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The Slams
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Additional DVD options | Edition | Discs | Price | New from | Used from |
Watch Instantly with | Rent | Buy |
Purchase options and add-ons
Genre | Action & Adventure |
Format | NTSC |
Contributor | Jim Brown |
Language | English |
Runtime | 1 hour and 31 minutes |
Frequently bought together
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- Highest ratedin this set of productsTick...Tick...Tick...Jim Brown, George Kennedy, Fredric March, Lynn Carlin, Don StroudDVD
Product Description
$1.5 million cached in a secret stash. And only Curtis Hook (Jim Brown) knows where it's at. The hitch? He's tied up doing time in the stir, and his hidden kitty's spot is scheduled for demolition. Looks like Curtis is going over the wall. Too bad for him there's a legion of mooks and mugs anxious to know what Curtis did with the stolen mob moolah. And if he can survive his fellow cons, he still needs to get past the corrupt screws "guarding" the slam's inmates. What good is a trunk full of bucks when your life ain't worth a dime? The Slams was an early effort by prolific indie turned journeyman pro Jonathan Kaplan, whose many credits include the cult favorites White Line Fever and Over the Edge (featuring Kaplan's discovery, Matt Dillon). His more mainstream accomplishments include directing Jodie Foster's Oscar winning performance in The Accused. The Slams also features a rare movie score from legendary Broadway arranger Luther Henderson.
Product details
- Aspect Ratio : 1.33:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 7.5 x 5.5 x 0.5 inches; 2.72 Ounces
- Media Format : NTSC
- Run time : 1 hour and 31 minutes
- Release date : April 5, 2012
- Actors : Jim Brown
- Studio : Warner Archive
- ASIN : B007I1Q4QS
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #98,254 in Movies & TV (See Top 100 in Movies & TV)
- #10,073 in Action & Adventure DVDs
- Customer Reviews:
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Reviewed in the United States 🇺🇸 on April 5, 2018
This film could make you nostalgic for the 1970s. It was filled with huge afros and thick sideburns. After the main character gets some revenge on backstabbers, he shouts out, "Suckas!" And yes, "jive turkey!" is said a few times. One character said, "Slow your roll!" and I didn't know that was an old phrase that hip-hoppers have revived. Lurch from "The Addams Family" plays a key antagonist here and you may want to see him if you are a fan of his.
The technical quality of this film is sorely lacking. It looks like some copied a videotape, copied that copy, copied that copy, copied it one more time for good measure, and then put it on DVD. The cover says, "Jim Brown goes over the wall to flash with a million $ stash." They were too cheap to write out "dollar." On the back cover, it says, "$1.500.000." However, we Americans use commas where other countries uses periods in numbers, so I wonder if this was a crappy DVD transfer done abroad.
In the late 1960's Hollywood was trying to turn Jim Brown into a mainstream movie star with vehicles like ...tick...tick...tic... and The Split. The problem was that Jim Brown had the looks and physique to be a movie star but as an actor was a stiff. Watching him opposite Gene Hackman, Ernest Borgnine, Jack Klugman, Warren Oates and Donald Sutherland in the The Split makes Jim Brown's limitations as a lead painfully obvious.
By 1973 when The Slams was made Jim Brown's status as an A list actor was over and he was relegated to making B movies like Slaughter and I Escaped From Devil's Island. If you watch The Split (1968) and The Slams (1973) back to back the most striking thing is how much looser and more comfortable Jim Brown is on screen in the latter film--he seems liberated with the demands of being a respectable actor lifted.
The Slams showcases Jim Brown at his best--he is loose, charismatic and genuinely fun to watch. Part of the credit for Jim Brown's uncharacteristically strong work in The Slams is likely due to director Jonathan Kaplan who later made The Accused which earned Jodie Foster a shocking at the time Academy Award since her career as an adult actress had been going nowhere.
Roger Corman believed that exploitation movies needed to move quickly in order to grab and hold audience attention and that there were two ways to achieve that on a limited budget--move the camera during scenes or use static shots and cut frequently between different camera angles. Jonathan Kaplan demonstrates a mastery of the latter technique in The Slams, resulting in a movie that is dynamic and exciting to watch and that utilizes Jim Brown so well that for an hour and a half he really does feel like a legitimate movie star.
Someone who reviewed an Amazon Instant streaming copy of The Slams said the quality was very poor. I watched the Warner Archive DVD-R which should be the same transfer--the version I watched looked nice. Movies used to have grain in the picture when they were shot, edited and projected on film--some studios have chosen to eliminate grain when creating new digital masters for DVD and Blu-ray to make the old movies look shiny and new but that doesn't represent the way those movies actually looked when they were originally shown in theaters. I prefer transfers that preserve the original look of the film grain and all but many people don't. If you watch The Slams expecting it to look like a new movie rather than something shot in 1973 you will likely be disappointed.