 | Hans Zimmer & Benjamin Wallfisch– | Orphanage |
B2 | Hans Zimmer & Benjamin Wallfisch– | Furnace |
B3 | Hans Zimmer & Benjamin Wallfisch– | Someone Lived This |
B4 | Hans Zimmer & Benjamin Wallfisch– | Joi |
B5 | Hans Zimmer & Benjamin Wallfisch– | Pilot |
B6 | Hans Zimmer & Benjamin Wallfisch– | Hijack |
C1 | Hans Zimmer & Benjamin Wallfisch– | That's Why We Believe |
C2 | Hans Zimmer & Benjamin Wallfisch– | Her Eyes Were Green |
C3 | Hans Zimmer & Benjamin Wallfisch– | Sea Wall |
D1 | Hans Zimmer & Benjamin Wallfisch– | All The Best Memories Are Hers |
D2 | Hans Zimmer & Benjamin Wallfisch– | Tears In The Rain |
D3 | Hans Zimmer & Benjamin Wallfisch– | Blade Runner |
D4 | Lauren Daigle– | Almost Human |
Companies, etc.
- Phonographic Copyright ℗ – Alcon Sleeping Giant (ASG) Records
- Copyright © – Alcon Sleeping Giant (ASG) Records
- Record Company – Sony Music Entertainment
- Record Company – Sony Music Entertainment International Services GmbH
- Published By – Warner/Chappell
- Published By – RCA Records
- Published By – MPL Communications Inc.
- Published By – Capitol CMG Publishing Studio
- Published By – Alcon Sleeping Giant
- Published By – Blade Runner Music
- Published By – Warner-Tamerlane Publishing Corp.
- Published By – Edition Primus Rolf Budde KG
- Mastered At – Sleeping Giant Studios
- Mixed At – Remote Control Productions
- Pressed By – GZ Media – 166626E
- Distributed By – Epic Records
Credits
- A&R [Sony Music Film & TV] – Tom Mackay
- Cello – Simone Vitucci (tracks: A1 to D3)
- Cello, Vocals – Tristan Schulze (tracks: A1 to D3)
- Creative Director [Epic Creative Direction], Art Direction, Design – Anita Marisa Boriboon
- Edited By [Music Editors] – Clint Bennett (tracks: A1 to D3), Ryan Rubin (tracks: A1 to D3)
- Engineer [Technical Score Engineer] – Chuck Choi (tracks: A1 to D3)
- Executive-Producer [Executive Album Producer] – Andrew Kosove, Broderick Johnson, Ken Caillat, Scott Parish (2)
- Executive-Producer [Executive Assistant] – Hunter Norman
- Guitar [Guitars] – Owen Gurry (tracks: A1 to D3)
- Instruments [Digital Instruments Design] – Mark Wherry (tracks: A1 to D3)
- Instruments [Exotic Instruments] – Chas Smith (tracks: A1 to D3)
- Legal [Licensing & Clearance] – Ali Levy, Christine Bergren
- Management [Business Affairs] – Anne Jordan, Scott Edell
- Management [Creative Music Manager] – Lauren Morrison
- Management [Epic Business Affairs] – Robert Faulstich, Shane St. Hill, Stephanie Yu
- Management [Epic Commerce] – Celine Joshua, Chelsea Donnarumma
- Mastered By [Score Mastering Assistant] – Forest Christenson (tracks: A1 to D3)
- Mastered By [Score Mastering By] – Alan Meyerson (tracks: A1 to D3)
- Mastered By [Soundtrack Album] – Eric Boulanger (2), Ghian Wright
- Music By – Benjamin Wallfisch, Hans Zimmer
- Musical Assistance [Assistant To Hans Zimmer] – Cynthia Park (tracks: A1 to D3)
- Producer [Music Production Services] – Steven Kofsky (tracks: A1 to D3)
- Producer [Soundtrack Album Produced By] – Ashley Culp, Kayla Morrison, Michael Hodges (5)
- Product Manager [Production Accounting] – Jessica Urven, Marilyn Fulbright
- Production Manager [Studio Manager For Remote Control Productions] – Shalini Singh (tracks: A1 to D3)
- Programmed By [Synth Programming] – Hans Zimmer (tracks: A1 to D3)
- Promotion [Epic Digital Marketing] – Jamie Crawford-Walker, Lisa Kasha
- Promotion [Epic Marketing] – David Bell (22), Franz De Los Reyes
- Public Relations [Epic Publicity] – Melissa Victor-Burkhardt
- Sampler [Sampling Team] – Raul Vega (2) (tracks: A1 to D3), Taurees Habib (tracks: A1 to D3)
- Score [Original Score By] – Benjamin Wallfisch, Hans Zimmer
- Supervised By [Music Supervision By] – Deva Anderson
- Synthesizer [Design] – Howard Scarr (tracks: A1 to D3)
- Technician [Score Technical Assistant] – Max Sandler (tracks: A1 to D3), Nate Underkuffler (tracks: A1 to D3)
- Vocals [Vocalist] – Avi Kaplan (tracks: A1 to D3)
Notes
The main sleeve is a standard single non-gatefold sleeve. A download code for the tracks on the release and four extra tracks is included. Credits listed on the printed inner sleeve show information for these extra tracks ("Summer Wind", "Suspicious Minds", "Can't Help Falling In Love", and "One For My Baby (And One More For The Road)").
Original Score by Hans Zimmer + Benjamin Wallfisch (Alcon Sleeping Giant (ASCAP).
Tears In The Rain (D2): Blade Runner Music c/o Warner-Tamerlane Publishing Corp.
Almost Human (D4): Capitol CMG Publishing / Alcon Sleeping Giant.
The catalogue number printed on the spine is 19075803641.
The inner sleeve on A/B and download code sheet show 19075803641-1, while the inner sleeve on C/D shows 19075803641-2.
Compilation © & ℗ 2017 Alcon Sleeping Giant (ASG) Records Exclusively Distributed by Epic Records, a division of Sony Music Entertainment. Sony Music Entertainment International Services GmbH, PO BOX 510, 33311 Gütersloh, Germany.
Made in the EU.
Original Score by Hans Zimmer + Benjamin Wallfisch (Alcon Sleeping Giant (ASCAP).
Tears In The Rain (D2): Blade Runner Music c/o Warner-Tamerlane Publishing Corp.
Almost Human (D4): Capitol CMG Publishing / Alcon Sleeping Giant.
The catalogue number printed on the spine is 19075803641.
The inner sleeve on A/B and download code sheet show 19075803641-1, while the inner sleeve on C/D shows 19075803641-2.
Compilation © & ℗ 2017 Alcon Sleeping Giant (ASG) Records Exclusively Distributed by Epic Records, a division of Sony Music Entertainment. Sony Music Entertainment International Services GmbH, PO BOX 510, 33311 Gütersloh, Germany.
Made in the EU.
Barcode and Other Identifiers
- Barcode (Text): 1 90758 03641 0
- Barcode (Scanned): 190758036410
- Label Code: LC00199
- Rights Society: BIEM/GEMA
- Rights Society: ASCAP
- Other (Catalogue number sleeve A/B): 19075803641-1
- Other (Catalogue number sleeve C/D): 19075803641-2
- Matrix / Runout (Laser etched side A, variant 1): 166626E1/A
- Matrix / Runout (Laser etched side B, variant 1): 166626E2/A
- Matrix / Runout (Laser etched side C, variant 1): 166626E3/A
- Matrix / Runout (Laser etched side D, variant 1): 166626E4/A
- Matrix / Runout (Laser etched side A, variant 2): 166626E1/B
- Matrix / Runout (Laser etched side B, variant 2): 166626E2/B
- Matrix / Runout (Laser etched side C, variant 2): 166626E3/A
- Matrix / Runout (Laser etched side D, variant 2): 166626E4/A
- Matrix / Runout (Laser etched side A, variant 3): 166626E1/C
- Matrix / Runout (Laser etched side B, variant 3): 166626E2/B
- Matrix / Runout (Laser etched side C, variant 3): 166626E3/B
- Matrix / Runout (Laser etched side D, variant 3): 166626E4/B
Other Versions (5 of 16)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Blade Runner 2049 (Original Motion Picture Soundtrack) (24×File, MP3, Album, 320kbps) | Warner Bros. Records | Y4DDBR01MP320 | US | 2017 | |||
New Submission | Blade Runner 2049 (Original Motion Picture Soundtrack) (2×CD, Album) | Epic, Alcon Sleeping Giant | 190758030920 | US | 2017 | ||
Recently Edited | Blade Runner 2049 (Original Motion Picture Soundtrack) (2×CD, Album) | Epic, Alcon Sleeping Giant, Sony Music | 19075803092 | Europe | 2017 | ||
New Submission | Blade Runner 2049 (Original Motion Picture Soundtrack) (2×CD, Album, Limited Edition, Numbered) | Epic, Alcon Sleeping Giant | 19075800852 | US | 2017 | ||
Recently Edited | Blade Runner 2049 (Original Motion Picture Soundtrack) (2×CD, Album, Limited Edition, Numbered) | Epic, Alcon Sleeping Giant | 88985494342 | US | 2017 |
Recommendations
Reviews
- What a piss-take leaving off the Elvis and Sinatra numbers, but making space for that godawful last song that sounds exactly like every other modern pop song. Embarrassingly bad.
- The major downside is the sleeve: it should have been a gatefold. After a quick clean the records don't sound bad at all: some mild noise during quiet parts but dynamically they are very good.
- I’m playing on a Technics SL-1400 with Signet TK7SU cartridge. Sansui 881 receiver and B&W DM601 S3 speakers.
I’ve started writing some reviews on records here on Discogs. And I don’t hold back. I’m getting sick and tired of off-centered records and low quality vinyl. Especially at the prices we are paying today.
Record companies and manufacturers need to be called out. When was the last time a person in Germany said “I’d really love the import pressing from the USA”? Exactly….NEVER!!!
I almost didn’t buy this pressing due to the reviews. But I did. So, here goes….
Packaging sucks. For a double record at $40, make it a gatefold. It is not. Sleeves are ok. Colorful. But I would rather have a couple of colorful inserts and the records placed in archive quality inner sleeves. It’s nowhere near as bad as putting in plain paper sleeves. So, it’s ok what they did. Just a gripe. But at least, it should have been a gatefold.
On to the quality of the records. Now, I usually give a new record a quick clean with some spray and a rub down. Then use anti-static gun or brush before dropping the needle.
I’m shocked. Especially after reading all the negative reviews.
This sounds fantastic!!
Every side was cut nicely. Not off-centered at all. Excellent. Every side was quiet!! No background noise. No crackles and barely a pop. If this album was noisy, I would be ripping it apart. But it wasn’t. Sonically, wow!!! It was a pleasure to listen to.
Did I find the needle in the haystack? Maybe? I don’t know. I’m honestly not sure why there are so many negative reviews. Maybe I got lucky. But from my perspective, I’ll give it top marks.
Quality of records gets a grade of “A”
Packaging gets a grade of “C” - Going by comments here I was luckier than some. Disc 2 is a bit wonky, but it all sounds pretty great other than the odd crackle.
- Terrible press, at least the one I picked up, but it seems to be in line with most other comments. Returned it after listening to Side A and B.
With an ambient recording like this one, where a lot relies on dynamics, every pop and click is one too many, but this pressing should have never found its way into the hands of customers, just an overall ridiculously cheap and low-effort product. A shame for a score as wonderful as this one. - Three copies already, the first two severely warped and with pops and clicks.
I surrendered with the third (only pops and clicks), will try to have it cleaned with ultrasound or something.
It is shameful that a beautiful score like this is pressed so poorly. - Pressing was total crap returned it quick fast.
Music itself little more than a mix of Doom and Mass Effect videogames and nowhere near the original films emotive tracks. Zimmer has done far better with Inception, Interstellar and Last Samurai - Could really do without the mega pop tune on side d, kinda takes away from the Blade Runner vibe a bit. Mediocre pressing, but the Zimmer/Wallfisch movements are fantastic with a few nods to Vangelis.
- I finally went for this in the hope that I would get a good quality pressing. Alas, it had to be returned to the shop due to excessive noise on 2 of 4 sides. Disappointing.
- My records sound good, yes there are very few pops but hardly anything to think about. And I got the download code inside. The only thing that bothers me is the last song Almost Human, it's an AWFUL song that has NOTHING to do with Blade Runner and doesn't fit the rest of the soundtrack. It's HORRIBLE. I wish I could remove it from my otherwise flawless record.
Release
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