The Miracle Woman (1931) - Turner Classic Movies

The Miracle Woman


1h 30m 1931
The Miracle Woman

Brief Synopsis

A phony faith healer fights the temptation to go straight when she falls for a blind man.

Photos & Videos

The Miracle Woman - Behind-the-Scenes Photo
The Miracle Woman - Publicity Stills
The Miracle Woman - Lobby Cards

Film Details

Genre
Drama
Adaptation
Classic Hollywood
Religion
Release Date
Jul 20, 1931
Premiere Information
not available
Production Company
Columbia Pictures Corp.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the play Bless You Sister by John Meehan and Robert Riskin (New York, 26 Dec 1927).

Technical Specs

Duration
1h 30m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,370ft (9 reels)

Synopsis

Florence Fallon, the daughter of an elderly minister, chastises his congregation for their hypocrisy when her father, dismissed so a younger man could take his place, dies of a broken heart. The ashamed flock flees, except for Hornsby, a slick promoter, who convinces her to turn her anger into cash. Soon Florence becomes Sister Fallon, leader of the popular Temple of Happiness, where she performs fake "miracles." One day, John Carson, a blind former aviator, becomes so depressed that he attempts suicide, but Florence's radio sermon strengthens him. When John goes to hear Florence, he is skeptical, especially when she preaches from inside a cage of lions, but he does go to the stage when Hornsby's pre-arranged shill does not answer her call. After the show, Florence sneaks out and comes across John standing outside, hoping to meet her. She goes to his apartment, where they have a grand time laughing at Al, John's ventriloquist's dummy. After leaving his apartment, she goes to Hornsby's place, where a riotous party is underway. Hornsby's general sales manager, Bill Welford, threatens Hornsby and Florence with press exposure unless he is given more of the money he and Hornsby are fraudulently collecting. Hornsby acquiesces and Florence leaves in disgust, her eyes opened to Hornsby's shady deals. As time passes, Florence and John's relationship blossoms. One day, Hornsby shows Florence a newspaper article about Welford's apparent suicide, then tells her he loves her and forces a kiss. After Florence warns him never to touch her again, he steals her keys. Later, when she returns home after spending the evening with John, she finds Hornsby, who shows her newspaper articles he planted, describing their future trip to Palestine, which he really intends as a romantic tour of Monte Carlo. She refuses to go and is stunned when he reveals that he embezzled the donations. The accounts are in her name, he tells her, and she will be held responsible, just as she will for Welford's murder, which Hornsby arranged. Some time later, when Florence and John are saying goodbye, she tells him the truth about her phony preaching, but he says he loves her nonetheless. The next day, John tries to convince Florence that he has regained his sight, in order to build her morale, but he does not succeed. Florence is so moved by his compassion, however, that she resolves to tell her followers the truth. After she leaves, Hornsby, thinking that John has regained his sight, knocks him out. On the stage, Florence confesses to the audience, but Hornsby accidentally starts a fire when he tries to shut off the lights. The audience stampedes, but Florence urges them to sing, and her guidance saves them. The smoke revives John, who rescues Florence when she collapses. Six months later, Hornsby sees Florence, now a Salvation Army worker. She receives a telegram from John saying that his sight may be restored, and that Al wants to be best man at their wedding. While Hornsby laments the money Florence could have made, she marches by, content and full of faith.

Photo Collections

The Miracle Woman - Behind-the-Scenes Photo
Here is a photo taken behind-the-scenes during production of Columbia's The Miracle Woman (1931), starring Barbara Stanwyck and David Manners and directed by Frank Capra.
The Miracle Woman - Publicity Stills
Here are a few stills taken to help publicize Columbia's The Miracle Woman (1931), starring Barbara Stanwyck and David Manners and directed by Frank Capra.
The Miracle Woman - Lobby Cards
Here are a few lobby cards from Columbia's The Miracle Woman (1931), starring Barbara Stanwyck and David Manners and directed by Frank Capra. Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.

Film Details

Genre
Drama
Adaptation
Classic Hollywood
Religion
Release Date
Jul 20, 1931
Premiere Information
not available
Production Company
Columbia Pictures Corp.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the play Bless You Sister by John Meehan and Robert Riskin (New York, 26 Dec 1927).

Technical Specs

Duration
1h 30m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,370ft (9 reels)

Articles

The Miracle Woman


The Miracle Woman (1931) was the second of five movies Barbara Stanwyck made for Frank Capra, the director who made her a star in Ladies of Leisure (1930). Capra, who confessed in his autobiography that he had fallen in love with Stanwyck, understood exactly how to handle his young star who was still in her mid-twenties when their association began. Fresh from the Broadway stage, Stanwyck was an instinctive actress who had yet to learn the formidable film technique that became the hallmark of her later performances. But at the time she gave her all on the first take, so Capra arranged to have her shot by multiple cameras, instructing her to keep going with the scene no matter what errors were made or what the other actors did. With this technique he could recapture Stanwyck's fresh reactions in the editing room.

The Miracle Woman, produced at Columbia Pictures from a play called Bless You Sister, was obviously inspired by the most headline-grabbing evangelist of the day, Aimee Semple MacPherson. Stanwyck plays Sister Fallon, a young woman with a gift for religious oratory who gains fame through the efforts of an unsavory promoter who stages phony "faith healings" during her services. "Religion is great if you can sell it, no good if you give it away," he tells her. Sister Fallon eventually finds redemption through the love of a man (David Manners) who believes she can cure his blindness. Before that happens, however, the two walk through a cage of lions as a test of faith.

Since this was before the days of process screens, Stanwyck and Manners had to work with live animals. "The lions were only an invisible netting away from us," Manners later recalled. "I could smell their breath. Barbara's cool made me brave!" Capra added, however, that it was all acting on Stanwyck's part; underneath her bravado, "she was scared to death." Another frightening scene for Stanwyck was the tabernacle fire that serves as the film's climax. Again, little fakery was used and the actress was obliged to stand amid blazing fires, swirling smoke and falling timbers. Capra remembered that, when he reached Stanwyck to carry her out of the inferno, her heart was pounding. He was sure, however, that her dedication was such that she would have stayed until the scene was completed no matter what.

Producer: Harry Cohn
Director: Frank Capra
Screenplay: Jo Swerling, Dorothy Howell (continuity) from play Bless You Sister by John Meehan and Robert Riskin
Cinematography: Joseph Walker
Editing: Maurice Wright
Cast: Barbara Stanwyck (Florence "Faith" Fallon), David Manners (John Carson), Sam Hardy (Bob Hornsby), Beryl Mercer (Mrs. Higgins), Russell Hopton (Dan Welford)
BW-91m.

by Roger Fristoe
The Miracle Woman

The Miracle Woman

The Miracle Woman (1931) was the second of five movies Barbara Stanwyck made for Frank Capra, the director who made her a star in Ladies of Leisure (1930). Capra, who confessed in his autobiography that he had fallen in love with Stanwyck, understood exactly how to handle his young star who was still in her mid-twenties when their association began. Fresh from the Broadway stage, Stanwyck was an instinctive actress who had yet to learn the formidable film technique that became the hallmark of her later performances. But at the time she gave her all on the first take, so Capra arranged to have her shot by multiple cameras, instructing her to keep going with the scene no matter what errors were made or what the other actors did. With this technique he could recapture Stanwyck's fresh reactions in the editing room. The Miracle Woman, produced at Columbia Pictures from a play called Bless You Sister, was obviously inspired by the most headline-grabbing evangelist of the day, Aimee Semple MacPherson. Stanwyck plays Sister Fallon, a young woman with a gift for religious oratory who gains fame through the efforts of an unsavory promoter who stages phony "faith healings" during her services. "Religion is great if you can sell it, no good if you give it away," he tells her. Sister Fallon eventually finds redemption through the love of a man (David Manners) who believes she can cure his blindness. Before that happens, however, the two walk through a cage of lions as a test of faith. Since this was before the days of process screens, Stanwyck and Manners had to work with live animals. "The lions were only an invisible netting away from us," Manners later recalled. "I could smell their breath. Barbara's cool made me brave!" Capra added, however, that it was all acting on Stanwyck's part; underneath her bravado, "she was scared to death." Another frightening scene for Stanwyck was the tabernacle fire that serves as the film's climax. Again, little fakery was used and the actress was obliged to stand amid blazing fires, swirling smoke and falling timbers. Capra remembered that, when he reached Stanwyck to carry her out of the inferno, her heart was pounding. He was sure, however, that her dedication was such that she would have stayed until the scene was completed no matter what. Producer: Harry Cohn Director: Frank Capra Screenplay: Jo Swerling, Dorothy Howell (continuity) from play Bless You Sister by John Meehan and Robert Riskin Cinematography: Joseph Walker Editing: Maurice Wright Cast: Barbara Stanwyck (Florence "Faith" Fallon), David Manners (John Carson), Sam Hardy (Bob Hornsby), Beryl Mercer (Mrs. Higgins), Russell Hopton (Dan Welford) BW-91m. by Roger Fristoe

Quotes

Outside the pulse of the world beats with hate! Hate! But here with you there is a heartbeat of love!
- Florence
Religion is great if you can sell it, no good if you give it away.
- Hornsby
You think you beat those people, don't you? Well you didn't. There's only one way to lick a mob, sister, join them. You're not a hypocrite if you admit it. Most of the trouble in this world comes from people who have beliefs. The answer is: don't have any! If you have none, you can assume the ones that happen to pay.
- Hornsby

Trivia

Notes

The film opens with the following quote and title: "Beware of false prophets which come to you in sheep's clothing. . . Mat. VIII,15" and "The Miracle Woman is offered as a rebuke to anyone who, under the cloak of Religion, seeks to sell for gold, God's choicest gift to Humanity-- FAITH." In his autobiography, director Frank Capra states that the play Bless You Sister was inspired by the life of evangelist Aimee Semple McPherson. Although the British magazine Kinematograph Weekly reported on December 31, 1931 that the film was "ready for immediate release," records of the British Board of Film Censors state that the film was "rejected" on October 26, 1931, confirming the statement Capra made in his autobiography that the picture was not released in Britain.
       Copyright material for the film states that the bust of the Miracle Woman, bought by "John Carson" in the film, was sculpted by popular thirties actor Richard Cromwell. The copyright material also notes that the tabernacle that was burned seated 25,000 people and had to be built outside Hollywood city limits for safety reasons. Although most contemporary reviews and modern sources list Russell Hopton's character as Dan Welford, in the film and one instance in the copyright material, he is called Bill Welford. Modern sources list the following additional cast: Ed Le Saint (Parishioner); Ivan Linow (Gunboat); John Kelly (Stagehand); Bud Osborne (Man in audience); Fred Warren (Pianist); Mary Doran (Party guest); Lorraine Hubbell and Mary Bracken. The treatment of evangelism and the climactic temple fire in The Miracle Woman are depicted in a similar fashion in the 1960 United Artists film Elmer Gantry, based on the book of the same name by Sinclair Lewis, which was directed by Richard Brooks and starred Burt Lancaster and Jean Simmons.

Miscellaneous Notes

Released in United States 1931

Released in United States on Video June 3, 1997

Released in United States 1931

Released in United States on Video June 3, 1997