Simply titled The Imposter, this film by English documentary maker Bart Layton tells an unbelievable tale. Any plot summary doing this film justice has to err on the side of brevity, which is why it will be only one line long: this is the story of Frederic Bourdin, a serial imposter nicknamed “The Chameleon”, who at one time claimed to be the missing son of a family from Texas. The film is so well-shot that it is hard to tell fact from fiction at times and it will force you to remind yourself that this is in fact real life. Expect twists and turns at every corner and brilliant storytelling from real people. If Christopher Nolan created a 48-hour story, it would pale in comparison to this film.

Bittersweet like Belgian chocolate, this is a coming-home movie. It will leave you raw and empty as well as full of life, and it will most certainly have you appreciate the mournfulness of bluegrass music. Based on a play co-written by Johan Heldenbergh, who also stars as Didier, the male lead, this is intricately written, thoughtfully directed, viscerally acted cinema. Bluegrass enthusiast and band leader Didier falls passionately in love with Elise, a spirited tattoo artist. They sing together, start a life together. But when their little girl falls gravely ill, everything changes. Because this gem of a film by director Felix van Groeningen excels at creating intimacy and empathy between us viewers and this beautiful family’s fate, you will feel everything you see. Incredibly well-made and gut-wrenching drama.

A follow-up/companion piece to the award-winning The Act of Killing, The Look of Silence is another compelling documentary from Director Joshua Oppenheimer. Both films aim attention at the Indonesian Genocide of 1965-66, when the military government systematically purged up to one million communists. While the first film’s focus was on the culprits and on providing facts, the second one lets us meet the victims. One victim in particular: a soft-spoken optician named Adi Rukun, who meets with various members of the death squad who murdered his elder brother Ramli, under the guise of giving them an eye test. As he questions them about the killings, the murderers, again, show little remorse and eagerly provide the lurid details to the many executions. It’s a stunning and provocative look at the legacy of historical mass killings, along with the insidious propaganda that provokes them, and continues to justify them to younger generations. A testament to the power of cinema to remember the forgotten.

A very poetic film by Tony Kaye (American History X) about an English Literature teacher (Adrien Brody – “The Pianist”) who only works as a substitute in schools which are located in very poor urban areas. The reason behind his choice is that he doesn’t want to bond too much with his students and colleagues because he is trying to control his dark emotions about life and the triviality of our existences (although it sounds depressing it is absolutely not). He also takes care of his last family connection, his grandfather, to whom he is very close and who lives in an elderly home. Unsurprisingly, their relationship is very emotional and deep. Every time you think about your existence, your place in the world, your interactions with other people; watch Detachment.

Joshua Oppenheimer’s daring feat is a documentary unlike anything ever done. Despite it being one of the most difficult things to watch for any human being (or because of it), The Act of Killing received praise across the board, including an Academy Award nomination. Without Oppenheimer’s efforts, you might have never heard of the unspeakable events that happened when, in 1965-66, Suharto overthrew the then-president of Indonesia and a gangster-led death squad killed almost a million people. Did they pay for their crimes? Quite the contrary: said gangsters went on becoming political mainstays in modern-day Indonesia, are still now heralded as heroes, and admit to all these crimes with a smile and not a hint of regret. The gruesome twist of this documentary is that Oppenheimer asks them to re-enact the killings in surreal, sadistic snuff movies inspired by the murderer’s favorite action movies. You are forced to stand idly by as they re-create brutal mass murder and joke about raping a 14-year-old. However, somewhere amidst this terrifying farce, the killers, too, have fleeting moments of realization that what they’re doing is wrong. If you make it through this in one piece, try watching its more victim-focused follow-up The Look of Silence. Bone-chilling but very powerful stuff.

In 2009, Departures surprised everybody by winning the Academy Award for Best Foreign Language Film, instead of everyone’s favourite, Ari Folman’s Waltz of Bashir. This is even more surprising since this Japanese comedy almost never saw the light of day because many distributors refused to release it at first for its humorous treatment of a very human, but weirdly taboo subject: what happens when you die. Daigo Kobayashi (played by former boyband member Masahiro Motoki) just bought an expensive cello when he learns that his Tokyo-based symphony orchestra is going bankrupt. Daigo and his wife Mika, played by Ryôko Hirosue, decide to move back to his hometown, where he applies for an opening at what he thinks is a travel agency, hence the departures. You might have guessed by now that what he was applying for was, in fact, the job of an undertaker—a profession considered unclean in Japan. It’s one of those rare movies that will make you laugh, to making you cry, and laugh again. It’s dead-on!

Orcas killing people? Saving whales? There was indeed a time when these issues were frontpage news and that might be the reason why this sounds like a 90s cliché to you. You might agree that this issue should be staunchly dealt with once you’ve watched Gabriela Cowperthwaite’s 2013 documentary. Orcas still being held captive by marine parks like SeaWorld to perform stunts and to parade around swimming pools to entertain ticket-buying families. Blackfish is the story of one of them in particular: a bull Orca named Tilikum, who has killed several people as a result of their immoral imprisonment. Similar incidents tend to be covered up by the parks’ operators and management. They are, however, attributable to the fact that the animals are quiet simply driven mad by the unnatural conditions they are subjected to. They are not born as killers, they are turned into them. First-hand accounts by former whale trainers and experts deliver fascinating truths about Tilikum and the species as whole, elaborating on their remarkable intelligence and social behaviors. For those unaware of this, this passionate documentary makes for a chilling watch.

Based on Fredrick Backman’s 2012 best-selling book of the same name, this Swedish hit comedy-drama introduces us to Ove, an elderly man who feels like his life is over. After losing his wife, the short-fused retiree spends his days grumpily enforcing block association rules in his neighborhood. He is your typical unhappy, old neighbor, somebody you would try to avoid. One new family does not give up and befriends Ove, played by an impeccable Rolf Lassgård, despite his best intentions to put them off. As the plot unfolds, however, you learn more about the story behind the man, and, in classic walk-a-mile-in-his-shoes fashion, start to find him rather loveable. After all, nobody is born grumpy and cynical. Naturally, this is a sweet and sentimental film. But an amazing lead performance and a charming, darkly funny script rescue it from drifting too far off the shore. The result is a wholesome, fun, and thoughtful dramedy with a beautiful message.

Named after a slur for people of Asian descent, this 2017 film put Justin Chon on the map as a director. More than that, he also starred as the main lead in this raw and uncompromising period drama about Asian-Americans and the LA riots in 1992. Shot completely in black and white, it tells the story of Eli, a scrawny Korean-American, who runs his family shoe store with his brother, Daniel (David So), in several vignettes. They strike up an unlikely friendship with Kamilla (Simone Baker), a black kid from around the way, whose family is not happy with her hanging out with the two brothers. Amidst the ubiquitous violence in LA at the time, the Rodney King riots as well as a tragic shooting of a black teenager by a Korean convenience store owner, it shines the light on America’s intra-minority race relations and the more unseen stories behind them. A topic that has come back to haunt America in the 2020s. The film is fierce as it is funny, harsh as it is playful. Uplifting and unsettling.

Andy Goldsworthy is a British sculptor, photographer, and environmentalist, whose art is specific to the natural locations he creates them in and made only from the natural materials he finds in them. This is putting it very technically: Goldsworthy is a solitary wanderer, absorbed in the moment, unworried about what comes after him. Using often only his bare hands, he creates fleeting works of art that often looks like nature itself could have created them. The opening has him calmly forming a spiral out of icicles using the heat of his hands to fuse the pieces together. As painstaking as this process is, his art is not meant to live forever. Once completed, it is handed over to the rivers and tides to do with it as they please. Directed, shot, and edited by Thomas Riedelsheimer, a German filmmaker, Rivers and Tides takes an in-depth look at Goldsworthy’s ideas and craft, everywhere from upstate New York to his home village in Scotland. A calming and inspiring journey.