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Stoner (New York Review Books Classics) Paperback – June 20, 2006
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Discover an American masterpiece. This unassuming story about the life of a quiet English professor has earned the admiration of readers all over the globe.
William Stoner is born at the end of the nineteenth century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.
John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.
- Print length288 pages
- LanguageEnglish
- PublisherNYRB Classics
- Publication dateJune 20, 2006
- Dimensions5 x 0.65 x 7.9 inches
- ISBN-101590171993
- ISBN-13978-1590171998
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From the Publisher
Augustus | Butchers Crossing | English Renaissance Poetry: A Collection of Shorter Poems | Nothing But the Night | Stoner: 50th Anniversary Edition | Stoner | |
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Price | $13.89$13.89 | $14.34$14.34 | $16.86$16.86 | $12.89$12.89 | — | $13.99$13.99 |
About this book | Williams transforms and transcends the epistolary novel in his biographical treatment of the founder of the Roman Empire. | The myth of the making of the American west is dismantled in this tale of a Harvard dropout who seeks adventure hunting one of he last great buffalo herds. | An essential anthology of poetry from the period that saw one of the richest flowerings of English verse. | Williams’s first novel is a searing look at a man’s relationship with his absent father, and how early trauma manifests throughout one’s life. | A special hardback edition of the book to commemorate the fiftieth anniversary of its publication that also includes a previously unpublished correspondence between John Williams and his agent about its writing and publication. | William Stoner emerges from his dirt-poor Missouri farming family to become an English scholar and an unlikely existential hero, standing in stark relief against an unforgiving world. |
Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“One of the great unheralded 20th-century American novels …Almost perfect.” —Bret Easton Ellis
“Stoner is a novel of an ordinary life, an examination of a quiet tragedy, the work of a great but little-known writer.” —Ruth Rendell
“A beautiful and moving novel, as sweeping, intimate, and mysterious as life itself.” —Geoff Dyer
“I have read few novels as deep and as clear as Stoner. It deserves to be called a quiet classic of American literature.” —Chad Harbach
“The most beautiful book in the world.” —Emma Straub
"A poignant campus novel from the mid-'60s—an unjustly neglected gem." —Nick Hornby, People
“The book begins boldly with a mention of Stoner’s death, and a nod to his profound averageness: ‘Few students remembered him with any sharpness after they had taken his courses.’ By the end, though, Williams has made Stoner’s disappointing life into such a deep and honest portrait, so unsoftened and unromanticized, that it’s quietly breathtaking.”—The Boston Globe
“Williams’ descriptions of the experience of reading both elucidate and evince the pleasures of literary language; the ‘minute, strange, and unexpected combinations of letters and words’ in which Stoner finds joy are re-enacted in Williams’ own perfect fusion of words.”—n+1
“Stoner, by John Williams, is a slim novel, and not a particularly joyous one. But it is so quietly beautiful and moving, so precisely constructed, that you want to read it in one sitting and enjoy being in it, altered somehow, as if you have been allowed to wear an exquisitely tailored garment that you don’t want to take off.”—The Globe and Mail
“One of the great forgotten novels of the past century. I have bought at least 50 copies of it in the past few years, using it as a gift for friends...The book is so beautifully paced and cadenced that it deserves the status of classic.”—Colum McCann, Top 10 Novels, The Guardian
“Stoner is undeniably a great book, but I can also understand why it isn’t a sentimental favorite in its native land. You could almost describe it as an anti-Gatsby...Part of Stoner’s greatness is that it sees life whole and as it is, without delusion yet without despair...The novel embodies the very virtues it exalts, the same virtues that probably relegate it, like its titular hero, to its perpetual place in the shade. But the book, like professor William Stoner, isn’t out to win popularity contests. It endures, illumined from within.”—Tim Kreider, The New Yorker
“It’s simply a novel about a guy who goes to college and becomes a teacher. But it’s one of the most fascinating things that you’ve ever come across.”—Tom Hanks, Time
“Stoner is written in the most plainspoken of styles...Its hero is an obscure academic who endures a series of personal and professional agonies. Yet the novel is utterly riveting, and for one simple reason: because the author, John Williams, treats his characters with such tender and ruthless honesty that we cannot help but love them.”—Steve Almond, Tin House
“The best book I read in 2007 was Stoner by John Williams. It’s perhaps the best book I’ve read in years.”—Stephen Elliott, The Believer
“John Williams’s Stoner is something rarer than a great novel—it is a perfect novel, so well told and beautifully written, so deeply moving, that it takes your breath away.”—The New York Times Book Review
“Williams didn’t write much compared with some novelists, but everything he did was exceedingly fine...it’s a shame that he’s not more often read today...But it’s great that at least two of his novels [Stoner, Butcher’s Crossing] have found their way back into print.”—The Denver Post
“A masterly portrait of a truly virtuous and dedicated man.”—The New Yorker
“Why isn’t this book famous...Very few novels in English, or literary productions of any kind, have come anywhere near its level for human wisdom or as a work of art.”—C. P. Snow
“Serious, beautiful and affecting, what makes Stoner so impressive is the contained intensity the author and character share.”—Irving Howe, The New Republic
“A quiet but resonant achievement.”—The Times Literary Supplement
“Perhaps the greatest example of minimalism I’ve ever read...Stoner is a story of great hope for the writer who cares about her work.”—Stephen Elliott
“Stoner by John Williams, contains what is no doubt my favorite literary romance of all time. William Stoner is well into his 40s, and mired in an unhappy marriage, when he meets Katherine, another shy professor of literature. The affair that ensues is described with a beauty so fierce that it takes my breath away each time I read it. The chapters devoted to this romance are both terribly sexy and profoundly wise.” —The Christian Science Monitor
“I’m not a big rereader, but I just reread Stoner by John Williams, and marveled once again at its remarkable combination of omniscience and intimacy.” — Jess Walter
About the Author
Product details
- Publisher : NYRB Classics (June 20, 2006)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1590171993
- ISBN-13 : 978-1590171998
- Item Weight : 2.31 pounds
- Dimensions : 5 x 0.65 x 7.9 inches
- Best Sellers Rank: #6,338 in Books (See Top 100 in Books)
- #64 in Contemporary Literature & Fiction
- #236 in Classic Literature & Fiction
- #720 in Literary Fiction (Books)
- Customer Reviews:
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In any event, it was most timely of you, as I have just finished reading "Stoner", an American novel which takes place in the world of academia, the first in-depth one here on this topic. Whether you would also wish to read it is another matter, but I thoroughly found it enriching and rewarding. The story is as follows:
Born at the turn of the 20th century in Missouri, William Stoner, the only child of humble parents on a dying farm, begins at the age of six to toil along with his father, attending the rural school at eight, while working early morning and late evening on a variety of monotonous chores awaiting him at home. At seventeen, his tall and broad shoulders are already beginning to stoop under the weight of this workload. The near-silent family barely subsists, and while Stoner goes through the mechanics of existence, he never complains and follows the sterile life pattern of his father and mother until he is nineteen. An encounter with a country agent engenders a rare conversation between Stoner and his father, who feels that his son might profit from higher agricultural and scientific education, and Stoner enrolls in the University of Missouri in Columbus in the fall of 1910. Starting as a freshman in the College of Agriculture, he soon develops a passion for English literature and feels alive with a sense of awe for the first time. He goes on to become an associate professor in English at the University and never returns home in the true sense of the word.
Early in this psychological novel, there is a generous streak of nobility and chivalry to be found in William Stoner's character, both moving and real, and I found myself following this young man's awakening with emotion as he is taken under the wing of his difficult professor and mentor, Archer Sloane. When Stoner approaches him for advice in April 1917, on whether to enlist with his two friends in the army, Sloane speaks to him harshly about the realities of life as we all go marching on through time.
It is the late author John Williams (1922-1994) and creator of Stoner, who is able with a deep sense of honesty, exquisite clarity of prose and conviction to make one reflect deeply on all these subjects. He treats Stoner with such tenderness and objectivity that I increasingly cared for this decent, intelligent and gentle man. To my mind, he meets the definition of a "Hero".
The structure of this masterpiece is set in a stark and realistic framework where Stoner makes two young friends, also acting instructors in the form of the arrogant, flamboyant and brilliant David Masters and the affable and generous-minded Gordon Finch, three very different men. One memorable evening Dave Masters sums up their respective personalities, situation and future at Columbus: "It is an asylum or a rest home, for the infirm, the aged, the discontent, and the otherwise incompetent - we are The University". When Masters is one of the first casualties of WWI, Stoner having glimpsed once into the living heart of his friend, takes him on in spirit for the duration of his lifetime.
As his story progresses, Stoner falls in love with a beautiful young woman, the daughter of a banker from St. Louis, and the reader realizes perhaps even before they marry, that Edith Bostwick is suffering from mental illness at a time when there is no help for her (the school of Freud is not present here). It is a chilling and unsettling portrait of a marriage, and the impact on Stoner and his future is crippling. His wife who eventually goes on to reinvent herself on the death of her father, will not let him establish a paternal rapport with his young daughter whom he loves, and there is more tragedy in this story.
It is inevitable and with good reason that some readers are going to find 'Stoner' too alienating and sad for their taste, both dull and Spartan. Certainly at a younger age, I might have set this aside as a winter's tale with a frown. But, today what really drew my attention to Stoner is in fact the joy and fulfillment he finds in his work and vocation, his hidden passion for life, his great and requited love affair with a student Katherine Driscoll, happy in so many ways, and eventually his show of character and morality when his great enemy Hollis Lomax attempts to destroy him. If I had to pinpoint what stood out foremost in this novel on a personal basis, it is the showdown between Lomax, using his puppet Walker, a damaged and dishonest student, to ruin Stoner who confronts him at all costs. There was some brilliant irony here when Stoner starts interrogating Walker, and how he is able to expose him. As for Lomax, in his introduction of 'Stoner', John McGahern described as one of the most acclaimed Irish writers of his generation (1934-2006) goes on to say: 'In a novel of brilliant portraits, that of Hollis Lomax is the most complex. Some of the scenes of conflict are almost unbearable in their intensity'.
In conclusion, Mr. Woods, and if you are still with me, I will cite what McGahern has to add in his introduction, while agreeing with him when it comes to the central idea of the novel: 'It is surely that of love, the many forms love takes and all the forces that oppose it". At the end of the story, I felt the loss of a friend in Stoner while discovering a new author in John Williams, who produced as one critic suggested, not only a great novel but a near-perfect one, both moving and highly memorable. Recommend at your leisure and when you and Mrs. Woods have finished unpacking those 30 boxes and more in your new and sunny dwellings.
The novel's strength derives from two things: first, that respect for the academic enterprise does not blind Williams to all the many ways that it fails to live up to those ideals. What might turn to irony in the hands of another writer becomes in this book the source of complexity and finally tragedy. It has been said that irony is a sign of "bad faith"; that makes sense since our laughter signals our complicity in and our submission to compromise. This is not a book that compromises.
The book's second great strength lies in its style, sensitivity to language, and lyricism. (If you have not yet read it, please skip the next two paragraphs as I must give away a little of the plot.) The example I want to describe comes from the point in the center of the novel where William Stoner, son of hardscrabble Missouri farmers, beleaguered by destructive colleagues and departmental plots, and coming to terms with the fact that he will never achieve his most treasured ambitions as a scholar, suddenly and unexpectedly finds joy.
The joy comes from his falling in love. The timing and build-up to this event, monumental in his small life, is superb. It begins when he glimpses that a young female colleague, whose work he respects enormously, may actually have some warmth and friendship in her feelings for him. After this realization, he makes his way home: "The smell of smoke from trash burning in the back yards was held by the mist; and as he walked slowly through the evening, breathing the fragrance and tasting upon his tongue the sharp night-time air, it seemed to him that the moment he walked in was enough and that he might not need a great deal more. And so he had his love affair." The burst of joy in that final sentence gives way to a long section of the book which gradually conveys the revelation that his feelings are completely returned and a sustained description of fully experienced happiness: "In his forty-third year William Stoner learned what others, much younger, had learned before him: that the person one loves at first is not the person one loves at last, and that love is not an end but a process through which one person attempts to know another."
Of course that wise observation contains within it the foreshadowing of the relationship's end, which comes--as all ends in this patient and comprehensive novel do--in its own good time. Just as William Stoner's great virtue lies in his commitment to his principles, John Williams never toys with his readers. Another amazon reader praises this book for its "rectitude," a wonderful word to characterize it. But don't let the severity of that word put you off. Who knew that "rectitude" could be so marvelous and absorbing?
There is, however, a little "bad faith" in this book, which emerges in the character of Stoner's wife Edith. In my judgment she is far too much the mad housewife, mumbling to herself (which she does). This alternately silent and shrill woman becomes the bane of Stoner's existence: She endures his love-making only as a means to an end; at first indifferent to their child, she later uses her as a weapon in their marriage; she takes over the only little refuge Stoner has made in his study (in their house that she forced him to buy) and appropriates it as her own studio--forcing him to work and sleep in a tiny porch where she casts off their old furniture; she loudly bangs on the piano to distract him from his work; she feigns a biting indifference to his affair ("your little coed . . . I never can remember her name"); she manically and selfishly changes course again and again. And yet at the end of the novel, the two characters make a kind of peace with each other ("They had forgiven themselves for the harm they had done each other, and they were rapt in a regard of what their life together might have been"). This slow reversal shows that Williams in a sense recognizes that such a damaging marriage is entered into by two people, both of whom really are at fault for its failures.
I wish he had revealed that complexity in Edith earlier in the novel. But this is truly not a fatal flaw but more of a lapse. Other characters--Hollis Lomax, Gordon Finch, Katherine Driscoll, Charles Walker, and many more--are presented with great integrity as individuals with both flaws and virtues in this fine and moving book.
Top reviews from other countries
La novela explora temas como el amor no correspondido, la búsqueda del significado en la vida a través del trabajo y las pequeñas victorias y derrotas cotidianas. La prosa de Williams es clara, precisa y bellamente elaborada, sumergiendo al lector en la vida de Stoner de manera íntima y conmovedora.
Es una lectura que recomiendo encarecidamente por su capacidad para inspirar una reflexión profunda sobre la carrera, el amor y las elecciones que definan nuestra vida. "Stoner" es un recordatorio poderoso sobre la importancia de perseguir nuestras pasiones y vivir con integridad.
It leads me to think abaout my own life and farther :
What's life ?
Rating - 5/5
Pitch-perfect.
Stoner is the story of a man whose life and death go quite unnoticed and forgotten.
This man, whose life is no less wonderful than any other human being's, is left abandoned. The man, Stoner, a professor by choice is then resigned to fate like a fallen leaf left at the mercy of the wind.
.
.
.
A beautifully constructed plot, Stoner, does not once leave the reader. Only in a few pages, the reader begins living the life created by John Williams.
The story works on many levels especially in the backdrop of the two world wars. The protagonist and the people around him go through a substantial change post-wars, however subtle. This subtle change, however, can be felt.
Added to that are the intrigues and romance with the hurt that comes with all of it.
.
.
.
A failed marriage, a failed parenthood, a failed affair, a failed work, a failed friendship and failed life - the story encompasses the world that is not moving; a world that is devoid of intimacy and love, and the only emotion the world lives in is a certain kind of hate.
.
.
.
Accolades to Mr. Williams for putting out something so brilliant and true, and, serving it with purity.
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This is one of those "can't stop till I finish" books.
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#bookblogger #bookrecommendation #bookaholic #bookreview #murakami #music #surrealism #photography #monochrome #art #readersofinstagram #kashivology #bookexplorer #bookstagrammer #bookshelf #philosophy #portrait #bookphotography #travel #music #reader #writer #fitness #literature #booksandcoffee #fiction #amazon #kurtvonnegut #eroticliterature #stoner # JohnWilliams #imagination
Reviewed in India on August 17, 2021
Rating - 5/5
Pitch-perfect.
Stoner is the story of a man whose life and death go quite unnoticed and forgotten.
This man, whose life is no less wonderful than any other human being's, is left abandoned. The man, Stoner, a professor by choice is then resigned to fate like a fallen leaf left at the mercy of the wind.
.
.
.
A beautifully constructed plot, Stoner, does not once leave the reader. Only in a few pages, the reader begins living the life created by John Williams.
The story works on many levels especially in the backdrop of the two world wars. The protagonist and the people around him go through a substantial change post-wars, however subtle. This subtle change, however, can be felt.
Added to that are the intrigues and romance with the hurt that comes with all of it.
.
.
.
A failed marriage, a failed parenthood, a failed affair, a failed work, a failed friendship and failed life - the story encompasses the world that is not moving; a world that is devoid of intimacy and love, and the only emotion the world lives in is a certain kind of hate.
.
.
.
Accolades to Mr. Williams for putting out something so brilliant and true, and, serving it with purity.
.
.
.
.
This is one of those "can't stop till I finish" books.
.
.
..
..
...
...
....
....
.....
.....
......
......
.......
.......
#bookblogger #bookrecommendation #bookaholic #bookreview #murakami #music #surrealism #photography #monochrome #art #readersofinstagram #kashivology #bookexplorer #bookstagrammer #bookshelf #philosophy #portrait #bookphotography #travel #music #reader #writer #fitness #literature #booksandcoffee #fiction #amazon #kurtvonnegut #eroticliterature #stoner # JohnWilliams #imagination