Star Trek The Next Generation S 7 E 20 Firstborn / Recap - TV Tropes
 

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K'mtar and Worf discuss Alexander's future

Original air date: April 25, 1994

Worf is in his quarters, rehearsing a speech for Alexander about undertaking the Rites of Ascension, as he is almost old enough to be considered an adult in Klingon society. Things don't go quite as planned, however. Alexander, who has always related more to his human side, flatly refuses without a second thought. Picard notices Worf's preoccupation during the daily briefing, and when he learns the reason, he points out that Alexander has had very little exposure to Klingon culture. As the Enterprise is killing time waiting for a rendezvous with another ship, Picard suggests that Worf take Alexander to see the Kot'baval festival at a nearby Klingon outpost on Maranga IV, where he can learn more about the parts of his heritage that do not involve pain sticks.

Alexander has fun at the festival, enjoying the entertainment, street food, and company of other Klingons his age. After a long day, as they are preparing to leave, Worf and Alexander are accosted by three armed thugs. Worf drives them off with the help of another Klingon who introduces himself as K'mtar, a family retainer sent by Kurn to protect them. Back on the Enterprise, they reveal that one of the daggers left by the attackers bears the seal of the House of Duras, which casts suspicion on Lursa and B'Etor, who have been leading their house since Duras' death.

Riker agrees to help search for the Duras sisters. Meanwhile, K'mtar talks to Worf about Alexander's future as a Klingon warrior, as he is the only male heir to the House of Mogh. When Worf explains Alexander's recalcitrance, K'mtar offers to help train him as a warrior. After what happened on the planet, Alexander is more amenable to this idea, so that he can better protect himself and Worf in the future.

The three visit the holodeck to recreate the fight on Maranga IV. Alexander successfully downs one of the attackers with some advice from K'mtar, but hesitates and loses his nerve when asked to finish him off. Later, as K'mtar is teaching Alexander some Klingon lore, his overbearing insistence on the "proper" interpretation of the stories further deflates Alexander's previous enthusiasm. It becomes apparent to him that K'mtar is even more obsessed than his father about turning him into a warrior.

Meanwhile, the Enterprise has managed to track down the Duras sisters, thanks to a tip from Quark. They immediately plead ignorance in the attempt on Worf's life and insist the knife must have been used to falsely implicate them. B'Etor then notices to her shock that the family markings on the handle include a symbol representing Lursa's son - a son she only just discovered she was pregnant with days ago.

It turns out the sisters were correct - the blade was used to frame them, by none other than K'mtar himself. Worf catches him in his quarters just as he is about to kill Alexander in his sleep. After being subdued by Worf, K'mtar reveals that he is Alexander from the 40 years in the future and proves it by reciting their last moments together with K'Ehleyr when she died.

Future Alexander explains that, as he grew up, he tried to become a mediator in Klingon society to end the feuding of the Great Houses. The enemies of the House of Mogh took advantage of this and killed Worf, which Alexander was never able to forgive himself for. Thus, he came back 40 years to try and reform his younger self into becoming a warrior, staging the attack as a way to scare him onto the right path. Killing the young Alexander was a last-ditch effort to rewrite history after he failed in his goal. Worf reassures him that he did not fail and that he has shown him that Alexander will have his own future to look forward to, which is what he really wanted all along. They hug it out, and the adult Alexander goes his own way. Worf continues training Alexander, but with a more relaxed attitude, now that he knows his son will eventually find a calling.

Tropes featured:

  • Aesop Enforcer: K'mtar tries to teach Alexander the value of becoming a warrior by staging a showy (but ultimately harmless) attack on him and Worf. He also tries to enforce the proper Klingon interpretation of their parables over Alexander's. It's not clear whether K'mtar is truly speaking for their religion's canon, or he simply thought Alexander's interpretations were too "soft".
  • Call-Back: Future Alexander, recalling the day his mother died.
  • Continuity Nod: The Duras Sisters' visit to Deep Space Nine the previous year is not only acknowledged, but is also a plot point. Starfleet has lost track of Lursa and B'Etor in the interim since they left the Bajor Sector, thus forcing Riker to turn to contacts like Quark to try and pick up the trail.
  • Crossover: Not quite as much as the last time it happened, but one of Riker's leads to tracking down the Duras sisters is Quark, who even gets a little on-screen sparring time with the commander. His cameo also serves the purpose of recapping the broad strokes of "Past Prologue" for TNG viewers who weren't watching the spinoff show.
  • Foreshadowing: K'mtar has a strangely troubled reaction to the fact that Riker managed to track down the Duras sisters.
  • Grandfather Paradox: There's no telling how the Star Trek Timey-Wimey Ball would have reacted to Alexander assassinating his younger self, but fortunately for all involved, we don't get the chance to find out.
  • Hand Wave: The question of how K'mtar traveled back in time is quickly glossed over as unimportant. He found some unnamed person somewhere who could send him back, and that's all we hear about it.note 
  • Linked List Clue Methodology: How the Enterprise spends its time tracking down the Duras Sisters between Alexander's scenes.
  • Luke, You Are My Father: K'mtar turns out to be Alexander all grown up. The whole plot was set in motion because he was trying to stop Worf from being killed by travelling back in time.
  • Not Me This Time: While Lursa and B'Etor were disappointed that Worf was still alive, they weren't trying to kill him this time around. In fact, they've never had any particular interest in him except when the Enterprise gets in the way of their schemes. The fact that they haven't crossed paths recently is an early hint that something doesn't quite add up about K'mtar's story.
  • Scare 'Em Straight: K'mtar staged the attack on Maranga IV to make Alexander more receptive to being combat trained. It works, but not for very long.
  • Spanner in the Works: Riker completely derails K'mtar's plan by the simple fact that he is able to quickly pick up the trail of the Duras sisters from Quark. As K'mtar himself says, he didn't expect anyone to be able to find them.
  • Spotting the Thread: K'mtar presumably brought the Duras knife from the future to give to the thugs he hired. He either didn't notice, or didn't think anyone else would notice, that it bore the mark of Lursa's now-unborn son. Then again, the timing was remarkably convenient: any earlier and it could be dismissed as an invention, any later and her pregnancy would (potentially) be public knowledge, but events happened right at the moment when Lursa knew she was pregnant but no one else but her sister did.
  • Timey-Wimey Ball: Worf tells K'mtar that the future he remembers in no longer a Foregone Conclusion, given how much he has already intervened.
    Worf: Who knows what the future will be now that you have disrupted time? I may die tomorrow or I may outlive you.
  • Trust Password: K'mtar proves he is Alexander to Worf's satisfaction by recalling the details of K'Ehleyr's death earlier in the series, which only he and Worf were present for.
  • Wham Line: Lursa reveals that one of the marks on her knife represents her son, which she found out a few days ago that she's pregnant with.
  • Writers Cannot Do Math: They seem to have forgotten that the age of Alexander's actor doesn't quite match up with that of the character. K'mtar says that he watched his mother die when he was three years old; during the events of that episode, Alexander was only one.

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