Lonnie Mack – The Wham Of That Memphis Man!
Label: | Fraternity Records – F-1014 |
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Format: | Vinyl, LP, Album, Mono |
Country: | US |
Released: | |
Genre: | Rock, Blues |
Style: | Rhythm & Blues, Rock & Roll, Gospel |
Tracklist
A1 | Wham! | 2:12 | |
A2 | Where There's A Will | 4:10 | |
A3 | The Bounce | 2:05 | |
A4 | I'll Keep You Happy | 2:30 | |
A5 | Memphis | 2:30 | |
B1 | Baby What's Wrong | 3:35 | |
B2 | Down And Out | 2:37 | |
B3 | Satisfied | 2:50 | |
B4 | Suzie-Q | 2:23 | |
B5 | Why | 4:38 | |
B6 | Down In The Dumps | 2:07 |
Companies, etc.
- Pressed By – RCA Victor Custom Record Division
- Published By – Carlson Music Co.
- Published By – Edwood Music Co.
- Published By – Conrad Music
- Published By – Marc-Jean Music
- Published By – J And C Publishing Co
- Published By – Arc Music (2)
- Published By – Acuff-Rose
Credits
- Backing Vocals [Uncredited] – The Charmaines (tracks: A2 to A4, B1, B3, B5)
- Bass [Uncredited] – Wayne Bullock
- Drums [Uncredited] – Ron Grayson
- Guitar [Uncredited] – James Edmondson (tracks: A5, B6)
- Guitar [Uncredited], Vocals [Uncredited] – Lonnie Mack
- Lacquer Cut By – Ω (2)
- Liner Notes – Dale Stevens (2)
- Photography By [Back Cover] – Terry Armor
- Photography By [Cover Photo] – Carlson Studio*
- Piano [Uncredited] – Fred Stammerding
- Producer – Carl Edmondson
- Saxophone [Uncredited] – Irv Russotto (tracks: A1 to A4, B1 to B5), Marv Lieberman (tracks: A1 to A4, B1 to B5)
- Tenor Saxophone [Uncredited], Maracas [Uncredited] – Donald Henry (tracks: A5, B6)
Notes
Label variation: album title printed below the spindle hole on one line, not split over 2 lines.
'Pressed by RCA Victor Custom Record Dept.' printed on back.
Reverse tip-on sleeve, no printing on spine
Pictured on back cover: (left to right) Marv Lieberman, Ron Grayson, Wayne Bullock, Truman Fields, Irv Russotto, and Lonnie Mack
'Pressed by RCA Victor Custom Record Dept.' printed on back.
Reverse tip-on sleeve, no printing on spine
Pictured on back cover: (left to right) Marv Lieberman, Ron Grayson, Wayne Bullock, Truman Fields, Irv Russotto, and Lonnie Mack
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Matrix, Side A): PR4M-3452
- Matrix / Runout (Matrix, Side B): PR4M-3453
- Matrix / Runout (Runout, Side A): PR4M-3452-1B Ω
- Matrix / Runout (Runout, Side B): PR4M-3453-1B Ω
Other Versions (5 of 21)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission | The Wham Of That Memphis Man! (LP, Album, Stereo) | Fraternity Records | SF-1014 | US | 1963 | ||
New Submission | The Wham Of That Memphis Man! (LP, Album, Mono) | Barry | B 318 | Canada | 1963 | ||
New Submission | The Wham Of That Memphis Man! (LP, Album, Mono) | Fraternity Records | F-1014 | US | 1963 | ||
New Submission | The Wham Of That Memphis Man! (LP, Album, Mono) | Fraternity Records | F-1014 | US | 1963 | ||
New Submission | The Wham Of That Memphis Man! (LP, Album) | W & G | WG-B-1763 | Australia | 1964 |
Recommendations
Reviews
- Edited 11 years agoEssential! Stereo version on Fraternity with deep groove, cat. no. SF 1014 is available and a stunner. John Peel once stated that he was using „ Baby what’s wrong?“ to impress a lassie with the effects of stereo. Way back then, in 1964 Lonnie Mack was an amazing singer and guitarist, using a Gibson Flying V plugged into an amp with a rotating Leslie Speaker generally employed by musicians applying their craft to a B3 Hammond Organ. Thus Lonnie could increase his intense and searing tone, like an R'n'B version of Dick Dale.
His sole problem appears to have been at this very climax of his artistic achievements, that he might have been more successful had he been either black (possibly also the problem of Ella Mae Morse ten years earlier and Mitch Ryder in a few years to come) or British: it was not appropriate for a white US American artist to sound that tormented and urgent. „Why?“ is a song, where you may ask yourself: Is that lad going round the bend? As if there were but a small dividing line between forsaken love and lunacy. And we all know that is certainly NOT the case. And Why? is a good song as well.
If there was a chart for records unfairly forgotten, this might deserve being considered for inclusion. For all lovers of Magic Sam, Chuck Berry, Otis Rush, Howlin’ Wolf and Jimi Hendrix – all the major league blues welders and belters at that time. Like Mike Bloomfield and Paul Butterfield rolled in one, but a couple years before East/West came out.
Release
For sale on Discogs
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