Adam has an MA in English. He has taught a range of literature and theatre subjects at the university level. He has also worked as a writing tutor and academic advisor.
Puns in Twelfth Night by Shakespeare
Table of Contents
- What's in a Pun?
- Puns in Shakespeare
- Puns in Twelfth Night
- Further Examples from Twelfth Night
- Lesson Summary
A pun is, quite simply, a P.O.W.
If you did a double take just then, that's understandable. If you had a bit of a giggle, perhaps you've already gotten the joke. A pun is most certainly not a prisoner of war. It is, however, a play on words! Just like the above joking definition, puns take advantage of words and phrases that SOUND similar, but actually mean different things.
We come across puns constantly in common conversation and especially in comedy. Here are some examples:
I'd joke about chemistry with you, but I definitely wouldn't get a reaction.
I wasn't sure why the frisbee was growing larger and larger. Then it hit me!
The Easter Bunny isn't allowed to the North Pole anymore. He always eggs Santa on when the drinks start flowing.
The italicized words above all have multiple meanings. Reaction forms a pun because it could mean a laugh from the audience or a chemical event. Hit colloquially means that a realization occurred to someone suddenly, but in this case it literally means the frisbee striking his head. Eggs means to stimulate or push into doing something, but the word is also associated with the Easter Bunny's yearly job.
Many examples of puns may seem like real groaners, and those won't necessarily score you cool points at parties. That said, puns can also be incredibly insightful ways of linking formerly disconnected ideas, or even making sneaky social commentary. Stephen Colbert's 'The Word' segment on his popular comedy news show, The Colbert Report, is a great example.
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Shakespeare is notorious for his use of pun throughout all of his plays and sonnets. Of all character types, his 'fools,' which are like court jesters or clowns, use puns the most. Take this passage from Act III of Othello between Desdemona and the Clown:
DESDEMONA. Do you know, sirrah, where Lieutenant Cassio lies?
CLOWN. I dare not say he lies anywhere.
DESDEMONA. Why, man?
CLOWN: He's a soldier, and for one to say a soldier lies, 'tis stabbing.
Here the Clown plays on the double meaning of the word lies. Desdemona means 'where does Cassio sleep' (as in 'lie down'). The Clown knows this, but toys with Desdemona by deliberately mishearing her. When he says 'to say a soldier lies, 'tis stabbing,' he means that to say a soldier tells lies is insulting to his honor.
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Twelfth Night has its own merry fool, Feste, who is very fond of using puns. See how he responds in Act III when Viola asks him about his 'tabor,' which is a kind of drum:
VIOLA. Save thee, friend, and thy music. Dost thou live
by thy tabor?
FESTE. No, sir, I live by the church.
VIOLA. Art thou a churchman?
FESTE. No such matter, sir. I do live by the church, for I
do live at my house, and my house doth stand by the
church.
Feste helps us out here by explaining his pun. When Viola asks if he 'lives by' his drum, she wants to know if he plays it professionally. Ever the trickster, Feste answers as if she meant: 'Do you live next to the drum?' While his answer means that he lives next to the church, Viola misinterprets him to mean he makes his living at the church, as a preacher.
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OLIVIA. Take the Fool away.
FESTE. Do you not hear, fellows? Take away the Lady.
Here Feste deliberately misinterprets 'Fool' to mean 'foolish person' instead of 'clown' or 'jester,' his job. He justifies his mistake later by saying 'I wear not motley in my brain.' He may be a 'Fool' dressed in patchwork costume, but he's not stupid!
Here Maria gets the drop on Feste for once:
MARIA. You are resolute, then?
FESTE. Not so, neither, but I am resolved on two points.
MARIA. That if one break, the other will hold, or if both break, your gaskins fall.
Feste is attempting to joke about making up his mind on two ideas, but Maria twists his word 'points' to mean the clips of his suspenders.
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The pun is a delightful way to play with language. Shakespeare uses it frequently, often in rapid-fire, back-and-forth scenes between his wittiest characters. They are primarily for laughs, but they can also reveal compelling subtext or make subtle judgments about current societal norms. The primary way to identify them is to seek words with multiple meanings and applying all meanings at once. Reading out loud can also help sound out the intent. Remember: these are plays meant to be heard!
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