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The Art of Marvel Thor: The Dark World Product Bundle – January 1, 2013
Purchase options and add-ons
- Print length271 pages
- LanguageEnglish
- PublisherMarvel Enterprises
- Publication dateJanuary 1, 2013
- Dimensions10.75 x 1 x 12 inches
- ISBN-100785168125
- ISBN-13978-0785168126
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Product details
- Publisher : Marvel Enterprises; First Edition (January 1, 2013)
- Language : English
- Product Bundle : 271 pages
- ISBN-10 : 0785168125
- ISBN-13 : 978-0785168126
- Item Weight : 4.38 pounds
- Dimensions : 10.75 x 1 x 12 inches
- Best Sellers Rank: #1,593,438 in Books (See Top 100 in Books)
- #16,575 in Performing Arts (Books)
- #21,191 in Movies (Books)
- Customer Reviews:
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About the authors
Marie is a writer, comic book creator, traveler, and blogger who alternates between roaming the planet by public bus, overseeing the output of a Kuwait-based superhero comic book company as editor in chief, and writing books entirely unrelated to her day job. In 2001, she circumnavigated the world by surface transport live on MariesWorldTour.com. In 2011, she did it again, but in reverse, this time allowing herself the use of airplanes.
Javins has written four books, coauthored two more, and updated a sixth. She has also contributed to several anthologies and travel websites. Her Wander Woman blog appears on Sundays on the UK's Wanderlust magazine's website. http://www.wanderlust.co.uk/magazine/contributor/wander-woman
Known for her acclaimed work as an editor and colorist at Marvel Comics during the nineties, Javins has also edited for Scholastic, Radical, and colored Disney comic books for Gemstone Comics. She's been involved in several independent publishing ventures and teaches digital coloring at New York's School of Visual Arts. Javins is a partner in Botfriend, a graphic novel packaging partnership with writer/editor Stuart Moore.
Originally from Northern Virginia, Javins considers herself a New Yorker but has lived in Australia, Barcelona, Uganda, Namibia, New Jersey, Kuwait, and Cairo since the last time she called Manhattan home. She can say "hello," "thank you," and "how much" in seven languages.
www.MarieJavins.com
STUART MOORE is a writer, a book editor, and an award-winning comics editor. His recent books include the Marvel Crisis Protocol novels TARGET: KREE and INTO THE DARK DIMENSION (Aconyte Books) and three volumes of the New York Times bestselling series THE ZODIAC LEGACY (Disney Press), cowritten with Stan Lee.
Stuart’s comics include the original sci-fi series CAPTAIN GINGER, HIGHBALL (both AHOY Comics), and EGOs (Image), as well as DEADPOOL THE DUCK (Marvel) and FIRESTORM (DC). His other writing includes prose and comics set in the universes of Stargate, The Transformers, Conan the Barbarian, Redwall, and Star Trek.
Stuart consults for Stonesong and for AHOY Comics, where he holds the mysterious title of “Ops.” In the past, he has been a book editor at St. Martin’s Press and editor of the Virgin Comics / SciFi Channel and Marvel Knights comics imprints. At DC Comics, he was a founding editor of the acclaimed Vertigo imprint, where he won both the Will Eisner award for Best Editor and the Don Thompson Award for Favorite Editor. Stuart lives in Brooklyn, New York with his wife, author Liz Sonneborn, and one of the most spoiled cats in the universe.
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The book is laid out in a logical progression that mostly mirrors the film's narrative. All of the main characters have an updated look, but rather than just running through them all at once, they are covered as it relates to the story and settings. The movie opens with backstory narrative of the Dark Elves, and the Art book opens (after the introduction) with an overview of the Book of Yggdrasil, and how its design was based on illuminated texts. The film then jumps to our hero, Sif and the Warriors Three, engaged in battle. Thus, the book runs through their costume updates, as well as the development of Vanaheim, the look of its people and of the Marauders who are attacking them. The prose helps put the images in perspective by explaining the artists/filmmakers choices, and even how they tie back to the comic source. One of my favorite pages in this section is the evolution of Mjolnir, with a picture of each incarnation from the three films laid side by side. This made it much easier to see the subtle, but effective, differences.
The book then devotes a hefty section to the development of the Dark Elves, their technology and ships. It was time well spent. I thought the ships in the film were visually stunning and very creative, and it was interesting to see how they evolved and from where the artists drew inspiration. The editor discusses how Malekith was necessarily adapted from his comic book look and how the elves' masks came to be. When Jane comes to Asgard, the book follows her there. Most of the rest of the book is dedicated to Asgard's updated look. Alan Taylor had a specific vision to ground Asgard in reality, while still showing their advanced technology. The book goes through each of the major sets of Asgard, such as the Throne Room, Hall of Science, Medina, Frigga's chambers and the dungeons. The section then highlights the changes to characters as they relate to Asgard: Jane, Heimdall, Odin, Frigga and Loki.
The book closes with a very brief mention of the marketing for the film. Again, I feel Marvel should either expand on this or do a book specifically about the marketing for these films since it is so interesting.
The exterior covers mimic the design imagery of the Book of Yggdrasil and the book comes enclosed in slipcase, with full color wrap-around imagery. The front of the slipcase has Thor from the teaser poster, and the back has Loki as seen on his character poster in the destroyed throne room. Overall, this book is incredibly well done and quite beautiful. Highly recommended.
I buy these books because Marvel has the best design team in the business as far as I'm concerned. With each film this design team shows their love of the source material yet knows what is necessary to translate it to their movie universe. Keep up the great work Marvel!
The content of the book is very informative and goes into a lot of detail. It mentioned some things that I had not even noticed in the movie itself. All of the character descriptions, concept art, and ideas is very interesting as well. The pages are thick with very heavy ink that really adds to the overall look.
Overall, this book is definitely worth the price if not more (I would not hesitate paying a higher price for it).
Top reviews from other countries
Il s’ouvre par un avant-propos de Charles WEN, avant d’effectuer une introduction du film, qui s’offre une comparaison avec les comics.
S’ensuit une présentation des personnages principaux, avec le principal intéressé Thor, qui s’affiche avec son costume, ainsi que les détails de son marteau Mjolnir. Ensuite, ses alliés asgardiens avec la guerrière Sif, le gardien Heimdall et le trio composé de Hogun, Fandrall et Volstagg, mais aussi sa famille avec son père Odin, sa mère Frigga, son frère Loki, sans oublier le Docteur Jane Foster.
On retrouve également les adversaires qui vont s’opposer au dieu du tonnerre, Malekith et ses elfes noirs. On aborde tout ce qui fait partie intégrante d’Asgard et toutes ses composantes, comme le royaume de Vanaheim et la salle du Trône, imaginées à travers des peintures, qui viennent sublimer cette atmosphère particulière.
Beaucoup de photos inédites et quelques storyboards viennent compléter le tout. Un régal pour tout fan de Marvel.
Like it's companion volumes the book is beautifully and sumptuously produced – a solid hardback printed using glossy art paper and covering just about all aspects of design in the film - from characters, costumes and objects, to concept art for CGI sets and fantasy worlds.
There are drawings, storyboards and digital 3-D projections for prosthetic and make-up work.
All up to the usual high standard of Marvel, the book comes in a heavy slip-case and it makes both a fine companion to the film and a useful reference for those with an interest in good film concept design.
Another great book for film fans.
Gut (in englisch) geschrieben und oft spektakulär gute Kunst-Drucke aus der Kunst- und Design-Abteilung.
Hier zeigt sich aber gelegentlich eine kleine Schwäche:
Dunkel-Elfen auf dunklem Grund kommen, hätte man's gedacht, ziemlich dunkel.
Etwas mehr Helligkeit/ Kontrast hätte manchem Bild gut getan - Tja, der Titel "The Dark World" ist Programm, und da hilft nur mehr Licht auf dem Papier, um mehr zu sehen in der Dunkelheit.
Die meisten Abbildungen sind aber hell genug, daher kein Abzug für die Dunkel-Elfen...