The 50 Best Movies of 2020, According to Over 230 Film Critics

1. “Nomadland”

Director: Chloé Zhao

Cast: Frances McDormand, David Strathairn, Linda May, Charlene Swankie, Bob Wells

Accolades: Golden Lion at the Venice Film Festival. People’s Choice Award at the Toronto International Film Festival.

Read IndieWire’s review: “Nomadland” is the kind of movie that could go very wrong. With Frances McDormand as its star alongside a cast real-life nomads, in lesser hands it might look like cheap wish fulfillment or showboating at its most gratuitous. Instead, director Chloé Zhao works magic with McDormand’s face and the real world around it, delivering a profound rumination on the impulse to leave society in the dust.

2. “Never Rarely Sometimes Always”

Director: Eliza Hittman

Cast: Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, Sharon Van Etten

Accolades: Silver Bear Grand Jury Prize at the Berlin Film Festival

Read IndieWire’s review: Hittman’s ability to write and direct such tender films has long been bolstered by her interest in casting them with fresh new talents, all the better to sell the veracity of her stories and introduce moviegoers to emerging actors worthy of big attention. With “Never Rarely Sometimes Always,” Hittman continues her traditions with her most vivid work yet, one all the more impressive for its studio pedigree. (This is not the kind of film many mainstream outfits would support and make, and more power to Focus Features and Hittman for endeavoring to bring it to a large audience.) 

3. “First Cow”

Director: Kelly Reichardt

Cast: John Magaro, Orion Lee, Toby Jones, Ewen Bremner, Scott Shephard, Gary Farmer

Read IndieWire’s review: Few filmmakers wrestle with what it means to be American the way Kelly Reichardt has injected that question into all of her movies. In a meticulous fashion typical of her spellbinding approach, “First Cow” consolidates the potent themes of everything leading up to it: It returns her to the nascent America of the 19th Century frontier at the center of “Meek’s Cutoff,” touches on the environmental frustrations of “Night Moves,” revels in the glorious isolation of the countryside in “Certain Women,” and the somber travails of vagrancy at the center of “Wendy and Lucy.”

4. “Lovers Rock”

Director: Steve McQueen

Cast: Amarah-Jae St. Aubyn and Michael Ward

Read IndieWire’s review: Set across a single night in 1980 and loaded with a soundtrack from the eponymous reggae music, “Lovers Rock” is a paean to an energized youth culture taking control of its surroundings, despite the social unrest around them. Experienced on its own terms, this delightful snapshot of boozy dance-floor seduction plays like an artist unleashing years of repressed good vibes by applying his lyrical style to pure, unbridled bliss for almost the entirety of its 68 minutes.

5. “I’m Thinking of Ending Things”

Director: Charlie Kaufman

Cast: Jesse Plemons, Jessie Buckley, Toni Collette, David Thewlis

Read IndieWire’s review: If “I’m Thinking of Ending Things” feels like both an act of self-parody for its director and also a radical departure from his previous work, that’s because it takes Kaufman’s usual fixations and turns them inside out. While this leaky snow globe of a breakup movie is yet another bizarre and ruefully hilarious trip into the rift between people, it’s not — for the first time — about someone who’s trying to cross it. On the contrary, Kaufman is now telling a story about the rift itself. 

6. “Beanpole”

Director: Kantemir Balagov

Cast: Viktoria Miroshnichenko, Vasilisa Perelygina, Konstantin Balakirev, Andrey Bykov

Read IndieWire’s review: Inspired by Svetlana Alexievich’s book “The Unwomanly Face of War,” Balagov’s frigid “Beanpole” tells a glacially paced but gorgeously plotted story about two women — two best friends — who grow so desperate for any kind of personal agency that they start using each other to answer the unsolvable arithmetic of life and death.

7. “Time”

Director: Garrett Bradley

Read IndieWire’s review: A woman’s 20-year fight to free her husband is captured on home video and cut together into a profoundly moving story of hope. On its surface, Garrett Bradley’s “Time” asks a simple question: How can you convey the full length of 21 years in the span of a single film, let alone a documentary that runs just 81 minutes? And from its degraded opening images — borrowed from the first of a thousand video messages that a black Louisiana woman named Sibil Fox Richardson (aka “Fox Rich”) recorded for her husband as she waited for him to be released from the State Penitentiary — offers a similarly simple answer: You don’t measure it in length, but rather in loss.
 

8. “Da 5 Bloods”

Director: Spike Lee

Cast: Delroy Lindo, Jonathan Majors, Clarke Peters, Norm Lewis, Isiah Whitlock Jr., Paul Walter Hauser, Jean Reno, Chadwick Boseman

Read IndieWire’s review: “Da 5 Bloods” doesn’t always gel as it careens through overstuffed plot twists and disparate tones, with some big moments better executed than others. Still, that freewheeling energy is in short supply, and this pure distillation of a Spike Lee joint illustrates the rarity of an American filmmaker so confident in his sensibilities and style that nothing can slow them down.

9. “Martin Eden”

Director: Pietro Marcello

Cast: Luca Marinelli, Carlo Cecchi, Jessica Cressy, Vincenzo Nemolato, Marco Leonardi

Read IndieWire’s review: Pietro Marcello’s “Martin Eden” is a dreamy and surprisingly faithful Jack London adaptation made with more than 100 years of hindsight, one that doesn’t bend over backwards to prevent modern audiences from missing London’s points. London’s novel is all the more powerful because it’s not prescriptive — because it gives readers just enough rope to hang themselves, and sets them all the same traps that Martin himself falls into. 

10. “Bacurau”

Director: Kleber Mendonça Filho and Juliano Dornelles

Cast: Sônia Braga, Udo Kier, Bárbara Colen, Thomas Aquino, Silvero Pereira, Karine Teles

Accolades: Jury Prize at the 2019 Cannes Film Festival

Read IndieWire’s review: “Aquarius” director Kleber Mendonça Filho returns with a wonderful and demented Western about the perils of rampant modernization. In some respects, the film can be seen as a logical continuation of the Brazilian critic-turned-auteur’s two previous features. Much like 2012’s revelatory “Neighboring Sounds,” for example, “Bacurau” is a patient and sprawling portrait of a Brazilian community as it struggles to defend itself against the dark specter of modernity. And much like 2016’s unshakeable “Aquarius,” “Bacurau” hinges on an immovably stubborn woman who refuses to relinquish her place in the world — who won’t allow our blind lust for the future to bury her meaningful ties to the past.
 

10. “Mank”

Director: David Fincher

Cast: Gary Oldman, Amanda Seyfried, Lily Collins, Arliss Howard, Charles Dance

Read IndieWire’s review:

Though forged in a meticulous 1930s backdrop that merges historical detail with the style and tone of that era, “Mank” is hardly a playful throwback. Fincher has made a cerebral psychodrama that rewards the engaged cinephile audience in its crosshairs, but even when cold to the touch, the movie delivers a complex and insightful look at American power structures and the potential for a creative spark to rankle their foundations.

11. “Dick Johnson Is Dead”

Director: Kristen Johnson

Read IndieWire’s review: The title of “Dick Johnson Is Dead” doesn’t lie, but it’s not exactly truthful, either. Dick Johnson dies many times in his daughter Kirsten’s poignant and personal documentary, starting with the opening credits. And yet he’s very much alive the whole time, playacting in an elaborate form of cinematic therapy with his filmmaker offspring as she wrestles with the anxiety of losing him.

13. “Minari”

Director: Lee Isaac Chung

Cast: Steven Yeun, Han Ye-ri, Alan Kim, Noel Kate Cho, Youn Yuh-jung, Will Patton

Accolades: U.S. Dramatic Grand Jury Prize and the U.S. Dramatic Audience Award at the 2020 Sundance Film Festival

Read IndieWire’s review: Told with the rugged tenderness of a Flannery O’Connor novel but aptly named for a resilient Korean herb that can grow wherever it’s planted, Lee Isaac Chung’s semi-autobiographical “Minari” is a raw and vividly remembered story of two simultaneous assimilations; it’s the story of a family assimilating into a country, but also the story of a man assimilating into his family.

14. “Promising Young Woman”

Director: Emerald Fennell

Cast: Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown, Jennifer Coolidge, Connie Britton, Laverne Cox

Read IndieWire’s review: Emerald Fennell’s raucous debut, “Promising Young Woman,” twists its buzzword-laden, spoiler-free synopsis — it’s a #MeToo rape revenge thriller with bite! — into something fresh and totally wild. Thank both Fennell’s wicked mind and star Carey Mulligan’s somehow even more wicked performance for that. Cooked up by Fennell and dizzyingly embodied by an incendiary Mulligan, Cassie is an anti-heroine for our times, and a wholly unique one at that.

15. “Kajillionaire”

Director: Miranda July

Cast: Evan Rachel Woods, Debra Winger, Richard Jenkins, Gina Rodriguez

Read IndieWire’s review:

Elevated by an extraordinary Evan Rachel Wood performance that finds her character literally discovering her free will, “Kajillionaire” splits the difference between “Shoplifters” and “Parasite”: It’s an understated dramedy with bite, oscillating from the implication that family bonds are bullshit to the conclusion that everybody deserves a little tough love.

16. “Collective”

Director: Alexander Nanau

Read IndieWire’s review: “Collective” starts as one of the greatest journalism movies of all times, and then it goes one step further, exposing democracy at war with itself. Romanian director Alexander Nanau’s bracing, relentless documentary tracks the aftermath of the 2015 fire that killed 64 people, hovering at the center of a system on the verge of collapse. And then it does, much like the flames that engulfed Bucharest’s Colectiv nightclub and sent the nation into a tailspin, as “Collective” sits at the center of the chaos with an unflinching gaze.

17. “One Night in Miami”

Director: Regina King

Cast: Kingsley Ben-Adir, Eli Goree, Aldis Hodge, Leslie Odom Jr.

Read IndieWire’s review: Directed by Regina King (already an Oscar and Emmy winner for her acting) and adapted by Kemp Powers (who first launched the project as a stage play), “One Night in Miami” is both a formidable debut for King (who has previously directed a slew of episodes of high-profile television series) and a strong argument for Powers’ medium-crossing skills. It’s also one of the year’s best acting showcases, including turns from Kingsley Ben-Adir as Malcolm X, Leslie Odom Jr. as Sam Cooke, Aldis Hodge as Jim Brown, and Eli Goree as Cassius Clay.

18. “Vitalina Verela”

Director: Pedro Costa

Cast: Vitalina Varela and Manuel Tavares Almeida

Accolades: Golden Leopard and Best Actress winner at 2019 Locarno International Film Festival

Read IndieWire’s review: The mystery and wonder of Pedro Costa’s filmmaking defies any specific category other than his own unique blend. The Portuguese director conjures dark, dreamlike visions of post-colonial neglect and yearning that hover somewhere between fantasy and neorealism, horror and melodrama, spirituality and desperation. “Vitalina Varela,” Costa’s fifth journey into the shantytown Fontainhas outside of Lisbon, once again showcases Costa’s masterful ability to mine cinematic poetry from a unique environment and the mournful figures who wander through its murky depths.

19. “The Nest”

Director: Sean Durkin 

Cast: Jude Law, Carrie Coon, Charlie Shotwell, Tobias BA Macey, Oona Roche, Adeel Akhtar

Read IndieWire’s review: In Durkin’s icy, slow-burn drama, every frame benefits from masterful composition. Carrie Coon and Jude Law deliver sizzling performances defined by mutual indignation, but it ultimately amounts to little more than talent spinning its wheels on both sides of the camera.

20. “The Sound of Metal”

Director: Darius Marder

Cast: Riz Ahmed, Olivia Cooke, Paul Raci, Lauren Ridloff, Mathieu Amalric

Read IndieWire’s review: As Ruben, the heavy-metal drummer going deaf at the center of the mesmerizing debut from writer-director Darius Marder, Riz Ahmed conveys the complex frustrations of losing touch with the world around him no matter how much he fights to hold onto it. This devastating conundrum relies on the best use of sound design in recent memory, as Marder immerses viewers within the confines of Ruben’s deteriorating relationship to the world around him, and he sorts through the wreckage to construct a new one. Ahmed’s brilliant performance coasts on a complex soundscape that resonates even in total silence.

21. “The Trial of the Chicago 7”

Director: Aaron Sorkin

Cast: Yahya Abdul-Mateen II, Sacha Baron Cohen, Daniel Flaherty, Joseph Gordon-Levitt, Michael Keaton, Frank Langella, John Carroll Lynch, Eddie Redmayne, Noah Robbins, Mark Rylance. Alex Sharp, Jeremy Strong

Read IndieWire’s review: “The Trial of the Chicago 7” is exactly as advertised — a giant, giddy burst of earnest theatricality, loaded with a formidable ensemble that chews on every inch of the scenery, that overall makes a passionate case for the resilience of its formula more than using it as an excuse.

22. “The Assistant”

Director: Kitty Green

Cast: Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth

Read IndieWire’s review:

Harvey Weinstein doesn’t appear in “The Assistant,” and nobody mentions him by name, but make no mistake: Director Kitty Green’s urgent real-time thriller marks the first narrative depiction of life under his menacing grip. “Ozark” breakout Julia Garner is a revelation as the fragile young woman tasked with juggling the minutiae of the executive’s life, arranging a never-ending stream of airplane trips, staving off angry callers, and picking up the trash left in his wake.

23. “David Byrne’s “American Utopia”

Director: Spike Lee

Read IndieWire’s review: “American Utopia” isn’t just a concert doc, but also a life-affirming, euphoria-producing, soul-energizing sing-along protest film that’s asking us to rise up against our own complacency. 

24. “Soul”

Director: Pete Docter

Cast: Jamie Foxx, Tina Fey, Questlove, Phylicia Rashad, Daveed Diggs, Angela Bassett

Read IndieWire’s review: The first entry in the Pixar canon to center on a Black character is a magical crowdpleaser that embodies the Pixar Touch. While Disney’s decision to bypass a theatrical release for the film to post “Soul” straight onto Disney+ on Christmas Day doesn’t do any favors to the sorry state of exhibition, “Soul” is well worth signing up for the service, as it’s one of the very best Pixar efforts in years.
 

25. “The Invisible Man”

Director: Leigh Whannell

Cast: Elisabeth Moss, Aldis Hodge, Storm Reid, Harriet Dyer, Michael Dorman, Oliver Jackson-Cohen

Read IndieWire’s review: Whannel makes his “Invisible Man” an unbearably tense ride through his blocking choices, which often use negative spaces to induce fear in the viewer. Whether it gets Oscar buzz or not, “The Invisible Man” is bound to go down as one of the strongest reviewed studio films of 2020.

26. “The Whistlers”

Director: Corneliu Porumboiu

Cast: Vlad Ivanov, Catrinel Marlon, Rodica Lazar |

Read IndieWire’s review: Corneliu Porumboiu’s enjoyable riff on the heist movie tradition has a unique hook, and is begging for an English language remake. This entertaining noir is a polished mashup of genre motifs that suggests what might happen if the “Ocean’s 11” gang assembled on the Canary Islands.
 

27. “Ammonite”

Director: Francis Lee

Cast: Kate Winslet, Saoirse Ronan, Gemma Jones, James McArdle, Alec Secăreanu, Fiona Shaw

Read IndieWire’s review: Lee’s restraint is successful. The film never delivers obvious platitudes about how difficult it was to be a 19th-century woman who loved other women, and how any dreams of a happy life together are all but impossible. Although Mary’s mother occasionally shoots the pair biting glances, the film doesn’t wield the threat of discovery. It’s clear that this romance is not one for public eyes and Lee trusts his audience to understand that with a minimum of information.

28. “News of the World”

Director: Paul Greengrass

Cast: Tom Hanks and Helena Zengel

Read IndieWire’s review: These are the moments where “News of the World” is at its most urgent — when this bittersweet but richly sentimental Western pauses to reflect on the double-edged power of the stories we tell ourselves, and the power that telling them to each other gives us to change what happens in the next chapter.

29. “Possessor”

Director: Brandon Cronenberg

Cast: Andrea Riseborough, Christopher Abbott, Rossif Sutherland, Tuppence Middleton, Sean Bean, Jennifer Jason Leigh

Read IndieWire’s review: A queasy and intriguing horror-inflected techno-thriller that gets lost somewhere in the Bermuda Triangle between “Mandy,” “Inception,” and “Ghost in the Shell,” Brandon Cronenberg’s “Possessor” is so drunk on its own sick potential that it doesn’t have the time (or the balance) required to realize most of it. On the other hand, 90 minutes of Andrea Riseborough and Christopher Abbott engaging in ultra-gory psychic warfare over control of the latter’s body is more satisfying than what most of the current Best Picture nominees have to offer, so maybe it’s wise not to look a gift horse in the mouth.

30. “Bloody Nose, Empty Pockets”

Director: Bill and Turner Ross

Read IndieWire’s review: The film is both a grand cinematic deception and a bold filmmaking experimentation from two of the most intriguing directors working in non-fiction today. This has been the Ross brothers’ motif since their earliest work, the expressionistic midwestern snapshot “45365” and “Tchoupitoulas,” which followed three prepubescent kids across a single meandering New Orleans night. “Bloody Nose, Empty Pockets” sits on the same continuum. The movie pretends to be a fly-on-the-wall observational tale, but in the process of assembling its remarkable homegrown universe, becomes a legitimate one anyway.

31. “Palm Springs”

Director: Max Barbakow

Cast: Andy Samberg, Cristin Milioti, Peter Gallagher, J. K. Simmons

Read IndieWire’s review: “Palm Springs” offers a novel way to explore why the decision to share your life with someone can be more than just a band-aid placed atop a gaping wound of loneliness. Sure, “Groundhog Day” arrives at essentially the same place, but — start to finish — this winsome bauble of a movie is uniquely eager to embrace the idea that life isn’t quite as limitless as it seems.

32. “Wolfwalkers”

Director: Tomm Moore and Ross Stewart

Cast: Honor Kneafsey, Eva Whittaker, Sean Bean, Simon McBurney, Maria Doyle Kennedy

Read IndieWire’s review: With “Wolfwalkers” — the final installment of the studio’s informal trilogy of films about Irish folklore — Cartoon Saloon has realized its true potential at last. Far and away the best animated film of the year so far (one worthy of such hosannas no matter how limited the competition has been), this heartfelt tale of love and loss is the most visually enchanting feature its studio has made thus far, as well as the most poignant.

33. “Shirley”

Director: Josephine Decker

Cast: Elisabeth Moss, Michael Stuhlbarg, Odessa Young, Logan Lerman

Read IndieWire’s review: “Shirley” is no more of a biopic than “Bright Star,” “An Angel at My Table,” or “Shakespeare in Love.” Adapted from the Susan Scarf Merrell novel of the same name, Decker’s characteristically sawtoothed and delirious new film is set in the same latent space between fact and fantasy — a story and its telling — where she located all of her previous work.

34. “Another Round”

Director: Thomas Vinterberg

Cast: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe

Accolades: Best Film, Best Director, Best Actor, and Best Screenplay at the European Film Awards

Read IndieWire’s review: Thomas Vinterberg’s absorbing dark comedy turns into a lively and fascinating referendum on booze, with Mads Mikkelsen’s fierce and unsettling performance vibrating at its center. Teaming up for the first time since their similarly unnerving character study “The Hunt” in 2012, the Danish actor and director join forces for a wily character study that enhances the one-note premise through the sheer gusto of its execution.

35. “Mangrove”

Director: Steve McQueen

Cast: Letitia Wright, Shaun Parkes, Malachi Kirby, Rochenda Sandall, Alex Jennings, Jack Lowden

Read IndieWire’s review: The dramatic story of the Mangrove Nine, when a group of Black British activists fought back against racist police raids in a tense series of courtroom showdowns, practically pitched itself as a movie when it unfolded in 1970. (They were acquitted of most charges, but the raids didn’t stop.) It only took 50 years, but writer-director Steve McQueen’s “Mangrove” works overtime to fill the gap, resulting in a delectable crowdpleaser both specific to its moment and relevant today.

36. “City Hall”

Director: Frederick Wiseman

Read IndieWire’s review: As attention spans dwindle and the complex mess of American governance grows murkier than ever, Wiseman’s immersive dive into Boston’s city services ignores the pressure to dumb things down and marvels at the complexity of a system designed to make the world run right.

“Borat Subsequent Moviefilm”

Director: Jason Woliner

Cast: Sacha Baron Cohen and Maria Bakalova

Read IndieWire’s review: Cobbled together in the midst of the pandemic and rushed out ahead of the presidential election, the new “Borat” plays like a prankish wakeup call to the lunacy he’s been pointing towards for ages. At a time when satire often feels too soft, this brilliant, vulgar plea for a better world cuts deep.

38. “Fourteen”

Director: Dan Sallitt

Cast: Tallie Medel and Norma Kuhling

Read IndieWire’s review:

The fifth feature by revered critic, compulsive cinephile, and occasional filmmaker Dan Sallitt, “Fourteen” is a modest but gradually — and, in the end, greatly — affecting sketch of how even the closest of friendships can shift and wither over the years. People change in different ways. Some don’t change at all. It helps when there’s a clear reason beneath the shifting tectonic plates that cause the rifts between us, but it still hurts all the same.

39. “The Vast of Night”

Director: Andrew Patterson

Cast: Sierra McCormick and Jake Horowitz

Read IndieWire’s review: This is a thriller nostalgic for the days of letterman jackets, rotary phones, Cold War-era conspiracy theories, and when everybody, even kids, smoked. With his retro, lo-fi, low-budget first feature, director Patterson should easily expect Hollywood to soon start throwing plenty of higher-concept genre fare at him, and on the basis of the supreme confidence of “The Vast of Night” alone, he’s ready for it.

40. “Sorry We Missed You”

Director: Ken Loach

Cast: Kris Hitchen, Debbie Honeywood, Rhys Stone, Katie Proctor

Read IndieWire’s review: “Sorry We Missed You” is the latest installment in this sprawling pantheon of cinematic activism, and delivers another tough, poignant look at desperate characters trapped by the only system that allows them to survive.

41. “She Dies Tomorrow”

Director: Amy Seimetz

Cast: Kate Lyn Sheil, Jane Adams, Kentucker Audley, Katie Aselton, Chris Messina, Tunde Adebimpe

Read IndieWire’s review: “She Dies Tomorrow” is a gripping seriocomic apocalyptic thriller that combines classic David Cronenberg body horror and with the scathing surrealism of Luis Buñuel. Envisioning a disease where the afflicted believe they’ll die by morning, the movie taps into a timeless anxiety with hilarious and disquieting results, often delivered in the same dose.

42. “Undine”

Director: Christian Petzold

Cast: Paula Beer and Franz Rogowski

Accolades: Best Actress at the Berlin Film Festival and the European Film Awards

Read IndieWire’s review: Much like the “Vertigo”-inspired “Phoenix,” Petzold imbues the material with a Hitchcockian build, as subtle moments drop hints of dark, invisible forces conspiring to complicate the situation. Undine may be losing her grip on reality, but reality has a few surprises in store for her as well.

43. “On the Rocks”

Director: Sofia Coppola

Cast: Rashida Jones, Bill Murray, Marlon Wayans, Jenny Slate

Read IndieWire’s review: It’s the first Sofia Coppola movie that feels — if only during its flattest stretches — as if it could have been made by somebody else, and yet at the same time it also plays like the loose and tipsy self-portrait of a maturing filmmaker being visited by the ghost of her greatest success.

44. “Ma Rainey’s Black Bottom”

Director: George C. Wolfe

Cast: Viola Davis, Chadwick Boseman, Glynn Turman, Colman Domingo, Michael Potts

Read IndieWire’s review: An actor’s showcase for Viola Davis as the show-stopping singer and the late Chadwick Boseman as the scheming trumpeter angling to steal her spotlight, director George C. Wolfe’s reverential adaptation livens up the material with sizzling color and vivid closeups. Save for a few digressions, however, Wolfe and screenwriter Ruben Santiago-Hudson have put the play into the movie, rather than vice versa.

45. “The Young Ahmed”

Director: Jean-Pierre and Luc Dardenne

Cast: Idir Ben Addi, Olivier Bonnaud, Myriem Akheddiou, Victoria Bluck as Louise

Read IndieWire’s review: While propelled by a handful of gripping encounters and the Dardennes’ usual economical storytelling, “Young Ahmed” never quite gets beyond the fundamental challenge Ahmed faces to provide deeper insights into his behavior, even as it delivers on its timely, provocative concept in rather straightforward terms.

46. “Let Them All Talk”

Director: Steven Soderbergh

Cast: Meryl Streep, Candice Bergen, Gemma Chan, Lucas Hedges, Dianne Wiest

Read IndieWire’s review: With “Let Them All Talk,” Soderbergh has gone from making movies informed by his “let’s just do it and be legends” ethos to making a movie about the futility of perfection, and the consequences of imposing it on an unruly world. If this gentle and luxuriant floating gabfest isn’t the least bit hostile towards Fincher or anyone else, it’s still a clear shot across the bow at the idea that artists have the final say over how people live with their work.

47. “Emma”

Director: Autumn de Wilde

Cast: Anya Taylor-Joy, Johnny Flynn, Josh O’Connor, Callum Turner, Mia Goth, Miranda Hart, Bill Nighy

Read IndieWire’s review: Director Autumn de Wilde’s lavish but loyal “Emma” (stylized “Emma.”), an indulgent movie about indulgent people that dares to imagine how — on a long enough timeline — the whole of human existence might be no more important than a straw hat shaped like a fortune cookie, or a navy blue shirt popping against a mustard peacoat, or the romantic misfortunes of an unsophisticated teenage girl as they reverberate through a vain pocket of the English gentry.

48. “Tenet”

Director: Christopher Nolan

Cast: John David Washington, Robert Pattinson, Kenneth Branagh, Elizabeth Debicki

Read IndieWire’s review: What kind of picture is it? Big, certainly: IMAX-scaled, and a hefty 150 minutes even after a visibly ruthless edit. It’s clever, too — yes, the palindromic title has some narrative correlation — albeit in an exhausting, rather joyless way. As second comings go, “Tenet” is like witnessing a Sermon on the Mount preached by a savior who speaks exclusively in dour, drawn-out riddles. Any awe is flattened by follow-up questions.

49. “His House”

Director: Remi Weekes

Cast: Wunmi Mosaku, Sope Dirisu, Matt Smith

Read IndieWire’s review: One of the best debuts of the year, Remi Weekes’ shrewd, tender, and sometimes terrifying “His House” begins with a clever premise — the immigrant experience as a horror movie — and expands on that idea in knowing and unexpected ways. 

50. “The Painter and the Thief”

Director: Benjamin Ree

Read IndieWire’s review: Benjamin Ree’s nuanced and beguiling new documentary is about the various things we all take from each other…It’s a frequently riveting movie that’s full of raw and loaded encounters. Ree shoots “The Painter and the Thief” with the probing composure of a scripted European drama (few documentaries make it so easy to imagine their narrative remakes).