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Eric Clapton Albums Ranked and Reviewed Best to Worst

A list by JustGeorge93

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A ranking and review of the studio and live albums from the solo career of legendary blues phenomenon Eric Clapton! There has never been a ranking task so difficult in all my years! Eric's solo career was and still is a true and uncompromising love affair with the music he loved. Enjoy! (Updated 02/24)
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30One More Car, One More Rider

30.Eric Clapton

One More Car, One More Rider (2002)


As Eric's sixth live album, 2002's 'One More Car, One More Rider' features fine yet never enthralling live playing. The album was initially conceived to mark the end of Eric's touring around the world, which evidently did not end, and was essentially meant to capture something of a peak. However, with a stripped back show to the acoustic bare bones, Eric goes through the motions of playing the blues -- a cutting version of the perennial "Key to the Highway," "Hoochie Coochie Man," "Goin' Down Slow," among others here -- the heart of this album is closer to the NPR instrumental jam of "Reptile" than blues. A very mannered and sensible performance from the guitar genius. 3/10
As Eric's sixth live album, 2002's 'One More Car, One More Rider' features fine yet never enthralling live playing. The album was initially conceived to mark the end of Eric's touring around the world, which evidently did not end, and was essentially meant to capture something of a peak. However, with a stripped back show to the acoustic bare bones, Eric goes through the motions of playing the blues -- a cutting version of the perennial "Key to the Highway," "Hoochie Coochie Man," "Goin' Down Slow," among others here -- the heart of this album is closer to the NPR instrumental jam of "Reptile" than blues. A very mannered and sensible performance from the guitar genius. 3/10
29Back Home

29.Eric Clapton

Back Home (2005)


2005' 'Back Home' is Eric finally finding that happy home after decades of heartache and disappointment. Strangely, it finds the guitarist sweeping away the dirt and grit of the blues in favour of a more domesticated, soft R&B sound. Each track rides a tight professional groove, whether it is a bluesy vamp or a reggae jam, but always keeping the sound a relaxed and laid-back result. The songs themselves follow a close subject matter of the domestic bliss and strong family unit he has found; "One Track Mind", "I'm Going Left", "Run Home To Me", "Back Home", and the cover of George Harrison's "Love Comes to Everyone". The tame and tender strumming of these little ballads with the occasional bluesy riff thrown in for kicks, keeps 'Back Home' in the shadows of his earlier work, but it is clear that Eric has settled upon a tasteful adult pop sound that would go nice to a pleasant Sunday afternoon at home with the family. 4/10
2005' 'Back Home' is Eric finally finding that happy home after decades of heartache and disappointment. Strangely, it finds the guitarist sweeping away the dirt and grit of the blues in favour of a more domesticated, soft R&B sound. Each track rides a tight professional groove, whether it is a bluesy vamp or a reggae jam, but always keeping the sound a relaxed and laid-back result. The songs themselves follow a close subject matter of the domestic bliss and strong family unit he has found; "One Track Mind", "I'm Going Left", "Run Home To Me", "Back Home", and the cover of George Harrison's "Love Comes to Everyone". The tame and tender strumming of these little ballads with the occasional bluesy riff thrown in for kicks, keeps 'Back Home' in the shadows of his earlier work, but it is clear that Eric has settled upon a tasteful adult pop sound that would go nice to a pleasant Sunday afternoon at home with the family. 4/10
28Old Sock

28.Eric Clapton

Old Sock (2013)


2013's 'Old Sock' is simply more of Eric playing songs that he loves. The vaguely propulsive blues-rock of "Gotta Get Over" and cheerful lite reggae bounce "Every Little Thing" fit neatly into the sunny nostalgia offered on the rest of the record. And "sunny" describes Clapton's sound, mood, and styles here, as he favours reggae over the blues, turning both Otis Redding's "Your One and Only Man" and Taj Mahal's "Further On Down the Road" into lilting bits of sunsplash, covering Peter Tosh's "Till Your Well Runs Dry," and getting so besotted with good cheer on "Every Little Thing" he brings in a bunch of kids to sing the closing chorus, a jarring addition that treads the border of good taste. Eric's indulgence in shameless fun is not an especially compelling reason to make an album but it's not a bad one either. 4/10
2013's 'Old Sock' is simply more of Eric playing songs that he loves. The vaguely propulsive blues-rock of "Gotta Get Over" and cheerful lite reggae bounce "Every Little Thing" fit neatly into the sunny nostalgia offered on the rest of the record. And "sunny" describes Clapton's sound, mood, and styles here, as he favours reggae over the blues, turning both Otis Redding's "Your One and Only Man" and Taj Mahal's "Further On Down the Road" into lilting bits of sunsplash, covering Peter Tosh's "Till Your Well Runs Dry," and getting so besotted with good cheer on "Every Little Thing" he brings in a bunch of kids to sing the closing chorus, a jarring addition that treads the border of good taste. Eric's indulgence in shameless fun is not an especially compelling reason to make an album but it's not a bad one either. 4/10
27Pilgrim

27.Eric Clapton

Pilgrim (1998)


By the time Eric Clapton released 1998's 'Pilgrim', he had once again conquered the pop charts and retained his artistic integrity as a blues player; effectively becoming a household name once more. Eric's newfound melancholic approach to music formed the foundations of 'Pilgrim'; a numbingly calm record that for all its lyrical torment ends up displaying very little of the sincerity of 'Journeyman' or 'Unplugged'. Much of the problem lies in the production, which relies entirely on stiff mechanical drumbeats, gauzy synthesizers, and meandering instrumental interludes. Unfortunately, Clapton doesn't want to shake things up; his singing is startlingly mannered, even on emotionally turbulent numbers like "My Father's Eyes" or "Circus." Even worse, he's content to take a back seat instrumentally, playing slight solos and fills as colourless as the electronic backdrops. Not the most compelling portrait of grief, but an interesting oddity in the Clapton canon. 4/10
By the time Eric Clapton released 1998's 'Pilgrim', he had once again conquered the pop charts and retained his artistic integrity as a blues player; effectively becoming a household name once more. Eric's newfound melancholic approach to music formed the foundations of 'Pilgrim'; a numbingly calm record that for all its lyrical torment ends up displaying very little of the sincerity of 'Journeyman' or 'Unplugged'. Much of the problem lies in the production, which relies entirely on stiff mechanical drumbeats, gauzy synthesizers, and meandering instrumental interludes. Unfortunately, Clapton doesn't want to shake things up; his singing is startlingly mannered, even on emotionally turbulent numbers like "My Father's Eyes" or "Circus." Even worse, he's content to take a back seat instrumentally, playing slight solos and fills as colourless as the electronic backdrops. Not the most compelling portrait of grief, but an interesting oddity in the Clapton canon. 4/10
26Reptile

26.Eric Clapton

Reptile (2001)


2001's 'Reptile' was Eric's first full album of originals in nearly two decades, and it comes with a sound unlike anything the guitarist had previously done. 'Reptile' is mostly taken up with loving renditions of 1950's doo-wop and rockabilly numbers and styles, highlighting Eric's diversity on tracks such as the 1930 jazz song "I Want a Little Girl," 1952 R&B hit "Got You on My Mind"; Ray Charles' 1955 R&B hit "Come Back Baby"; James Taylor's 1972 hit "Don't Let Me Be Lonely Tonight"; and Stevie Wonder's 1980 hit "I Ain't Gonna Stand for It." While these numbers are nice enough for any Clapton fan, it is still a big comedown from the grandiose and fire of his 80's-90's work, even though he does throw some tracks in for those fans; "Believe in Life", "Second Nature", and "Modern Girl", but they are not as memorable. 'Reptile' becomes more of a nostalgic exercise than a mature statement. 4/10
2001's 'Reptile' was Eric's first full album of originals in nearly two decades, and it comes with a sound unlike anything the guitarist had previously done. 'Reptile' is mostly taken up with loving renditions of 1950's doo-wop and rockabilly numbers and styles, highlighting Eric's diversity on tracks such as the 1930 jazz song "I Want a Little Girl," 1952 R&B hit "Got You on My Mind"; Ray Charles' 1955 R&B hit "Come Back Baby"; James Taylor's 1972 hit "Don't Let Me Be Lonely Tonight"; and Stevie Wonder's 1980 hit "I Ain't Gonna Stand for It." While these numbers are nice enough for any Clapton fan, it is still a big comedown from the grandiose and fire of his 80's-90's work, even though he does throw some tracks in for those fans; "Believe in Life", "Second Nature", and "Modern Girl", but they are not as memorable. 'Reptile' becomes more of a nostalgic exercise than a mature statement. 4/10
25Clapton

25.Eric Clapton

Clapton (2010)


2010's 'Clapton' can easily be inferred as a swan-song given its eclectic mix of soulful soft-rock, blues and country tunes; the guitarist taking a breezy waltz through some of his best genre love affairs of his fifty year career. With “Everything Will Be Alright,” Eric demonstrates how he can effortlessly flow easily; the blues never hitting too hard, the New Orleans jazz never getting too woozy, the standards never too sleepy, the sounds subtly shifting but changing all the same. It’s leisurely in its performance and its length, perhaps running just a little too long, but it’s hard to complain because the slow ramble is so enjoyable. Eric Clapton has never sounded so relaxed on record. He is simply laying back and enjoying what he’s playing, winding up with one of his simplest and best records. To name a few of the highlights: "Travelin' Alone", "Judgement Day" and "How Deep is the Ocean". 5/10
2010's 'Clapton' can easily be inferred as a swan-song given its eclectic mix of soulful soft-rock, blues and country tunes; the guitarist taking a breezy waltz through some of his best genre love affairs of his fifty year career. With “Everything Will Be Alright,” Eric demonstrates how he can effortlessly flow easily; the blues never hitting too hard, the New Orleans jazz never getting too woozy, the standards never too sleepy, the sounds subtly shifting but changing all the same. It’s leisurely in its performance and its length, perhaps running just a little too long, but it’s hard to complain because the slow ramble is so enjoyable. Eric Clapton has never sounded so relaxed on record. He is simply laying back and enjoying what he’s playing, winding up with one of his simplest and best records. To name a few of the highlights: "Travelin' Alone", "Judgement Day" and "How Deep is the Ocean". 5/10
24The Road to Escondido

24.J.J. Cale & Eric Clapton

The Road to Escondido (2006)


Eric being Eric, he put the Cream reunion to bed to realise another long-gestating passion project and his second collaborative album; 2006's 'The Road to Escondido'; his album with J.J. Cale. J.J.'s influence was what pushed Eric to forge his own style of laid-back boogie blues with the odd pop inflection, which formed the foundations of many Clapton classics like 'Slowhand' and 'Backless' in the 70s. Yet, 'The Road to Escondido' is more of a Clapton album than a collaboration as he takes this old dog out of retirement for one last ride. While "It's Easy", "Dead End Road" and "Anyway the Wind Blows" add more to the enjoyable background music in the vein of 'Reptile' it never goes beyond being that bit of fun. Enjoyable, nothing more. 5/10
Eric being Eric, he put the Cream reunion to bed to realise another long-gestating passion project and his second collaborative album; 2006's 'The Road to Escondido'; his album with J.J. Cale. J.J.'s influence was what pushed Eric to forge his own style of laid-back boogie blues with the odd pop inflection, which formed the foundations of many Clapton classics like 'Slowhand' and 'Backless' in the 70s. Yet, 'The Road to Escondido' is more of a Clapton album than a collaboration as he takes this old dog out of retirement for one last ride. While "It's Easy", "Dead End Road" and "Anyway the Wind Blows" add more to the enjoyable background music in the vein of 'Reptile' it never goes beyond being that bit of fun. Enjoyable, nothing more. 5/10
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23I Still Do

23.Eric Clapton

I Still Do (2016)


2016's 'I Still Do' proceeds along the same path as all Eric's 21st century albums follow: a nice blend of well-worn blues standards with a couple of J.J. Cale tunes, a few old pop standards, a Bob Dylan chestnut, and original songs that draw upon aspects of all these. "Spiral" and "Catch the Blues," the two EC originals that anchor the middle of the album, are handsomely crafted tunes that complement the rest of the record; they don't draw attention to themselves but rather show how hard "Cypress Grove" swings and how "Alabama Woman Blues" crawls, and reveal the lightness of "I Dreamed I Saw St. Augustine" and "Little Man, You've Had a Busy Day." Although "I'll Be Seeing You" ends I Still Do on a bit of a wistful note, this album is neither melancholy nor some kind of summation. It is simply Clapton being Clapton, enjoying the company of his long-time band and songs he's loved, and fortunate enough to still be doing it. 6/10
2016's 'I Still Do' proceeds along the same path as all Eric's 21st century albums follow: a nice blend of well-worn blues standards with a couple of J.J. Cale tunes, a few old pop standards, a Bob Dylan chestnut, and original songs that draw upon aspects of all these. "Spiral" and "Catch the Blues," the two EC originals that anchor the middle of the album, are handsomely crafted tunes that complement the rest of the record; they don't draw attention to themselves but rather show how hard "Cypress Grove" swings and how "Alabama Woman Blues" crawls, and reveal the lightness of "I Dreamed I Saw St. Augustine" and "Little Man, You've Had a Busy Day." Although "I'll Be Seeing You" ends I Still Do on a bit of a wistful note, this album is neither melancholy nor some kind of summation. It is simply Clapton being Clapton, enjoying the company of his long-time band and songs he's loved, and fortunate enough to still be doing it. 6/10
2224 Nights

22.Eric Clapton

24 Nights (1991)


1991's '24 Nights' was Eric's first live album since 1980; a lifetime before. The guitarist had many reasons to capitalise on his most successful decade, but on '24 Nights' it was to celebrate his best live band. Recorded across a long residency at London's Royal Albert Hall, Eric and Co. storm through a career retrospective that includes Cream classics like "White Room" and "Sunshine of Your Love", the breadth of classic cuts from his career, as well as hot assemblages of deep cuts from Buddy Guy and Robert Cray, and examples of his Kamen-orchestrated soundtrack work. The album also contains perhaps the most revisited live version of "Wonderful Tonight" with its heartfelt performance of guitars, synths and percussion. Although overshadowed by 'Unplugged', '24 Nights' still remains one of Eric's grandest statements to affirm his virtuosity as an artist. 5/10
1991's '24 Nights' was Eric's first live album since 1980; a lifetime before. The guitarist had many reasons to capitalise on his most successful decade, but on '24 Nights' it was to celebrate his best live band. Recorded across a long residency at London's Royal Albert Hall, Eric and Co. storm through a career retrospective that includes Cream classics like "White Room" and "Sunshine of Your Love", the breadth of classic cuts from his career, as well as hot assemblages of deep cuts from Buddy Guy and Robert Cray, and examples of his Kamen-orchestrated soundtrack work. The album also contains perhaps the most revisited live version of "Wonderful Tonight" with its heartfelt performance of guitars, synths and percussion. Although overshadowed by 'Unplugged', '24 Nights' still remains one of Eric's grandest statements to affirm his virtuosity as an artist. 5/10
21Happy Xmas

21.Eric Clapton

Happy Xmas (2018)


Eric's 2018 Christmas album, simply titled 'Happy Xmas', certainly surprised many long-term fans and casual listeners. Was Eric himself falling victim to the industry's cash cow curse like Ringo Starr and Rod Stewart had with their respective packages of holiday cheer? Surprisingly still, Eric's handling of traditional holiday staples and Christian carols result in faithful blues reinterpretations that had never been done to such a passionate scale. Christmas becomes an occasion of quiet reflection and heartache with the sombre strumming of lone acoustic guitars, as well as an emotionally charged experience of angst and decadence. Some of Clapton's most well-rounded riffing and soloing in years; any fan will love 'Happy Xmas' albeit once a year. 6/10
Eric's 2018 Christmas album, simply titled 'Happy Xmas', certainly surprised many long-term fans and casual listeners. Was Eric himself falling victim to the industry's cash cow curse like Ringo Starr and Rod Stewart had with their respective packages of holiday cheer? Surprisingly still, Eric's handling of traditional holiday staples and Christian carols result in faithful blues reinterpretations that had never been done to such a passionate scale. Christmas becomes an occasion of quiet reflection and heartache with the sombre strumming of lone acoustic guitars, as well as an emotionally charged experience of angst and decadence. Some of Clapton's most well-rounded riffing and soloing in years; any fan will love 'Happy Xmas' albeit once a year. 6/10
20Riding With the King

20.B.B. King & Eric Clapton

Riding With the King (2000)


Eric's passion collaboration project with B.B. King was a significant moment in rock history as many of Clapton's contemporaries would follow suit in the ensuing years recording full-length albums with their idols. The respect and joy these two blues legends have for their genre and each other pulsates through 1999's 'Riding with the King'. The set list includes lots of King specialties -- "Ten Long Years," "Three O'Clock Blues," "Days of Old," "When My Heart Beats Like a Hammer" -- as well as standards like "Hold on I'm Coming" and "Come Rain or Come Shine," with some specially written and appropriate recent material thrown in, so King has reason to be comfortable without being complacent. The two players turn out to have sufficiently complementary, if distinct, styles so that Clapton's supportive role fills out and surrounds King's stinging single-string playing. The result is an effective, if never really stunning, work. 6/10
Eric's passion collaboration project with B.B. King was a significant moment in rock history as many of Clapton's contemporaries would follow suit in the ensuing years recording full-length albums with their idols. The respect and joy these two blues legends have for their genre and each other pulsates through 1999's 'Riding with the King'. The set list includes lots of King specialties -- "Ten Long Years," "Three O'Clock Blues," "Days of Old," "When My Heart Beats Like a Hammer" -- as well as standards like "Hold on I'm Coming" and "Come Rain or Come Shine," with some specially written and appropriate recent material thrown in, so King has reason to be comfortable without being complacent. The two players turn out to have sufficiently complementary, if distinct, styles so that Clapton's supportive role fills out and surrounds King's stinging single-string playing. The result is an effective, if never really stunning, work. 6/10
19Me and Mr Johnson

19.Eric Clapton

Me and Mr Johnson (2004)


2004's 'Me and Mr Johnson' sees Eric pay a loving tribute to arguably his biggest influence; Robert Johnson. The covers album is a stark contrast to the guitar-heavy collaboration with B.B. King a few years earlier; instead, Eric sounds very relaxed and he plucks and strums with infectious zeal through the blues staples that inspired him. Eric and Band's joyful performance results in the album's light, celebratory feel, evident on "If I Had Possession Over Judgement Day" and "Hell Hound on My Trail" that sound anything but haunted, they do sound nicely next to the up-tempo rave-ups of "They're Red Hot," "Last Fair Deal Gone Down," and "Stop Breaking Down Blues" since all of them sound like Clapton is having a hell of a good time. Probably one of Eric's most enjoyable albums even if it might be too slick for blues at times. 6/10
2004's 'Me and Mr Johnson' sees Eric pay a loving tribute to arguably his biggest influence; Robert Johnson. The covers album is a stark contrast to the guitar-heavy collaboration with B.B. King a few years earlier; instead, Eric sounds very relaxed and he plucks and strums with infectious zeal through the blues staples that inspired him. Eric and Band's joyful performance results in the album's light, celebratory feel, evident on "If I Had Possession Over Judgement Day" and "Hell Hound on My Trail" that sound anything but haunted, they do sound nicely next to the up-tempo rave-ups of "They're Red Hot," "Last Fair Deal Gone Down," and "Stop Breaking Down Blues" since all of them sound like Clapton is having a hell of a good time. Probably one of Eric's most enjoyable albums even if it might be too slick for blues at times. 6/10
18August

18.Eric Clapton

August (1986)


With 1986's 'August', Eric had no qualms about further burying his guitar beneath a more densely-layered barrage of synths, overdubs and electronic percussion. It seemed the most plausible approach given that 'August' was conceived as a celebration of Eric's new relationship and role as a father, and the result is an album full of soulful love ballads and upbeat pop-rockers. Thus, the AOR-friendly affair leads off with the infectious track "It's in the Way That You Use It," following it up with another eargasmic burst in "Walk Away". Elsewhere, Clapton sang and played fiercely on songs like "Tearing Us Apart," "Run," and "Miss You," all of which earned the most radio play of recent years. For blues fans, 'August' is perhaps a worst nightmare realised, but for supporters of Eric it is a joy. 6/10
With 1986's 'August', Eric had no qualms about further burying his guitar beneath a more densely-layered barrage of synths, overdubs and electronic percussion. It seemed the most plausible approach given that 'August' was conceived as a celebration of Eric's new relationship and role as a father, and the result is an album full of soulful love ballads and upbeat pop-rockers. Thus, the AOR-friendly affair leads off with the infectious track "It's in the Way That You Use It," following it up with another eargasmic burst in "Walk Away". Elsewhere, Clapton sang and played fiercely on songs like "Tearing Us Apart," "Run," and "Miss You," all of which earned the most radio play of recent years. For blues fans, 'August' is perhaps a worst nightmare realised, but for supporters of Eric it is a joy. 6/10
17There's One in Every Crowd

17.Eric Clapton

There's One in Every Crowd (1975)


Following the surprising success Eric had with his reggae moment in covering Bob Marley's "I Shot The Sheriff", Eric hastily continued to tread down the path of experimentation with 1975's 'There's One in Every Crowd', the much-anticipated follow-up to '461 Ocean Boulevard'. Aside from the nice enough odes to reggae, RnB and even gospel, "Swing Low, Sweet Chariot", "We've Been Told" and "Don't Blame Me", Eric's heart seems more devoted to the easy blues which results in a scattershot mixture of styles. While 'There's One in Every Crowd' stands as an enjoyable if not always fiery (check the cover of Elmore James' "The Sky is Crying") pop/rock album, it probably stands as Eric's first inessential album. 6/10
Following the surprising success Eric had with his reggae moment in covering Bob Marley's "I Shot The Sheriff", Eric hastily continued to tread down the path of experimentation with 1975's 'There's One in Every Crowd', the much-anticipated follow-up to '461 Ocean Boulevard'. Aside from the nice enough odes to reggae, RnB and even gospel, "Swing Low, Sweet Chariot", "We've Been Told" and "Don't Blame Me", Eric's heart seems more devoted to the easy blues which results in a scattershot mixture of styles. While 'There's One in Every Crowd' stands as an enjoyable if not always fiery (check the cover of Elmore James' "The Sky is Crying") pop/rock album, it probably stands as Eric's first inessential album. 6/10
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16Eric Clapton

16.Eric Clapton

Eric Clapton (1970)


Eric Clapton's eponymous 1970 debut was perhaps the seasoned guitarist's most organic recording to date; compiled and composed swiftly after a tour with Delaney & Bonnie. Backed by the core of Delaney & Bonnie's band, 'Eric Clapton' sounds just as laid-back and straightforward as any of the duo's own albums. There are still elements of blues and rock & roll, but they're hidden beneath layers of gospel, R&B, country, and pop flourishes. And the pop element of the record is the strongest of the album's many elements; "Blues Power" isn't a blues song and only "Let It Rain," the album's closer, features extended solos. Throughout the album, Clapton turns out concise solos that de-emphasise his status as guitar god, even when they display astonishing musicality and technique. That is both a good and a bad thing. It's encouraging to hear him grow and become a more fully rounded musician, but too often the album needs the spark that some long guitar solos would have given it. In short, it needs a little more of Clapton's personality. 7/10
Eric Clapton's eponymous 1970 debut was perhaps the seasoned guitarist's most organic recording to date; compiled and composed swiftly after a tour with Delaney & Bonnie. Backed by the core of Delaney & Bonnie's band, 'Eric Clapton' sounds just as laid-back and straightforward as any of the duo's own albums. There are still elements of blues and rock & roll, but they're hidden beneath layers of gospel, R&B, country, and pop flourishes. And the pop element of the record is the strongest of the album's many elements; "Blues Power" isn't a blues song and only "Let It Rain," the album's closer, features extended solos. Throughout the album, Clapton turns out concise solos that de-emphasise his status as guitar god, even when they display astonishing musicality and technique. That is both a good and a bad thing. It's encouraging to hear him grow and become a more fully rounded musician, but too often the album needs the spark that some long guitar solos would have given it. In short, it needs a little more of Clapton's personality. 7/10
15Another Ticket

15.Eric Clapton

Another Ticket (1981)


1981's 'Another Ticket' was very much the last gasp for a very catatonic Eric Clapton, who nearly died on the ensuing tour due to heavy alcoholism. It is no surprise that the album remains within the all-too-comfortable realm as the contemporary adult pop and light blues he had courted since 'Slowhand'; delivering tunes that are soft, meditative but still have a bit of enjoyable flair. From the slow-grooving opener "Something Special", to the top ten single "I Can't Stand It", and the hypnotic repetitive jam of "Black Rose", the album is a joyous kick-back listen. There is nothing on 'Another Ticket' that cries classic Clapton, but it was good, and it deserved more recognition than conditions allowed it at the time. 6/10
1981's 'Another Ticket' was very much the last gasp for a very catatonic Eric Clapton, who nearly died on the ensuing tour due to heavy alcoholism. It is no surprise that the album remains within the all-too-comfortable realm as the contemporary adult pop and light blues he had courted since 'Slowhand'; delivering tunes that are soft, meditative but still have a bit of enjoyable flair. From the slow-grooving opener "Something Special", to the top ten single "I Can't Stand It", and the hypnotic repetitive jam of "Black Rose", the album is a joyous kick-back listen. There is nothing on 'Another Ticket' that cries classic Clapton, but it was good, and it deserved more recognition than conditions allowed it at the time. 6/10
14E.C. Was Here

14.Eric Clapton

E.C. Was Here (1975)


As his first official live album, 1974's 'E.C. Was Here' makes it clear that Eric Clapton was and always would be a blues man. The opening cut, "Have You Ever Loved a Woman," clearly illustrates this, and underlines the fact that Clapton had a firm grasp on his blues guitar ability, with some sterling, emotionally charged and sustained lines and riffs. A short version of "Drifting Blues" also drives the point home, with a lazy, Delta blues feel that is intoxicating. Surprisingly, Blind Faith's "Presence of the Lord" and "Can't Find My Way Home" are given great readings here and establish that Eric has no problem revisiting and reinterpreting the past. Particularly pleasant is co-vocalist Yvonne Elliman, whose singing adds a mellifluousness to Clapton's blues vocal inflections. An excellent product of Eric's comeback during this time, and in many ways a gift to those who longed for the powerhouse playing of Cream and Blind Faith. 6/10
As his first official live album, 1974's 'E.C. Was Here' makes it clear that Eric Clapton was and always would be a blues man. The opening cut, "Have You Ever Loved a Woman," clearly illustrates this, and underlines the fact that Clapton had a firm grasp on his blues guitar ability, with some sterling, emotionally charged and sustained lines and riffs. A short version of "Drifting Blues" also drives the point home, with a lazy, Delta blues feel that is intoxicating. Surprisingly, Blind Faith's "Presence of the Lord" and "Can't Find My Way Home" are given great readings here and establish that Eric has no problem revisiting and reinterpreting the past. Particularly pleasant is co-vocalist Yvonne Elliman, whose singing adds a mellifluousness to Clapton's blues vocal inflections. An excellent product of Eric's comeback during this time, and in many ways a gift to those who longed for the powerhouse playing of Cream and Blind Faith. 6/10
13Rush

13.Eric Clapton

Rush (1992)


As one of the most important pieces in Eric's career, 1990's 'Rush' was Eric's first and only complete film score; as a musical statement, however, it addresses the grief and isolation the guitarist was experiencing at the time. Eric begins to shake off the commercial pop of 'Behind the Sun' and 'August', and reconnects with the blues, but in a new, modern way that would make him a household name again throughout the 90's. There is much to cherish on 'Rush'. Eric delivers some of his most passionate guitar playing in years, not since 'Slowhand' have we heard such catchy riffs and hooks by one of the best guitarists in the rock world. The beautiful song "Tears In Heaven" makes its appearance here, and the album is all the more enriched for it. 7/10
As one of the most important pieces in Eric's career, 1990's 'Rush' was Eric's first and only complete film score; as a musical statement, however, it addresses the grief and isolation the guitarist was experiencing at the time. Eric begins to shake off the commercial pop of 'Behind the Sun' and 'August', and reconnects with the blues, but in a new, modern way that would make him a household name again throughout the 90's. There is much to cherish on 'Rush'. Eric delivers some of his most passionate guitar playing in years, not since 'Slowhand' have we heard such catchy riffs and hooks by one of the best guitarists in the rock world. The beautiful song "Tears In Heaven" makes its appearance here, and the album is all the more enriched for it. 7/10
12The Lady in the Balcony: Lockdown Sessions

12.Eric Clapton

The Lady in the Balcony: Lockdown Sessions (2021)


2021's 'The Lady in the Balcony' can arguably be hailed as 'Unplugged II' or even perhaps the definitive Unplugged album that Eric never released. After having his live shows cancelled, Eric gathers his band for a mighty jam session, which results in a stripped retrospective of Eric's greatest hits and some of his personal favourites that is as complete and comprehensive as any fan could wish for. The intimacy of these performances allow Eric to reconstruct songs in the way that he had always envisioned, and the results are stunning on deep cuts like "Golden Ring", "River of Tears" and "Bad Boy". Eric's touching nod of respect to Peter Green are the highlights; "Black Magic Woman" and "Man of the World" which affirm the immortal stamp his rival bluesman left on rock history. An essential listen for any Eric fan. 7/10
2021's 'The Lady in the Balcony' can arguably be hailed as 'Unplugged II' or even perhaps the definitive Unplugged album that Eric never released. After having his live shows cancelled, Eric gathers his band for a mighty jam session, which results in a stripped retrospective of Eric's greatest hits and some of his personal favourites that is as complete and comprehensive as any fan could wish for. The intimacy of these performances allow Eric to reconstruct songs in the way that he had always envisioned, and the results are stunning on deep cuts like "Golden Ring", "River of Tears" and "Bad Boy". Eric's touching nod of respect to Peter Green are the highlights; "Black Magic Woman" and "Man of the World" which affirm the immortal stamp his rival bluesman left on rock history. An essential listen for any Eric fan. 7/10
11Money and Cigarettes

11.Eric Clapton

Money and Cigarettes (1983)


1983's 'Money and Cigarettes' reflects a rejuvenated and sober Eric Clapton following his discharge from rehab and his separation from his beloved Pattie Boyd. The tracks on this album certainly reflect a changed condition, with "Ain't Going Down," serving as a statement of purpose that declared, "I've still got something left to say." "The Shape You're In" was a criticism of his wife for her alcoholism that concluded, "I'm just telling you baby 'cause I've been there myself," while the lengthy acoustic ballad "Pretty Girl" and "Man in Love" reaffirmed his feelings for her. It is difficult to decipher who the muse is on 'Money and Cigarettes'; the woman or the bottle? The album's single was the relatively slight pop tune "I've Got a Rock n' Roll Heart," but Clapton's many blues fans must have been most pleased with the covers of Sleepy John Estes' "Everybody Oughta Make a Change", Albert King's "Crosscut Saw," and Johnny Otis' "Crazy Country Hop." As the first album that consciously enters the new decade, it is certainly a strong effort and an important moment of reflection for Eric. 7/10
1983's 'Money and Cigarettes' reflects a rejuvenated and sober Eric Clapton following his discharge from rehab and his separation from his beloved Pattie Boyd. The tracks on this album certainly reflect a changed condition, with "Ain't Going Down," serving as a statement of purpose that declared, "I've still got something left to say." "The Shape You're In" was a criticism of his wife for her alcoholism that concluded, "I'm just telling you baby 'cause I've been there myself," while the lengthy acoustic ballad "Pretty Girl" and "Man in Love" reaffirmed his feelings for her. It is difficult to decipher who the muse is on 'Money and Cigarettes'; the woman or the bottle? The album's single was the relatively slight pop tune "I've Got a Rock n' Roll Heart," but Clapton's many blues fans must have been most pleased with the covers of Sleepy John Estes' "Everybody Oughta Make a Change", Albert King's "Crosscut Saw," and Johnny Otis' "Crazy Country Hop." As the first album that consciously enters the new decade, it is certainly a strong effort and an important moment of reflection for Eric. 7/10
10No Reason to Cry

10.Eric Clapton

No Reason to Cry (1976)


Throughout the many highs in his early career, Eric Clapton just wished more than anything that he was in The Band. 1976's 'No Reason to Cry' is very much a love-letter to The Band's 'Music from Big Pink'; the most memorable moments occurring during collaborations with Rick Danko on Danko's "All Our Past Times," and with Bob Dylan on Dylan's "Sign Language," as Robertson's distinctive lead guitar is heard rather than Clapton's. While the remaining songs on the album owe more to Eric's burgeoning pop/rock leanings previous albums, the production and performances elevate 'No Reason to Cry' as an irresistibly delightful and beautifully crafted mood piece for fans of straight blues or deep introspective pop respectively, particularly on strong tracks like "Double Trouble" and "Black Summer Rain" 7/10
Throughout the many highs in his early career, Eric Clapton just wished more than anything that he was in The Band. 1976's 'No Reason to Cry' is very much a love-letter to The Band's 'Music from Big Pink'; the most memorable moments occurring during collaborations with Rick Danko on Danko's "All Our Past Times," and with Bob Dylan on Dylan's "Sign Language," as Robertson's distinctive lead guitar is heard rather than Clapton's. While the remaining songs on the album owe more to Eric's burgeoning pop/rock leanings previous albums, the production and performances elevate 'No Reason to Cry' as an irresistibly delightful and beautifully crafted mood piece for fans of straight blues or deep introspective pop respectively, particularly on strong tracks like "Double Trouble" and "Black Summer Rain" 7/10
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9Behind the Sun

9.Eric Clapton

Behind the Sun (1985)


1985's 'Behind the Sun' saw Eric embrace the synth and electronic stylings of the 1980s to deliver of the most emotionally-charged recordings of his tumultuous career. Phil Collins sat in the producers stool for 'Behind the Sun' with the aim of constructing a modern-sounding masterpiece with all the feelings of his own solo albums, and the result if perhaps one of the best examples of an old dinosaur beating the young bucks at their own game. Eric sounds completely in his element that emphasises over commercially guilty-pleasure such as "See What Love Can Do" and "Forever Man", while "Knock on Wood" and "Behind the Sun" shows that he has lost none of his love for rootsy R&B and blues jamming. A solid stab at rock in an anti-rock age. 8/10
1985's 'Behind the Sun' saw Eric embrace the synth and electronic stylings of the 1980s to deliver of the most emotionally-charged recordings of his tumultuous career. Phil Collins sat in the producers stool for 'Behind the Sun' with the aim of constructing a modern-sounding masterpiece with all the feelings of his own solo albums, and the result if perhaps one of the best examples of an old dinosaur beating the young bucks at their own game. Eric sounds completely in his element that emphasises over commercially guilty-pleasure such as "See What Love Can Do" and "Forever Man", while "Knock on Wood" and "Behind the Sun" shows that he has lost none of his love for rootsy R&B and blues jamming. A solid stab at rock in an anti-rock age. 8/10
8From the Cradle

8.Eric Clapton

From the Cradle (1994)


1994's 'From the Cradle' was Eric answering the long-term cry of fans for him to record a full-on blues album; something he had not strangely done since his stint in John Mayall's Bluesbreakers. 'From The Cradle' manages to re-create the ambience of post-war electric blues, right down to the bottomless thump of the rhythm section. If it wasn't for Clapton's laboured vocals, everything would be perfect. As long as he plays his guitar, he can't fail -- his solos are white-hot and evocative, original and captivating. "Blues Before Sunrise", "Hoochie Coochie Man" and "Groaning the Blues" are a few that reflect the full hour of bluesing out here. Eric certainly has a great deal to get off his chest here, and it is where his projects became more therapeutic than grand. At times, his overemotive singing is painful; he doesn't have the strength to pull off or completely reinvent the blues standards of the legends, yet even with its faults, 'From the Cradle' is one of Clapton's finest moments. 9/10
1994's 'From the Cradle' was Eric answering the long-term cry of fans for him to record a full-on blues album; something he had not strangely done since his stint in John Mayall's Bluesbreakers. 'From The Cradle' manages to re-create the ambience of post-war electric blues, right down to the bottomless thump of the rhythm section. If it wasn't for Clapton's laboured vocals, everything would be perfect. As long as he plays his guitar, he can't fail -- his solos are white-hot and evocative, original and captivating. "Blues Before Sunrise", "Hoochie Coochie Man" and "Groaning the Blues" are a few that reflect the full hour of bluesing out here. Eric certainly has a great deal to get off his chest here, and it is where his projects became more therapeutic than grand. At times, his overemotive singing is painful; he doesn't have the strength to pull off or completely reinvent the blues standards of the legends, yet even with its faults, 'From the Cradle' is one of Clapton's finest moments. 9/10
7Backless

7.Eric Clapton

Backless (1978)


Eric swiftly followed the magic of 'Slowhand' with 1978's 'Backless'. Again produced by the legendary Glyn Johns, Eric tried to capture the lightning in the bottle twice by taking the laid-back approach to delivering more solid rockers and melodic ballads; hardly the recipe for success as many 'sequel' albums go. Once again, Eric returns to the Oklahoma hills and delivers another song from J.J. Cale "'l'll Make Love To You Anytime", which does not bear the fire that "Cocaine" had but it is beautifully played and gives audiences a more intimate look at Eric. Backless' strengths lie in its coherence; tracks like opener "Walk Out in the Rain", "Watch Out For Lucy", "Tell Me That You Love Me" and "Golden Ring", as well as the pleasant closing shuffle "Tulsa Time". 'Backless' is an album recorded in excess, but it somehow all magically creates a wonderful adult pop album that is just as much a joy to listen to as 'Slowhand' was. 9/10
Eric swiftly followed the magic of 'Slowhand' with 1978's 'Backless'. Again produced by the legendary Glyn Johns, Eric tried to capture the lightning in the bottle twice by taking the laid-back approach to delivering more solid rockers and melodic ballads; hardly the recipe for success as many 'sequel' albums go. Once again, Eric returns to the Oklahoma hills and delivers another song from J.J. Cale "'l'll Make Love To You Anytime", which does not bear the fire that "Cocaine" had but it is beautifully played and gives audiences a more intimate look at Eric. Backless' strengths lie in its coherence; tracks like opener "Walk Out in the Rain", "Watch Out For Lucy", "Tell Me That You Love Me" and "Golden Ring", as well as the pleasant closing shuffle "Tulsa Time". 'Backless' is an album recorded in excess, but it somehow all magically creates a wonderful adult pop album that is just as much a joy to listen to as 'Slowhand' was. 9/10
6Just One Night

6.Eric Clapton

Just One Night (1980)


1980's 'Just One Night' live document nicely capped off Eric's most successful albeit decadent decade of mainstream stardom. Eric is in fine form; finally moving on from the intense, Cream-like virtuoso playing of the late 60s, for the mature, laid-back jamming of the blues-guitarist he had wanted to be and accepted for since he went solo. 'Just One Night' is dominated by the hit singles that were spawned from 'Slowhand' and 'Backless'; "Cocaine", "Wonderful Tonight", "Lay Down Sally", "If I Don't Be There By Morning", and "Tulsa Time", these all shine as Eric appears to be having a great, relaxed time executing them with his band. The dynamic gems of the show would be the covers of "Double Trouble", "Further On Up The Road", and Mark Knopfler's "Setting Me Up", which remind audiences that Eric is still one of the best guitarists to have made it through the 70's. A perfect celebratory piece and a truly feel-good album. 9/10
1980's 'Just One Night' live document nicely capped off Eric's most successful albeit decadent decade of mainstream stardom. Eric is in fine form; finally moving on from the intense, Cream-like virtuoso playing of the late 60s, for the mature, laid-back jamming of the blues-guitarist he had wanted to be and accepted for since he went solo. 'Just One Night' is dominated by the hit singles that were spawned from 'Slowhand' and 'Backless'; "Cocaine", "Wonderful Tonight", "Lay Down Sally", "If I Don't Be There By Morning", and "Tulsa Time", these all shine as Eric appears to be having a great, relaxed time executing them with his band. The dynamic gems of the show would be the covers of "Double Trouble", "Further On Up The Road", and Mark Knopfler's "Setting Me Up", which remind audiences that Eric is still one of the best guitarists to have made it through the 70's. A perfect celebratory piece and a truly feel-good album. 9/10
5461 Ocean Boulevard

5.Eric Clapton

461 Ocean Boulevard (1974)


1974's '461 Ocean Boulevard' marked a beginning and an end for Eric Clapton; no more would the guitar virtuoso pursue and hide behind new band projects, instead he would embrace the front man image and push forward under his own name. After a near three-year struggle with heroin addiction, Eric seems to pick up where he left off with the rock, pop, blues, country, and R&B amalgam of 'Eric Clapton'. Although there are some new reggae influences, '461 Ocean Boulevard' is a tighter, more focused outing that enables Clapton to stretch out instrumentally. Furthermore, the pop concessions on the album -- the sleek production, the concise running times -- don't detract from the rootsy origins of the material, whether it's Johnny Otis' "Willie and the Hand Jive," the traditional blues "Motherless Children," Bob Marley's "I Shot the Sheriff," or Clapton's emotional original "Let It Grow." Clapton would struggle to recapture the charm of old recordings like this one. 10/10
1974's '461 Ocean Boulevard' marked a beginning and an end for Eric Clapton; no more would the guitar virtuoso pursue and hide behind new band projects, instead he would embrace the front man image and push forward under his own name. After a near three-year struggle with heroin addiction, Eric seems to pick up where he left off with the rock, pop, blues, country, and R&B amalgam of 'Eric Clapton'. Although there are some new reggae influences, '461 Ocean Boulevard' is a tighter, more focused outing that enables Clapton to stretch out instrumentally. Furthermore, the pop concessions on the album -- the sleek production, the concise running times -- don't detract from the rootsy origins of the material, whether it's Johnny Otis' "Willie and the Hand Jive," the traditional blues "Motherless Children," Bob Marley's "I Shot the Sheriff," or Clapton's emotional original "Let It Grow." Clapton would struggle to recapture the charm of old recordings like this one. 10/10
4Unplugged

4.Eric Clapton

Unplugged (1992)


Eric Clapton's 'Unplugged' saw the seasoned guitarist turn many of his howling blues and anguished pain into slow crawls and cosy shuffles. Starting with his hit reinterpretation of "Layla," the whole album proceeds at a similar amiable gait, taking its time and enjoying detours into old favourites. Clapton is embracing his middle age and the pleasure of 'Unplugged' is to hear him opt out of the pop star game as he plays songs he's always loved. Tellingly, it's these blues and folk covers; Jesse Fuller's "San Francisco Bay Blues," Big Bill Broonzy's "Hey Hey," the standard "Alberta," Muddy Waters' "Rollin' and Tumblin'," two songs from Robert Johnson ("Walkin' Blues," "Malted Milk"); that are the best performances here; they're alternately lively and relaxed, Clapton happily conforming to the contours of the compositions. These capture a moment in time, when Eric was settling into his age by reconnecting with the past, which is something that would define the latter decades of his career. 10/10
Eric Clapton's 'Unplugged' saw the seasoned guitarist turn many of his howling blues and anguished pain into slow crawls and cosy shuffles. Starting with his hit reinterpretation of "Layla," the whole album proceeds at a similar amiable gait, taking its time and enjoying detours into old favourites. Clapton is embracing his middle age and the pleasure of 'Unplugged' is to hear him opt out of the pop star game as he plays songs he's always loved. Tellingly, it's these blues and folk covers; Jesse Fuller's "San Francisco Bay Blues," Big Bill Broonzy's "Hey Hey," the standard "Alberta," Muddy Waters' "Rollin' and Tumblin'," two songs from Robert Johnson ("Walkin' Blues," "Malted Milk"); that are the best performances here; they're alternately lively and relaxed, Clapton happily conforming to the contours of the compositions. These capture a moment in time, when Eric was settling into his age by reconnecting with the past, which is something that would define the latter decades of his career. 10/10
3Journeyman

3.Eric Clapton

Journeyman (1989)


1989's 'Journeyman' begins Eric's long-awaited return to full-blown faithful blues. Although it still retains the overly slick 80s production the guitarist had adopted and divided fans throughout the decade, it is his most consistently strong album since 'Slowhand'. Not only is his guitar playing muscular and forceful, his singing is soulful and gritty. Furthermore, the songwriting is consistently strong, alternating between fine mainstream rock originals ("Pretending") and covers ("Before You Accuse Me," "Hound Dog") as well as delightful blues-pop ("No Alibis" and "Running on Faith"). Like any of Clapton's best albums, there is no grandstanding to be found on Journeyman -- it's simply a laid-back and thoroughly engaging display of Clapton's virtuosity. One of his best, and definitely one that many listeners still play to this day. 10/10
1989's 'Journeyman' begins Eric's long-awaited return to full-blown faithful blues. Although it still retains the overly slick 80s production the guitarist had adopted and divided fans throughout the decade, it is his most consistently strong album since 'Slowhand'. Not only is his guitar playing muscular and forceful, his singing is soulful and gritty. Furthermore, the songwriting is consistently strong, alternating between fine mainstream rock originals ("Pretending") and covers ("Before You Accuse Me," "Hound Dog") as well as delightful blues-pop ("No Alibis" and "Running on Faith"). Like any of Clapton's best albums, there is no grandstanding to be found on Journeyman -- it's simply a laid-back and thoroughly engaging display of Clapton's virtuosity. One of his best, and definitely one that many listeners still play to this day. 10/10
2Slowhand

2.Eric Clapton

Slowhand (1977)


1977's 'Slowhand' is often hailed as Eric's strongest and most cohesive solo outing. 'Slowhand' finds Eric relaxing back into the breezy, bluesy JJ Cale-inspired shuffle of his first solo recordings. Following the guest-star-drenched 'No Reason to Cry', Eric returned to his old band for a tighter, more coherent sound that flawlessly and assuredly oscillated between straight blues, country and mainstream pop/rock; tracing the laid-back journey through tracks like "Cocaine", "Wonderful Tonight", "Lay Down Sally" and "The Core" which all burst with memorable, if not flashy, riffs and lyrics. This exceptional grasp and formula would sustain Eric throughout the remainder of the 70s, but 'Slowhand' would remain the peak of his early achievements. 10/10
1977's 'Slowhand' is often hailed as Eric's strongest and most cohesive solo outing. 'Slowhand' finds Eric relaxing back into the breezy, bluesy JJ Cale-inspired shuffle of his first solo recordings. Following the guest-star-drenched 'No Reason to Cry', Eric returned to his old band for a tighter, more coherent sound that flawlessly and assuredly oscillated between straight blues, country and mainstream pop/rock; tracing the laid-back journey through tracks like "Cocaine", "Wonderful Tonight", "Lay Down Sally" and "The Core" which all burst with memorable, if not flashy, riffs and lyrics. This exceptional grasp and formula would sustain Eric throughout the remainder of the 70s, but 'Slowhand' would remain the peak of his early achievements. 10/10
1Layla and Other Assorted Love Songs

1.Derek and The Dominos

Layla and Other Assorted Love Songs (1970)


1971's 'Layla and Other Assorted Love Songs' encapsulates all the meaningful and inspired music Eric had been restlessly searching for since the demise of Cream. Derek and the Dominoes was the guitarists first, and arguably only, labour of love; a faceless band that played for the love of playing, whether it was blues standards or folk-twang contemporary from Buffalo Springfield or The Band. What really makes Layla such a powerful record, and Eric's best, is just how he simply ignored the traditions that occasionally painted him into a corner, and absolutely ripped through these songs with such burning, intense emotion. Eric makes standards like "Have You Ever Loved a Woman" and "Nobody Knows You (When You're Down and Out)" into his own, while his collaborations with Bobby Whitlock -- including "Any Day" and "Why Does Love Got to Be So Sad?" -- teem with passion. The title track is one of the best songs ever recorded of course, and the blues jam "Key to the Highway" really sets the mould for the rest of Eric's career. 10/10
1971's 'Layla and Other Assorted Love Songs' encapsulates all the meaningful and inspired music Eric had been restlessly searching for since the demise of Cream. Derek and the Dominoes was the guitarists first, and arguably only, labour of love; a faceless band that played for the love of playing, whether it was blues standards or folk-twang contemporary from Buffalo Springfield or The Band. What really makes Layla such a powerful record, and Eric's best, is just how he simply ignored the traditions that occasionally painted him into a corner, and absolutely ripped through these songs with such burning, intense emotion. Eric makes standards like "Have You Ever Loved a Woman" and "Nobody Knows You (When You're Down and Out)" into his own, while his collaborations with Bobby Whitlock -- including "Any Day" and "Why Does Love Got to Be So Sad?" -- teem with passion. The title track is one of the best songs ever recorded of course, and the blues jam "Key to the Highway" really sets the mould for the rest of Eric's career. 10/10
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