WET DREAM
Richard Wright
•Crossover Prog
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3.87
| 250 ratings | 34 reviews | 23% 5 stars
Excellent addition to any |
Studio Album, released in 1978 Songs / Tracks Listing 1. Mediterannean C (3:52) - Richard Wright / vocals, piano, electric piano, Hammond, Oberheim synthesizer, producer
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RICHARD WRIGHT Wet Dream ratings distribution
(250 ratings)
Essential: a masterpiece of progressive rock music(23%)Excellent addition to any prog rock music collection(50%)Good, but non-essential (20%)Collectors/fans only (6%)Poor. Only for completionists (1%)
RICHARD WRIGHT Wet Dream reviews
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Collaborators/Experts Reviews
SPECIAL COLLABORATOR Honorary Collaborator
SPECIAL COLLABORATOR Prog Folk
If there is one thing I never could understand , it is how Waters could say that Wright was not contributing to Floyd and he was doing absolutely nothing. This album is the proof that this was not so. And one of the better solo album among all Floyd alumni.
This album is full of really great moody tracks with cool ambiances and calm grooves. It is here that Rick finally shows that he can sing as well as Gilmour and Waters, but the better tracks are the instrumental ones (more than 50%). I also believe that a good combination of tracks from this one and Gilmour' s first solo might have made a great Floyd album, and maybe that was Waters 's problem : he wanted his stuff and his only . He took almost all of Animals and the Wall for him - how democratic in a band .
The only remark I can make is that one could almost mistake this album for an Allan Parsons Project album of that very same era (I robot or Pyramids) , but this is hardly a negative remark. Anyway well worth a spin !
SPECIAL COLLABORATOR Honorary Collaborator
PROG REVIEWER
PROG REVIEWER
In a way, I suppose the title is quite ironic...this is actually some of the most thoroughly sensual music I have ever heard. By "sensual", I mean the amazing way in which it calls upon the five senses as one listens to the music. Many of the songs have a sailing theme, and as you listen--you are THERE. You can almost feel the boat rock underneath you, the wind through your hair, even smell the salt of the ocean as you listen to superb instrumentals such as "Mediterranean C", "Cat Cruise", and "Waves". Others are sensually evocative in a different way; catchy tunes like "Drop in from the Top" and "Funky Deux" will make just about anyone want to get on their feet and dance, or at least tap out the rhythm on their desk!
The lyrics are mostly written by WRIGHT himself. They may seem simplistic in light of PINK FLOYD's lyrics (which were often written by bassist ROGER WATERS), and WRIGHT seems in retrospect to be a bit embarrassed of it. However--he should not be. Perhaps it's even the simplicity in and of itself that makes them come across as so heartfelt. You can almost envision him as he writes them. You can really hear how weary he is of the conflicts he's having to deal with at the time, and how much he wishes for escape. He envisions his time spent sailing; the enthusiasm in his voice in "Holiday" as he sings, "Sail on--there's no other way I'd rather be!" is absolutely infectious. Conversely, in the last song upon which he sings--"Pink's Song"--the sadness and resignation brought me to tears..."Give me time so I can breathe--give me time to be at ease." It seems like an eerie foreshadowing of his temporary departure from the FLOYD following The Wall tour. Perhaps these aren't the lyrics to Dark Side of the Moon...but I think it doesn't matter. The effect works, making for a wonderful glimpse into the heart one of PINK FLOYD's most underrated members.
Sadly, this album has gone out of print, but if you get a chance to snap it up on eBay, be sure to do so!
PROG REVIEWER
A long lost FLOYD album? Probably not... But RICK WRIGHT's first solo album is a great addition to anyone' s prog collection, and is an Absolute Must for FLOYD fans! If ever it was doubted what Rick was capable and responsible for in the FLOYD, one only needs to listen to "Wet Dream". He is a unique composer and an excellent vocalist in his own right.
Out-of-print and hard to find, this album was released in 1978 in between FLOYD's "Animals" and "The Wall", and concurrently with DAVID GILMOUR's eponymous debut album. One has to wonder what would have happened if Rick had been more assertive and pushed his musical ideas upon the band during this time period, instead of being the 'non-contributor' that he eventually was in FLOYD from 1977-1979.
Jazzrock and some funk influences permeate this easy-listening album (in a good way!) and leave the listener with an optimistic, pastoral, and yet melancholic feeling. Sailing themes are omnipresent, both in the song titles, musical feel, and CD artwork (as usual, done by Storm's Hipgnosis). Rick after all, is/was a huge fan of sailing.
Highlights include the introspective 'Pink's Song' and 'Drop In From the Top' (check out the instrumental 'chorus' from this song, so very catchy! Could easily have been a FLOYD tune), as well as the competent guitar work of Snowy White.
Only negative aspect of the album is that maybe there is too much sax present for some mainstream proggers...
SPECIAL COLLABORATOR Honorary Collaborator / Retired Admin
Discounting his solo section on "Ummagumma" (which is probably a wise thing to do!), this was Rick Wright's first official solo outing. The album was recorded in early 1978, thus placing it between "Animals" and "The Wall" in the history of Pink Floyd. Apart from an obligatory bassist and drummer, Wright calls upon long serving Pink Floyd second guitarist Snowy White and saxophonist Mel Collins to support his keyboards and vocals. He composes all the songs himself, assisted by his wife Juliette on "Against the odds", and even takes on the role of producer. There is a "water" (not Waters!!) theme to a lot of the album, much of the song writing appearing to have been done while Rick was on holiday.
The album opens serenely with "Mediterranean C". which serves to introduce the band. Rick plays downbeat piano along the lines of the softer part of "Great gig in the sky" while Collins and White are given an early solo spot each. Rick also adds some excellent synthesiser to this instrumental. "Against the odds" features Wright's fine vocals for the first time, the reflective nature of the song perhaps having been an inspiration for Phil Collins similarly titled song ("Against all odds"). These opening tracks set the mood for much of the album which follows, Rick preferring to opt for the softly melodic ("Us and them") type songs more than the upbeat ("Money") sort. Indeed, the sax solo on the second instrumental, "Cat cruise", sounds very much like an extension of "Us and them". This wonderfully developed piece builds from the slow start through some great guitar and synth to a climactic ending.
"Summer elegy" sounds like "The great gig in the sky" with a vocal line. The floating guitar has the same sound, as does the melodic piano. "Waves" is primarily a sax orientated instrumental, with Rick proving lush keyboard layers for Mel Collins to improvise upon. "Holiday" continues the reflective mood with Rick's distinctive piano style once again strongly in evidence. "Mad Yannis dance" is a sort of interlude piece with a "Zorba's dance" style. "Drop in from the top" allows Snowy White another chance to display his guitar prowess, the overall sound being distinctly Gilmour like.
Collins moves to flute for "Pink's song" and thus adds some fine colours to this otherwise simple song. The album closes with "Funky deux" which does indeed have a funky beat the piece sounding remarkably like an Alan Parsons Project instrumental.
Rick's contribution to "The wall" may have been negligible at best. "Wet dream" however clearly signals that when he was doing something which inspired him, he still had the capability and creative energy to produce something special. This is a superb album which will appeal to those who crave for more of the type of music Pink Floyd made in their "DSOTM" and "WYWH" days.
COLLABORATOR Crossover/Symphonic/RPI Teams
Unlike Gilmour's solo project which focuses more on his guitar work, Wright's solo album is more focused on the composition than his keyboard work. The songs resemble a lot of the musical pieces he contributed to Pink Floyd albums prior to The Dark Side of the Moon. In addition there are several instrumentals scattered throughout the album, all very exceptionally well done. As mentioned before, Wright composes his songs in a very Floydian-like fashion indicating that he is heavily influenced by his parent band's style, or perhaps, he has more to do with the Pink Floyd sound than most fans and critics believe. One could argue both ways, but I suspect it's more of the latter. He also chose a guitarist that does a fare impression of Gilmour, Snowy White, and includes the talents of saxophonist Mel Collins. These add to the Floydian-like texture that Wright weaves throughout this album. Furthermore, Wright's voice is perfectly suited for Floydian compositions and he shines here. It's a shame he didn't perform vocals more often in post-Dark Side albums.
In the end, the best way to describe Richard Wright's Wet Dream is imagining that Waters never had the idea of the Dark Side of the Moon and the band continued to make albums like Obscured by Clouds and the shorter material on Echoes and Atom Heart Mother. Wet Dream would sound like a perfect successor to Obscured by Clouds, but much better composed. Although Wet Dream is considered an obscure acquisition by some, it's definitely in the four-star realm of ratings for me. A very worthwhile purchase and an essential must-have for Pink Floyd fans.
PROG REVIEWER
PROG REVIEWER
RICK WRIGHT knew he was being eased out of PINK FLOYD. Not only that, he knew exactly what the FLOYD would lose with his absence. So he bottled essence of Wright and poured it all over this album, wise man that he was, so there could never be any doubt of WATERS' palpable guilt at ignoring his skills and potential contribution. How much better, I ask myself, would albums like 'Animals' and 'The Wall' have been with the lyrical beauty of this man's composition and keyboard skills, let alone his smooth, unpretentious vocals?
To be honest, that's the prime function of this album: a document to remind us what we lost. In and of itself, it is a collection of interesting light jazz-rock of the sort he made for 'Obscured by Clouds', the kind of music that mixed well with GILMOUR and WATERS' sharper, edgier music. There's nothing here that characterised the post-73 PINK FLOYD, so don't come here looking for epics like 'Dogs' or 'Shine On'. Instead, think 'Mudmen' or 'Summer '68'.
Wisely, WRIGHT chooses to sing on less than half the songs. His voice is simple to the point of tediousness at times, and needs the production values made famous by PINK FLOYD to bring out the best in his phrasing and tone. So we have solid rhythm sections providing the foundation for saxophone, guitar and piano solos that are always skilful, always interesting and at times moving. But there's nothing here approaching progressive gold, in my view.
Wise man that he was, RICK WRIGHT didn't push the boundaries of his talent here. There's none of the frenetic overstretching that lost WATERS his voice and his audience. Instead, 'Wet Dream' is an album to sink into, allowing yourself to be borne away on subtle variations.
A once-in-a-while listen.
PROG REVIEWER
First of all, his song writing capabilities should have been better recognized while he was a permanent member of the huge band we (almost) all love. Not only did he contribute to several great songs from the band, but in his first solo album Wet Dream he just confirmed this.
Mediterranean C which is the opening track is truly superb. But it is only the first of many songs in which Mel Collins appear as a fantastic asset.
There are also truly Floydian accents like Against The Odds in here; but this is no wonder I guess. Lyrics are quite explicit:
I don't want to talk no more tonight. We've gone through this before. Now we ask for more. Seems to me we can't escape at all. Words have no meaning. To hold such a feeling. Can there be a way out of here. I don't know. Why we go on so. I don't want to fight no more tonight. Every time's the same. Both of us to blame. I don't want to talk no more tonight...
Another one is the beautiful and melodic Summer Elegy. On the soft side of course, but really catchy. It is actually on par with the superb Waves which features some fantastic sax again from Mel.
Rick was very clever while he hired Snowy White to hold the guitar on this album: he is just remarkable. Just listen to the passionate and melodic Drop in from the Top.
Pink's Song is one of the emotional one from this album: an obvious wink to dear old friend Waters: Patiently, you watched us play parts you'd seen before. Even then, we sometimes asked: would you keep us for? Sadly, then, you lost yourself. So you had to leave.
The only filler of the album is the closing instrumental Funky Deux. But apart from this one, the album is pretty enjoyable all its way through. I will sentimentally raise my rating from a seven out of ten to four stars.
I just wonder why Rick has been catalogued as a Prog Related artist on this site.
PROG REVIEWER
After the release of the album Dark Side of the Moon, the band Pink Floyd finally took its most successful formation, with Roger Waters in control of the band in almost every aspect of it. Due to that control, Waters outshone most band members, if not all of them, as far as writing the music and the lyrics goes, for at least three Floyd albums (Animals, The Wall, The Final Cut and a little bit in Wish you Were Here), what made two band members release two solo albums, being Richard Wright's Wet Dream one of them and the other David Gilmore's David Gilmore album.
I usually say that this album is the lost Pink Floyd album because Wet Dream sounds a lot like a Pink Floyd album from the early 70's, a period when the band had a more democratic writing process, when all the band members contributed for the songs and for the album in general. However, this album has two big difference from the other Pink Floyd albums: it's atmosphere is MUCH lighter and brighter, contrasting greatly with Floyd's dark and gloomy mood, and it has a much broader usage of saxes and flutes than Pink Floyd, making it stand out from the other albums Rick Wright had done so far.
As far as the style of music goes, i think that the album sits comfortably between The Dark Side of the Moon, Wish you were here and Meddle, since you can notice Wright's style of composition from those three albums in Wet Dream. However, since there are no other composers, except from Wright himself, the music in Wet Dream flows somehow differently from the usual Pink Floyd music.
The highlights go to Mediterannean C, Cat Cruise, Waves, Mad yannis Dance and Funky Deux.
Grade and Final Thoughts
Though being a very good album, Wet Dream does not exceeds its floydian counterparts in the quality department. However, it is still a terrific album, and deserves recognition and a fair grade. On a side note, i really wonder why Richard Wright put such an unusual name in his album, which relates to nocturnal emissions. . . But anyway, 4 stars it is then.
COLLABORATOR Honorary Collaborator
02. Against The Odds A lovely guitar melody begins with the piano. The charming voice of Richard always first appears, it is strange at the beginning of Pink Floyd he always did so many voice, the star of a few Wright was disappearing in the band). Belo chorus, charming, unassuming, quiet and serene. If the disc was not produced by itself I would say that Richard had been Alan Parsons, as the timbre of battery it is certainly the same as the boy was wearing the band.
03. Cat Cruise Truncated, full of melodies reverse and full of tension, as is usually a soundtrack. The presence of the saxophone has only lead to more melancholic music. The bottom of Larry Steele is always discreet and 'escort' the melodies.
04. Summer Elegy Virtually the disc is composed of pianos, and this reminds me a little Summer Of'68 (think it was good that even the intention) .. Sensational double the vocals, as only he could do, and did very well, is not a great singer but a great melodist and has a very nice voice .. The land always remind me pretty much the style of Gilmour, which only makes me more encucado and he was sure that even if the guitars recorded this disc. And speaking about it, if not the timbre of the battery of feet together I swear that it is actually Reg Isadore Nick Mason, too, because the style is exactly the same. I have a huge impression that the guys have a force that, while Roger wrote The Wall and The Pros And Cons Of Hitch Hiking.
05. Waves A 'q' of ELO here, some sounds the boxes, a phrasing of a saxophone and bass bacana always very well played by Mel. Most of the track is controlled by the sax and the keyboards in the background, which has always been an ability to Richard, the work song and not just by him, is what the music for and not what he wants. This is sensational.
06. Holiday A very beautiful ballad that tells the story of a day / a weekend off, away from all the filth and doideiras in the world, two in a distant and beautiful world. Two souls swimming in an aquarium. A beautiful passage of the guitar solos and synthesizers are united only an agreement to return for Mr. Wright, his vocal melodies and sad. It is almost an invitation unforgettable, who loves going out with / like and get away a little. End repeated until the message is understood, with an unexpected and very cool solo at the end.
07. Mad Yannis Dance The layers of keyboard is increasing little by little, with the guitar melody in a hypnotic way, a little synthesizer and bass and join the same melody, a guitar and a percussion always painfully little to the bottom, also mark the saxophone presence. A waltz strange, this is it!
08. Drop In From The Top A groove, with Hammonds raised and full of 'land guitarr�sticos'. More of a jam session same studio. Still does not have good melodies' behind the cameras.
09. Pink's Song Do not know from where came the idea of 'A Song Of Pink', but if it was not inspiring muse of Roger I do not know anything. The voice once again has the stamp of quality Wright, the guy has a good taste and both are simple melodies but an unparalleled beauty. This track is a mixture of sadness and beauty, with a further contribution of flutes of Mel.
10. Funky Deux How could no longer be, as well as the name suggests, a 'funk session', this time having enough space as the style calls for the low Larry Steele appear. Indeed it is a psychedelic funk full of keyboards and to fund some good HAMMONDS. And a ton of good and heavy soils of saxophone and guitar. A jam of mind 'lively' end it in style.
Most of the disc is instrumental, but not one of those instrumental full of musicians and a very righteous touch of soul, what we have here is instrumental in the line 'New Age', calm and beautiful songs with melodic passages and sad.
www.progshine.com
SPECIAL COLLABORATOR Symphonic Team
As many reviewers have pointed out before me, this album is very Pink Floydian in its sound and feeling. Particularly, it sounds like Dark Side Of The Moon - especially the more mellow, piano dominated parts of that album as well as its sax solos. At the time when this album was released, Pink Floyd - under the leadership of Roger Waters - were going in something of a New-Wave direction, looking towards the 80's. This current culminated with albums like The Wall and The Final Cut. Wright, on the other hand, opted for going in the opposite direction, looking back towards the 60's and adopting an (updated) psychedelic sound.
Wet Dream is a very fitting title of this album since the music is indeed both 'floating' and 'dreamy'. It is also very laid-back and jazzy in about the same way that the music of Supertramp is jazzy. Keyboards, guitars and saxes are the dominant lead instruments. The primary keyboard instrument is the piano. Wright's vocals are perhaps not very strong, but there is nothing wrong with his voice.
Overall, this music is rather inoffensive and too laid-back to be of great interest to me. Still, in my opinion this album is actually better than many Pink Floyd albums, even better than some of the most highly regarded Pink Floyd albums! But, then again, I was never a very big fan of that band.
Good, but non-essential album. Recommended for fans of Pink Floyd.
SPECIAL COLLABORATOR Honorary Collaborator
Album contains midtempo epic songs,which sound as very Pink Floyd music! Rick Wright sings in similar to Waters manner, and plays keyboards in very PF style. Snowy White adds great guitar line and solos, when Mel Collins plays excellent sax. In total, the music is very Floydian, melodic, based on keyboards, but rich in guitar,sax and drumming.
Yes, after some listening you can note, that music is a bit more melodic, lighter, not as dark ( in fact -not dark at all), with some jazzy arrangements. So - a bit different from original Floyd music, but potentially could be their another album. And you feel mostly Waters absence ( mainly in sound and record atmosphere).
I think that album is nearest Floydian work of all ex-PF members solo albums ever, and strongly recommended to all classic period PF fans.
SPECIAL COLLABORATOR RIO/Avant/Zeuhl,Neo & Post/Math Teams
From a musical point of view this can be considered the missed Pink Floyd album, more than Gilmour's debut, this is full of the Floyd spirit before Dark Side of the Moon and features the bluesman Snowy White at guitar, the guy who played Gilmour on the stage of The Wall.
"Mediterranean C" is not a great opener. It's a good instrumental and is functional to introduce the main concept about escaping from the normal life that is better exploited in "Holiday". What's wrong is the keyboard sound chosen for this song that is a bit too flat
"Against The Odds" is a great song, instead. The classical guitar of Snowy white is the distinctive element of the song and the final solo is simple but extremely effective. This is my personal favourite.
"Cat Cruise" is an instrumental with the Wright's trademark. It reminds to his work on Obscured by Clouds with a bit of the piano thrill of The Great Gig in The Sky. Everything completed by Mel Collins' sax.
The melodic piano intro, still in the style of Great Gig but with a touch of country is another great "pop" song on which Rick's voice fits very well. "Summer Elegy" is just a bit too pop, but the Snowy White's Gibson creates a fantastric solo without being too Gilmourian.
The side A is closed by "Waves". A repetitive melody based on minor chords, reminder in some ways of Bridges Burning, with a jazzy solo by Mel Collins. Probably the darkest moment of the album.
"Holyday" is the top track. I have always found amazing the initial passages from F- , Gb , Gb- B. The piano sounds like on the Great Gig and the chorus "Sail Alone across the sea..." speaks of winds, waves and freedom. One of the best songs ever written by Wright.
"Mad Yannis Dance" is like the Dervish Dance. It gives me the impression of a circular movement, but it's not compulsive like the Dervish. It's slow and dark instead.This instrumental gives Mel Collins the opportunity of another good sax solo.
"Drop In From The Top" is a strange thing: It's the kind of bluesy instrumental track of which David Gilmour's debut is full. Of course Snowy White places a fantastic riff on it.
I have already mentione "Pink's Song". It's slow and sad. If I'm not wrong on the vinyl cover Linda Wright is credited for the lyrics. Here Mel plays a flute solo.
The album is closed by "Funky Deux". An instrumental driven by a very rhythmic bass line. A good closer but maybe a little misplaced on this album, I mean "out of the concept". There's not a true concept, effectively. The songs on this album share just some "feelings" and Funky Deux is different at this level. The only "cold" track on a very warm album. However there's room for another great sax performance.
4 stars for PA standards, 5 for my heart.
COLLABORATOR Honorary Collaborator
Best song: the Mel Collins show piece, "Waves" (4:20) (9/10).
SPECIAL COLLABORATOR Honorary Collaborator / Retired Admin
Many reviewers here have considered "Wet Dreams" to be the long-lost Pink Floyd album. Even though it is a decent enough album, it definitely is not a Pink Floyd album. It is obvious that is a Richard Wright album however as his stamp is all over it, it's just what you would expect from Wright without his band mates input. There are 4 vocal tracks 6 instrumental, the songs mostly being fairly accessible light prog. The songs are quite easy to listen to, but don't necessarily stand out as anything as ground breaking as what the entire band had put out. The closest Pink Floyd album I could compare it to is "Obscured By Clouds", but even then, it's not a close comparison.
The line up of studio musicians is pretty impressive with includes Mel Collins on several tracks and guitarist Snowy White who had past connections with Wright through Pink Floyd. And, in the end, you end up with an okay album of good songs. To me, there seems to be a sense of nervousness to the music that could have come about because of his first official outing on his own. This is evidenced in Wright's 2nd solo album "Broken China" released in 1996 as I consider it a much better and mature album which better reflects his musical talents in both performance and songwriting. "Wet Dreams" however is a good album that could be enjoyed by both Pink Floyd fans and newcomers alike, but not quite up to what we all know is Wright's actual potential. It's good, but not quite great.
Latest members reviews
RICHARD WRIGHT (1943-2008) is of course best-known as the legendary keyboard maestro with Pink Floyd. He's appeared on all but one of Pink Floyd's albums, including a posthumous appearance on "The Endless River" (2014), which was released six years after his untimely death from cancer at the age ... (read more)
Report this review (#2285477) | Posted by Psychedelic Paul | Thursday, December 5, 2019 | Review Permanlink
4.5: The first solo album by Richard Wright, the legendary Keyboardist of Pink Floyd. I always thought that he was one of the most underrated members of any legend prog band, however in all of his album his sounds was always crucial. Talking about this album, is one of the best records I have hea ... (read more)
Report this review (#2169460) | Posted by mariorockprog | Friday, March 29, 2019 | Review Permanlink
4.5 STARS REALLY Gilmour said once that when people listened the song Wearing the inside out from the album Division Bell, they said "oh, that voice...!", and that is, that voice is just very very floydian. Wright always was IMO a very important part of Pink Floyd, without him, the best Floyd ... (read more)
Report this review (#1074191) | Posted by genbanks | Friday, November 8, 2013 | Review Permanlink
What a lovely album from the late great Richard Wright. As should be aware, Pink Floyd wouldn't have been the much loved Pink Floyd without this man's amazing compositions, as well as his creative moods and tones from the keyboards. Indeed, this effort has many of the typical soulful and deep ... (read more)
Report this review (#775328) | Posted by Frankie Flowers | Wednesday, June 20, 2012 | Review Permanlink
I confess , at the time ,i've been a little bit disapointed by RICK first album but i's because i was hoping him to play some more kind of things as CIRRUS MINOR ,or SAUCERFULL but listenings after listenings this record turned very friendly and became essential to me .It displays the RICK pa ... (read more)
Report this review (#293659) | Posted by jean-marie | Saturday, August 7, 2010 | Review Permanlink
The 4-star rating is for Floyd fans (which I am one). For the casual listener or non-Floyd fans, I'd rate it at most a 3 star album. For Floyd fans, you'll find this album is a kind of light, easy-listening version of Floyd - and while that might not sound very appetising, I do mean it in the ... (read more)
Report this review (#248801) | Posted by jude111 | Sunday, November 8, 2009 | Review Permanlink
Wow.... just discovered this.... like unearthing lost treasure. Anyone into Pink Floyd MUST hear this, although sadly it's hard to get hold of. Perhaps because Richard Wright is no longer with us I find it quite a moving process listening through and also because it is such a melancholic alb ... (read more)
Report this review (#219229) | Posted by Neil C | Monday, June 1, 2009 | Review Permanlink
The under appreciated Richard Wright produced a vastly under appreciated album called Wet Dream, while Pink Floyd was between Animals and The Wall. The songs here are reflective, never rushed, with vocals on about half of the tracks. One can recognize that this is the keyboardist from PF, but you ... (read more)
Report this review (#182553) | Posted by tdfloyd | Tuesday, September 16, 2008 | Review Permanlink
Richard Gone now, but what a legacy he left behind, I don't Normally do reviews my typing skills suck and my punctuation not what it should be, but on this sad day seems fitting to give a few Words about this most Wonderful Record , its not Cd its a RECORD an album big and shiny and black wit ... (read more)
Report this review (#182535) | Posted by Hawkwise | Monday, September 15, 2008 | Review Permanlink
For the Floydheads out there, this record represents a major departure from the trippy material of the earlier Floyd and the caustic and biting Waters' crafted material of the mid 70s into the 80s. This record, which is modestly underrated, represents a nice snapshot of Richard Wright, whose con ... (read more)
Report this review (#156636) | Posted by LARKSTONGUE | Wednesday, December 26, 2007 | Review Permanlink
This disc tastes Floydiano clearly I have inclusively very amused is a disc for which they look for to listen to things with flavor PINK FLOYD but that they refuse to see the extinction of the same one, without a doubt a sample that makes see the origin of certain sounds that we related to the ... (read more)
Report this review (#111586) | Posted by Shelket | Saturday, February 10, 2007 | Review Permanlink
"Wet Dream" + "David Gilmour", both from 1978, are a very "nice pair"... Both in the same mood of "Animals" by Floyd (1977). More than an album of "rests" from the Floyd sessions, this lovely and smooth album shows that the brain was not Waters alone. Pity that Wright doesn't continued his solo ... (read more)
Report this review (#70665) | Posted by | Monday, February 27, 2006 | Review Permanlink
I bought this album in vinyl in 1978, and finally found a CD in 2005.Rick is a cornerstone of Pink Floyd! The jazzy undertones mixed in with the rock and the free flowing melodies makes for a very good album to be listened to with good headphones. I have not found anything negative about this ... (read more)
Report this review (#40102) | Posted by | Saturday, July 23, 2005 | Review Permanlink
I would give this album 4.5 stars. In my 20's, I was a huge fan of Pink Floyd. Then I had a friend, a very knowledgeable meloman. He used to ask me: "Have you heard the best Pinl Floyd ever?" I guessed he was assuming "Dark Side..." or "Animals". I was wrong: he was implying "Wet Dream" by Rick W ... (read more)
Report this review (#31904) | Posted by | Tuesday, May 17, 2005 | Review Permanlink
Really quite a little gem,which I wasn't aware of until visiting your site.just goes to show that Rick Wright was much more than a sideman within the Floyd ranks.You can just throw this in anytime & listen,much more enjoyable than getting walloped over the head continuosly by Waters negativene ... (read more)
Report this review (#31901) | Posted by | Saturday, January 22, 2005 | Review Permanlink
One of the most underrated LPs of the 70s, with a strange flavour of melancholy (as in some "Atom Heart Mother" songs) but very brilliantly composed and directed, with a luxurious cover and concept. It seems Wright could have been a great Top Ten composers and singer without Floyds, also. He ... (read more)
Report this review (#31897) | Posted by | Saturday, January 1, 2005 | Review Permanlink
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