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The Boy with the Topknot: A Memoir of Love, Secrets and Lies Paperback – 30 April 2009
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'Could not be more enjoyable, engaging or moving' Observer
"It's 1979, I'm three years old, and like all breakfast times during my youth it begins with Mum combing my hair, a ritual for which I have to sit down on the second-hand, floral-patterned settee, and lean forward, like I'm presenting myself for execution."
For Sathnam Sanghera, growing up in Wolverhampton in the eighties was a confusing business. On the one hand, these were the heady days of George Michael mix-tapes, Dallas on TV and, if he was lucky, the occasional Bounty Bar. On the other, there was his wardrobe of tartan smocks, his 30p-an-hour job at the local sewing factory and the ongoing challenge of how to tie the perfect top-knot.
And then there was his family, whose strange and often difficult behaviour he took for granted until, at the age of twenty-four, Sathnam made a discovery that changed everything he ever thought he knew about them. Equipped with breathtaking courage and a glorious sense of humour, he embarks on a journey into their extraordinary past - from his father's harsh life in rural Punjab to the steps of the Wolverhampton Tourist Office - trying to make sense of a life lived among secrets.
'I absolutely loved it. Heartbreaking and wonderful. He writes beautifully' Maggie O'Farrell
'Tragic, funny and disturbing. It will challenge you, and may even change you' Carole Angier, Independent
Published in hardback as If You Don't Know Me by Now
- Print length336 pages
- LanguageEnglish
- PublisherPenguin
- Publication date30 April 2009
- Dimensions19.8 x 12.9 x 2.03 cm
- ISBN-100141028599
- ISBN-13978-0141028590
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Product details
- Publisher : Penguin (30 April 2009)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0141028599
- ISBN-13 : 978-0141028590
- Dimensions : 19.8 x 12.9 x 2.03 cm
- Best Sellers Rank: 4,403 in Books (See Top 100 in Books)
- Customer reviews:
About the author
Sathnam Sanghera was born to Punjabi parents in the West Midlands in 1976. He entered the education system unable to speak English but, after attending Wolverhampton Grammar School, graduated from Christ’s College, Cambridge with a first class degree in English Language and Literature. He has been shortlisted for the Costa Book Awards twice, for his memoir The Boy With The Topknot and his novel Marriage Material, the former being adapted by BBC Drama in 2017 and named Mind Book of the Year in 2009. His third book, Empireland: How Imperialism Has Been Shaped Modern Britain became an instant Sunday Times bestseller on release in 2021, and was named a Book of the Year at the 2022 British Books Awards.
Empireland also inspired Empire State of Mind, the acclaimed two-part documentary for Channel 4 for which he earned a Best Presenter shortlisting at the 2022 Grierson Awards, and Stolen History: The Truth about the British Empire and How it Shaped Us, which went to No 1 on several children’s books charts when it was released in 2023. He has been awarded two honorary doctorates and won numerous awards for his journalism, including Young Journalist of the Year at the British Press Awards in 2002, Media Commentator of the year in the 2015 Comment Awards and the Edgar Wallace Trophy for Writing of the Highest Quality at the 2017 London Press Club Awards. He was elected a fellow of the Royal Society of Literature in 2016, and elected a Fellow of the Royal Historical Society in recognition of his contribution to historical scholarship in 2023.
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Slow to begin with, but hard to put down later.
Remarkable honesty, both from Sathnam and his family
Sanghera's family did not fit in the UK, but their the mental health issues which are common and should have been diagnosed were ignored and left to the extended family to handle. It is reassuring to read how mental health support is linked to social status and ability to access help. It helped me read about someone who only understood his story because he became educated and gained a different perspective. I found it very reassuring to read about how he lived, the chaos and ups and downs as a child, and how he was able to learn from his family and later in life make choices for himself while keeping a close relationship with his mother. His perspective on schisophrenia was interesting. I was able to relate to his story and welcomed his refreshing take of being different in the UK. I read the book over a year ago but still think of it often.
However if you knew Wolverhampton well, maybe worked alongside members of the Sikh community or just felt that it was important to understand more of their everyday lives then is a useful book indeed. It is like a Rough Guide to Sikhs in the UK. Being a current description of their present day way of life together with the workaday, practical compromises made by Sikhs living here today, I learned a great deal from it. And I needed to, so that was a good thing. Although some of his references to alcoholism, domestic violence and illegality are far from heartwarming. The intimate explanations of the whys and wherefores of arranged marriages were compelling reading. A quality of childish innocence, hope triumphing over experience, came sweetly through.
I looked up Sathnam Sanghera and saw that as a journalist he also writes about his family in the Sunday Times. He wrote an article about his explaining the world wide web to his mother for instance. So his family are still providing rich fodder for his writing. His other writing is also fluent and can be fascinating. I found some interviews on his own site and other places that are bright and breezy like this book, easily read. One article in which he interviews Louis Theroux he uses the word 'whore' to describe an interviewer or a journalist, which intrigued me. I felt that he could be considered to have used his family and religion here in that way for instance.
This is what I am uncomfortable with. I know that he happily ridicules himself and his religion throughout and that is often very funny - but - I just didn't like the way he aired his family's troubles in such a public way when they cannot fully understand that they are being so used or give their informed agreement to it. I know that some of them had a chance to edit but still things that made his mother burn with shame were paraded. His father was such a presence in his early life, reassuring in his continuity of school gate taking and collecting, I felt sad and sorry to read so much of this ill man's past that he could be embarrassed about. However nobody's perfect and perhaps this non miserable misery memoir is a healthy way to go.
The photographs, which are hard to get excited about, and require you to turn repeatedly to the back in order to work out who is who, identify some of them. The photos of his father show a man who is not enjoying being where he is or being photographed which felt like an intrusion to me.
In a chatty style this book is written as a gentle stream of thought with trips back to the past dotted throughout in random order. It is a biography and I can see that he is being mostly truthful. However it went on a bit too long for me, surprising for a journalist to find it impossible to be brief or concise, and became an anti climax when even after all the fuss the mother was still on the look out for a suitable Sikh bride. Plus I see that Sathnam is still not married!
Unlike Sathnam, I was mostly spared the ‘when will you be getting married son’ pleading from my parents. They married for love, in violation of my mother’s family traditions at least, and both (by definition) married out of their communities.
My parents drink (not much), are politically and socially liberal and progressive (within the limits of people born in the 1940s)… but so many second generation diasporans I’ve met and known over the years have had to deal with exactly Sathnam’s personal anguish.
Of being their true selves to their family. Of not letting the Bruce Wayne/Batman identity duality disrupt their personal happiness, the reconciliation of themselves.
But this, whilst a meaningful to me, was the lesser of the plots. The true legend is his dad & sister’s story.
The taboo of mental illness, the challenge of social integration of immigrant communities, the lack of education and literacy in rural communities (in India, and elsewhere), the incredible stigma… It’s heartrending. What Sathnam’s mother in particular endured was awful.
And the courage and elegance with which the story is told, with all its meandering postmodernism, flitting between timelines and casts of characters at different stages of being, was just joyous. For all the emotional flips a ‘misery memoir’ can put you through…I laughed as much as I cried, reading this. And I did both - it’s an incredibly brave, incredibly personal bit of storytelling.
My favourite moment bar none is Sathnam’s Ma telling him that the climax of his emotional journey, the apotheosis of his story - the letter he paid $300 to have translated… “for $300 I’d have written it for you myself.” I mean, it’s just too perfect.
I recommend this book to everyone that has experienced the challenge of reconciling their self with their friends, to their self with their family. To those that have battled mental illness or had to support others coming to terms with it. To children of immigrants, everywhere.
It’s just a joy.
Incidentally, I listened to the Audible version of this, performed by Assad Zaman, who did a very good job of bringing the Punjabi, the midlands, the Punjabi midlands, and the Punjabi midlands aunties’ accents to life. Props to him.