Kanye West

The College Dropout

... breath of fresh air, stirring a goodtime revolution of wit and fun in a similar way to what De la Soul did so many years ago.

Despite all of his recent troubles, Kanye West has succeeded in not only making one of the best hip-hop records in a long while (yes, even better than The Black Album), but one of the best records in a long while--period. Despite what your friends may think.

I know Kanye won't dazzle you with intricate wordplay and mind-warping cadence, but he more than makes up for it in ways that are more vital in today's landscape.

The revolution will not be televised. But hopefully College Dropout will have a rerun because once in syndication, the revolution will be alive.

The idea of a producer leaving the studio desk to enter the recording booth suggests ambition outstripping ability and falling heavily on its arse, but Kanye West has managed the transition quite brilliantly.

In a complex, comical and comprehensive solo debut, The College Dropout is Kanye’s generous serving of uncommon insight and too many skits. He’s curiously a master of everything here; perhaps he is "saving all the good beats for himself."

Sensing that I'm wavering, Dr. Kanye hits me with the sugar so strong he destroys my cerebral parasite, and I jump on an atom bomb. I ride it, and I'll ride the beat, and for the rest of my life I'll be a bobbing-head cracker with a sweet tooth for hip-hop and a cavity where my soul hides.

Most producers who approach the mic do so at their peril, but on Dropout, West turns out to be a full-service hip-hop artiste.

His ace in the hole is his signature cozy sound — dusty soul samples, gospel hymns, drums that pop as if hit for the very first time.

Like every hip-hop album (even the great ones), Kanye West's The College Dropout is marred by too many guest artists, too many interludes, and just too many songs period.