Theodore de Banville - Poems by the Famous Poet - All Poetry

Famous poet /1823-1891

Theodore de Banville

The Laurels Are Cut Down

We go to the woods no more, the laurels are cut down.
Figures of Love in low places, the group of Naiads
See shining again in the sun as cut out crystals,
The silent waters which flowed from where they were.
The laurels are cut down, and the stag, quiet in fear,
Trembles at the sound of the horn; we go no more to the woods,
Where playing children laughed, gathered in abandon—
Among the lilies of silver moistened by the sky's tears.
Here is the grass which is reaped and the laurels which are cut down.
We go to the woods no more, the laurels are cut down.

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Analysis (ai): This poem conveys a sense of loss and longing for a time when nature was untouched and abundant. The cutting down of the laurels symbolizes the destruction of beauty and innocence. The poem's structure, with its repeated refrain, emphasizes the irrevocable nature of this loss.

Compared to other works by Theodore de Banville, this poem is more somber and reflective. It lacks the playful and hedonistic tone found in many of his other poems. However, it shares with his other works a love of nature and a keen eye for detail.

The poem also reflects the cultural and historical context of its time. The mid-19th century was a period of rapid industrialization and urbanization. The poem's lament for the loss of nature can be seen as a response to the growing encroachment of human civilization on the natural world.
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0   Translated by Eli Siegel

Ballade Des Pendus

Where wide the forest bows are spread,
      Where Flora wakes with sylph and fay,
    Are crowns and garlands of men dead,
      All golden in the morning gay;
    Within this ancient garden gray
      Are clusters such as no man knows,
    Where Moor and Soldan bear the sway:
      _This is King Louis's orchard close_!

    These wretched folk wave overhead,
      With such strange thoughts as none may say;
    A moment still, then sudden sped,
      They swing in a ring and waste away.
    The morning smites them with her ray;
      They toss with every breeze that blows,
    They dance where fires of dawning play:
      _This is King Louis's orchard close_!

    All hanged and dead, they've summoned
      (With Hell to aid, that hears them pray)
    New legions of an army dread.
      Now down the blue sky flames the day;
    The dew dies off; the foul array
      Of obscene ravens gathers and goes,
    With wings that flap and beaks that flay:
      _This is King Louis's orchard close_!


    ENVOI

    Prince, where leaves murmur of the May,
      A tree of bitter clusters grows;
    The bodies of men dead are they!
      _This is King Louis's orchard close_!
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Analysis (ai): "Ballade Des Pendus" is a macabre and haunting poem that examines the horrors of war and the fragility of life. The poem's vivid imagery and grotesque subject matter evoke a sense of unease and despair, while the use of repetition and refrain emphasizes the cyclical nature of violence.

Compared to the author's other works, "Ballade Des Pendus" stands out for its grim and pessimistic tone, a departure from the more romantic and idyllic themes found in his other poetry. The poem resonates with the horrors of the Franco-Prussian War, capturing the brutality and suffering of that time period.

The poem's structure and use of language create a sense of rhythm and movement, mirroring the dance of the hanged men in the breeze. The repeated refrain, "This is King Louis's orchard close," serves as a haunting reminder of the king's responsibility for the bloodshed.

Through its powerful imagery and somber tone, "Ballade Des Pendus" stands as a stark and unflinching portrayal of the horrors of war and the fragility of human life.
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Ballade On The Mysterious Hosts Of The Forest

Still sing the mocking fairies, as of old,
      Beneath the shade of thorn and holly-tree;
    The west wind breathes upon them pure and cold,
      And still wolves dread Diana roving free,
      In secret woodland with her company.
    'Tis thought the peasants' hovels know her rite
    When now the wolds are bathed in silver light,
      And first the moonrise breaks the dusky gray;
    Then down the dells, with blown soft hair and bright,
      And through the dim wood, Dian thrids her way.

    With water-weeds twined in their locks of gold
      The strange cold forest-fairies dance in glee;
    Sylphs over-timorous and over-bold
      Haunt the dark hollows where the dwarf may be,
      The wild red dwarf, the nixies' enemy:
    Then, 'mid their mirth and laughter and affright,
    The sudden goddess enters, tall and white,
      With one long sigh for summers passed away;
    The swift feet tear the ivy nets outright,
      And through the dim wood Dian thrids her way.

    She gleans her sylvan trophies; down the wold
      She hears the sobbing of the stags that flee,
    Mixed with the music of the hunting rolled,
      But her delight is all in archery,
      And naught of ruth and pity wotteth she
    More than the hounds that follow on the flight;
    The tall nymph draws a golden bow of might,
      And thick she rains the gentle shafts that slay;
    She tosses loose her locks upon the night,
      And through the dim wood Dian thrids her way.


    ENVOI

    Prince, let us leave the din, the dust, the spite,
    The gloom and glare of towns, the plague, the blight;
      Amid the forest leaves and fountain spray
    There is the mystic home of our delight,
      And through the dim wood Dian thrids her way.
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Analysis (ai): This poem by an unknown author presents a unique perspective on the mythical woodland goddess Diana and her attendants, painting a picture of a mysterious and enchanting realm. Compared to other works of the time period, this poem stands out for its focus on the fairies' perspective and their involvement in Diana's ritual. It is shorter than most contemporary ballads, but maintains a consistent rhythm and rhyme scheme throughout. Overall, this poem serves as a testament to the beauty and allure of nature, and the power of the imagination.
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