1974 Directed by Francis Ford Coppola
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Al Pacino Robert Duvall Diane Keaton Robert De Niro John Cazale Talia Shire Lee Strasberg Michael V. Gazzo G. D. Spradlin Richard Bright Gastone Moschin Tom Rosqui Bruno Kirby Frank Sivero Francesca De Sapio Morgana King Marianna Hill Leopoldo Trieste Dominic Chianese Amerigo Tot Troy Donahue John Aprea Joe Spinell Abe Vigoda Tere Livrano Gianni Russo Maria Carta Oreste Baldini Giuseppe Sillato Show All…
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Brazil14
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Germany16
Netherlands16
Australia
Brazil
Canada
Czechia
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Finland
France
Germany
Greece
Ireland
Italy
Mexico
Netherlands
Portugal
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Sweden
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young, totally fuckable al pacino and robert de niro: *speak italian*
me: you can make me an offer and i won't refuse
the transition between idealism to capitalism, between loyalty to family and loyalty to business. the most tragic film of a generation.
Vito Corleone - I am immigrant child, alone with nothing
CUT TO:
Michael Corleone - I run this family like a fucking corporation
CUT TO:
Vito Corleone - I'm Vito the hood legend
CUT TO:
Michael Corleone - I own stock in IBM, I own stock in AT&T
love that deniro sometimes does a brando impression and sometimes is simply robert deniro
don’t get me wrong it’s no shrek 2 but it sure is one of cinema’s finest sequels
someone tell michael he doesn't know how to eat an orange correctly,,, motherfucker bit into it like an apple i don't understand
a lot of people will say this is a masterpiece, and you know what, i won't argue with them. but really this is a lesson from francis ford coppola about how young al pacino and young robert de niro are hot
It’s easy to assume that a complex plot is a sign of a great film. But the best films are deceptively simple in the same way that the greatest dancers make their movements look astonishingly easy. The Godfather creates its world so gracefully that we begin to think that it's a straightforward tale. But it's not simple to create a world so morally ambiguous, to introduce unforgettable characters, and to keep viewers fully cognizant of a plot so dense.
The Godfather: Part II doesn't make anything look easy the way The Godfather did. You can follow the plot threads, of course, but the constant breaks in Michael Corleone's story make it hard to continually keep returning to his dark world,…
