Who Really Cares (Janis Ian album) - Wikiwand

Who Really Cares (Janis Ian album)

1969 studio album by Janis Ian / From Wikipedia, the free encyclopedia

Who Really Cares, released in 1969, is the fourth studio album by American singer-songwriter Janis Ian, and her last for Verve Forecast. Unlike her previous three albums, Who Really Cares was produced not by Shadow Morton but by Charles Calello, who had attracted attention for producing Laura Nyro's Eli and the Thirteenth Confession a year earlier. The title was taken from Ian's first book of poetry, published shortly after the album's release.[3]

Quick facts: Who Really Cares, Studio album by Janis Ian, ...
Who Really Cares
Who_Really_Cares_%28album%29.jpg
Studio album by
ReleasedSeptember 1969
StudioOlmstead Studios, New York City
Genrefolk-rock
singer/songwriter
Length33:54
LabelVerve Forecast
ProducerCharles Calello
Janis Ian chronology
The Secret Life of J. Eddy Fink
(1968)
Who Really Cares
(1969)
Present Company
(1971)
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Professional ratings
Review scores
SourceRating
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Wilson and AllroyStar_full.svgStar_full.svgStar_full.svgStar_empty.svgStar_empty.svg[2]
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At the time she made Who Really Cares, Janis Ian was in a crisis following her initial success with "Society's Child". She had attempted suicide, taken cocaine with Jimi Hendrix and Janis Joplin[4] and seen her parents split as she moved into her own apartment.[5] Her previous album The Secret Life of J. Eddy Fink failed to dent the Billboard albums chart due partly to an unsupportive Verve and partly to her audience moving away from the depressing tone of her albums. She also was originally asked to compose the music for the film Four Rode Out[6] but never did so.

Who Really Cares was almost entirely ignored by the music press upon its release in fall 1969 and failed to return Ian to the top 200, and her contract with Verve was consequently not renewed.

During her period of prominence in the 1970s, Janis Ian distanced herself from her Verve albums, calling them "a tax write-off for Verve",[7] and saying specifically that Who Really Cares "did not contain enough protest songs".[8] Apart from one encore performance of "Time on My Hands" at the Long Center in Scranton, Pennsylvania, on October 29 of 1974,[9] she is not known to have performed anything from Who Really Cares since 1972, nor has the album ever been represented on any of her career compilations.

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