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Barretts of Wimpole Street, The
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Genre | Drama, Documentary/Biography |
Format | NTSC |
Contributor | Sidney Franklin |
Language | English |
Number Of Discs | 1 |
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Product Description
"When poets love heaven and earth, fall back to watch!" exclaimed ads for this prestigious film. The hyperbole was prophetic. So many moviegoers watched The Barretts of Wimpole Street that is became one of 1934's top box-office hits. Based on Rudolf Besier's play, the film features three stars who has already won Academy Awards : Norma Shearer (1929-1930 Best Actress, The Divorcee), Fredric March (1931-1932 Best Actor, Dr. Jekyll and Mr. Hyde) and Charles Laughton (1932-1933 best Actor, The Private Life of Henry VIII). Shearer -- "The First Lady of the Screen" -- portrays semi-invalid poet Elizabeth Barrett, March is Robert Browning, whose ardent courtship of Elizabeth transforms her life. And Laughton (who shed fifty pounds for the role) plays Edward Moulton-Barrett, the tyrant bent on denying happiness to his nine children. To escape the censor's scissors, the story element involving pere Barrett's unhealthy attraction for Elizabeth was softened but not removed. "They can't censor the glint on the eye," Laughton noted.
Product details
- Aspect Ratio : 1.33:1
- MPAA rating : NR (Not Rated)
- Product Dimensions : 7.5 x 5.5 x 0.5 inches; 2.72 ounces
- Director : Sidney Franklin
- Media Format : NTSC
- Run time : 3 hours and 10 minutes
- Release date : February 8, 2014
- Studio : Warner Archive Collection
- ASIN : B00I9BU49Y
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #40,764 in Movies & TV (See Top 100 in Movies & TV)
- #1,762 in Romance (Movies & TV)
- #7,219 in Drama DVDs
- Customer Reviews:
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The Barretts Of Wimpole Street
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Shearer loses her modern slinky charm and projects a luminous class as Elizabeth Barrett, a shining soul living with illness in a house strangled of love by her cruel and repressed father, played to horrible perfection by Charles Laughton. Her lifeline is her continuing correspondence with fellow poet Robert Browning. He has fallen in love with her through her letters. She is hesitant to meet him, however, because of her health and her father's demeanor.
When he finally calls it is like an infectious hurricane of joy and optimism embracing life which restores her spirits and begins to restore her health. Fredric March is marvelous in a role you would not normally expect from him. Browning's overwhelming lust for life, and love for Elizabeth must battle the cruel oppression of her father, who rules his home and his daughters therein as though love were an evil thing. It is his own unhappiness and repression that is revealed bit by bit until Elizabeth must decide what kind of life she will live, and whether she will repeat the mistakes of her mother.
So lovely and charming is the performance of Maureen O'Sullivan as Elizabeth's younger sister Henrietta, herself trying to find love under a roof full of fear and hatred, that only Shearer's magical presence could shift the focus from her plight. Una O'Connor is also fabulous as Elizabeth's servant, Wilson, whose unquestioned devotion will be needed when Robert decides the two must marry before her father can hide she and her sisters away from the temptation to actually live.
Shearer is simply breathtaking here and gives a restrained yet emotional performance that probably would have garnered her another Academy Award had "It Happened One Night" not been filmed by Frank Capra in the same year. This is a lush and romantic film, beautifully shot and acted. Everything is perfect, right down to Elizabeth's dog, Flush. It takes a little while to develop, but those who keep watching are richly rewarded with one of the great romances of the silver screen. A beautiful film of love really being all.
And by "family" I mean Elizabeth's monstrous father, portrayed with leering, obsessive, shuddery power by Charles Laughton in one of his best screen appearances. While the Hays Code couldn't allow any overt depiction of incestuous desire, that only makes this subtle performance all the more skin-crawling in its pernicious solicitude, hiding behind the mask of paternal "love" & protectiveness. It's clear that Robert perceives much of this early on, which gives his romantic yearning the added impetus of rescuing his beloved from a destructive situation. And just how much does Elizabeth consciously realize herself? Well, she was a poet famous for both the beauty of her verse & its piercing intelligence -- even if she can't let herself put it into words, she knows her peril all too well.
While this is obviously adapted from the play, in that it has a certain stagebound quality, that actually works in its favor. The setting becomes claustrophobic for the viewer as well as the characters, so that any brief moment spent outside the house comes as a life-affirming blaze of freedom. And the sense of freedom afforded by the writing & reading of poetry also comes through strongly, reminding us of the nourishing life of the mind & the secret heart. It's a superb story, well told -- thank you, Warner Archive, for rescuing another classic -- most highly recommended!