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The Good German Paperback – October 31, 2006
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Now a Major Motion Picture
The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. The Good German is a story of espionage, love, and murder, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice and what we mean by good and evil in times of peace and of war.
Review
“[Joseph Kanon] is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women.” ―The New York Times Book Review
“Kanon serves up a potent mix of intrigue, cynicism, and an occasional flash of idealism, which adds up to a riveting yarn.” ―Los Angeles Times
“Kanon is as ambitious a novelist as he is a gifted one.” ―The Washington Post
“The kind of book that reads so easily that it's almost impossible to put down once you've started it.” ―The Baltimore Sun
“A terrific book . . . Kanon is the heir apparent to Graham Greene and early- and mid-passage le Carré, for he writes of moral quandaries that are real and not created to drive a plot. . . . The multilayered story is beautifully told.” ―The Boston Globe
“Gripping . . . Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming the demonizers.” ―Newsday
About the Author
Joseph Kanon is the author of four novels, including Alibi. Before becoming a full-time writer, he was a book publishing executive. He lives in New York City.
- Print length482 pages
- LanguageEnglish
- PublisherPicador
- Publication dateOctober 31, 2006
- Dimensions5.5 x 0.88 x 8.22 inches
- ISBN-100312426089
- ISBN-13978-0312426088
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Product details
- Publisher : Picador; First Edition first Printing (October 31, 2006)
- Language : English
- Paperback : 482 pages
- ISBN-10 : 0312426089
- ISBN-13 : 978-0312426088
- Item Weight : 4 ounces
- Dimensions : 5.5 x 0.88 x 8.22 inches
- Best Sellers Rank: #3,559,936 in Books (See Top 100 in Books)
- #18,401 in Historical Thrillers (Books)
- #23,803 in Historical Mystery
- #151,879 in American Literature (Books)
- Customer Reviews:
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About the authors
Joseph Kanon is the author of four other novels, Los Alamos, The Good German, The Prodigal Spy and Alibi. Before becoming a full-time writer, he was a book publishing executive. He lives in New York City.
Joseph Kanon is the Edgar Award–winning author of Leaving Berlin, Istanbul Passage, Los Alamos, The Prodigal Spy, Alibi, Stardust, and The Good German, which was made into a major motion picture starring George Clooney and Cate Blanchett. He lives in New York City.
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First off, the detailed depiction of Berlin just after the end of WW2 is filled with accurate detail and a central character in its own right. The entire world seems to be detached from any sort of social framework, and the people -- both primary characters and incidental figures -- seem to be trying to play games of chess on a ship at sea during a storm. Nobody has general context; instead, against a background of completely uprooted German civilians, you have three nations each trying to impose its own structure, and it isn't like the teams representing the nations (US, USSR, Britain) are themselves unified or smooth-running. We don't see as much of the internal workings of the Soviet and British interests, but Kanon takes enough time to give us real flavor of the myriad loosely-connected components of the various US agencies, which often seem to be working at cross-purposes in the first several chapters.
Notably, there is a heated three-way argument between a pompous US Congressman who has apparently come to try to loot pieces of German industry for a corporation in his district, a Jewish civilian working for the Military Government (as opposed to the Army) to find and prosecute war criminals, and a rather supercilious British journalist with a needle for a tongue.
The characters themselves reflect the chaos; we are not given a great deal of background into any of them. For the most part, we only see what we can glean of their personalities from the four corners of the book itself.
Amidst this, the protagonist, Jake, a journalist who lived in Berlin before the war, is one of ten million people with ten million different missions, to find a woman he loved before the war, if she has survived. He inadvertently stumbles across the murder of a soldier he met on the flight into Berlin, giving him a second problem, because he finds that he is the only person even vaguely interested in discovering who committed the murder, and why.
You could read this through in a sitting or two as the kind of mystery you'd get off a grocery store rack, and you might enjoy it well enough. But the book is deceptively dense and filled with comment about the human condition, especially in the dislocation of a great war, as well as interesting insights about the dismantling and reconstitution of Germany by the three powers.
I loved the book and it gets five stars from me.
Oh, and by the way, do NOT watch the movie. It's the biggest disaster of a screen adaptation since "Bonfire of the Vanities".
Geismar arrives in Berlin to cover the Potsdam Conference, but he's not new to the city. He lived and worked there for years, including the early years of the Nazi regime, before the war. His assignment might be to cover Potsdam, but he's really there to find Lena, the beautiful married woman with whom he was having a passionate affair before he left. But before he can find her, he finds something else: a young American soldier, floating dead in a lake with a bullethole through him and thousands of dollars still on him. His investigation of the dead man leads him back to Lena, but along with Lena come questions about her husband, Emil. Emil, a literal rocket scientist, has vanished and both the Americans and the Russians are very, very interested in what might have happened to him.
I've always enjoyed books that go right for the kind of moral relativity that can be very uncomfortable to contemplate, and The Good German is rife with it. Who is the titular good German anyways? Is it Lena and the thousands of others like her who tried to live their lives as normally as possible, pretending they didn't know what was happening, not speaking out or acting out against the regime but not really having done anything affirmatively to participate in it either? Is it someone like Emil, who did have more active participation but has skills that can help the victors achieve great things? Is it Emil's father, an academic who dropped out of public life with the rise of the Nazis but didn't do anything to actively resist? What about the former detective, very much a part of the Nazi state, but who helped his Jewish wife survive until she was spotted by someone else, and providing testimony against the woman who betrayed his wife to her death? Is there one at all?
I enjoyed the book and would recommend it. It sounds like kind of a "dad book" (WWII-era, thriller, older male protagonist) but it's quite good. Kanon draws interesting characters and puts them into difficult situations, and with the thriller elements there's a nice balance of plot and character. I did get a little confused near the end trying to keep track of who was on what side and who was double crossing who, but on the whole the book was involving and prompted a lot of thought. I tend to be a little wary of World War II books because I feel like a lot of them go over the same territory again and again, but this one was a new take (for me, anyways), and is very much worth a read.
Top reviews from other countries
More than just a love story, it documents the appalling fate visited on the German people and the chaos of the post war environment.
It’s an intriguing and intricate plot, exposing bad actors on both sides of the conflict. It also has a splendid little homage to Dickens’ ‘Tale of two cities’ woven in.
この世の中には真の善人も真の悪人も存在しない。誰もが生きることに必死なだけ。少し道に迷ってしまっただけ。そう感じさせられます。