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Seven Deaths In The Cat's Eyes (Aka Corringa Or La Morte Negli Occhi Del Gatto)
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Genre | Horror |
Format | NTSC |
Contributor | Hiram Keller, Antonio Margheriti, Jane Birkin |
Language | English |
Runtime | 1 hour and 35 minutes |
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- This item:Seven Deaths In The Cat's Eyes (Aka Corringa Or La Morte Negli Occhi Del Gatto)Jane BirkinBlu-ray
Product Description
When a fractious aristocratic family gathers at an ancestral Scottish castle, a straight razor-wielding murderer is also an unwelcome guest in Seven Deaths in the Cat's Eyes (1973, aka Corringa or La morte negli occhi del gatto), a blood-laced thriller - complete with giallo flourishes, tantalizing sexuality, a pet gorilla and an omnipresent ginger tabby - from genre filmmaker Antonio Margheriti (aka Anthony M. Dawson). Singer/actress Jane Birkin plays the willowy heroine whose arrival foreshadows several unnatural deaths, Hiram Keller is the possibly unhinged lord of the manor with a cursed history, and the ensemble includes schemers with homicidal tendencies, all underscored by the shudder-inducing music of the great Riz Ortolani.
Product details
- MPAA rating : NR (Not Rated)
- Package Dimensions : 6.69 x 5.39 x 0.39 inches; 2.86 Ounces
- Director : Antonio Margheriti
- Media Format : NTSC
- Run time : 1 hour and 35 minutes
- Release date : December 28, 2021
- Actors : Jane Birkin, Hiram Keller
- Studio : Twilight Time
- ASIN : B094X2RBFZ
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #80,563 in Movies & TV (See Top 100 in Movies & TV)
- #2,882 in Horror (Movies & TV)
- Customer Reviews:
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Learn more how customers reviews work on AmazonReviewed in the United States on July 3, 2008
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Almost, but not quite lurid or sordid enough. I found it sorely lacking in violence and rationale. Still, it was sufficiently entertaining to keep for future viewings.
An old Scottish castle, debts, and the MacGrieff legend all come to play. The legend is when a MacGrieff kills a blood relative, that relative turns into a vampire.
The cat is a big fluffy red boy, and plays a prominent role in witnessing the murders, and there are many. There is Lord James MacGrieff, who is being treated by a live-in doctor for apparently being mad, and young Corringa shows up, having been expelled from school. They seem to hit it off well.
As the bodies start piling up, there is a real mystery as to whom is the killer. And in trying to solve that, the movie actually is fun to watch. There are hidden passages, and false clues. Oh, and a large gorilla that was gotten from a circus, when those owners thought the gorilla had killed someone. And the gorilla does get out of his cell at times.
This is classic 1970's British horror/mystery with plenty of shadows and suspects.
Top reviews from other countries
Jane Birkin was an enticing and likeable lead as Corringa, but I can honestly say that this is the only film I've seen her in, I really do need to watch Blow-Up. Hiram Keller is pretty good as Lord James MacGrieff, he's very intense and had the perfect face for the role. German actor Anton Diffring played Dr. Franz, French superstar Serge Gainsbourg stars as a Police Inspector who's investigating the murders, and Italian actor Venantino Venantini stars as Father Robertson. Venantini will be a familiar face to fans of Italian horror, he played Mr. Ross in City of the Living Dead, the man who pushes Giovanni Lombardo Radice's head on to the drill. He played Sgt. Ross in Umberto Lenzi's Cannibal Ferox and Juan Cardoso in Alfonso Brescia's ridiculous but fun, The Beast In Space. It's directed by Antonio Margheriti, a director whose most successful period was probably in the '60s with numerous excellent gothic horror films like The Castle of Death and Castle of Blood. It's hardly surprising that during the giallo boom in the '70s, Margheriti chose to make his a gothic giallo set in a castle. Seven Deaths in the Cat's Eye is still probably the most gothic giallo I've ever seen, and it was probably his best attempt at the genre. Margheriti also directed the 1980 classic, Cannibal Apocalypse, which was the first Margheriti film I ever saw. The music from Italian legend and two time Academy award nominee, Riz Ortolani, is excellent, the cinematography by Carlo Carlini is also very good. There's a little nudity and blood, but it's a film that prefers to use the creepy castle and actors to build atmosphere. The castle itself plays a big part in the film, secret passages, plenty of dark rooms and corridors, the crypt outside and of course, the cat, whose appearance almost always confirms your imminent death.
It's another wonderful looking transfer from Blue Underground, the colours and detail are fantastic. The sound for the most part is also great, the dialogue is crisp and the music plays a large part of the film. There's one extra on the disc which is a an eight minute featurette called Muder He Wrote - An interview with co-writer Giovanni Simonelli. That actually lasts about five minutes and the last few minutes of it is Antonio Margheriti explaining the reason why he chose to release most of his films under the pseudonym of Anthony M. Dawson. It's dubbed into English but most of the actors were speaking in English anyway, and there's no subtitles. Seven Deaths is a very good gothic giallo that deserves to be seen by all fans of the genre, and despite it being a genre that often had strange things going on, this is one of the strangest out there. It probably didn't need the vampire or gorilla parts in the film as it's only ever hinted at, but it's still a great little movie and one of Antonio Margheriti's best.
Label: 88 FILMS
Tranfer by: Italy (?)
Aspect Ratio: 2.35 : 1
88 FILMS released a BD set of the atmospheric SEVEN DEATHS IN THE CATS EYE. Newly transferred from the original camera negative. The Movie is an interesting mixture from gothic tales, Agatha Christie like story and some elements from Gialli. The visual style tends towards the ROGER CORMAN flicks starring VINCENT PRICE. There is a nice and relaxed old-school feel to it. Camera work, lightning, atmosphere, costumes, actors and sets are satisfactory. Give it a try.
No Grain Baby, No Gain / The Transfer:
So fancy the movie itself is set in scene so bad is the transfer done. There is absolutely no depth and texture to it and the figures tend to be so smooth as an eel. You guessed it. Heavy DNR filtering has been applied here. As a result you have a loss on every and each side: contrasts are so low. Level of Detail: nope. Colors seem to be false the darker the segments are. This transfer is dead. Its absolutely no fun to watch an a big screen. On the contrary it is downright stressfull because nearly the whole movie is set in place in dark environments. Sorry. No stars here. This is 2017!
Cut and Run:
The scanned source material is integral. NO noticeable inserts from different sources have been applied. I find this to be so damn important for a perfect filmic enjoyment. The movie is uncut.
Final Thoughts:
Fans, collectors and people with bigscreens or projectors should think twice. If you already own a relatively well done release like the BLUE UNDERGROUND DVD I cant recommend an update at this point. What a pity. I think this movie and our home cinema systems including our cinematic trained eyes deserve better treatment.
Statement:
My ratings refer exclusively to technical aspects of BD sets. The more filmic / photographic a movie looks and feels via bigscreen projections and the more authentic to its camera negative (or other sources) the movie is scanned and digitally treated afterwards, the higher the ratings will be.
I do not rate movies at all. I just watch them and I think of them as artificial pieces of work where many efforts have been taken (including complex postproduction) to accomplish a vision of whatsoever kind. No movie ever shot has earned a 1 star rating on AMAZON or a 1 point rating on IMDB. Anyway, I could rate them because I have studied in private many publications about making films, their psychological impact, and the subject violence on film. And because I am a hobby photographer for years now I know much about frame compositions, color composition and different styles and so on. I am interested in the arts in general. I am also a hobby musician and sound designer with a little studio. So I even could rate the filmical scores. But hell...why should I? Things are what they are and nothing more or less. I like to think beyond mind constructed terms like good and bad. So called "objectivity" becomes fast diluted by personal preferences which results in comments of personal taste. And that should not be the base for a rating-scale which claims to be universal. When it comes to technical aspects thats a different kind of thing. DNR, edge enhancement or block noise and such things are obvious on big screens and we can speak of objectivity and measurability.
All about Ev(m)e:
I am a collector of films for about 27 Years, own about 3.000 films (would be far more, but I often sort out transfers I dont like) and watch them in a home-cinema room via bigscreen projection. I am also a hobby musician and photographer with some experience scanning camera negatives in high definitions. I am fascinated by films from reels since I am a kid and spent hours for hours in cinemas and visiting film festivals.
I won't delve into the plot which you will probably have read in other reviews. This horror film might be all right for the pre-pubescent audience but it's certainly no thinking man's horror. The acting is all too often wooden (although I accept that this may be partly due to an unsympathetic dubbing of the original actors' voices into English that lacked the correct intonation or feeling to match the predicaments). The technical quality of the dubbing however was very good - ie, the English words fitted the movements of the actors' mouths well. The dubbed Scots accent was well short of the mark and sounded most amusing - something you don't really want in a horror picture! And why dub Anton Diffring's voice in English? He could speak English (he stared in several British horror films). To have his familiar voice replaced with an alien voice came as an unpleasant surprise. The interior sets of the castle were unconvincing. Rooms in a real castle would be far larger than those portrayed on the film - perhaps a constraint of the size of the film studio used? Photography was good with some good lighting, especially an occasional green tint on some actors' faces in the castle which was well judged. The editing and 'subject placement' or centring lacked care resulting in framing not being what is anticipated by the viewer, making the editing anything but transparent.
Restoration was fair to good but I expected better from the camera original negative as claimed. There are certainly better examples of beautiful restorations out there (UFO, The Professionals, The Sweeney and others).
As to the actual horror itself, the director has little idea how to horrify his audience! Lack of build up. He needs to add SUSPENSE to the film, not just throw in gore without any plot build up. He needs to take a leaf out of Hitchcock's book.
This film was so poor I could not play it to the end - it was just wasting my time. A highly disappointing film which offered very little horror . The film begs the question of how this director actually became a professional director as the film felt semi-professional at best. A complete waste of time and money in my modest opinion. I will not be buying any more films from this director.