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Follies in Concert 1985 Live Performance Stavisky Film Score
Live, Cast Recording
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Track Listings
Disc: 1
1 | Overture - Paul Gemignani |
2 | Beautiful Girls - Follies Ensemble (1985) |
3 | Don't Look at Me - George Hearn |
4 | Waiting for the Girls Upstairs - Mandy Patinkin |
5 | Rain on the Roof - Betty Comden |
6 | Ah, Paree! - Liliane Montevecchi |
7 | Broadway Baby - Elaine Stritch |
8 | The Road You Didn't Take - George Hearn |
9 | In Buddy's Eyes - Barbara Cook |
10 | Who's That Woman? - Phyllis Newman |
11 | I'm Still Here - Carol Burnett |
12 | Too Many Mornings - George Hearn |
13 | The Right Girl - Mandy Patinkin |
14 | One More Kiss - Licia Albanese |
15 | Could I Leave You? - Lee Remick |
16 | Loveland - Follies Ensemble (1985) |
17 | You're Gonna Love Tomorrow / Love Will See Us Through - Liz Callaway |
Disc: 2
1 | Buddy's Blues - Mandy Patinkin |
2 | Losing My Mind - Barbara Cook |
3 | The Story of Lucy and Jessie - Lee Remick |
4 | Live, Laugh, Love - George Hearn |
5 | Finale: Waiting for the Girls Upstairs (Reprise) / Beautiful Girls (Reprise) - Follies Ensemble (1985) |
6 | Theme |
7 | Salon at the Claridge #1 |
8 | Arlette by Day |
9 | Auto Show |
10 | Easy Life |
11 | Secret of Night |
12 | Erna |
13 | Distant Past |
14 | Arlette by Night |
15 | Airport at Biarritz |
16 | Trotsky at Saint-Palais |
17 | Montalvo at Biarritz |
18 | Operetta |
19 | Arlette and Stavisky |
20 | Recent Past |
21 | Salon at the Claridge #2 |
22 | Suite at the Claridge |
23 | Old House |
24 | Goodbye Arlette |
25 | Hideout at Chamonix |
26 | Erna Remembered |
27 | The Future |
28 | Women and Death |
29 | Theme |
Editorial Reviews
Amazon.com
Since the original Broadway cast recording of Stephen Sondheim's Follies was a truncated affair that turned out to be both a disappointment and a disservice to a brilliant show with a brilliant cast, this 1985 concert performance from New York's Avery Fisher Hall set out to record the whole score, a set of pastiches of old songs and songwriters as performed by a cast of faded stars and the visions of their younger selves. The result was a star-studded roster backed by the New York Philharmonic led by Paul Gemignani, with principals Barbara Cook, Mandy Patinkin, Lee Remick, and George Hearn, supported by the likes of Carol Burnett, Liliane Montevecchi, and Liz Callaway. Even these stars can't quite match the original cast, and the results are somewhat uneven--from Cook's yearning "Losing My Mind" to Patinkin's you-love-it-or-you-hate-it schizophrenia in "Buddy's Blues." Other highlights include Elaine Stritch's wry "Broadway Baby," the two young couples' interplay in "You're Gonna Love Tomorrow/Love Will See Us Through," and the electrifying audience reactions to "Beautiful Girls" and "Who's That Woman?" (A documentary video was released, but unfortunately, it did not contain the complete show.) As a bonus, this two-CD set includes 45 minutes of instrumental music Sondheim composed for the 1974 French film Stavisky, including two melodies that had been cut from the original production of Follies. --David Horiuchi
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.6 x 4.9 x 1 inches; 6.4 Ounces
- Manufacturer : Sony Classical
- Original Release Date : 1985
- Run time : 2 hours and 9 minutes
- Date First Available : December 12, 2006
- Label : Sony Classical
- ASIN : B000002WB6
- Number of discs : 2
- Best Sellers Rank: #106,404 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,245 in Musical Soundtracks & Scores
- #1,266 in Movie Scores (CDs & Vinyl)
- #1,810 in Traditional Vocal Pop (CDs & Vinyl)
- Customer Reviews:
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Learn more how customers reviews work on AmazonReviewed in the United States on December 30, 2002
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I can't go into all the details of FOLLIES or its history; besides, prior reviewers have covered that well. Suffice it to say that the show is nearly entirely sung, and the music comes in two kinds: First, Stephen Sondheim's modern theater music that conveys the emotions of four principal players returned for a reunion, who haven't seen each other since the lavish, Ziegfeld-like "Weismann Follies" revue closed thirty years prior (1941). The other half of the music consists of tunes in the style of the 1919-1941 period in which fictional Dimitri Weissman produced his follies. Too smart to be called "hommage" or "imitation," too clever to be called "satire" or "parody," only the term "pastiche" will serve for Sondheim's compositions. Sometimes slightly overblown (as in the quotation from the "Beautiful Girls" number in the caption above), sometimes lovingly familiar, Sondheim somehow managed to put his mindset in the era of the American Songbook and compose this paean to the past, a kind of ghost show-beneath-a-show so redolent of composers of the past like George Gershwin, Harold Arlen, Kurt Weill, Rodgers and Hart and Irving Berlin. Quite a few songs that have worked their way into the American consciousness in the intervening four decades have come from FOLLIES, including "Broadway Baby," "Losing My Mind," "In Buddy's Eyes," "The Story of Lucy and Jessie," and "I'm Still Here," which Carol Burnett made legend on this recording.
Apparently anxious to fill up the two-CD format, the folks at RCA have appended Sondheim's little-known film score for the 1974 French film, STAVISKY, which Philip French, reviewing for the TIMES of London, praised as the "tinkling thirties-pastiche foxtrot music of Stephen Sondheim..." Even without the bonus, this two-CD set is highly recommended. Is this the BEST of all possible FOLLIES? I can't say, but it's right up there. Every Sondheim fan should own this one. Note that this FOLLIES CD is based on live concert performances, so you will hear applause -- sometimes thunderous.
And this is with the admission that every recording of each of these shows over the years has value and has added to our appreciation of America's greatest living composer for the Broadway stage, Stephen Sondheim. And it is also with the understanding that these two shows are but the best representation of Sondheim's art.
So, there you ares, the two best recordings, respectively, of the two shows which I feel best represent that seemingly bottomless well of creation Mr. Sondheim seems to draw upon.
The recording in question here is not only technically without peer, it effuses the joy so often missing from the recorded form. It is a live recording, almost always a plus. And even though we can't actually see the artists as they perform (the documentary video does give us glimpses - far to miserly for my taste) we can hear the joy of performing that virtually explodes out of their performances. It is impossible to not react.
This CD is beguiling, bewitching, and yes, electrifying. It is a snapshot which freezes forever a most amazing event in New York City that the whole world is allowed to share in forever.
Lucky us!
How very, very wonderful.
The set also includes Sondheim's score for the film STAVISKY . Never having seen the film, I still haven't made up my mind about the score. To me, it's just an extra added attraction - the set would have been sufficient without it, though perhaps it would have been more appropriate to add alternate versions of the FOLLIES songs if there was time to fill on the disc.
Top reviews from other countries
Great to get it on dvd