News — The Reverend Shawn Amos

New Single. New Video.

“It’s All Gonna Change (For the Better)” is the third single from Soul Brother No. 1 (due May 3). The accompanying music video was created by British-Korean visual artist, Sheldrick. Here’s what The Rev has to say about both the song and music video:

There’s a famous comedy bit from George Carlin addressing human’s disgraceful treatment of Earth. It ends with the punchline, ‘The planet is fine. The people are fucked.’  This song is a simple reminder to “WAKE UP!” as Mr. Señor Love Daddy would say. Life on this beautiful planet is a gift—not a given. You dig?”

The brilliant visual artist, Sheldrick, created this beautifully apocalyptic world where human callousness gives way to a reclamation of the planet by non-human lifeforms. The planet is fine.

Sheldrick’s use of music visualization software, photography, and computer animation is both hypnotic and unnerving. He created a completely original landscape for the song that contains multiple layers and meanings.

LISTEN to “It’s All Gonna Change (For the Better)”

WATCH the music video:

New Single from SOUL BROTHER NO. 1. Album Available for Pre-Order.

foto: Fred Siegel

Today the NAACP award-winning author, Grammy-nominated producer, and multimedia storyteller The Reverend Shawn Amos shares his new track “Back To The Beginning,” the second single from his upcoming album Soul Brother No. 1. The song builds from a slow-burning soul groove to a revelatory crescendo courtesy of the celebrated Nashville gospel group The McCrary Sisters who lend their powerful vocals to the song. Soul Brother No. 1 will be released on May 3 via Immediate Family Records and is currently available to pre-order here

Listen: Shawn Amos - “Back To The Beginning” featuring The McCrary Sisters

"It's a song about looking yourself in the mirror and learning to love what you see,” writes Amos. “Like much of the album, it's also a reminder that our time here is limited. We can use it hating or use it loving. I’m working hard to love." 

Amos also recently released a video for the hard-driving blues track “Revelation.”

Soul Brother No. 1 represents both the culmination of a unique, two-decade-plus artistic career, and a breakthrough in an ongoing journey of self-exploration. From the get-go, Amos has expressed an ever-evolving musical vision through rootsy Americana, singer-songwriter pop, and, as harmonica ace The Reverend Shawn Amos, the blues. Through “The Rev,” Amos immersed himself in African American culture, directly linking to the ongoing story of his people’s struggles, triumphs, and unshakable joy. “The whole reason I started playing the blues,” he says, “was it connected me to my race in a way that I hadn’t fully understood. With Soul Brother No. 1, I’m taking that journey even deeper.”

Seeking new depths, Amos and producer James Saez (Social Distortion, The Road Kings) crafted a sonic world redolent of the socially conscious, Afrocentric ‘70s soul and funk. Amos and Saez assembled a dream team: drummer Steve Ferrone (Tom Petty & the Heartbreakers, Average White Band, Chaka Khan), bassist Jerry “Wyzard” Seay (Stevie Nicks, Keb’ Mo’, Mother’s Finest), keyboardist-songwriter Dapo Torimiro (Lauryn Hill, Earth, Wind & Fire), and longtime Amos guitarist Chris “Doctor” Roberts. 

The fierce vitality and spirit of self-reconnection underpinning Soul Brother No. 1 initially emerged through words and story rather than song, as Amos dug deep into his life and generational experience to author his first published book, the NAACP Image Award-winning youth novel Cookies & Milk, a semi-autobiographical tale based on his latchkey kid years as the son of cookie entrepreneur Wally “Famous” Amos and erstwhile nightclub chanteuse Shirley “Shirl-ee May” Ellis. Like the book’s protagonist, Ellis Johnson, Amos was a Black child of divorce with mostly white friends, struggling to find his identity in colorful-but-chaotic ‘70s Hollywood. In those hothouse times, Amos’s hustler father bequeathed him preternatural willpower to manifest big dreams, but feelings of blood kinship came as much from Parliament-Funkadelic, Isaac Hayes, and the Jackson 5 as they did from Amos’s broken home. The rich, righteous world of Cookies & Milk – and 2023 sequel Ellis Johnson Might Be Famous – emboldened songwriter Amos to tap back into his family of choice: the seminal soul artists of the Black Power era. 

In the thick of making Soul Brother No. 1, Amos realized, “I’ve spent so much of my life partially dimming my own light. No more. With this album, I am uncovering every last fucking root, undoing my own programming. I was brought up to think I was white, cut off from my own roots. No more. I spent weeks trying to figure out who this version of Black Pride is for me. Now I know. Soul Brother No. 1 is who I am.”

"Back to the Beginning" Premiere on WMOT

Beloved Nashville radio station, WMOT Roots Radio is premiering the second single from Soul Brother No. 1 today. Listen to “Back to the Beginning” featuring The McCrary Sisters on WMOT’s Local Brew Daily at 6:30 AM & PM.

“Back to the Beginning” will be available on all music platforms February 23.

The Rev with the McCrary Sisters and his son, Ellis at East Iris Studios, Nashville.

foto: Brady Blade

Books & Blues In Norway

The Rev was invited to Norway last week as part of the Jessheim Experience lineup of artists. He joined famed Norwegian author, Lars Saabye Christensen, to discuss how the blues informs both of their literary work.

Later in the evening The Rev shared the stage with celebrated Norwegian guitarist and composter, Amund Maarud and Brotherhood drummer, Brady Blade, for an improvisational blues collaboration.

Some photos from the event courtesy of Bård Gundersen.

'Revelation' Single Now Streaming

Revelation",” the Rev’s first single form his forthcoming album, Soul Brother No. 1 is now streaming. Co-written by The Rev and the Brotherhood, the tracks features Steve Ferrone (Tom Petty & The Heartbreakers), James “Wyzard” Saey (Mother’s Finest) and Dapo Torimiro (John Legend).

Says The Rev about the song, ”’Revelation’ is the heaviest groove I’ve ever recorded. A dark beast,” says Amos. “Darkness and light always duking it out. It’s dangerous thing when you discover your own power, keeping it in check. It probably should be called ‘John The Revelator, Pt. 2.’ I imagined Son House in the vocal booth with me—30 years younger—fighting together for our souls.”

Enjoy!