Themes
Angels and Demons is built around a number of paired/opposed forces that wind through the novel as they do human society and human history.
Science Versus Faith
The clash between science and faith is everywhere in Angels and Demons. It is
symbolized through the opposing organizations of the Illuminati (who claim to
speak for free thought and science) and the Catholic Church (which bulwarks two
millennia of dedication to the Christian faith). That this clash can be a war
is spelled out by both sides, though Leonardo Vetra and his daughter show
readers that it is possible for these two methods of seeking the truth to find
peaceful accord within a single heart. However, the camerlengo’s impassioned
“surrender” to science in the war shows how uncommon and unlikely such a
resolution is. The camerlengo articulates the case for pure faith, in large
part because he can see the hand of God in his life. By contrast, Maximilian
Kohler’s life was ruined by a misinformed faith, and so he burns with an
anticlerical fire.
Passionate Dedication Versus Obsession
Leonardo Vetra, whose murder begins Langdon’s involvement with the novel’s
complex mysteries, is a fine example of the ideal of passionate dedication, as
is his counterpart, the assassinated pope. Each man pursued truth and supported
his chosen organization with his whole heart. Both touched others with their
evident devotion, which was intense, but not so single-minded that it excluded
the human. Both of these busy men found time in their lives to embrace their
children, children who joined their families voluntarily. By contrast,
Maximilian Kohler, the camerlengo, and the assassin all embody the dark side of
dedication, which is obsession. Each is willing to allow suffering, and even to
create suffering and bloody death, in order to pursue his goals.
Public Versus Private
The control and definition of public and private spaces and knowledge play
important parts in Angels and Demons. For example, when Robert Langdon
is brought to CERN, he is concerned that he did not bring his passport. His
pilot assures him that “passports are unnecessary.” CERN director Maximilian
Kohler has a video camera mounted on his wheelchair and often offends people by
taping meetings without their knowledge or permission. Langdon is enlisted in
this extended adventure because information about him is available on the
Internet, which CERN had a hand in creating. Perhaps the most striking examples
of the interplay of public and private, though, are in judging the moral
strength of major characters in the book, and in the nature of the Illuminati’s
strategies. The camerlengo judges the late pope for his supposed ethical
lapses, but he is wrong to do so; he knows only the public pope, and not what
was in the pontiff’s heart. The importance of this divide is shown when it is
revealed that the camerlengo accidentally assassinated his own father. A
similar layering happens with the Illuminati. They have long infiltrated the
Catholic Church (or so it seems), with their representatives playing one role
in public and another in private. This practice goes so far as to mark the
public art works of Rome with private signs that only the Illuminati can
read.
The Past Versus the Present
This last pair shows how forces that seem to be opposed are also intertwined, creating one another even as they clash. CERN is engaged in creating the future—but they are attacked in their headquarters by a representative of the dead past, the Illuminati. At the same time, some of the scientists at CERN are already familiar with the Illuminati because the society had been recycled...
(This entire section contains 774 words.)
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into a computer game. At the Vatican, Robert Langdon must deal with the Illuminati’s threats to the future of the church by reading ancient signs and by negotiating how history’s layers may have rewritten those signs. To do so, he passes into the Vatican’s archives, where the most ancient and valuable papers are preserved using modern technologies. This interplay of past and present extends into the personal arena too. Kohler’s position regarding religion is shaped by his parents’ faith, as is the camerlengo’s. Langdon’s claustrophobia was created by a random childhood accident. Brown shows that the present cannot exist independent of the past, that the past and the present are always interwoven, and that their relationship is far more complicated and dynamic than most people think. The ultimate example of this is CERN’s creation of antimatter—this new scientific breakthrough is seen as parallel with the most ancient event in the scientific or religious worlds: the creation of the universe.